02.19 - 2019-02-12 (Bulletin de Novum) 

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 02.19 - 2019-02-12 Type de document : texte imprimé Année de publication : 2019 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle Aliments -- Conditionnement Art de performance -- 21e siècle Arts graphiques -- Mise en page et typographie Blanc Braille -- Typographie -- 21e siècle Couleur en design Couleurs Couleurs -- Interprétation -- Mise en page Illustration des livres -- 21e siècle Marques de commerce Noir Olislaeger, François (1978-....) Peinture monochrome Scheinberger, Felix (1969-....) Stark, Martin (1973-....) Index. décimale : 766 Arts graphiques Résumé : Even though a whole rainbow of colours is available, creatives still love black and white. Elegant, expressive and somehow fascinatingly elusive, this play of light and shade gives rise to some fantastic work of all kinds. Starting with a wonderful, lavishly produced cover, we bring you exciting work in black and white!For example, we look at the new Frankenstein book, impressively illustrated by Martin Stark in black and white, and we conduct an interview with this gifted illustrator. Sagmeister+Walsh, too, delight us with some insights into a new and exciting project. In Australia we discover the Dolphin Hotel which had it´s new visual identity done all in monochrome (m35). François Olislaeger intrigues us with an installation … entirely without colour. For their own CI, the creatives at Forth+Back also went for monochrome, as did Paul Belford in his packaging for a brand of soap. All this and more awaits in the monochrome world presented in novum 02.19. Note de contenu : In the Showroom section we interviewed Kilian Stauss in his studio processform and talked about interdisciplinary work and the delights of the unexpected. A thought-provoking encounter! We head to Thailand, to Jackkrit Anantakul and delight in his fireworks display of colour and form. In the Netherlands, we discover a talented duo - twins Janna and Hilde Meeus, and their top-class graphic design. Then there´s Studio91 and the intriguing story of how it got going … something you´ll not find by googling. A new series by Patrick Rössler takes us to the more hidden aspects of the Bauhaus, on this, the 100th anniversary of the influential design school. We bring you the first part in this issue. The cover The splendid, mostly hand-finished (!) cover of this issue plays with contrasts in multiple ways: two levels give added charm – finely lasered by Stigler and also hand laminated there. The material AstroKing by Gruppo Cordenons in variants black and white provides the perfect base. You can read just how this was created, and about the technique of delicate lasering and laminating in an interview with Andrea Stigler in this issue. A handy hint in case you want to try out this technique: If you want to do it in a large print run, then start planning well ahead, because it takes time. A lot of it is high-precision work done by hand, and you don´t get this kind of perfection overnight. The result is even more fascinating: Our typographical cover in black and white, designed by Melville Brand Design, was in expert hands at Stigler, who have the skill and patience to produce this kind of quality. Our choice of paper for this – AstroKing (250 gsm, white and 350 gsm black) from Grupo Cordenons, was also perfect for this production: The deep black variant was used as the background, because for lasering it would have produced too much black dust. The bright white variant was no problem to laser. To avoid any colour leakage of the black paper (this, too, you have to check), we varnished the surface, which in turn produced a very interesting surface feel. We also did a binding test on it at f&w (offset printing) – with laminated sheets the final thickness is very much something to take into account. Showrooms processform (GER) Jackkrit Anantakul (THA) Meeusantwerp (NLD) Serie: 100 Jahre Bauhaus Studio 91 (GBR) novum+ BIS Studio Graphique (FRA) Forth + Back (USA) François Olislaeger (FRA) M35 (AUS) Martin Stark (GER) Paul Belford (GBR) SDL (SWE) Sagmeister+Walsh (USA) Studio Oeding (GER) Cover: Melville Brand Design Fotos: Tobias Holzmann / Miriam Zimmer Offset-Druck: f+w Filigranlaserung + -kaschierung: Stigler GmbH Papier: AstroKing (Gruppo Cordenons) [n° ou bulletin]  est un bulletin de Novum   02.19 - 2019-02-12 [texte imprimé] . - 2019. Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle Aliments -- Conditionnement Art de performance -- 21e siècle Arts graphiques -- Mise en page et typographie Blanc Braille -- Typographie -- 21e siècle Couleur en design Couleurs Couleurs -- Interprétation -- Mise en page Illustration des livres -- 21e siècle Marques de commerce Noir Olislaeger, François (1978-....) Peinture monochrome Scheinberger, Felix (1969-....) Stark, Martin (1973-....) Index. décimale : 766 Arts graphiques Résumé : Even though a whole rainbow of colours is available, creatives still love black and white. Elegant, expressive and somehow fascinatingly elusive, this play of light and shade gives rise to some fantastic work of all kinds. Starting with a wonderful, lavishly produced cover, we bring you exciting work in black and white!For example, we look at the new Frankenstein book, impressively illustrated by Martin Stark in black and white, and we conduct an interview with this gifted illustrator. Sagmeister+Walsh, too, delight us with some insights into a new and exciting project. In Australia we discover the Dolphin Hotel which had it´s new visual identity done all in monochrome (m35). François Olislaeger intrigues us with an installation … entirely without colour. For their own CI, the creatives at Forth+Back also went for monochrome, as did Paul Belford in his packaging for a brand of soap. All this and more awaits in the monochrome world presented in novum 02.19. Note de contenu : In the Showroom section we interviewed Kilian Stauss in his studio processform and talked about interdisciplinary work and the delights of the unexpected. A thought-provoking encounter! We head to Thailand, to Jackkrit Anantakul and delight in his fireworks display of colour and form. In the Netherlands, we discover a talented duo - twins Janna and Hilde Meeus, and their top-class graphic design. Then there´s Studio91 and the intriguing story of how it got going … something you´ll not find by googling. A new series by Patrick Rössler takes us to the more hidden aspects of the Bauhaus, on this, the 100th anniversary of the influential design school. We bring you the first part in this issue. The cover The splendid, mostly hand-finished (!) cover of this issue plays with contrasts in multiple ways: two levels give added charm – finely lasered by Stigler and also hand laminated there. The material AstroKing by Gruppo Cordenons in variants black and white provides the perfect base. You can read just how this was created, and about the technique of delicate lasering and laminating in an interview with Andrea Stigler in this issue. A handy hint in case you want to try out this technique: If you want to do it in a large print run, then start planning well ahead, because it takes time. A lot of it is high-precision work done by hand, and you don´t get this kind of perfection overnight. The result is even more fascinating: Our typographical cover in black and white, designed by Melville Brand Design, was in expert hands at Stigler, who have the skill and patience to produce this kind of quality. Our choice of paper for this – AstroKing (250 gsm, white and 350 gsm black) from Grupo Cordenons, was also perfect for this production: The deep black variant was used as the background, because for lasering it would have produced too much black dust. The bright white variant was no problem to laser. To avoid any colour leakage of the black paper (this, too, you have to check), we varnished the surface, which in turn produced a very interesting surface feel. We also did a binding test on it at f&w (offset printing) – with laminated sheets the final thickness is very much something to take into account. Showrooms processform (GER) Jackkrit Anantakul (THA) Meeusantwerp (NLD) Serie: 100 Jahre Bauhaus Studio 91 (GBR) novum+ BIS Studio Graphique (FRA) Forth + Back (USA) François Olislaeger (FRA) M35 (AUS) Martin Stark (GER) Paul Belford (GBR) SDL (SWE) Sagmeister+Walsh (USA) Studio Oeding (GER) Cover: Melville Brand Design Fotos: Tobias Holzmann / Miriam Zimmer Offset-Druck: f+w Filigranlaserung + -kaschierung: Stigler GmbH Papier: AstroKing (Gruppo Cordenons)

