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[n° ou bulletin]
Titre : 01.19 - 2019-01-12 Type de document : texte imprimé Année de publication : 2019 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- Design
Arts graphiques -- Mise en page et typographie
Brechbühl, Erich (1977-....)
Cartonnages (reliure) -- 21e siècle
Communication visuelle -- 21e siècle
Design interactif
Identité visuelle -- 21e siècle
Illustration des livres -- 21e siècle
Livres -- Couvertures
Marques de commerce
Reinke, Katinka
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Résumé : Visual identities from all over the world are the focus of this month’s novum+. For clients as diverse as festivals, craftsmen, cannabis products suppliers, or an international ceramic tile award. Explore visual identities in all their facets and international showroom articles on themes from poster design to illustration.
Developing visual identities is an exciting process, and not infrequently it involves a lot of work persuading clients to venture in new directions. In the novum+ section of this issue we present a very broad spectrum of distinctive and eye-catching visual identities.
The multiple-award-winning visual identity for Theater Rotterdam by Vruchtvlees definitely grabbed our attention, and so, too, did the perfect storytelling in the CI for a Greek boutique hotel by the Luminous Design Group. Last year MRD, a German TV channel, also ventured a new look, with a very finely positioned and strongly conceptual design. Contrasting with this, we present a playful interpretation, for the Edelwise Festival (Das Buro), and a design for an electronics retailer (by Werner Design Werks) that really makes this business stand out from its competitors. In total eleven exciting projects are lined up here for you to explore and enjoy...
For our Showroom section we conducted an interview with the outstanding Swiss-school designer and typographer Erich Brechbühl, who has produced some remarkable posters. You can also discover Eva-Maria Offermann’s very conceptual approach to unconventional projects and designs. Plus, we look at how contemporary campaigns develop, in an article about the agency Wolf/Osmankovic, whose work includes the design for a successful election campaign by the Green Party. Also not to be missed is a dip into the portfolio of Casmic Lab, and the imaginative illustrations of Katinka Reinke. Altogether a rich collection of inspiration for a successful new year!
The cover
Whether it’s for a festival, a new brand or a woodworking business – visual identities all start with the proverbial blank canvas. To reflect this initially neutral surface, we chose for our cover a paper that is very elegant in appearance, but not overt; its charm lies in the interesting structure that lends an added haptic experience.
Zeta from Reflex is available in five colours and different weights, which makes it perfect for creating a good impression in both standard business applications and as packaging. It comes in a range of surface finishes – hammered, micro, matt, smooth or linen, each of these variants communicated in a very subtle way. The trouble-free processing and finishing of Zeta gives this paper added advantages as the perfect »blank canvas«.
Munich-based designer Christian Hundertmark (C100 Studio) used all these qualities to best effect in communicating our novum+ theme on this month´s cover.
Showroom:
Erich Brechbühl (SWI)
Katinka Reinke (GER)
Casmic Lab (ESP)
Wolf/Osmankovic (GER)
Eva-Maria Offermann (GER)
novum+
Bruketa&Zinic&Grey (HRV)
Bob Design (GBR)
Vruchtvlees (NLD)
Das Buro (NLD)
Studio Yinsen (ESP)
Jens Nilsson (SWE)
TRÜF (USA)
Werner Design Werks (USA)
Blok Design (CAN)
Luminous Design Group (GRI)
MDR (GER)
Cover: Christian Hundertmark (c100 studio)
Paper: Reflex Pure (Zeta, 350 g/qm, Leinen, weiß)
Print: f&w Mediencenter
Photos: Miriam Zimmer, Tobias HolzmannEn ligne : https://novum.graphics/magazin/aktuelle-ausgabe/detail/novum-0119/ [n° ou bulletin] 01.19 - 2019-01-12 [texte imprimé] . - 2019.
Langues : Allemand (ger) Anglais (eng)
Catégories : Affiches -- Design
Arts graphiques -- Mise en page et typographie
Brechbühl, Erich (1977-....)
Cartonnages (reliure) -- 21e siècle
Communication visuelle -- 21e siècle
Design interactif
Identité visuelle -- 21e siècle
Illustration des livres -- 21e siècle
Livres -- Couvertures
Marques de commerce
Reinke, Katinka
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Résumé : Visual identities from all over the world are the focus of this month’s novum+. For clients as diverse as festivals, craftsmen, cannabis products suppliers, or an international ceramic tile award. Explore visual identities in all their facets and international showroom articles on themes from poster design to illustration.
