La désacidification de masse des livres et documents / Anne LIENARDY, Philippe VAN DAMME, préface de Liliane MASSCHELEIN-KLEINER / Anne Liénardy

Public ISBD Titre : La désacidification de masse des livres et documents / Anne LIENARDY, Philippe VAN DAMME, préface de Liliane MASSCHELEIN-KLEINER Type de document : texte imprimé Auteurs : Anne Liénardy, Auteur ; Philippe Van Damme, Auteur ; Liliane Masschelein-Kleiner, Préfacier, etc. Editeur : Bruxelles : (I.R.P.A.) Institut royal du patrimoine artistique Année de publication : 1992. Importance : 247 p. Présentation : fig ISBN/ISSN/EAN : 2-930054-00-X Langues : Français (fre) Catégories : CONSERVATION PAPIER DESACIDIFICATION Papier - Conservation et restauration Papier -- Conservation et restauration Index. décimale : 0 La désacidification de masse des livres et documents / Anne LIENARDY, Philippe VAN DAMME, préface de Liliane MASSCHELEIN-KLEINER [texte imprimé] / Anne Liénardy, Auteur ; Philippe Van Damme, Auteur ; Liliane Masschelein-Kleiner, Préfacier, etc. . - Bruxelles  : (I.R.P.A.) Institut royal du patrimoine artistique, 1992. . - 247 p.  : fig. ISBN : 2-930054-00-X Langues : Français (fre) Catégories : CONSERVATION PAPIER DESACIDIFICATION Papier - Conservation et restauration Papier -- Conservation et restauration Index. décimale : 0

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La restauration à la Bibliothèque nationale de France : manuscrits, monnaies, reliures, photographies, estampes... / Odile Walrave

Public ISBD Titre : La restauration à la Bibliothèque nationale de France : manuscrits, monnaies, reliures, photographies, estampes... Type de document : texte imprimé Auteurs : Odile Walrave, Directeur de publication, rédacteur en chef ; Christelle Quillet, Autre ; Luc Lupone, Autre Editeur : Paris : Bibliothèque Nationale de France Année de publication : 2003 Importance : 187 p. Présentation : ill. en n. et b. Format : 24 cm ISBN/ISSN/EAN : 978-2-7177-2245-1 Langues : Français (fre) Catégories : Estampe -- Conservation et restauration -- France Manuscrits -- Conservation et restauration -- France Papier -- Conservation et restauration Photographie -- Conservation et restauration -- France Reliure -- Conservation et restauration -- France Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : La restauration à la Bibliothèque nationale de France : manuscrits, monnaies, reliures, photographies, estampes... [texte imprimé] / Odile Walrave, Directeur de publication, rédacteur en chef ; Christelle Quillet, Autre ; Luc Lupone, Autre . - Paris  : Bibliothèque Nationale de France, 2003 . - 187 p. : ill. en n. et b. ; 24 cm. ISBN : 978-2-7177-2245-1 Langues : Français (fre) Catégories : Estampe -- Conservation et restauration -- France Manuscrits -- Conservation et restauration -- France Papier -- Conservation et restauration Photographie -- Conservation et restauration -- France Reliure -- Conservation et restauration -- France Index. décimale : 7.025 Dommages. Conservation. Protection Résumé :

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Vol.21 no2(2006) - 2006-05-01 - Conservation at the Getty (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)    

