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Titre : 05.16 - 2016-05-12 - Packaging Type de document : texte imprimé Année de publication : 2016 Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques
Conditionnement
PackagingIndex. décimale : 766 Arts graphiques En ligne : http://www.novumnet.de/en/world-of-novum/current-issue/0616/novum-plus/colour.ht [...] [n° ou bulletin] 05.16 - 2016-05-12 - Packaging [texte imprimé] . - 2016.
Langues : Allemand (ger) Anglais (eng)
Catégories : Arts graphiques
Conditionnement
PackagingIndex. décimale : 766 Arts graphiques En ligne : http://www.novumnet.de/en/world-of-novum/current-issue/0616/novum-plus/colour.ht [...] Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 20196 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : 05.17 - 2017-05-01 Type de document : texte imprimé Année de publication : 2017 Langues : Allemand (ger) Anglais (eng) Catégories : Design
GraphismeIndex. décimale : 766 Arts graphiques Résumé : Great identities from Norway, biodegradable clothes 100 & Made in Europe, a redesign for Juventus Turin and and interview with a legendary designer who worked for the Beatles, the Stones and the Oscars – this month's novum is packed with exciting stories and great design … Note de contenu : Content
novum+
Studio Marcus Kraft (SWI)
Studio Cream (ITA)
Nicklas Hellborg (NOR)
Kurt Dornig (AUT)
Mission Norway (NOR)
Interbrand (ITA)
WirDesign (GER)
Manuel Bortoletti (ITA)
Studio Tung (CAN)
showroom
Moby Digg (GER)
Cult Partners (USA)
Stephanie Specht (BEL)
Mira Nameth (SWE)
Arnold Schwartzman (USA)
Paper: PaperWise natural in 342 g/qm von Igepa
Cover design: Moby Digg
Offset printing: f&w Druck- und Mediencenter
Pictures: Dominic Brighton
En ligne : http://novum.graphics/en/magazine/current-issue/detail/novum-0517/ [n° ou bulletin] 05.17 - 2017-05-01 [texte imprimé] . - 2017.
Langues : Allemand (ger) Anglais (eng)
Catégories : Design
GraphismeIndex. décimale : 766 Arts graphiques Résumé : Great identities from Norway, biodegradable clothes 100 & Made in Europe, a redesign for Juventus Turin and and interview with a legendary designer who worked for the Beatles, the Stones and the Oscars – this month's novum is packed with exciting stories and great design … Note de contenu : Content
novum+
Studio Marcus Kraft (SWI)
Studio Cream (ITA)
Nicklas Hellborg (NOR)
Kurt Dornig (AUT)
Mission Norway (NOR)
Interbrand (ITA)
WirDesign (GER)
Manuel Bortoletti (ITA)
Studio Tung (CAN)
showroom
Moby Digg (GER)
Cult Partners (USA)
Stephanie Specht (BEL)
Mira Nameth (SWE)
Arnold Schwartzman (USA)
Paper: PaperWise natural in 342 g/qm von Igepa
Cover design: Moby Digg
Offset printing: f&w Druck- und Mediencenter
Pictures: Dominic Brighton
En ligne : http://novum.graphics/en/magazine/current-issue/detail/novum-0517/ Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 21189 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : 05.18 - 2018-05-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- Design
Affiches de spectacle
Arts graphiques -- Mise en page et typographie
Conditionnement
Dessin de mode
Graphistes -- 21e siècle
Livres -- Mise en page
Marques de commerce
Mode
Photographie de mode
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Résumé :
Graphic haute couture
In our May issue we enter into a sector that thrives on change like perhaps none other: fashion. The designs that are presented in autumn for the following spring are already passé come the fashion shows in January. The points of contact with graphic design are often more sustainable, but no less interesting: How do fashion labels present themselves in terms of graphic design? How do you capture fashion models in drawings? And: What’s the best way to update a traditional brand?Note de contenu :
We went on the trail and discovered some tremendous CIs behind the catwalks, as it were. For example, we have an interview with the gifted fashion illustrator David Downton, whose portfolio contains a string of illustrious names from Chanel to Valentino, and from Harper’s Bazaar to Vogue. He gives us an insider´s view and also passes on some advice to the next generation of fashion illustrators.