Developing visual identities is an exciting process, and not infrequently it involves a lot of work persuading clients to venture in new directions. In the novum+ section of this issue we present a very broad spectrum of distinctive and eye-catching visual identities.
The multiple-award-winning visual identity for Theater Rotterdam by Vruchtvlees definitely grabbed our attention, and so, too, did the perfect storytelling in the CI for a Greek boutique hotel by the Luminous Design Group. Last year MRD, a German TV channel, also ventured a new look, with a very finely positioned and strongly conceptual design. Contrasting with this, we present a playful interpretation, for the Edelwise Festival (Das Buro), and a design for an electronics retailer (by Werner Design Werks) that really makes this business stand out from its competitors. In total eleven exciting projects are lined up here for you to explore and enjoy...
For our Showroom section we conducted an interview with the outstanding Swiss-school designer and typographer Erich Brechbühl, who has produced some remarkable posters. You can also discover Eva-Maria Offermann’s very conceptual approach to unconventional projects and designs. Plus, we look at how contemporary campaigns develop, in an article about the agency Wolf/Osmankovic, whose work includes the design for a successful election campaign by the Green Party. Also not to be missed is a dip into the portfolio of Casmic Lab, and the imaginative illustrations of Katinka Reinke. Altogether a rich collection of inspiration for a successful new year!
The cover
Whether it’s for a festival, a new brand or a woodworking business – visual identities all start with the proverbial blank canvas. To reflect this initially neutral surface, we chose for our cover a paper that is very elegant in appearance, but not overt; its charm lies in the interesting structure that lends an added haptic experience.
Zeta from Reflex is available in five colours and different weights, which makes it perfect for creating a good impression in both standard business applications and as packaging. It comes in a range of surface finishes – hammered, micro, matt, smooth or linen, each of these variants communicated in a very subtle way. The trouble-free processing and finishing of Zeta gives this paper added advantages as the perfect »blank canvas«.
Munich-based designer Christian Hundertmark (C100 Studio) used all these qualities to best effect in communicating our novum+ theme on this month´s cover.
Showroom:
Erich Brechbühl (SWI)
Katinka Reinke (GER)
Casmic Lab (ESP)
Wolf/Osmankovic (GER)
Eva-Maria Offermann (GER)
novum+
Bruketa&Zinic&Grey (HRV)
Bob Design (GBR)
Vruchtvlees (NLD)
Das Buro (NLD)
Studio Yinsen (ESP)
Jens Nilsson (SWE)
TRÜF (USA)
Werner Design Werks (USA)
Blok Design (CAN)
Luminous Design Group (GRI)
MDR (GER)
Cover: Christian Hundertmark (c100 studio)
Paper: Reflex Pure (Zeta, 350 g/qm, Leinen, weiß)
Print: f&w Mediencenter
Photos: Miriam Zimmer, Tobias HolzmannEn ligne : https://novum.graphics/magazin/aktuelle-ausgabe/detail/novum-0119/ Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 23095 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : 05.18 - 2018-05-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- Design
Affiches de spectacle
Arts graphiques -- Mise en page et typographie
Conditionnement
Dessin de mode
Graphistes -- 21e siècle
Livres -- Mise en page
Marques de commerce
Mode
Photographie de mode
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Résumé :
Graphic haute couture
In our May issue we enter into a sector that thrives on change like perhaps none other: fashion. The designs that are presented in autumn for the following spring are already passé come the fashion shows in January. The points of contact with graphic design are often more sustainable, but no less interesting: How do fashion labels present themselves in terms of graphic design? How do you capture fashion models in drawings? And: What’s the best way to update a traditional brand?Note de contenu :
We went on the trail and discovered some tremendous CIs behind the catwalks, as it were. For example, we have an interview with the gifted fashion illustrator David Downton, whose portfolio contains a string of illustrious names from Chanel to Valentino, and from Harper’s Bazaar to Vogue. He gives us an insider´s view and also passes on some advice to the next generation of fashion illustrators.
In our Showrooms you can look forward to an exciting and international mix of creative talent: Stefano Marro delights with his magical illustrations that rekindle the spirit of Italian futurism. By contrast, the posters and editorial designs of Sven Lindhorst-Emme impress with precision minimalism. A little pop is here, too, in the work of Portuguese designer Marta Veludo, whose creative home is now Amsterdam. We drop in on Manuel Kreuzer who turns out some amazing things from his small studio … with or without a commission. And then there’s Neu – Designbüro – meaning »new«. The innovative approaches seen here confirm the old adage »nomen est omen«.