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06.18 - 2018-06-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 06.18 - 2018-06-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Carnets de croquis Communication en marketing Couleur (art) -- Illustrations Design interactif Illustrations des livres -- 21e siècle Littérature pour la jeunesse Livres -- Couvertures Miele -- Affiches Produits cosmétiques -- Conditionnement Signaux et signalisation Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : The new novum is here and this month it explores that exciting intersection between architecture and design. And there is much to explore – such as visual identities derived from the architecture, orientation systems that respond to the need for inclusive design and facades that enhance our environment with attractive graphic design. As always, we also feature a range of recent projects and diverse articles in the Showroom section. Also, this month’s cover offers inspiration and haptic delight. Note de contenu : We also present an interview with Andreas Koop, who has already completed numerous projects in which inclusive design has been an important part. Does the need for this kind of universal accessibility hinder good design or can it in fact be an exciting challenge? Is inclusive design possible and sensible in all circumstances? The responses in this in-depth interview are thought-provoking and should help remove some of the hesitation some designers feel about taking on such projects. Also in this issue is an article about the Zeitz Museum of Contemporary Art Africa in Cape Town, for which an impressive CI was produced. And we have an interview with the creatives at Snøhetta, who explain their interdisciplinary approach in joint architecture-graphic design projects. The Dutch studio Graphic Surgery loves the large canvas, while Migliore + Servetto excel in design for major events. We were also attracted by the CI for the Big Beautiful Buildings initiative, and so we talked to the initiators as well as the creatives (Konter) about the interaction in terms of content and form. And, last but not least, Spaceagency brings the future of space a little closer to us with their fantastic installations. Our brand story this month examines the long history of Miele, and features some interesting adverts through the decades. In our Typography section, we chose a particularly exciting field this time: film intros which often contain some exceptional typographic solutions. I would like to draw your attention to the topical subject covered this month by our lawyer Andrijana Kojic: The new data protection regulations are causing some confusion – in novum you can get a clear explanation of the main points. Once again the Showroom section is a highlight of colour and inspiration. The bright, beautiful illustrations of Zebu are sure to delight, as will the fine visual identities created by Turkish designer Nese Nogay. Also lined up for you is the first-class portfolio of Blürbstudio and, last but not least, for our New Talents Berlin series, Felix Wiesner interviews a particularly creative duo in the capital: Jacob | Reischel, admired for their amazing set designs, attractively clean photo design and their own unique imagery! The cover Carved in stone – you could almost say that of the cover of this month’s novum: Fuego Stone (available from Papyrus) was the perfect paper for our purpose, aptly expressing the content of this issue. All that was needed was just a little colour ... in this case a Pantone spot colour (805). Via windows, our Art Director Tobias Holzmann gives us a chance to explore the diverse world of architecture. The Paper Available in the currently very popular grey and black tones, Fuego Stone has a unique surface feel, coupled with a high volume and a fascinating matt finish. The paper is available for immediate delivery in 90 to 400 gsm, deep black is also delivered in 500 and 700 gsm. Matching envelopes are of course also supplied. For our cover we chose the elegant colour Stone Grey in 250 gsm on which the spot colour we worked with comes out particularly well. Showroom: Zebu (GER) Nese Nogay (TUR) Blürbstudio (POL) New Talents Berlin: Jacob | Reischel novum+ M&C Saatchi Abel (Zeitz Museum of Contemporary Art Africa) (ZAF) Graphic Surgery (NLD) Snøhetta (SWE) Konter / Big Beautiful Buildings (GER) Spaceagency (GBR) Migliore + Servetto (ITA) Designgruppe Koop (GER) Cover: Tobias Holzmann (GER) Paper: Fuego Stone (Papyrus) Photos: Tobias Holzmann Offset-Print: f&w Druck- und Mediencenter En ligne : https://novum.graphics/en/news/interviews/detail/out-now-novum-0618/ [n° ou bulletin]  est un bulletin de Novum   06.18 - 2018-06-12 [texte imprimé] . - 2018. Langues : Allemand (ger) Anglais (eng) Catégories : Carnets de croquis Communication en marketing Couleur (art) -- Illustrations Design interactif Illustrations des livres -- 21e siècle Littérature pour la jeunesse Livres -- Couvertures Miele -- Affiches Produits cosmétiques -- Conditionnement Signaux et signalisation Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : The new novum is here and this month it explores that exciting intersection between architecture and design. And there is much to explore – such as visual identities derived from the architecture, orientation systems that respond to the need for inclusive design and facades that enhance our environment with attractive graphic design. As always, we also feature a range of recent projects and diverse articles in the Showroom section. Also, this month’s cover offers inspiration and haptic delight. Note de contenu : We also present an interview with Andreas Koop, who has already completed numerous projects in which inclusive design has been an important part. Does the need for this kind of universal accessibility hinder good design or can it in fact be an exciting challenge? Is inclusive design possible and sensible in all circumstances? The responses in this in-depth interview are thought-provoking and should help remove some of the hesitation some designers feel about taking on such projects. Also in this issue is an article about the Zeitz Museum of Contemporary Art Africa in Cape Town, for which an impressive CI was produced. And we have an interview with the creatives at Snøhetta, who explain their interdisciplinary approach in joint architecture-graphic design projects. The Dutch studio Graphic Surgery loves the large canvas, while Migliore + Servetto excel in design for major events. We were also attracted by the CI for the Big Beautiful Buildings initiative, and so we talked to the initiators as well as the creatives (Konter) about the interaction in terms of content and form. And, last but not least, Spaceagency brings the future of space a little closer to us with their fantastic installations. Our brand story this month examines the long history of Miele, and features some interesting adverts through the decades. In our Typography section, we chose a particularly exciting field this time: film intros which often contain some exceptional typographic solutions. I would like to draw your attention to the topical subject covered this month by our lawyer Andrijana Kojic: The new data protection regulations are causing some confusion – in novum you can get a clear explanation of the main points. Once again the Showroom section is a highlight of colour and inspiration. The bright, beautiful illustrations of Zebu are sure to delight, as will the fine visual identities created by Turkish designer Nese Nogay. Also lined up for you is the first-class portfolio of Blürbstudio and, last but not least, for our New Talents Berlin series, Felix Wiesner interviews a particularly creative duo in the capital: Jacob | Reischel, admired for their amazing set designs, attractively clean photo design and their own unique imagery! The cover Carved in stone – you could almost say that of the cover of this month’s novum: Fuego Stone (available from Papyrus) was the perfect paper for our purpose, aptly expressing the content of this issue. All that was needed was just a little colour ... in this case a Pantone spot colour (805). Via windows, our Art Director Tobias Holzmann gives us a chance to explore the diverse world of architecture. The Paper Available in the currently very popular grey and black tones, Fuego Stone has a unique surface feel, coupled with a high volume and a fascinating matt finish. The paper is available for immediate delivery in 90 to 400 gsm, deep black is also delivered in 500 and 700 gsm. Matching envelopes are of course also supplied. For our cover we chose the elegant colour Stone Grey in 250 gsm on which the spot colour we worked with comes out particularly well. Showroom: Zebu (GER) Nese Nogay (TUR) Blürbstudio (POL) New Talents Berlin: Jacob | Reischel novum+ M&C Saatchi Abel (Zeitz Museum of Contemporary Art Africa) (ZAF) Graphic Surgery (NLD) Snøhetta (SWE) Konter / Big Beautiful Buildings (GER) Spaceagency (GBR) Migliore + Servetto (ITA) Designgruppe Koop (GER) Cover: Tobias Holzmann (GER) Paper: Fuego Stone (Papyrus) Photos: Tobias Holzmann Offset-Print: f&w Druck- und Mediencenter En ligne : https://novum.graphics/en/news/interviews/detail/out-now-novum-0618/

