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> Patrimoine culturel -- Conservation et restauration -- Recherche
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La restauration des peintures et calligraphies chinoises anciennes / Huansheng Lin in Conservation restauration des biens culturels, no.12(1998:déc.) (1998-12-01)
Vol.19 no3(2004) - 2004-09-01 - Partnership : a joint with UNESCO (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)
[n° ou bulletin]
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin
Titre : Vol.19 no3(2004) - 2004-09-01 - Partnership : a joint with UNESCO Type de document : texte imprimé Année de publication : 2004 Langues : Anglais (eng) Catégories : Conservation et restauration -- Philosophie
Partenariat public-privé
Patrimoine culturel -- Conservation et restauration -- Conventions
Patrimoine culturel -- Conservation et restauration -- Coopération internationale
Patrimoine culturel -- Conservation et restauration -- Recherche
Peinture et décoration murales -- Dunhuang (Chine) -- Grottes de Mogao -- Conservation et restauration
Unesco. Convention concernant la protection du patrimoine mondial, culturel et naturel (1972)Mots-clés : Dunhuang Academy Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents
Newsletter Cover
Front cover: An illustration inspired by decorative elements of Nasrid art (named for the Islamic dynasty that ruled southern Spain in the 13th through 15th centuries). The link—an essential component of partnership—is the basis for a structured assembly of geometric ornamentation. Image: © Marina Taurus, Courtesy UNESCO.
An Editorial Note on This Special Issue
Heritage Partnership: Exploring the Unknown
Partnerships, which bring together resources from diverse players, can significantly multiply the means available for a task and the benefits that accrue from it. Partnerships involve a shared commitment and a leveraging of capacities beyond what would be possible if each partner were working alone. While the public and private sectors have been reticent to pool their resources, much has been accomplished through unprecedented partnerships. Given the resources that these collaborations have unlocked, one can conclude that in today's complex society, cultural heritage partnerships are hardly a hazard—they may even be a necessity.
Mobilizing Resources: A Discussion about Partnerships and Conservation
Can partnerships enable conservation organizations to tackle existing and future challenges in the conservation of the arts and cultural heritage? Francesco Bandarin of the World Heritage Center, Ismaïl Serageldin of the Bibliotheca Alexandrina, and Nicholas Stanley-Price of ICCROM talk with the GCI's Tim Whalen and Jeffrey Levin about the nature of partnerships in heritage conservation.
Cooperation in Conservation Science
From its earliest days, the GCI Science department has cultivated partnerships in many of its major research undertakings. These partnerships have succeeded not only when there is a shared common goal, but also when the partners have had expertise in similar areas of research and compatible resources—or when they have had different but complementary expertise and resources. Several current GCI Science research projects illustrate the elements of successful partnership; in each, the partnership with external organizations is at the core of the project's work.
Partnership: We're in This Boat Together
The GCI's longest continuing partnership among its field projects has been in China, with the State Administration of Cultural Heritage and the Dunhuang Academy. The partnership, which began with one set of objectives, over time has expanded into new endeavors. A key reason for this longevity is the attention paid to the relationship itself. By emphasizing professional development, sharing, and collegial cooperation—in addition to well-defined and clearly stated objectives and methodology—the GCI and its partners have achieved a long-term and highly productive partnership.
GCI News: Projects, Events, Publications and StaffEn ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v19n3.p [...] [n° ou bulletin]Vol.19 no3(2004) - 2004-09-01 - Partnership : a joint with UNESCO [texte imprimé] . - 2004.
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin
Langues : Anglais (eng)
Catégories : Conservation et restauration -- Philosophie
Partenariat public-privé
Patrimoine culturel -- Conservation et restauration -- Conventions
Patrimoine culturel -- Conservation et restauration -- Coopération internationale
Patrimoine culturel -- Conservation et restauration -- Recherche
Peinture et décoration murales -- Dunhuang (Chine) -- Grottes de Mogao -- Conservation et restauration
Unesco. Convention concernant la protection du patrimoine mondial, culturel et naturel (1972)Mots-clés : Dunhuang Academy Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents
Newsletter Cover
Front cover: An illustration inspired by decorative elements of Nasrid art (named for the Islamic dynasty that ruled southern Spain in the 13th through 15th centuries). The link—an essential component of partnership—is the basis for a structured assembly of geometric ornamentation. Image: © Marina Taurus, Courtesy UNESCO.
