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Vol.20 no1(2005) - 2005-01-01 - Technical Art History (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)
[n° ou bulletin]
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin
Titre : Vol.20 no1(2005) - 2005-01-01 - Technical Art History Type de document : texte imprimé Année de publication : 2005 Langues : Anglais (eng) Catégories : Antiquités -- Conservation et restauration
Art -- Conservation et restauration -- Innovations technologiques
Art -- Conservation et restauration -- Pratique -- 21e siècle
Art -- Étude et enseignement
Art -- Historiographie
Art -- Technique
Art et anthropologie
Art et technologie
Interdisciplinarité -- Dans l'art
Patrimoine culturel -- Conservation et restauration -- Recherche
Restaurateurs d'art
Sciences et arts
Sites historiques -- Iraq -- InventairesIndex. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents
Newsletter Cover
Front cover: A detail of Portrait of Louis XII from the 16th-century illuminated manuscript The Hours of Louis XII, by Jean Bourdichon. Raman spectrometry—a technique relatively new to the field of art conservation—was used to investigate the pigment palettes and painting methods of the Bourdichon work. Photo: The J. Paul Getty Museum.
From Connoisseurship to Technical Art History: The Evolution of the Interdisciplinary Study of Art
Once the realm of a small group of connoisseurs, object-based art history has been transformed over the last century through the scientific examination of works of art. Employing a wide range of analytical tools, researchers from the fields of art history, conservation, and conservation science are working together in an interdisciplinary manner to evaluate art objects. These collaborative efforts, originally called technical studies, now compose a burgeoning field known as technical art history.
A Matter of Teamwork: A Discussion about Technical Studies and Art History
Is technical art history a separate area of study or another aspect of art-historical research? How can the interdisciplinary collaboration that the work requires be encouraged and strengthened? Heather Lechtman of the Massachusetts Institute of Technology, Richard Stone of the Metropolitan Museum of Art, and Katharina Walch-von Miller of the Bavarian State Department of Historical Monuments discuss these questions with Brian Considine of the J. Paul Getty Museum and Jeffrey Levin of the GCI.
Changing the Way Professionals Work: Collaboration in the Preservation of Ethnographic and Archaeological Objects
The challenge for conservators who work with objects from archaeological sites and indigenous cultures extends beyond preservation of the physical forms of objects to include interdisciplinary dialogues that can produce broader cultural information. Examples of collaborations among conservators, curators, archaeologists, cultural representatives, and conservation scientists illustrate how conservators can contribute directly to scholarly inquiry, as well as to the larger cultural discussion surrounding these objects.
Recent Initiatives in Technical Art History
Through a variety of means, conservators and their colleagues in the humanities and the sciences are developing new interpretations and meanings for works of art and cultural artifacts. Improvements in technology, the combining of technical analysis with primary source research, new periodicals and monographic studies, and interdisciplinary grant making are among the elements that are driving these recent initiatives in technical art history.
GCI News: Projects, Events, and Publications
Updates on Getty Conservation Institute projects, events, publications, and staff.
MastheadEn ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v20n1.p [...] [n° ou bulletin]Vol.20 no1(2005) - 2005-01-01 - Technical Art History [texte imprimé] . - 2005.
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin
Langues : Anglais (eng)
Catégories : Antiquités -- Conservation et restauration
Art -- Conservation et restauration -- Innovations technologiques
Art -- Conservation et restauration -- Pratique -- 21e siècle
Art -- Étude et enseignement
Art -- Historiographie
Art -- Technique
Art et anthropologie
Art et technologie
Interdisciplinarité -- Dans l'art
Patrimoine culturel -- Conservation et restauration -- Recherche
Restaurateurs d'art
Sciences et arts
Sites historiques -- Iraq -- InventairesIndex. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents
Newsletter Cover
Front cover: A detail of Portrait of Louis XII from the 16th-century illuminated manuscript The Hours of Louis XII, by Jean Bourdichon. Raman spectrometry—a technique relatively new to the field of art conservation—was used to investigate the pigment palettes and painting methods of the Bourdichon work. Photo: The J. Paul Getty Museum.
From Connoisseurship to Technical Art History: The Evolution of the Interdisciplinary Study of Art
Once the realm of a small group of connoisseurs, object-based art history has been transformed over the last century through the scientific examination of works of art. Employing a wide range of analytical tools, researchers from the fields of art history, conservation, and conservation science are working together in an interdisciplinary manner to evaluate art objects. These collaborative efforts, originally called technical studies, now compose a burgeoning field known as technical art history.