In our Showrooms you can look forward to an exciting and international mix of creative talent: Stefano Marro delights with his magical illustrations that rekindle the spirit of Italian futurism. By contrast, the posters and editorial designs of Sven Lindhorst-Emme impress with precision minimalism. A little pop is here, too, in the work of Portuguese designer Marta Veludo, whose creative home is now Amsterdam. We drop in on Manuel Kreuzer who turns out some amazing things from his small studio … with or without a commission. And then there’s Neu – Designbüro – meaning »new«. The innovative approaches seen here confirm the old adage »nomen est omen«.
With this month’s brand story, we revel in being a child again – Schuco’s model vehicles still delight boys and girls of all ages. We also have some exciting paper projects of our own for you: Eberl Print treated its customers to a clever construction, surprising them not only with delightfully scented content, but also and above all with the presentation. One other thing we were keen to share with you – the ever-growing area of foil applications in fashion. A particularly beautiful project by Kurz for this year’s MCBW delighted us all. Herbert Lechner is here, too, reporting on his visit to the German offices of Laurence Publishing in Berlin, which offers a very select programme.
The cover
Our search for New Talents Berlin continues this month: This time Felix Wiesner visited Lucas Doerre und Marius Sperlich, who under the name of Vater Lin Miro are experimenting with all the digital and analogue diversity in graphic design in combination with an artistic slant. The cover for this issue of novum, designed by the two creatives, reflects this appetite for different dimensions and design possibilities.
As the plan was to use different finishes, the material had to meet a number of criteria: We finally found the ideal solution in the high-white paper MetsäBoard Prime FBB Bright. This allowed precision embossing and gave a good clean result in hot-foil finishing. This card is also good because of its lightweight design that spells cost-efficiency and sustainability. What you see on the 280 gsm cover is a sculpture created in several embossing stages and then treated to full-page hot-foil finishing – Frank Denninghoff from the Forum Prägefolien Veredelung put all his expertise into this classy creation.
In combination with the mysterious sculpture, the reflective surface (in which the reader can see his/her own reflection) visualises precisely that which fashion is: A seductive envelope. Note the mirror is not homogeneous – its shimmering pattern hints at the transformation that fashion can bring. The two creatives Lucas Doerre and Marius Sperlich opted for »Neon Seamless« from Kurz, that generates fascinating effects. Such transformational properties are indeed comparable with fashion: It, too, can play with colour and contrasts, change surfaces and enliven them, conjure up a new me and create a particular radiance. On top of this, there is of course always a hint of poetry – an art form that seems delicate but is nevertheless powerful…
novum+
Donkey (GER)
Studio Small (GBR)
032c (GER)
Design Unit (DEN)
Lotta Nieminen (USA)
Design Ranch (USA)
David Downton (GBR)
Showroom
Sven Lindhorst-Emme (GER)
Stefano Marra (ITA)
Marta Veludo (NLD)
Neu Designbüro (GER)
Manuel Kreuzer (GER)
New Talents Berlin: Vater Lin Miro (GER)
Cover: Vater Lin Miro (GER)
Paper: MetsäBoard (Prime FBB Bright)
Photos: Tobias Holzmann
Offset-Print: f&w Druck- und Mediencenter
Hot foil: Leonhard Kurz
Foil finishes and embossing: Forum Prägefolien VeredelungEn ligne : https://novum.graphics/en/magazine/current-issue/detail/novum-0518/ [n° ou bulletin] 05.18 - 2018-05-12 [texte imprimé] . - 2018.