With this month’s brand story, we revel in being a child again – Schuco’s model vehicles still delight boys and girls of all ages. We also have some exciting paper projects of our own for you: Eberl Print treated its customers to a clever construction, surprising them not only with delightfully scented content, but also and above all with the presentation. One other thing we were keen to share with you – the ever-growing area of foil applications in fashion. A particularly beautiful project by Kurz for this year’s MCBW delighted us all. Herbert Lechner is here, too, reporting on his visit to the German offices of Laurence Publishing in Berlin, which offers a very select programme.
The cover
Our search for New Talents Berlin continues this month: This time Felix Wiesner visited Lucas Doerre und Marius Sperlich, who under the name of Vater Lin Miro are experimenting with all the digital and analogue diversity in graphic design in combination with an artistic slant. The cover for this issue of novum, designed by the two creatives, reflects this appetite for different dimensions and design possibilities.
As the plan was to use different finishes, the material had to meet a number of criteria: We finally found the ideal solution in the high-white paper MetsäBoard Prime FBB Bright. This allowed precision embossing and gave a good clean result in hot-foil finishing. This card is also good because of its lightweight design that spells cost-efficiency and sustainability. What you see on the 280 gsm cover is a sculpture created in several embossing stages and then treated to full-page hot-foil finishing – Frank Denninghoff from the Forum Prägefolien Veredelung put all his expertise into this classy creation.
In combination with the mysterious sculpture, the reflective surface (in which the reader can see his/her own reflection) visualises precisely that which fashion is: A seductive envelope. Note the mirror is not homogeneous – its shimmering pattern hints at the transformation that fashion can bring. The two creatives Lucas Doerre and Marius Sperlich opted for »Neon Seamless« from Kurz, that generates fascinating effects. Such transformational properties are indeed comparable with fashion: It, too, can play with colour and contrasts, change surfaces and enliven them, conjure up a new me and create a particular radiance. On top of this, there is of course always a hint of poetry – an art form that seems delicate but is nevertheless powerful…
novum+
Donkey (GER)
Studio Small (GBR)
032c (GER)
Design Unit (DEN)
Lotta Nieminen (USA)
Design Ranch (USA)
David Downton (GBR)
Showroom
Sven Lindhorst-Emme (GER)
Stefano Marra (ITA)
Marta Veludo (NLD)
Neu Designbüro (GER)
Manuel Kreuzer (GER)
New Talents Berlin: Vater Lin Miro (GER)
Cover: Vater Lin Miro (GER)
Paper: MetsäBoard (Prime FBB Bright)
Photos: Tobias Holzmann
Offset-Print: f&w Druck- und Mediencenter
Hot foil: Leonhard Kurz
Foil finishes and embossing: Forum Prägefolien VeredelungEn ligne : https://novum.graphics/en/magazine/current-issue/detail/novum-0518/ [n° ou bulletin] 05.18 - 2018-05-12 [texte imprimé] . - 2018.
Langues : Allemand (ger) Anglais (eng)
Catégories : Affiches -- Design
Affiches de spectacle
Arts graphiques -- Mise en page et typographie
Conditionnement
Dessin de mode
Graphistes -- 21e siècle
Livres -- Mise en page
Marques de commerce
Mode
Photographie de mode
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Résumé :
Graphic haute couture
In our May issue we enter into a sector that thrives on change like perhaps none other: fashion. The designs that are presented in autumn for the following spring are already passé come the fashion shows in January. The points of contact with graphic design are often more sustainable, but no less interesting: How do fashion labels present themselves in terms of graphic design? How do you capture fashion models in drawings? And: What’s the best way to update a traditional brand?Note de contenu :
We went on the trail and discovered some tremendous CIs behind the catwalks, as it were. For example, we have an interview with the gifted fashion illustrator David Downton, whose portfolio contains a string of illustrious names from Chanel to Valentino, and from Harper’s Bazaar to Vogue. He gives us an insider´s view and also passes on some advice to the next generation of fashion illustrators.
In our Showrooms you can look forward to an exciting and international mix of creative talent: Stefano Marro delights with his magical illustrations that rekindle the spirit of Italian futurism. By contrast, the posters and editorial designs of Sven Lindhorst-Emme impress with precision minimalism. A little pop is here, too, in the work of Portuguese designer Marta Veludo, whose creative home is now Amsterdam. We drop in on Manuel Kreuzer who turns out some amazing things from his small studio … with or without a commission. And then there’s Neu – Designbüro – meaning »new«. The innovative approaches seen here confirm the old adage »nomen est omen«.