An Editorial Note on This Special Issue
Heritage Partnership: Exploring the Unknown
Partnerships, which bring together resources from diverse players, can significantly multiply the means available for a task and the benefits that accrue from it. Partnerships involve a shared commitment and a leveraging of capacities beyond what would be possible if each partner were working alone. While the public and private sectors have been reticent to pool their resources, much has been accomplished through unprecedented partnerships. Given the resources that these collaborations have unlocked, one can conclude that in today's complex society, cultural heritage partnerships are hardly a hazard—they may even be a necessity.
Mobilizing Resources: A Discussion about Partnerships and Conservation
Can partnerships enable conservation organizations to tackle existing and future challenges in the conservation of the arts and cultural heritage? Francesco Bandarin of the World Heritage Center, Ismaïl Serageldin of the Bibliotheca Alexandrina, and Nicholas Stanley-Price of ICCROM talk with the GCI's Tim Whalen and Jeffrey Levin about the nature of partnerships in heritage conservation.
Cooperation in Conservation Science
From its earliest days, the GCI Science department has cultivated partnerships in many of its major research undertakings. These partnerships have succeeded not only when there is a shared common goal, but also when the partners have had expertise in similar areas of research and compatible resources—or when they have had different but complementary expertise and resources. Several current GCI Science research projects illustrate the elements of successful partnership; in each, the partnership with external organizations is at the core of the project's work.
Partnership: We're in This Boat Together
The GCI's longest continuing partnership among its field projects has been in China, with the State Administration of Cultural Heritage and the Dunhuang Academy. The partnership, which began with one set of objectives, over time has expanded into new endeavors. A key reason for this longevity is the attention paid to the relationship itself. By emphasizing professional development, sharing, and collegial cooperation—in addition to well-defined and clearly stated objectives and methodology—the GCI and its partners have achieved a long-term and highly productive partnership.
GCI News: Projects, Events, Publications and StaffEn ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v19n3.p [...] Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 23361 GETTY Fascicule ESA Saint-Luc Beaux-Arts - Biblio Exclu du prêt Vol.20 no1(2005) - 2005-01-01 - Technical Art History (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)
[n° ou bulletin]
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin
Titre : Vol.20 no1(2005) - 2005-01-01 - Technical Art History Type de document : texte imprimé Année de publication : 2005 Langues : Anglais (eng) Catégories : Antiquités -- Conservation et restauration
Art -- Conservation et restauration -- Innovations technologiques
Art -- Conservation et restauration -- Pratique -- 21e siècle
Art -- Étude et enseignement
Art -- Historiographie
Art -- Technique
Art et anthropologie
Art et technologie
Interdisciplinarité -- Dans l'art
Patrimoine culturel -- Conservation et restauration -- Recherche
Restaurateurs d'art
Sciences et arts
Sites historiques -- Iraq -- InventairesIndex. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents
Newsletter Cover
Front cover: A detail of Portrait of Louis XII from the 16th-century illuminated manuscript The Hours of Louis XII, by Jean Bourdichon. Raman spectrometry—a technique relatively new to the field of art conservation—was used to investigate the pigment palettes and painting methods of the Bourdichon work. Photo: The J. Paul Getty Museum.
From Connoisseurship to Technical Art History: The Evolution of the Interdisciplinary Study of Art
Once the realm of a small group of connoisseurs, object-based art history has been transformed over the last century through the scientific examination of works of art. Employing a wide range of analytical tools, researchers from the fields of art history, conservation, and conservation science are working together in an interdisciplinary manner to evaluate art objects. These collaborative efforts, originally called technical studies, now compose a burgeoning field known as technical art history.
A Matter of Teamwork: A Discussion about Technical Studies and Art History
Is technical art history a separate area of study or another aspect of art-historical research? How can the interdisciplinary collaboration that the work requires be encouraged and strengthened? Heather Lechtman of the Massachusetts Institute of Technology, Richard Stone of the Metropolitan Museum of Art, and Katharina Walch-von Miller of the Bavarian State Department of Historical Monuments discuss these questions with Brian Considine of the J. Paul Getty Museum and Jeffrey Levin of the GCI.