Langues : Allemand (ger) Anglais (eng)
Catégories : Affiches -- Design
Affiches de spectacle
Arts graphiques -- Mise en page et typographie
Conditionnement
Dessin de mode
Graphistes -- 21e siècle
Livres -- Mise en page
Marques de commerce
Mode
Photographie de mode
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Résumé :
Graphic haute couture
In our May issue we enter into a sector that thrives on change like perhaps none other: fashion. The designs that are presented in autumn for the following spring are already passé come the fashion shows in January. The points of contact with graphic design are often more sustainable, but no less interesting: How do fashion labels present themselves in terms of graphic design? How do you capture fashion models in drawings? And: What’s the best way to update a traditional brand?Note de contenu :
We went on the trail and discovered some tremendous CIs behind the catwalks, as it were. For example, we have an interview with the gifted fashion illustrator David Downton, whose portfolio contains a string of illustrious names from Chanel to Valentino, and from Harper’s Bazaar to Vogue. He gives us an insider´s view and also passes on some advice to the next generation of fashion illustrators.
In our Showrooms you can look forward to an exciting and international mix of creative talent: Stefano Marro delights with his magical illustrations that rekindle the spirit of Italian futurism. By contrast, the posters and editorial designs of Sven Lindhorst-Emme impress with precision minimalism. A little pop is here, too, in the work of Portuguese designer Marta Veludo, whose creative home is now Amsterdam. We drop in on Manuel Kreuzer who turns out some amazing things from his small studio … with or without a commission. And then there’s Neu – Designbüro – meaning »new«. The innovative approaches seen here confirm the old adage »nomen est omen«.
With this month’s brand story, we revel in being a child again – Schuco’s model vehicles still delight boys and girls of all ages. We also have some exciting paper projects of our own for you: Eberl Print treated its customers to a clever construction, surprising them not only with delightfully scented content, but also and above all with the presentation. One other thing we were keen to share with you – the ever-growing area of foil applications in fashion. A particularly beautiful project by Kurz for this year’s MCBW delighted us all. Herbert Lechner is here, too, reporting on his visit to the German offices of Laurence Publishing in Berlin, which offers a very select programme.
The cover
Our search for New Talents Berlin continues this month: This time Felix Wiesner visited Lucas Doerre und Marius Sperlich, who under the name of Vater Lin Miro are experimenting with all the digital and analogue diversity in graphic design in combination with an artistic slant. The cover for this issue of novum, designed by the two creatives, reflects this appetite for different dimensions and design possibilities.
As the plan was to use different finishes, the material had to meet a number of criteria: We finally found the ideal solution in the high-white paper MetsäBoard Prime FBB Bright. This allowed precision embossing and gave a good clean result in hot-foil finishing. This card is also good because of its lightweight design that spells cost-efficiency and sustainability. What you see on the 280 gsm cover is a sculpture created in several embossing stages and then treated to full-page hot-foil finishing – Frank Denninghoff from the Forum Prägefolien Veredelung put all his expertise into this classy creation.
In combination with the mysterious sculpture, the reflective surface (in which the reader can see his/her own reflection) visualises precisely that which fashion is: A seductive envelope. Note the mirror is not homogeneous – its shimmering pattern hints at the transformation that fashion can bring. The two creatives Lucas Doerre and Marius Sperlich opted for »Neon Seamless« from Kurz, that generates fascinating effects. Such transformational properties are indeed comparable with fashion: It, too, can play with colour and contrasts, change surfaces and enliven them, conjure up a new me and create a particular radiance. On top of this, there is of course always a hint of poetry – an art form that seems delicate but is nevertheless powerful…
novum+
Donkey (GER)
Studio Small (GBR)
032c (GER)
Design Unit (DEN)
Lotta Nieminen (USA)
Design Ranch (USA)
David Downton (GBR)
Showroom
Sven Lindhorst-Emme (GER)
Stefano Marra (ITA)
Marta Veludo (NLD)
Neu Designbüro (GER)
Manuel Kreuzer (GER)
New Talents Berlin: Vater Lin Miro (GER)
Cover: Vater Lin Miro (GER)
Paper: MetsäBoard (Prime FBB Bright)
Photos: Tobias Holzmann
Offset-Print: f&w Druck- und Mediencenter
Hot foil: Leonhard Kurz
Foil finishes and embossing: Forum Prägefolien VeredelungEn ligne : https://novum.graphics/en/magazine/current-issue/detail/novum-0518/ Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 22400 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : 05/19 - 2019-03-12 - Typography Special Type de document : texte imprimé Année de publication : 2019 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle
Aliments -- Conditionnement
Arts graphiques -- Mise en page et typographie
Caractères d'imprimerie
Composition (industries graphiques)
Livres -- Mise en page
Publicité -- Mise en pages et typographie
Typographie
Typographie -- 21e siècle
Typographie -- CaractèresIndex. décimale : 766 Arts graphiques Note de contenu : The March issue of novum is all about typography: Custom fonts for corporates, quirky creations such as »Typeknitting«, an interview with one of the best contemporary typographers Akira Kobayashi and a kinetic typeface – an exciting line-up for you to explore. In the Showroom section we have expressive illustrations from France, powerful corporate designs from Italy and clever packaging from Brazil – a creative journey of inspiration around the world.