With this month’s brand story, we revel in being a child again – Schuco’s model vehicles still delight boys and girls of all ages. We also have some exciting paper projects of our own for you: Eberl Print treated its customers to a clever construction, surprising them not only with delightfully scented content, but also and above all with the presentation. One other thing we were keen to share with you – the ever-growing area of foil applications in fashion. A particularly beautiful project by Kurz for this year’s MCBW delighted us all. Herbert Lechner is here, too, reporting on his visit to the German offices of Laurence Publishing in Berlin, which offers a very select programme.
The cover
Our search for New Talents Berlin continues this month: This time Felix Wiesner visited Lucas Doerre und Marius Sperlich, who under the name of Vater Lin Miro are experimenting with all the digital and analogue diversity in graphic design in combination with an artistic slant. The cover for this issue of novum, designed by the two creatives, reflects this appetite for different dimensions and design possibilities.
As the plan was to use different finishes, the material had to meet a number of criteria: We finally found the ideal solution in the high-white paper MetsäBoard Prime FBB Bright. This allowed precision embossing and gave a good clean result in hot-foil finishing. This card is also good because of its lightweight design that spells cost-efficiency and sustainability. What you see on the 280 gsm cover is a sculpture created in several embossing stages and then treated to full-page hot-foil finishing – Frank Denninghoff from the Forum Prägefolien Veredelung put all his expertise into this classy creation.
In combination with the mysterious sculpture, the reflective surface (in which the reader can see his/her own reflection) visualises precisely that which fashion is: A seductive envelope. Note the mirror is not homogeneous – its shimmering pattern hints at the transformation that fashion can bring. The two creatives Lucas Doerre and Marius Sperlich opted for »Neon Seamless« from Kurz, that generates fascinating effects. Such transformational properties are indeed comparable with fashion: It, too, can play with colour and contrasts, change surfaces and enliven them, conjure up a new me and create a particular radiance. On top of this, there is of course always a hint of poetry – an art form that seems delicate but is nevertheless powerful…
novum+
Donkey (GER)
Studio Small (GBR)
032c (GER)
Design Unit (DEN)
Lotta Nieminen (USA)
Design Ranch (USA)
David Downton (GBR)
Showroom
Sven Lindhorst-Emme (GER)
Stefano Marra (ITA)
Marta Veludo (NLD)
Neu Designbüro (GER)
Manuel Kreuzer (GER)
New Talents Berlin: Vater Lin Miro (GER)
Cover: Vater Lin Miro (GER)
Paper: MetsäBoard (Prime FBB Bright)
Photos: Tobias Holzmann
Offset-Print: f&w Druck- und Mediencenter
Hot foil: Leonhard Kurz
Foil finishes and embossing: Forum Prägefolien VeredelungEn ligne : https://novum.graphics/en/magazine/current-issue/detail/novum-0518/ Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 22400 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : 08.18 - 2018-08-12 - Posters Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- Design
Affiches de spectacle
Affiches politiques
Art et politique
Benderski, Gabriel (1988-....)
Conditionnement
Festivals de cinéma -- Russie -- Affiches
Festivals de musique -- République tchèque -- Affiches
Sérigraphie
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Résumé : Die aktuelle novum-Ausgabe, widmet sich schwerpunktmäßig der Plakatgestaltung und wir haben uns auf die Suche nach besonders sehenswerten Großformaten gemacht: Peter Gyllan besuchte für uns die Biennale in Brno und Marta Almeida führte ein spannendes Interview mit Carol Wells, Leiterin des Center for the Study of Political Graphics. In der Schweiz zaubert Dafi Kühne mit alten Druckmaschinen und viel Einfallsreichtum handgedruckte Originale und Poster Rex begibt sich auf eine wilde Siebdruck-Road-Show – um nur einige Highlights zu nennen.
Unsere internationale Plakatshow deckt also die verschiedensten Anliegen und Ausrichtungen ab, die in XXL beeindruckend kommuniziert wurden.
Auch im Showroom gibt es viel zu entdecken: 2Shy aus Frankreich verbindet gekonnt Sprayer-Kunst mit Grafikdesign, während Gino Bud Hoitings charmanter Strich Shops und Editorial-Design-Projekte gleichermaßen bereichert. In Sheffield entstehen bei Lyon&Lyon Markenauftritte mit einer starken, klaren Handschrift, während Mind Design in London viel Wert auf gute Gestaltung und feines Druckhandwerk legt.