A Matter of Teamwork: A Discussion about Technical Studies and Art History
Is technical art history a separate area of study or another aspect of art-historical research? How can the interdisciplinary collaboration that the work requires be encouraged and strengthened? Heather Lechtman of the Massachusetts Institute of Technology, Richard Stone of the Metropolitan Museum of Art, and Katharina Walch-von Miller of the Bavarian State Department of Historical Monuments discuss these questions with Brian Considine of the J. Paul Getty Museum and Jeffrey Levin of the GCI.
Changing the Way Professionals Work: Collaboration in the Preservation of Ethnographic and Archaeological Objects
The challenge for conservators who work with objects from archaeological sites and indigenous cultures extends beyond preservation of the physical forms of objects to include interdisciplinary dialogues that can produce broader cultural information. Examples of collaborations among conservators, curators, archaeologists, cultural representatives, and conservation scientists illustrate how conservators can contribute directly to scholarly inquiry, as well as to the larger cultural discussion surrounding these objects.
Recent Initiatives in Technical Art History
Through a variety of means, conservators and their colleagues in the humanities and the sciences are developing new interpretations and meanings for works of art and cultural artifacts. Improvements in technology, the combining of technical analysis with primary source research, new periodicals and monographic studies, and interdisciplinary grant making are among the elements that are driving these recent initiatives in technical art history.
GCI News: Projects, Events, and Publications
Updates on Getty Conservation Institute projects, events, publications, and staff.
MastheadEn ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v20n1.p [...] Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 23360 GETTY Fascicule ESA Saint-Luc Beaux-Arts - Biblio Exclu du prêt Vol.20 no2(2005) - 2005-05-01 - Conservation Science (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)
[n° ou bulletin]
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin
Titre : Vol.20 no2(2005) - 2005-05-01 - Conservation Science Type de document : texte imprimé Année de publication : 2005 Langues : Anglais (eng) Catégories : Archéométrie
Art -- Conservation et restauration -- Étude et enseignement
Art -- Conservation et restauration -- Innovations technologiques
Art et sciences
Interdisciplinarité -- Dans l'art
Matériaux organiques -- Analyse
Patrimoine culturel -- Conservation et restauration
Patrimoine culturel -- Détérioration -- Prévention
Peinture et décoration murales -- Conservation et restauration
Peinture et décoration murales -- Matériaux -- Analyse
Scientifiques
Technologie et artsIndex. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents
Newsletter Cover
Constanza Miliani, a researcher at the Instituto di Scienze e Tecnologie Molecolari CNR in Perugia, taking in situ measurements of the infared reflectance spectrum of fifteenth-century wall paintings by Filippo Lippi, as part of the Organic Materials in Wall Paintings project, which is being conducted by the GCI and a number of other scientific laboratories. Using the noninvasive technique of reflectance Fourier transform infared spectroscopy with fiber optics, she is able to classify the organic materials present on the surface of these paintings, which are located in Saint Stephen's Cathedral in Prato, Italy. Photo: Francesca Piqué.
The State of Conservation Science
Conservation science is a relatively new scientific endeavor, one that draws on a variety of other scientific disciplines. Has it, as some believe, come of age? What are the accomplishments and challenges that characterize the current state of the field?
A Diverse Discipline: A Discussion about Conservation Science
Aviva Burnstock of the Courtauld Institute of Art, Chris McGlinchey of the Museum of Modern Art, and Narayan Khandekar of the Harvard University Art Museums talk with Giacomo Chiari and Jeffrey Levin of the GCI.
Training and Education in Conservation Science
As interest in the profession grows, the various routes into conservation science—and the amount of education and training that should be required for people entering the field—have become topics of discussion and debate.
Science for the Conservation of Wall Paintings
A current GCI collaborative project with a number of research institutions is exploring a variety of ways to undertake the challenging task of analyzing organic materials in wall paintings—a task critical to the conservation of these works of art.
GCI News: Projects, Events, and Publications
Updates on Getty Conservation Institute projects, events, publications, and staff.
MastheadEn ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v20n2.p [...] [n° ou bulletin]Vol.20 no2(2005) - 2005-05-01 - Conservation Science [texte imprimé] . - 2005.