When it comes to choice of paper, our novum+ made it very easy for this issue: The finest typography always looks good, so long as the printer really knows his craft. For our glowing highlights, part of a fantastic artwork by Typejockeys that bring light into this winter month, we selected a bright-white recycling paper.
Typography is ever popular – and never before have there been so many fonts available. What more could we possibly want? We talked about this to Akira Kobayashi, Type Director at Monotype, discussing trends and developments, the weird and the wonderful. We also cast an eye over the new IBM typeface, present a kinetic font, typographic book covers from Anne Jordan and even have a font that helps the forgetful. Creative typesmiths Dinamo shared their latest coups with us and a purely typographical CI from Ragged Edge amazed us all. This and many more typography features in novum+.
The Showroom section is as diverse as it is colourful. French illustrator Aleia Roux delights us with her imaginative worlds and Elefante Project injects a bit of Brazilian fire. The portfolio of nju:communicazione is bursting with inspiration – we bring you the highlights and take a look behind the scenes. We also explore the philosophy behind Studio Build … and of course feature examples of their outstanding work. Last but not least, we present the winners of this year’s poster competition for Kieler Woche – Daniel Wiesmann surprises us with brand new design approaches and ideas.
The cover
The common view that recycling paper is a dirty grey colour and therefore boring has now long since been proven false. Our cover is a clear example of the superb printability of the premium recycling papers now on offer. RecyStar, from Papyrus, is a good example: Available with an uncoated matt finish in 70 to 300 gsm, it’s perfect for flyers and direct mailings as well as cards, notepads, posters, magazines and envelopes.
To ensure perfect production of this purely typographical design from Typejockeys (Vienna), we relied on the skills of Beisner Druck and the global manufacturer of metallic, scratch-off and fluorescent inks, radior.
Showroom:
Alexia Roux (FRA)
Elefante Project (BRA)
nju:comunicazione (ITA)
Studio Build (GBR)
Daniel Wiesmann (GER)
novum+
Akira Kobayashi (GER)
Ragged Edge (GBR)
Dinamo (SWI)
Etaoin Shrdlu Studio (ITA)
IBM (USA)
Anne Jordan (USA)
Kintetic Typeface (GBR)
SansForgetica (GBR)
Typeknitting (SWI)
Cover:
Design / handlettering: Typejockeys
Paper: RecyStar, hochweiß, 300 g/qm (Papyrus)
Cover print: Beisner Druck
Colours: radior
Photos: Tobias HolzmannEn ligne : https://novum.graphics/en/magazine/archive/detail/novum-0319/ [n° ou bulletin] 05/19 - 2019-03-12 - Typography Special [texte imprimé] . - 2019.
Langues : Allemand (ger) Anglais (eng)
Catégories : Affiches -- 21e Siècle
Aliments -- Conditionnement
Arts graphiques -- Mise en page et typographie
Caractères d'imprimerie
Composition (industries graphiques)
Livres -- Mise en page
Publicité -- Mise en pages et typographie
Typographie
Typographie -- 21e siècle
Typographie -- CaractèresIndex. décimale : 766 Arts graphiques Note de contenu : The March issue of novum is all about typography: Custom fonts for corporates, quirky creations such as »Typeknitting«, an interview with one of the best contemporary typographers Akira Kobayashi and a kinetic typeface – an exciting line-up for you to explore. In the Showroom section we have expressive illustrations from France, powerful corporate designs from Italy and clever packaging from Brazil – a creative journey of inspiration around the world.