Darüberhinaus widmet sich Sylvia Lerch dem Irisdruck und Felix Scheinberger erklärt, warum gerade der Zufall eine ganz wichtige Rolle in der Illustration spielt. Andreas Koop nimmt die Vorliebe rechter Parteien für die Farbkombination Rot-Blau unter die Lupe und zeigt, welche Bedeutungsebenen sich durch diese Wahl auftun. Wunderbare Schriftmusterbücher gibt es in unserem Focus Typography zu entdecken und eine neue Comic-Reihe lehrt das Fürchten.
Das Cover
Auch ein Zeitschriften-Cover muss buchstäblich plakativ sein, auch wenn es im öffentlichen Raum natürlich längst nicht so prominent zur Geltung kommt, wie sein großer Bruder. Der Berliner Gestalter Sven Lindhorst-Emme löste das Problem, indem er eine weitere Eigenschaft von Plakaten auf dem Cover interpretierte. Im öffentlichen Raum sind sie zwar sichtbar, werden aber immer wieder überklebt oder abgerissen. Sie sind also im wahrsten Sinne des Wortes ein vielschichtiges Medium. So gibt auch das novum-Cover den Blick frei auf das, was vorangegangen ist.
Passend zum Thema kam Card Highline E21 Silk in Premium White von Fedrigioni zum Einsatz. Der hochwertige Chromosulfatkarton ist in unterschiedlichen Prägungen verfügbar, wir entschieden uns für eine unregelmäßige Struktur, die an den unebenen Untergrund, auf den Plakate aufgebracht werden oder an Kleisterspuren erinnert. Der typografisch-klare Entwurf, dem zwei Sonderfarben zusätzliche Strahlkraft verleihen, verbindet sich so mit dem Papier zu einem stimmigen Ganzen.
Note de contenu : Der Inhalt
In dieser Ausgabe erwarten Sie folgende Beiträge:
novum+
Biennale Brno (CZE)
Gabriel Benderski (URY)
Peter Bankov (RUS)
Center for the Study of Political Graphics (USA)
Footb-all Mix
Poster Rex (GER)
Geray Gencer (TUR)
Vincent Perrottet (FRA)
Dafi Kühne (SWI)
Showroom
2SHY (FRA)
Lyon&Lyon (GBR)
Gino Bud Hoiting (NLD)
Mind Design (GBR)
Das Cover
Design: Sven Lindhorst-Emme
Papier: Card Highline E21 Silk, Premium White, in 400 g/qm von Fedrigioni
Offset-Druck: f&w
Fotos: Guillaume SinopoliEn ligne : https://novum.graphics/magazin/archiv/detail/novum-0818/ [n° ou bulletin] 08.18 - 2018-08-12 - Posters [texte imprimé] . - 2018.
Langues : Allemand (ger) Anglais (eng)
Catégories : Affiches -- Design
Affiches de spectacle
Affiches politiques
Art et politique
Benderski, Gabriel (1988-....)
Conditionnement
Festivals de cinéma -- Russie -- Affiches
Festivals de musique -- République tchèque -- Affiches
Sérigraphie
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Résumé : Die aktuelle novum-Ausgabe, widmet sich schwerpunktmäßig der Plakatgestaltung und wir haben uns auf die Suche nach besonders sehenswerten Großformaten gemacht: Peter Gyllan besuchte für uns die Biennale in Brno und Marta Almeida führte ein spannendes Interview mit Carol Wells, Leiterin des Center for the Study of Political Graphics. In der Schweiz zaubert Dafi Kühne mit alten Druckmaschinen und viel Einfallsreichtum handgedruckte Originale und Poster Rex begibt sich auf eine wilde Siebdruck-Road-Show – um nur einige Highlights zu nennen.
Unsere internationale Plakatshow deckt also die verschiedensten Anliegen und Ausrichtungen ab, die in XXL beeindruckend kommuniziert wurden.
Auch im Showroom gibt es viel zu entdecken: 2Shy aus Frankreich verbindet gekonnt Sprayer-Kunst mit Grafikdesign, während Gino Bud Hoitings charmanter Strich Shops und Editorial-Design-Projekte gleichermaßen bereichert. In Sheffield entstehen bei Lyon&Lyon Markenauftritte mit einer starken, klaren Handschrift, während Mind Design in London viel Wert auf gute Gestaltung und feines Druckhandwerk legt.