Changing the Way Professionals Work: Collaboration in the Preservation of Ethnographic and Archaeological Objects
The challenge for conservators who work with objects from archaeological sites and indigenous cultures extends beyond preservation of the physical forms of objects to include interdisciplinary dialogues that can produce broader cultural information. Examples of collaborations among conservators, curators, archaeologists, cultural representatives, and conservation scientists illustrate how conservators can contribute directly to scholarly inquiry, as well as to the larger cultural discussion surrounding these objects.
Recent Initiatives in Technical Art History
Through a variety of means, conservators and their colleagues in the humanities and the sciences are developing new interpretations and meanings for works of art and cultural artifacts. Improvements in technology, the combining of technical analysis with primary source research, new periodicals and monographic studies, and interdisciplinary grant making are among the elements that are driving these recent initiatives in technical art history.
GCI News: Projects, Events, and Publications
Updates on Getty Conservation Institute projects, events, publications, and staff.
MastheadEn ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v20n1.p [...] [n° ou bulletin]Vol.20 no1(2005) - 2005-01-01 - Technical Art History [texte imprimé] . - 2005.
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin
Langues : Anglais (eng)
Catégories : Antiquités -- Conservation et restauration
Art -- Conservation et restauration -- Innovations technologiques
Art -- Conservation et restauration -- Pratique -- 21e siècle
Art -- Étude et enseignement
Art -- Historiographie
Art -- Technique
Art et anthropologie
Art et technologie
Interdisciplinarité -- Dans l'art
Patrimoine culturel -- Conservation et restauration -- Recherche
Restaurateurs d'art
Sciences et arts
Sites historiques -- Iraq -- InventairesIndex. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents
Newsletter Cover
Front cover: A detail of Portrait of Louis XII from the 16th-century illuminated manuscript The Hours of Louis XII, by Jean Bourdichon. Raman spectrometry—a technique relatively new to the field of art conservation—was used to investigate the pigment palettes and painting methods of the Bourdichon work. Photo: The J. Paul Getty Museum.
From Connoisseurship to Technical Art History: The Evolution of the Interdisciplinary Study of Art
Once the realm of a small group of connoisseurs, object-based art history has been transformed over the last century through the scientific examination of works of art. Employing a wide range of analytical tools, researchers from the fields of art history, conservation, and conservation science are working together in an interdisciplinary manner to evaluate art objects. These collaborative efforts, originally called technical studies, now compose a burgeoning field known as technical art history.
A Matter of Teamwork: A Discussion about Technical Studies and Art History
Is technical art history a separate area of study or another aspect of art-historical research? How can the interdisciplinary collaboration that the work requires be encouraged and strengthened? Heather Lechtman of the Massachusetts Institute of Technology, Richard Stone of the Metropolitan Museum of Art, and Katharina Walch-von Miller of the Bavarian State Department of Historical Monuments discuss these questions with Brian Considine of the J. Paul Getty Museum and Jeffrey Levin of the GCI.
Changing the Way Professionals Work: Collaboration in the Preservation of Ethnographic and Archaeological Objects
The challenge for conservators who work with objects from archaeological sites and indigenous cultures extends beyond preservation of the physical forms of objects to include interdisciplinary dialogues that can produce broader cultural information. Examples of collaborations among conservators, curators, archaeologists, cultural representatives, and conservation scientists illustrate how conservators can contribute directly to scholarly inquiry, as well as to the larger cultural discussion surrounding these objects.
Recent Initiatives in Technical Art History
Through a variety of means, conservators and their colleagues in the humanities and the sciences are developing new interpretations and meanings for works of art and cultural artifacts. Improvements in technology, the combining of technical analysis with primary source research, new periodicals and monographic studies, and interdisciplinary grant making are among the elements that are driving these recent initiatives in technical art history.
GCI News: Projects, Events, and Publications
Updates on Getty Conservation Institute projects, events, publications, and staff.