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin
Langues : Anglais (eng)
Catégories : Archéométrie
Art -- Conservation et restauration -- Étude et enseignement
Art -- Conservation et restauration -- Innovations technologiques
Art et sciences
Interdisciplinarité -- Dans l'art
Matériaux organiques -- Analyse
Patrimoine culturel -- Conservation et restauration
Patrimoine culturel -- Détérioration -- Prévention
Peinture et décoration murales -- Conservation et restauration
Peinture et décoration murales -- Matériaux -- Analyse
Scientifiques
Technologie et artsIndex. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents
Newsletter Cover
Constanza Miliani, a researcher at the Instituto di Scienze e Tecnologie Molecolari CNR in Perugia, taking in situ measurements of the infared reflectance spectrum of fifteenth-century wall paintings by Filippo Lippi, as part of the Organic Materials in Wall Paintings project, which is being conducted by the GCI and a number of other scientific laboratories. Using the noninvasive technique of reflectance Fourier transform infared spectroscopy with fiber optics, she is able to classify the organic materials present on the surface of these paintings, which are located in Saint Stephen's Cathedral in Prato, Italy. Photo: Francesca Piqué.
The State of Conservation Science
Conservation science is a relatively new scientific endeavor, one that draws on a variety of other scientific disciplines. Has it, as some believe, come of age? What are the accomplishments and challenges that characterize the current state of the field?
A Diverse Discipline: A Discussion about Conservation Science
Aviva Burnstock of the Courtauld Institute of Art, Chris McGlinchey of the Museum of Modern Art, and Narayan Khandekar of the Harvard University Art Museums talk with Giacomo Chiari and Jeffrey Levin of the GCI.
Training and Education in Conservation Science
As interest in the profession grows, the various routes into conservation science—and the amount of education and training that should be required for people entering the field—have become topics of discussion and debate.
Science for the Conservation of Wall Paintings
A current GCI collaborative project with a number of research institutions is exploring a variety of ways to undertake the challenging task of analyzing organic materials in wall paintings—a task critical to the conservation of these works of art.
GCI News: Projects, Events, and Publications
Updates on Getty Conservation Institute projects, events, publications, and staff.
MastheadEn ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v20n2.p [...] Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 23359 GETTY Fascicule ESA Saint-Luc Beaux-Arts - Biblio Exclu du prêt Vol.20 no3(2005) - 2005-09-01 - Heritage Documentation (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)
[n° ou bulletin]
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin
Titre : Vol.20 no3(2005) - 2005-09-01 - Heritage Documentation Type de document : texte imprimé Année de publication : 2005 Langues : Anglais (eng) Catégories : Patrimoine culturel -- Conservation et restauration -- Documentation
Patrimoine culturel -- Conservation et restauration -- Étude et enseignement
Patrimoine culturel -- Conservation et restauration -- Gestion de l'information
Patrimoine culturel -- Conservation et restauration -- Inventaires
Patrimoine culturel -- Conservation et restauration -- Services de documentation
Patrimoine culturel -- Numérisation
Peinture et décoration murales -- Dunhuang (Chine) -- Grottes de Mogao -- Conservation et restauration
Sites historiques -- Iraq -- InventairesIndex. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents
Newsletter Cover
Participants in the ICCROM-GCI 2005 advanced course in documentation, held in Rome. This four-week course for midcareer professionals and educators addressed the needs, methodology, and techniques for acquiring and using records, inventories, and information management tools for the conservation of cultural heritage. Photo: Alejandro Alva/Courtesy of ICCROM.
A Note from the Director
Documenting Our Past for the Future
Documentation, which can create a lasting record of heritage in the event that it is lost, is increasingly recognized as essential to conservation. How does documentation contribute to the conservation process, and what efforts are under way to increase its use?
People and Technology: A Discussion about Heritage Documentation
Alonzo Addison of the University of California, Berkeley, Paul Bryan of English Heritage, and Werner Schmid, a private conservator based in Rome, talk with Rand Eppich and Jeffrey Levin of the GCI.
Protecting Iraq's Sites and Monuments: Support for a Nation's Keepers of Cultural Heritage
Since 2004 the Getty Conservation Institute and the World Monuments Fund have been working together on an initiative to help rebuild the professional expertise and heritage infrastructure in Iraq.
From Silk Road to Digital Domain: Managing Information for a Wall Paintings Conservation Project
A wall paintings conservation project of the Getty Conservation Institute and the Dunhuang Academy in China provides insight into the complexity of information management, illustrating the challenges involved, as well as some solutions.
GCI News: Projects, Events, and Publications
Updates on Getty Conservation Institute projects, events, publications, and staff.
MastheadEn ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v20n3.p [...] [n° ou bulletin]Vol.20 no3(2005) - 2005-09-01 - Heritage Documentation [texte imprimé] . - 2005.