Darüberhinaus widmet sich Sylvia Lerch dem Irisdruck und Felix Scheinberger erklärt, warum gerade der Zufall eine ganz wichtige Rolle in der Illustration spielt. Andreas Koop nimmt die Vorliebe rechter Parteien für die Farbkombination Rot-Blau unter die Lupe und zeigt, welche Bedeutungsebenen sich durch diese Wahl auftun. Wunderbare Schriftmusterbücher gibt es in unserem Focus Typography zu entdecken und eine neue Comic-Reihe lehrt das Fürchten.
Das Cover
Auch ein Zeitschriften-Cover muss buchstäblich plakativ sein, auch wenn es im öffentlichen Raum natürlich längst nicht so prominent zur Geltung kommt, wie sein großer Bruder. Der Berliner Gestalter Sven Lindhorst-Emme löste das Problem, indem er eine weitere Eigenschaft von Plakaten auf dem Cover interpretierte. Im öffentlichen Raum sind sie zwar sichtbar, werden aber immer wieder überklebt oder abgerissen. Sie sind also im wahrsten Sinne des Wortes ein vielschichtiges Medium. So gibt auch das novum-Cover den Blick frei auf das, was vorangegangen ist.
Passend zum Thema kam Card Highline E21 Silk in Premium White von Fedrigioni zum Einsatz. Der hochwertige Chromosulfatkarton ist in unterschiedlichen Prägungen verfügbar, wir entschieden uns für eine unregelmäßige Struktur, die an den unebenen Untergrund, auf den Plakate aufgebracht werden oder an Kleisterspuren erinnert. Der typografisch-klare Entwurf, dem zwei Sonderfarben zusätzliche Strahlkraft verleihen, verbindet sich so mit dem Papier zu einem stimmigen Ganzen.
Note de contenu : Der Inhalt
In dieser Ausgabe erwarten Sie folgende Beiträge:
novum+
Biennale Brno (CZE)
Gabriel Benderski (URY)
Peter Bankov (RUS)
Center for the Study of Political Graphics (USA)
Footb-all Mix
Poster Rex (GER)
Geray Gencer (TUR)
Vincent Perrottet (FRA)
Dafi Kühne (SWI)
Showroom
2SHY (FRA)
Lyon&Lyon (GBR)
Gino Bud Hoiting (NLD)
Mind Design (GBR)
Das Cover
Design: Sven Lindhorst-Emme
Papier: Card Highline E21 Silk, Premium White, in 400 g/qm von Fedrigioni
Offset-Druck: f&w
Fotos: Guillaume SinopoliEn ligne : https://novum.graphics/magazin/archiv/detail/novum-0818/ Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 22704 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : 10.18 - 2018-10-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- Design
Aliments -- Conditionnement
Arts graphiques -- 21e siècle
Arts graphiques -- Mise en page et typographie
Arts graphiques -- Technique -- Innovations
Magasins -- Aménagement
Magasins -- Décoration
Marques de commerceIndex. décimale : 766 Arts graphiques Résumé : Online sales keep on rising – so how should real bricks-and-mortar stores react? We present communication and interior design concepts that work …
From attractive window displays to strong visual identities for retailers, and also how to present the brand experience in store: In our October issue of novum you can sit back and enjoy a relaxed shopping tour of innovative ideas from all over the world.Note de contenu : Our cover design sets just the right tone for the focus this month on retail design. It’s about real physical spaces, about visual and material experiences. Where does the shopper’s gaze linger longest? Why do we spend more time in one store than in another? Attractive window displays, the right spatial organisation and a feeling of willing and pleasant immersion in a brand experience or philosophy – these are some of the keys to keeping the customers coming into the store.
On this subject we interviewed retail specialists at DFrost and peeked into the excellent and award-winning small shop, rar. We also present you a new concept for a newspaper stand and we report on a visit to a charming children’s boutique designed by Silvio Girolamo. Then we talked to Storey Design about eye-catching window displays and dipped into the unusual shop concepts from the Mexican studio Yeye. Not forgetting, of course, an introduction to the innovative ideas of the Spanish agency Zooco.
In the Showroom section we are pleased to present the fantastic illustrations of Daniel Egneus, we visited the studio of Tough Slate Design in Ukraine and report on the results of the 2018 edition of the venerable 100 Best Posters award. Then, to round this section off, we end up in Spain, with »I am blue I am pink«, enjoying their amazing set designs that really give wings to the imagination…
The cover
A visual magnet is one way of describing what the Cologne-based agency KD1 produced for this month’s cover: it’s a three-dimensional fireworks display, interpreting the spatial aspect of the novum+ theme. The material chosen for this impressive realisation is also one that can be used in store design: The Yupo range of long-lasting, synthetic papers that are water and UV-resistant - available from Papier Union (www.papierunion.de).