MastheadEn ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v20n1.p [...] Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 23360 GETTY Fascicule ESA Saint-Luc Beaux-Arts - Biblio Exclu du prêt Vol.21 no2(2006) - 2006-05-01 - Conservation at the Getty (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)
[n° ou bulletin]
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin
Titre : Vol.21 no2(2006) - 2006-05-01 - Conservation at the Getty Type de document : texte imprimé Année de publication : 2006 Langues : Anglais (eng) Catégories : Antiquités -- Conservation et restauration
Architecture -- Conservation et restauration
Archives -- Conservation et restauration
Arts décoratifs -- Conservation et restauration
Bas-reliefs -- Abomey (Bénin) -- Conservation et restauration
Documents audiovisuels -- Conservation et restauration
Gestion électronique de documents
Getty conservation institute (Los Angeles, Calif.)
Getty research institute (Los Angeles, Calif.)
J. Paul Getty museum (Los Angeles, Calif.)
Maquettes (architecture) -- Conservation et restauration
Matériaux organiques -- Analyse
Musées -- Éclairage
Papier -- Conservation et restauration
Patrimoine culturel -- Chine -- Conservation et restauration
Patrimoine culturel -- Conservation et restauration -- Documentation
Patrimoine culturel -- Conservation et restauration -- Étude et enseignement
Patrimoine culturel -- Conservation et restauration -- Recherche
Patrimoine culturel -- Numérisation
Peinture -- Conservation et restauration
Peinture -- Nettoyage
Sculpture - Conservation et restaurationIndex. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents
Newsletter Cover
A photograph of a conservator at work, circa 1930, from the William Suhr archive of the Research Library at the Getty Research Institute (GRI). Suhr was a conservator at the Detroit Institute of the Arts from 1927 to 1933, before moving to New York to become conservator to the Frick Collection (he also maintained a private practice and after World War II worked closely with dealers and other clients active in the art market). The Suhr archive, which includes photographs and treatment notes from a nearly sixty-year period (1920–1979), is one of a number of collections relevant to conservation that are housed among the extensive holdings of the Research Library at the GRI. Photo: Courtesy the Research Library, Getty Research Institute. © circa 1930, The Detroit Institute of the Arts.
A Note from the Director
An introduction to this special issue of Conservation, which explores conservation work conducted throughout the programs of the J. Paul Getty Trust.
The Getty Conservation Institute
The J. Paul Getty Museum
The Getty Research Institute
The Getty Foundation
Conservation Documentation in Digital Form: A Dialogue about the Issues
A report on an April 2006 meeting in New York, where representatives from over a dozen major museums in the United States and the United Kingdom gathered for an important discussion regarding conservation documentation.
GCI News: Projects, Events, and Publications
Updates on Getty Conservation Institute projects, events, publications, and staff.
MastheadEn ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v21n2.p [...] [n° ou bulletin]Vol.21 no2(2006) - 2006-05-01 - Conservation at the Getty [texte imprimé] . - 2006.
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin
Langues : Anglais (eng)
Catégories : Antiquités -- Conservation et restauration
Architecture -- Conservation et restauration
Archives -- Conservation et restauration
Arts décoratifs -- Conservation et restauration
Bas-reliefs -- Abomey (Bénin) -- Conservation et restauration
Documents audiovisuels -- Conservation et restauration
Gestion électronique de documents
Getty conservation institute (Los Angeles, Calif.)
Getty research institute (Los Angeles, Calif.)
J. Paul Getty museum (Los Angeles, Calif.)
Maquettes (architecture) -- Conservation et restauration
Matériaux organiques -- Analyse
Musées -- Éclairage
Papier -- Conservation et restauration
Patrimoine culturel -- Chine -- Conservation et restauration
Patrimoine culturel -- Conservation et restauration -- Documentation
Patrimoine culturel -- Conservation et restauration -- Étude et enseignement
Patrimoine culturel -- Conservation et restauration -- Recherche
Patrimoine culturel -- Numérisation
Peinture -- Conservation et restauration
Peinture -- Nettoyage
Sculpture - Conservation et restaurationIndex. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents
Newsletter Cover
A photograph of a conservator at work, circa 1930, from the William Suhr archive of the Research Library at the Getty Research Institute (GRI). Suhr was a conservator at the Detroit Institute of the Arts from 1927 to 1933, before moving to New York to become conservator to the Frick Collection (he also maintained a private practice and after World War II worked closely with dealers and other clients active in the art market). The Suhr archive, which includes photographs and treatment notes from a nearly sixty-year period (1920–1979), is one of a number of collections relevant to conservation that are housed among the extensive holdings of the Research Library at the GRI. Photo: Courtesy the Research Library, Getty Research Institute. © circa 1930, The Detroit Institute of the Arts.