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin
Langues : Anglais (eng)
Catégories : Patrimoine culturel -- Conservation et restauration -- Documentation
Patrimoine culturel -- Conservation et restauration -- Étude et enseignement
Patrimoine culturel -- Conservation et restauration -- Gestion de l'information
Patrimoine culturel -- Conservation et restauration -- Inventaires
Patrimoine culturel -- Conservation et restauration -- Services de documentation
Patrimoine culturel -- Numérisation
Peinture et décoration murales -- Dunhuang (Chine) -- Grottes de Mogao -- Conservation et restauration
Sites historiques -- Iraq -- InventairesIndex. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents
Newsletter Cover
Participants in the ICCROM-GCI 2005 advanced course in documentation, held in Rome. This four-week course for midcareer professionals and educators addressed the needs, methodology, and techniques for acquiring and using records, inventories, and information management tools for the conservation of cultural heritage. Photo: Alejandro Alva/Courtesy of ICCROM.
A Note from the Director
Documenting Our Past for the Future
Documentation, which can create a lasting record of heritage in the event that it is lost, is increasingly recognized as essential to conservation. How does documentation contribute to the conservation process, and what efforts are under way to increase its use?
People and Technology: A Discussion about Heritage Documentation
Alonzo Addison of the University of California, Berkeley, Paul Bryan of English Heritage, and Werner Schmid, a private conservator based in Rome, talk with Rand Eppich and Jeffrey Levin of the GCI.
Protecting Iraq's Sites and Monuments: Support for a Nation's Keepers of Cultural Heritage
Since 2004 the Getty Conservation Institute and the World Monuments Fund have been working together on an initiative to help rebuild the professional expertise and heritage infrastructure in Iraq.
From Silk Road to Digital Domain: Managing Information for a Wall Paintings Conservation Project
A wall paintings conservation project of the Getty Conservation Institute and the Dunhuang Academy in China provides insight into the complexity of information management, illustrating the challenges involved, as well as some solutions.
GCI News: Projects, Events, and Publications
Updates on Getty Conservation Institute projects, events, publications, and staff.
MastheadEn ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v20n3.p [...] Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 23358 GETTY Fascicule ESA Saint-Luc Beaux-Arts - Biblio Exclu du prêt Vol.21 no1(2006) - 2006-01-01 - Mosaic Conservation (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)
[n° ou bulletin]
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin
Titre : Vol.21 no1(2006) - 2006-01-01 - Mosaic Conservation Type de document : texte imprimé Année de publication : 2006 Langues : Anglais (eng) Catégories : Brandi, Cesare (1906-1988)
Comité international pour la conservation des mosaïques
Mosaïque -- Conservation et restauration
Mosaïque -- Pays arabes -- Conservation et restauration
Mosaïque romaine -- Tunisie
Pavements de mosaïque -- Antiquité -- Tunisie -- Conservation et restauration
Sites historiques -- ProtectionIndex. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents
Newsletter Cover
Detail of a fourth-century Roman mosaic, one of several found in the House of the Nymphs at Neapolis, now modern Nabeul in Tunisia. The mosaic depicts a scene from the story of the Trojan War: Chryses, a priest of Apollo, is kneeling in front of King Agamemnon, asking that the king release his captive daughter, Chryseis. The mosaic is presently housed in the Regional Archaeological Museum of Nabeul. Photo: Bruce White.
Mosaic Conservation: Fifty Years of Modern Practice
The philosophy and approach to the conservation of mosaics underwent significant change in the post-World War II period, a transformation that is still under way. Where once mosaics were routinely removed from archaeological sites, now the trend is to conserve them in situ when possible.
A Need for Strategy: A Discussion about Conserving Mosaics in the Arab World
Amr al-Azm of Damascus University, Aïcha Ben Abed of the Institut National du Patrimoine of Tunisia, and Isabelle Skaf, a private conservator currently consulting for Lebanon's Direction Générale des Antiquités, talk with Martha Demas and Jeffrey Levin of the Getty Conservation Institute.
Assessing the Protective Function of Shelters over Mosaics
Over the last two years, English Heritage, the Israel Antiquities Authority, and the Getty Conservation Institute have been pursuing research into the efficacy of shelters in protecting in situ mosaics.
Lessons Learned: A Report on the 2005 ICCM Conference
In November 2005 in Tunisia, the International Committee for the Conservation of Mosaics (ICCM) held its ninth conference, which explored what has been accomplished in the almost thirty years since the iccm's founding. The conference also drew some conclusions about where the mosaic conservation field needs to go.