The particular type chosen for our cover is SuperYupo, often used for city maps, climbing or diving maps, price tickets or also for packaging. This real all-rounder, which is also easy to print, is available in 90 to 400 gsm weights. The range also contains a self-adhesive variant, called YupoTako, which has tiny »suction cups« on the back that leave no trace when it´s time to remove the paper. Another remarkable paper in this range is YupoJelly, PVC-free and 100% recyclable, that was developed for applications on glass, making it interesting for use in window designs. This variety, too, can be easily removed and even re-applied elsewhere. For offset printing the manufacturer recommends foil colours.
With this glowing introduction, we send you on a shopping expedition where you won’t need your wallet….
Showroom:
Daniel Egneus
Tough Slate Design
100 beste Plakate 2018
I am blue I am pink
novum+:
DFrost
Rar (Super BFG)
Storey Studio
Newstand (Verdes)
Zooco
Silvio Girolamo
Yeye
Cover: KD1
Offset-Druck: f&w
Fotos: Tobias Holzmann (Assistenz: Miriam Zimmer)En ligne : https://novum.graphics/en/magazine/archive/detail/novum-1018/ [n° ou bulletin] 10.18 - 2018-10-12 [texte imprimé] . - 2018.
Langues : Allemand (ger) Anglais (eng)
Catégories : Affiches -- Design
Aliments -- Conditionnement
Arts graphiques -- 21e siècle
Arts graphiques -- Mise en page et typographie
Arts graphiques -- Technique -- Innovations
Magasins -- Aménagement
Magasins -- Décoration
Marques de commerceIndex. décimale : 766 Arts graphiques Résumé : Online sales keep on rising – so how should real bricks-and-mortar stores react? We present communication and interior design concepts that work …
From attractive window displays to strong visual identities for retailers, and also how to present the brand experience in store: In our October issue of novum you can sit back and enjoy a relaxed shopping tour of innovative ideas from all over the world.Note de contenu : Our cover design sets just the right tone for the focus this month on retail design. It’s about real physical spaces, about visual and material experiences. Where does the shopper’s gaze linger longest? Why do we spend more time in one store than in another? Attractive window displays, the right spatial organisation and a feeling of willing and pleasant immersion in a brand experience or philosophy – these are some of the keys to keeping the customers coming into the store.
On this subject we interviewed retail specialists at DFrost and peeked into the excellent and award-winning small shop, rar. We also present you a new concept for a newspaper stand and we report on a visit to a charming children’s boutique designed by Silvio Girolamo. Then we talked to Storey Design about eye-catching window displays and dipped into the unusual shop concepts from the Mexican studio Yeye. Not forgetting, of course, an introduction to the innovative ideas of the Spanish agency Zooco.
In the Showroom section we are pleased to present the fantastic illustrations of Daniel Egneus, we visited the studio of Tough Slate Design in Ukraine and report on the results of the 2018 edition of the venerable 100 Best Posters award. Then, to round this section off, we end up in Spain, with »I am blue I am pink«, enjoying their amazing set designs that really give wings to the imagination…
The cover
A visual magnet is one way of describing what the Cologne-based agency KD1 produced for this month’s cover: it’s a three-dimensional fireworks display, interpreting the spatial aspect of the novum+ theme. The material chosen for this impressive realisation is also one that can be used in store design: The Yupo range of long-lasting, synthetic papers that are water and UV-resistant - available from Papier Union (www.papierunion.de).
The particular type chosen for our cover is SuperYupo, often used for city maps, climbing or diving maps, price tickets or also for packaging. This real all-rounder, which is also easy to print, is available in 90 to 400 gsm weights. The range also contains a self-adhesive variant, called YupoTako, which has tiny »suction cups« on the back that leave no trace when it´s time to remove the paper. Another remarkable paper in this range is YupoJelly, PVC-free and 100% recyclable, that was developed for applications on glass, making it interesting for use in window designs. This variety, too, can be easily removed and even re-applied elsewhere. For offset printing the manufacturer recommends foil colours.
With this glowing introduction, we send you on a shopping expedition where you won’t need your wallet….