A Note from the Director
An introduction to this special issue of Conservation, which explores conservation work conducted throughout the programs of the J. Paul Getty Trust.
The Getty Conservation Institute
The J. Paul Getty Museum
The Getty Research Institute
The Getty Foundation
Conservation Documentation in Digital Form: A Dialogue about the Issues
A report on an April 2006 meeting in New York, where representatives from over a dozen major museums in the United States and the United Kingdom gathered for an important discussion regarding conservation documentation.
GCI News: Projects, Events, and Publications
Updates on Getty Conservation Institute projects, events, publications, and staff.
MastheadEn ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v21n2.p [...] Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 23356 GETTY Fascicule ESA Saint-Luc Beaux-Arts - Biblio Exclu du prêt Vol.24 no1(2009) - 2009-03-01 (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)
[n° ou bulletin]
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin
Titre : Vol.24 no1(2009) - 2009-03-01 Type de document : texte imprimé Année de publication : 2009 Langues : Anglais (eng) Catégories : Conservation et restauration -- Étude et enseignement
Conservation et restauration -- Étude et enseignement -- Asie du Sud-Est
Getty conservation institute (Los Angeles, Calif.)
Patrimoine culturel -- Conservation et restauration -- Recherche
Peinture et décoration murales -- Dunhuang (Chine) -- Grottes de Mogao -- Conservation et restauration
Peinture sur panneau -- Conservation et restauration
Peinture-émulsion -- Conservation et restauration
Photographies -- Conservation et restauration -- PratiqueIndex. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents
Newsletter Cover
Enlarge
Instructors and participants in a May 2008 site management workshop at Dougga, an ancient-Roman World Heritage site in Tunisia. The workshop was organized by the GCI and Tunisia's Institut National du Patrimoine. Photo: Christian De Brer, GCI.
A Note from the Director
Timothy P. Whalen
Conservation Education at the GCI: Past, Present, and Future
To serve the expanding learning needs of conservation, the GCI, in the early part of this decade, began laying the foundations for a department focused exclusively on education and training. Today the GCI Education department not only undertakes initiatives in areas where the Institute has expertise but also applies innovations in teaching to those initiatives.
Out in the Field: A Discussion about Education and GCI Field Projects
Neville Agnew, GCI senior principal project specialist; Francesca Piqué, former GCI project specialist; and Thomas Roby, GCI senior project specialist, talk with Kathleen Dardes, head of GCI Education, and Jeffrey Levin, editor of Conservation, The GCI Newsletter.
Advancing Photograph Conservation: A New Initiative in Central, Southern, and Eastern Europe
The GCI has partnered with the Academy of Fine Art and Design and the Slovak National Library in Slovakia to advance photograph conservation in the region through an education initiative. This multiyear effort includes providing theoretical and practical knowledge of photograph conservation through a series of summer schools and distance learning.
Sustaining Conservation Education in Southeast Asia
In 2008 twenty-five conservation professionals from Southeast Asia participated in a workshop organized by the GCI, the Lao PDR's Ministry of Information and Culture, the Lerici Foundation, and SEAMEP-SPAFA. Held at the World Heritage site of Vat Phou, the workshop focused on conservation of archaeological sites and was the inaugural event of the GCI'S Built Heritage in Southeast Asia Conservation Education and Training Initiative.
Cracked, Warped, and Cradled! Training in the Structural Conservation of Panel Paintings
To address the pressing training needs in the structural conservation of panel paintings, the Getty Museum, the Getty Foundation, and the GCI have embarked on a multiyear initiative that seeks to increase knowledge regarding conservation problems and solutions related to panel paintings, as well as to increase the number of expert conservators.