GCI News: Projects, Events, and Publications
Updates on Getty Conservation Institute projects, events, publications, and staff.
MastheadEn ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v21n1.p [...] [n° ou bulletin]Vol.21 no1(2006) - 2006-01-01 - Mosaic Conservation [texte imprimé] . - 2006.
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin
Langues : Anglais (eng)
Catégories : Brandi, Cesare (1906-1988)
Comité international pour la conservation des mosaïques
Mosaïque -- Conservation et restauration
Mosaïque -- Pays arabes -- Conservation et restauration
Mosaïque romaine -- Tunisie
Pavements de mosaïque -- Antiquité -- Tunisie -- Conservation et restauration
Sites historiques -- ProtectionIndex. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents
Newsletter Cover
Detail of a fourth-century Roman mosaic, one of several found in the House of the Nymphs at Neapolis, now modern Nabeul in Tunisia. The mosaic depicts a scene from the story of the Trojan War: Chryses, a priest of Apollo, is kneeling in front of King Agamemnon, asking that the king release his captive daughter, Chryseis. The mosaic is presently housed in the Regional Archaeological Museum of Nabeul. Photo: Bruce White.
Mosaic Conservation: Fifty Years of Modern Practice
The philosophy and approach to the conservation of mosaics underwent significant change in the post-World War II period, a transformation that is still under way. Where once mosaics were routinely removed from archaeological sites, now the trend is to conserve them in situ when possible.
A Need for Strategy: A Discussion about Conserving Mosaics in the Arab World
Amr al-Azm of Damascus University, Aïcha Ben Abed of the Institut National du Patrimoine of Tunisia, and Isabelle Skaf, a private conservator currently consulting for Lebanon's Direction Générale des Antiquités, talk with Martha Demas and Jeffrey Levin of the Getty Conservation Institute.
Assessing the Protective Function of Shelters over Mosaics
Over the last two years, English Heritage, the Israel Antiquities Authority, and the Getty Conservation Institute have been pursuing research into the efficacy of shelters in protecting in situ mosaics.
Lessons Learned: A Report on the 2005 ICCM Conference
In November 2005 in Tunisia, the International Committee for the Conservation of Mosaics (ICCM) held its ninth conference, which explored what has been accomplished in the almost thirty years since the iccm's founding. The conference also drew some conclusions about where the mosaic conservation field needs to go.
GCI News: Projects, Events, and Publications
Updates on Getty Conservation Institute projects, events, publications, and staff.
MastheadEn ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v21n1.p [...] Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 23357 GETTY Fascicule ESA Saint-Luc Beaux-Arts - Biblio Exclu du prêt Vol.21 no2(2006) - 2006-05-01 - Conservation at the Getty (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)
[n° ou bulletin]
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin
Titre : Vol.21 no2(2006) - 2006-05-01 - Conservation at the Getty Type de document : texte imprimé Année de publication : 2006 Langues : Anglais (eng) Catégories : Antiquités -- Conservation et restauration
Architecture -- Conservation et restauration
Archives -- Conservation et restauration
Arts décoratifs -- Conservation et restauration
Bas-reliefs -- Abomey (Bénin) -- Conservation et restauration
Documents audiovisuels -- Conservation et restauration
Gestion électronique de documents
Getty conservation institute (Los Angeles, Calif.)
Getty research institute (Los Angeles, Calif.)
J. Paul Getty museum (Los Angeles, Calif.)
Maquettes (architecture) -- Conservation et restauration
Matériaux organiques -- Analyse
Musées -- Éclairage
Papier -- Conservation et restauration
Patrimoine culturel -- Chine -- Conservation et restauration
Patrimoine culturel -- Conservation et restauration -- Documentation
Patrimoine culturel -- Conservation et restauration -- Étude et enseignement
Patrimoine culturel -- Conservation et restauration -- Recherche
Patrimoine culturel -- Numérisation
Peinture -- Conservation et restauration
Peinture -- Nettoyage
Sculpture - Conservation et restaurationIndex. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents
Newsletter Cover
A photograph of a conservator at work, circa 1930, from the William Suhr archive of the Research Library at the Getty Research Institute (GRI). Suhr was a conservator at the Detroit Institute of the Arts from 1927 to 1933, before moving to New York to become conservator to the Frick Collection (he also maintained a private practice and after World War II worked closely with dealers and other clients active in the art market). The Suhr archive, which includes photographs and treatment notes from a nearly sixty-year period (1920–1979), is one of a number of collections relevant to conservation that are housed among the extensive holdings of the Research Library at the GRI. Photo: Courtesy the Research Library, Getty Research Institute. © circa 1930, The Detroit Institute of the Arts.