Public ISBD [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Titre : Vol.21 no2(2006) - 2006-05-01 - Conservation at the Getty Type de document : texte imprimé Année de publication : 2006 Langues : Anglais (eng) Catégories : Antiquités -- Conservation et restauration Architecture -- Conservation et restauration Archives -- Conservation et restauration Arts décoratifs -- Conservation et restauration Bas-reliefs -- Abomey (Bénin) -- Conservation et restauration Documents audiovisuels -- Conservation et restauration Gestion électronique de documents Getty conservation institute (Los Angeles, Calif.) Getty research institute (Los Angeles, Calif.) J. Paul Getty museum (Los Angeles, Calif.) Maquettes (architecture) -- Conservation et restauration Matériaux organiques -- Analyse Musées -- Éclairage Papier -- Conservation et restauration Patrimoine culturel -- Chine -- Conservation et restauration Patrimoine culturel -- Conservation et restauration -- Documentation Patrimoine culturel -- Conservation et restauration -- Étude et enseignement Patrimoine culturel -- Conservation et restauration -- Recherche Patrimoine culturel -- Numérisation Peinture -- Conservation et restauration Peinture -- Nettoyage Sculpture - Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover A photograph of a conservator at work, circa 1930, from the William Suhr archive of the Research Library at the Getty Research Institute (GRI). Suhr was a conservator at the Detroit Institute of the Arts from 1927 to 1933, before moving to New York to become conservator to the Frick Collection (he also maintained a private practice and after World War II worked closely with dealers and other clients active in the art market). The Suhr archive, which includes photographs and treatment notes from a nearly sixty-year period (1920–1979), is one of a number of collections relevant to conservation that are housed among the extensive holdings of the Research Library at the GRI. Photo: Courtesy the Research Library, Getty Research Institute. © circa 1930, The Detroit Institute of the Arts. A Note from the Director An introduction to this special issue of Conservation, which explores conservation work conducted throughout the programs of the J. Paul Getty Trust. The Getty Conservation Institute The J. Paul Getty Museum The Getty Research Institute The Getty Foundation Conservation Documentation in Digital Form: A Dialogue about the Issues A report on an April 2006 meeting in New York, where representatives from over a dozen major museums in the United States and the United Kingdom gathered for an important discussion regarding conservation documentation. GCI News: Projects, Events, and Publications Updates on Getty Conservation Institute projects, events, publications, and staff. Masthead En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v21n2.p [...] [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Vol.21 no2(2006) - 2006-05-01 - Conservation at the Getty [texte imprimé] . - 2006. Langues : Anglais (eng) Catégories : Antiquités -- Conservation et restauration Architecture -- Conservation et restauration Archives -- Conservation et restauration Arts décoratifs -- Conservation et restauration Bas-reliefs -- Abomey (Bénin) -- Conservation et restauration Documents audiovisuels -- Conservation et restauration Gestion électronique de documents Getty conservation institute (Los Angeles, Calif.) Getty research institute (Los Angeles, Calif.) J. Paul Getty museum (Los Angeles, Calif.) Maquettes (architecture) -- Conservation et restauration Matériaux organiques -- Analyse Musées -- Éclairage Papier -- Conservation et restauration Patrimoine culturel -- Chine -- Conservation et restauration Patrimoine culturel -- Conservation et restauration -- Documentation Patrimoine culturel -- Conservation et restauration -- Étude et enseignement Patrimoine culturel -- Conservation et restauration -- Recherche Patrimoine culturel -- Numérisation Peinture -- Conservation et restauration Peinture -- Nettoyage Sculpture - Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover A photograph of a conservator at work, circa 1930, from the William Suhr archive of the Research Library at the Getty Research Institute (GRI). Suhr was a conservator at the Detroit Institute of the Arts from 1927 to 1933, before moving to New York to become conservator to the Frick Collection (he also maintained a private practice and after World War II worked closely with dealers and other clients active in the art market). The Suhr archive, which includes photographs and treatment notes from a nearly sixty-year period (1920–1979), is one of a number of collections relevant to conservation that are housed among the extensive holdings of the Research Library at the GRI. Photo: Courtesy the Research Library, Getty Research Institute. © circa 1930, The Detroit Institute of the Arts. A Note from the Director An introduction to this special issue of Conservation, which explores conservation work conducted throughout the programs of the J. Paul Getty Trust. The Getty Conservation Institute The J. Paul Getty Museum The Getty Research Institute The Getty Foundation Conservation Documentation in Digital Form: A Dialogue about the Issues A report on an April 2006 meeting in New York, where representatives from over a dozen major museums in the United States and the United Kingdom gathered for an important discussion regarding conservation documentation. GCI News: Projects, Events, and Publications Updates on Getty Conservation Institute projects, events, publications, and staff. Masthead En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v21n2.p [...]