Out of the Box and Thinking: The GCI Conservation Guest Scholar Program
The GCI's Conservation Guest Scholar program is a rare opportunity in the conservation field for senior professionals to pursue research and innovative thinking. The program offers conservation professionals an opportunity to step away from their daily routines, providing them with the time and resources to research and write in their fields of expertise.
GCI News: Projects, Events, and Publications
Updates on Getty Conservation Institute projects, events, and publications.En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/24_1/ [n° ou bulletin]Vol.24 no1(2009) - 2009-03-01 [texte imprimé] . - 2009.
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin
Langues : Anglais (eng)
Catégories : Conservation et restauration -- Étude et enseignement
Conservation et restauration -- Étude et enseignement -- Asie du Sud-Est
Getty conservation institute (Los Angeles, Calif.)
Patrimoine culturel -- Conservation et restauration -- Recherche
Peinture et décoration murales -- Dunhuang (Chine) -- Grottes de Mogao -- Conservation et restauration
Peinture sur panneau -- Conservation et restauration
Peinture-émulsion -- Conservation et restauration
Photographies -- Conservation et restauration -- PratiqueIndex. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents
Newsletter Cover
Enlarge
Instructors and participants in a May 2008 site management workshop at Dougga, an ancient-Roman World Heritage site in Tunisia. The workshop was organized by the GCI and Tunisia's Institut National du Patrimoine. Photo: Christian De Brer, GCI.
A Note from the Director
Timothy P. Whalen
Conservation Education at the GCI: Past, Present, and Future
To serve the expanding learning needs of conservation, the GCI, in the early part of this decade, began laying the foundations for a department focused exclusively on education and training. Today the GCI Education department not only undertakes initiatives in areas where the Institute has expertise but also applies innovations in teaching to those initiatives.
Out in the Field: A Discussion about Education and GCI Field Projects
Neville Agnew, GCI senior principal project specialist; Francesca Piqué, former GCI project specialist; and Thomas Roby, GCI senior project specialist, talk with Kathleen Dardes, head of GCI Education, and Jeffrey Levin, editor of Conservation, The GCI Newsletter.
Advancing Photograph Conservation: A New Initiative in Central, Southern, and Eastern Europe
The GCI has partnered with the Academy of Fine Art and Design and the Slovak National Library in Slovakia to advance photograph conservation in the region through an education initiative. This multiyear effort includes providing theoretical and practical knowledge of photograph conservation through a series of summer schools and distance learning.
Sustaining Conservation Education in Southeast Asia
In 2008 twenty-five conservation professionals from Southeast Asia participated in a workshop organized by the GCI, the Lao PDR's Ministry of Information and Culture, the Lerici Foundation, and SEAMEP-SPAFA. Held at the World Heritage site of Vat Phou, the workshop focused on conservation of archaeological sites and was the inaugural event of the GCI'S Built Heritage in Southeast Asia Conservation Education and Training Initiative.
Cracked, Warped, and Cradled! Training in the Structural Conservation of Panel Paintings
To address the pressing training needs in the structural conservation of panel paintings, the Getty Museum, the Getty Foundation, and the GCI have embarked on a multiyear initiative that seeks to increase knowledge regarding conservation problems and solutions related to panel paintings, as well as to increase the number of expert conservators.
Out of the Box and Thinking: The GCI Conservation Guest Scholar Program
The GCI's Conservation Guest Scholar program is a rare opportunity in the conservation field for senior professionals to pursue research and innovative thinking. The program offers conservation professionals an opportunity to step away from their daily routines, providing them with the time and resources to research and write in their fields of expertise.
GCI News: Projects, Events, and Publications
Updates on Getty Conservation Institute projects, events, and publications.En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/24_1/ Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 23470 GETTY Fascicule ESA Saint-Luc Beaux-Arts - Biblio Exclu du prêt Vol.25 no1(2010:spring) - 2010-03-01 - Collections research (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)
PermalinkVol.30 no2(2015:septembre) - 2015-09-01 - 30th Anniversary (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)
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