Showroom:
Daniel Egneus
Tough Slate Design
100 beste Plakate 2018
I am blue I am pink
novum+:
DFrost
Rar (Super BFG)
Storey Studio
Newstand (Verdes)
Zooco
Silvio Girolamo
Yeye
Cover: KD1
Offset-Druck: f&w
Fotos: Tobias Holzmann (Assistenz: Miriam Zimmer)En ligne : https://novum.graphics/en/magazine/archive/detail/novum-1018/ Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 22911 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
Titre : Made in Japan : Awe-inspiring from Japan today Type de document : texte imprimé Auteurs : Alisha Tang, Auteur ; Victor Cheung, Auteur Editeur : Hong Kong : Viction:ary Année de publication : 2018 Importance : 296 p. Présentation : ill. en coul., couv. ill. en coul. Format : 23 cm ISBN/ISSN/EAN : 978-988-777-473-0 Langues : Anglais (eng) Catégories : Affiches -- Design
Emballages -- Design
Packaging -- JaponIndex. décimale : 766 Arts graphiques Résumé :
For many, Made in Japan is synonymous with quality the perfect marriage of aesthetic appeal and functionality.
The intentions of the designer can be found in the slightest detail, but none are overworked, preferring spare elegance to busy excess. Mixing traditional art and philosophy with contemporary design to create a material and visual culture that blends seamlessly into their lives at home.
With this strong national identity and focus on design, it is no wonder their creative output is admired and imitated throughout the world.
Made in Japan highlights more than 40 creatives from different fields who exemplify this design character through their work in graphic design and branding, illustration, packaging, fashion, product and spatial design.Note de contenu :
Artistes :
10 inc. - AD&D - Aroe inc./Osawa, Yudai - artless Inc. - Asyl - Awatsuji design - AYOND - BULLET Inc. - COMMUNE - DEJIMAGRAPH - DENTSU INC./Yagi, Hideto - direction Q inc. - emuni Inc. - gift unfolding casually - Ichinose, Yuta - Irobe Design Institute - Keiko Akatsuka & Associates - Lemonlife - MR_DESIGN - Nagashima, Rikako - NAM - NON-GRID Inc - NOSIGNER - OUWN - SAFARI inc. - Sakai, Hiroko - SAMURAI INC. - Shinnoske Design - Sitoh inc. - so+ba - SPREAD Ltd. - Takahashi, Yuta - takaramahaya - tegusu Inc. - Terashima Design Co. - TRITON GRAPHICS - TRUNK Inc. - ujidesign - UMA/design farm - Yoshida, YuniMade in Japan : Awe-inspiring from Japan today [texte imprimé] / Alisha Tang, Auteur ; Victor Cheung, Auteur . - Hong Kong : Viction:ary, 2018 . - 296 p. : ill. en coul., couv. ill. en coul. ; 23 cm.
ISBN : 978-988-777-473-0
Langues : Anglais (eng)
Catégories : Affiches -- Design
Emballages -- Design
Packaging -- JaponIndex. décimale : 766 Arts graphiques Résumé :
For many, Made in Japan is synonymous with quality the perfect marriage of aesthetic appeal and functionality.
The intentions of the designer can be found in the slightest detail, but none are overworked, preferring spare elegance to busy excess. Mixing traditional art and philosophy with contemporary design to create a material and visual culture that blends seamlessly into their lives at home.
With this strong national identity and focus on design, it is no wonder their creative output is admired and imitated throughout the world.
Made in Japan highlights more than 40 creatives from different fields who exemplify this design character through their work in graphic design and branding, illustration, packaging, fashion, product and spatial design.Note de contenu :
Artistes :
10 inc. - AD&D - Aroe inc./Osawa, Yudai - artless Inc. - Asyl - Awatsuji design - AYOND - BULLET Inc. - COMMUNE - DEJIMAGRAPH - DENTSU INC./Yagi, Hideto - direction Q inc. - emuni Inc. - gift unfolding casually - Ichinose, Yuta - Irobe Design Institute - Keiko Akatsuka & Associates - Lemonlife - MR_DESIGN - Nagashima, Rikako - NAM - NON-GRID Inc - NOSIGNER - OUWN - SAFARI inc. - Sakai, Hiroko - SAMURAI INC. - Shinnoske Design - Sitoh inc. - so+ba - SPREAD Ltd. - Takahashi, Yuta - takaramahaya - tegusu Inc. - Terashima Design Co. - TRITON GRAPHICS - TRUNK Inc. - ujidesign - UMA/design farm - Yoshida, YuniRéservation
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