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Vol.22 no3(2007) - 2007-09-01 - Paper Conservation (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)    

Public ISBD [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Titre : Vol.22 no3(2007) - 2007-09-01 - Paper Conservation Type de document : texte imprimé Année de publication : 2007 Langues : Anglais (eng) Catégories : Archives -- Conservation et restauration Encre -- Conservation et restauration Impression numérique -- Conservation et restauration Musées -- Éclairage Papier -- Conservation et restauration Photographies -- Conservation et restauration Polymères -- Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover Testing an inkjet print to determine its coating. Inkjet papers often have special coatings that hold the colorants at the surface, resulting in a higher quality image. A spot test with a minute droplet of water, performed under a microscope, may help establish if the coating is a porous or polymer type. Porous coatings absorb water, while polymer coatings swell due to their high gelatin or polyvinylalcohol content. This distinction is useful in evaluating exhibition and storage conditions for these prints. Photo: Martin Jürgens. The History and Conservation of Digital Prints The wide use today of digital printing processes in the visual arts, including photography, poses a great challenge for museums and other institutions collecting digital prints. Conservators handling these prints will need to develop a better understanding of the many new inks, substrates, and surface coatings used in digital printing. Preservation in the Digital Age: A Discussion about Conservation in Libraries and Archives Nancy Bell of the National Archives in the United Kingdom, Jana Kolar of the National and University Library in Slovenia, and Dianne van der Reyden of the U.S. Library of Congress talk with Jeffrey Levin, editor of Conservation, The GCI Newsletter, and GCI senior scientist James Druzik. Research on the Conservation of Photographs: A Project Update The Getty Conservation Institute has been collaborating with a variety of partners on a project that has already resulted in the development of techniques that can identify more than a third of the chemical photographic processes used since photography's beginnings. The project includes several other initiatives that seek to improve the practice of photog­raphy conservation. Research on Museum Lighting: A Project Update Lighting—an essential element in the exhibition of museum collections—also has the potential to damage sensitive works of art in visible and nonvisible ways. The Getty Conservation Institute is working with other institutions on ways to illuminate such works that minimize damage and maximize the visitor's viewing experience. GCI News: Projects, Events, and Publications Updates on Getty Conservation Institute projects, events, publications, and staff. Masthead En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v22n3.p [...] [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Vol.22 no3(2007) - 2007-09-01 - Paper Conservation [texte imprimé] . - 2007. Langues : Anglais (eng) Catégories : Archives -- Conservation et restauration Encre -- Conservation et restauration Impression numérique -- Conservation et restauration Musées -- Éclairage Papier -- Conservation et restauration Photographies -- Conservation et restauration Polymères -- Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover Testing an inkjet print to determine its coating. Inkjet papers often have special coatings that hold the colorants at the surface, resulting in a higher quality image. A spot test with a minute droplet of water, performed under a microscope, may help establish if the coating is a porous or polymer type. Porous coatings absorb water, while polymer coatings swell due to their high gelatin or polyvinylalcohol content. This distinction is useful in evaluating exhibition and storage conditions for these prints. Photo: Martin Jürgens. The History and Conservation of Digital Prints The wide use today of digital printing processes in the visual arts, including photography, poses a great challenge for museums and other institutions collecting digital prints. Conservators handling these prints will need to develop a better understanding of the many new inks, substrates, and surface coatings used in digital printing. Preservation in the Digital Age: A Discussion about Conservation in Libraries and Archives Nancy Bell of the National Archives in the United Kingdom, Jana Kolar of the National and University Library in Slovenia, and Dianne van der Reyden of the U.S. Library of Congress talk with Jeffrey Levin, editor of Conservation, The GCI Newsletter, and GCI senior scientist James Druzik. Research on the Conservation of Photographs: A Project Update The Getty Conservation Institute has been collaborating with a variety of partners on a project that has already resulted in the development of techniques that can identify more than a third of the chemical photographic processes used since photography's beginnings. The project includes several other initiatives that seek to improve the practice of photog­raphy conservation. Research on Museum Lighting: A Project Update Lighting—an essential element in the exhibition of museum collections—also has the potential to damage sensitive works of art in visible and nonvisible ways. The Getty Conservation Institute is working with other institutions on ways to illuminate such works that minimize damage and maximize the visitor's viewing experience. GCI News: Projects, Events, and Publications Updates on Getty Conservation Institute projects, events, publications, and staff. Masthead En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v22n3.p [...]

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