A Note from the Director
An introduction to this special issue of Conservation, which explores conservation work conducted throughout the programs of the J. Paul Getty Trust.
The Getty Conservation Institute
The J. Paul Getty Museum
The Getty Research Institute
The Getty Foundation
Conservation Documentation in Digital Form: A Dialogue about the Issues
A report on an April 2006 meeting in New York, where representatives from over a dozen major museums in the United States and the United Kingdom gathered for an important discussion regarding conservation documentation.
GCI News: Projects, Events, and Publications
Updates on Getty Conservation Institute projects, events, publications, and staff.
MastheadEn ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v21n2.p [...] [n° ou bulletin]Vol.21 no2(2006) - 2006-05-01 - Conservation at the Getty [texte imprimé] . - 2006.
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin
Langues : Anglais (eng)
Catégories : Antiquités -- Conservation et restauration
Architecture -- Conservation et restauration
Archives -- Conservation et restauration
Arts décoratifs -- Conservation et restauration
Bas-reliefs -- Abomey (Bénin) -- Conservation et restauration
Documents audiovisuels -- Conservation et restauration
Gestion électronique de documents
Getty conservation institute (Los Angeles, Calif.)
Getty research institute (Los Angeles, Calif.)
J. Paul Getty museum (Los Angeles, Calif.)
Maquettes (architecture) -- Conservation et restauration
Matériaux organiques -- Analyse
Musées -- Éclairage
Papier -- Conservation et restauration
Patrimoine culturel -- Chine -- Conservation et restauration
Patrimoine culturel -- Conservation et restauration -- Documentation
Patrimoine culturel -- Conservation et restauration -- Étude et enseignement
Patrimoine culturel -- Conservation et restauration -- Recherche
Patrimoine culturel -- Numérisation
Peinture -- Conservation et restauration
Peinture -- Nettoyage
Sculpture - Conservation et restaurationIndex. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents
Newsletter Cover
A photograph of a conservator at work, circa 1930, from the William Suhr archive of the Research Library at the Getty Research Institute (GRI). Suhr was a conservator at the Detroit Institute of the Arts from 1927 to 1933, before moving to New York to become conservator to the Frick Collection (he also maintained a private practice and after World War II worked closely with dealers and other clients active in the art market). The Suhr archive, which includes photographs and treatment notes from a nearly sixty-year period (1920–1979), is one of a number of collections relevant to conservation that are housed among the extensive holdings of the Research Library at the GRI. Photo: Courtesy the Research Library, Getty Research Institute. © circa 1930, The Detroit Institute of the Arts.
A Note from the Director
An introduction to this special issue of Conservation, which explores conservation work conducted throughout the programs of the J. Paul Getty Trust.
The Getty Conservation Institute
The J. Paul Getty Museum
The Getty Research Institute
The Getty Foundation
Conservation Documentation in Digital Form: A Dialogue about the Issues
A report on an April 2006 meeting in New York, where representatives from over a dozen major museums in the United States and the United Kingdom gathered for an important discussion regarding conservation documentation.
GCI News: Projects, Events, and Publications
Updates on Getty Conservation Institute projects, events, publications, and staff.
MastheadEn ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v21n2.p [...] Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 23356 GETTY Fascicule ESA Saint-Luc Beaux-Arts - Biblio Exclu du prêt Vol.21 no3(2006) - 2006-09-01 - World Rock Art (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)
PermalinkVol.22 no1(2007) - 2007-01-01 - Environmental Management (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)
PermalinkVol.22 no2(2007) - 2007-05-01 - Outdoor Sculpture (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)
PermalinkVol.22 no3(2007) - 2007-09-01 - Paper Conservation (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)
PermalinkVol.23 no1(2008) - 2008-03-01 - Emergency Management (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)
PermalinkVol.23 no2(2008) - 2008-09-01 - Site Management in Egypt (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)
PermalinkVol.24 no1(2009) - 2009-03-01 (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)
PermalinkVol.24 no2(2009:fall) - 2009-09-01 - Modern and contemporary art (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)
PermalinkVol.25 no1(2010:spring) - 2010-03-01 - Collections research (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)
PermalinkVol.25 no2(2010:fall) - 2010-09-01 - Decorated architectural surfaces (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)
Permalink