When it comes to choice of paper, our novum+ made it very easy for this issue: The finest typography always looks good, so long as the printer really knows his craft. For our glowing highlights, part of a fantastic artwork by Typejockeys that bring light into this winter month, we selected a bright-white recycling paper.
Typography is ever popular – and never before have there been so many fonts available. What more could we possibly want? We talked about this to Akira Kobayashi, Type Director at Monotype, discussing trends and developments, the weird and the wonderful. We also cast an eye over the new IBM typeface, present a kinetic font, typographic book covers from Anne Jordan and even have a font that helps the forgetful. Creative typesmiths Dinamo shared their latest coups with us and a purely typographical CI from Ragged Edge amazed us all. This and many more typography features in novum+.
The Showroom section is as diverse as it is colourful. French illustrator Aleia Roux delights us with her imaginative worlds and Elefante Project injects a bit of Brazilian fire. The portfolio of nju:communicazione is bursting with inspiration – we bring you the highlights and take a look behind the scenes. We also explore the philosophy behind Studio Build … and of course feature examples of their outstanding work. Last but not least, we present the winners of this year’s poster competition for Kieler Woche – Daniel Wiesmann surprises us with brand new design approaches and ideas.
The cover
The common view that recycling paper is a dirty grey colour and therefore boring has now long since been proven false. Our cover is a clear example of the superb printability of the premium recycling papers now on offer. RecyStar, from Papyrus, is a good example: Available with an uncoated matt finish in 70 to 300 gsm, it’s perfect for flyers and direct mailings as well as cards, notepads, posters, magazines and envelopes.
To ensure perfect production of this purely typographical design from Typejockeys (Vienna), we relied on the skills of Beisner Druck and the global manufacturer of metallic, scratch-off and fluorescent inks, radior.
Showroom:
Alexia Roux (FRA)
Elefante Project (BRA)
nju:comunicazione (ITA)
Studio Build (GBR)
Daniel Wiesmann (GER)
novum+
Akira Kobayashi (GER)
Ragged Edge (GBR)
Dinamo (SWI)
Etaoin Shrdlu Studio (ITA)
IBM (USA)
Anne Jordan (USA)
Kintetic Typeface (GBR)
SansForgetica (GBR)
Typeknitting (SWI)
Cover:
Design / handlettering: Typejockeys
Paper: RecyStar, hochweiß, 300 g/qm (Papyrus)
Cover print: Beisner Druck
Colours: radior
Photos: Tobias HolzmannEn ligne : https://novum.graphics/en/magazine/archive/detail/novum-0319/ Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 23385 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible 05.19 - 2019-05-12 - Packaging (Bulletin de Novum)
[n° ou bulletin]
Titre : 05.19 - 2019-05-12 - Packaging Type de document : texte imprimé Année de publication : 2019 Importance : 82 p. Présentation : ill. en coul. Langues : Allemand (ger) Catégories : Cartonnages
Conditionnement
CONDITIONNEMENT EN PAPIER - CARTON
EMBALLAGES EN PAPIERIndex. décimale : 766 Arts graphiques [n° ou bulletin] 05.19 - 2019-05-12 - Packaging [texte imprimé] . - 2019 . - 82 p. : ill. en coul.
Langues : Allemand (ger)
Catégories : Cartonnages
Conditionnement
CONDITIONNEMENT EN PAPIER - CARTON
EMBALLAGES EN PAPIERIndex. décimale : 766 Arts graphiques BulletinsRéservation
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Code-barres Cote Support Localisation Section Disponibilité SL 23513 NOVUM Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible Permalink06.15 - 12/06/2015 - Show Yourself (Bulletin de Novum)
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