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09.16 - 2016-09-12 (Bulletin de Novum)

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 09.16 - 2016-09-12 Type de document : texte imprimé Année de publication : 2016 Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques Design Index. décimale : 766 Arts graphiques [n° ou bulletin]  est un bulletin de Novum   09.16 - 2016-09-12 [texte imprimé] . - 2016. Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques Design Index. décimale : 766 Arts graphiques

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08.16 - 2016-08-12 (Bulletin de Novum)

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 08.16 - 2016-08-12 Type de document : texte imprimé Année de publication : 2016 Langues : Anglais (eng) Catégories : Arts graphiques Design Index. décimale : 766 Arts graphiques [n° ou bulletin]  est un bulletin de Novum   08.16 - 2016-08-12 [texte imprimé] . - 2016. Langues : Anglais (eng) Catégories : Arts graphiques Design Index. décimale : 766 Arts graphiques

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07.16 - 2016-07-12 (Bulletin de Novum)

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 07.16 - 2016-07-12 Type de document : texte imprimé Année de publication : 2016 Langues : Anglais (eng) Catégories : Arts graphiques Design Index. décimale : 766 Arts graphiques [n° ou bulletin]  est un bulletin de Novum   07.16 - 2016-07-12 [texte imprimé] . - 2016. Langues : Anglais (eng) Catégories : Arts graphiques Design Index. décimale : 766 Arts graphiques

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07.18 - 2018-07-12 (Bulletin de Novum)  

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no.3(1994:déc./1995:janv.) - 1994-12-01 (Bulletin de Etapes graphiques / Pyramyd NTCV)

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