Titre :	Enclosed Gardens ofMechelen : Lata Medieval Paradise Gardens Revealed
Type de document :	texte imprimé
Auteurs :	Lieve Watteeuw, Auteur ; Hannah Iterbeke, Auteur
Editeur :	Amsterdam University Press
Année de publication :	2018
Importance :	287 p.
Présentation :	ill. en coul., couv. ill. en coul.
Format :	30 cm
ISBN/ISSN/EAN :	978-94-6372-072-4
Langues :	Anglais (eng)
Catégories :	Paperoles -- Arts décoratifs de la Renaissance -- Retables Retables de la Renaissance Retables médiévaux -- Horti conclusi -- Malines (Belgique)
Index. décimale :	7.041 Iconographie - Être humain, portrait, études de scènes de la vie humaine, animaux, plantes
Résumé :	During the Late Middle Ages a unique type of ‘mixed media’ recycled and remnant art arose in houses of religious women in the Low Countries: enclosed gardens. They date from the time of Emperor Charles V and are unique examples of ‘anonymous’ female art, devotion and spirituality. A hortus conclusus (or enclosed garden) represents an ideal, paradisiacal world. Enclosed Gardens are retables, sometimes with painted side panels, the central section filled not only with narrative sculpture, but also with all sorts of trinkets and hand-worked textiles. Adornments include relics, wax medallions, gemstones set in silver, pilgrimage souvenirs, parchment banderoles, flowers made from textiles with silk thread, semi-precious stones, pearls and quilling (a decorative technique using rolled paper). The ensemble is an impressive and one-of-a-kind display and presents as an intoxicating garden. The sixteenth-century horti conclusi of the Mechelen Hospital sisters are recognized Masterpieces and are extremely rare, not alone at a Belgian but even at a global level. They are of international significance as they provide evidence of devotion and spirituality in convent communities in the Southern Netherlands in the sixteenth century. They are an extraordinary tangible expression of a devotional tradition. The highly individual visual language of the enclosed gardens contributes to our understanding of what life was like in cloistered communities. They testify to a cultural identity closely linked with mystical traditions allowing us to enter a lost world very much part of the culture of the Southern Netherlands. This book is the first full survey of the enclosed gardens and is the result of year-long academic research.

Enclosed Gardens ofMechelen : Lata Medieval Paradise Gardens Revealed [texte imprimé] / Lieve Watteeuw, Auteur ; Hannah Iterbeke, Auteur . - [S.l.] : Amsterdam University Press, 2018 . - 287 p. : ill. en coul., couv. ill. en coul. ; 30 cm.
ISBN : 978-94-6372-072-4
Langues : Anglais (eng)

Catégories :	Paperoles -- Arts décoratifs de la Renaissance -- Retables Retables de la Renaissance Retables médiévaux -- Horti conclusi -- Malines (Belgique)
Index. décimale :	7.041 Iconographie - Être humain, portrait, études de scènes de la vie humaine, animaux, plantes
Résumé :	During the Late Middle Ages a unique type of ‘mixed media’ recycled and remnant art arose in houses of religious women in the Low Countries: enclosed gardens. They date from the time of Emperor Charles V and are unique examples of ‘anonymous’ female art, devotion and spirituality. A hortus conclusus (or enclosed garden) represents an ideal, paradisiacal world. Enclosed Gardens are retables, sometimes with painted side panels, the central section filled not only with narrative sculpture, but also with all sorts of trinkets and hand-worked textiles. Adornments include relics, wax medallions, gemstones set in silver, pilgrimage souvenirs, parchment banderoles, flowers made from textiles with silk thread, semi-precious stones, pearls and quilling (a decorative technique using rolled paper). The ensemble is an impressive and one-of-a-kind display and presents as an intoxicating garden. The sixteenth-century horti conclusi of the Mechelen Hospital sisters are recognized Masterpieces and are extremely rare, not alone at a Belgian but even at a global level. They are of international significance as they provide evidence of devotion and spirituality in convent communities in the Southern Netherlands in the sixteenth century. They are an extraordinary tangible expression of a devotional tradition. The highly individual visual language of the enclosed gardens contributes to our understanding of what life was like in cloistered communities. They testify to a cultural identity closely linked with mystical traditions allowing us to enter a lost world very much part of the culture of the Southern Netherlands. This book is the first full survey of the enclosed gardens and is the result of year-long academic research.

[n° ou bulletin] 

Titre :	10.19 - 2019-11-12
Type de document :	texte imprimé
Année de publication :	2019
Langues :	Allemand (ger) Anglais (eng)
Index. décimale :	766 Arts graphiques
En ligne :	https://novum.graphics/en/magazine/archive/detail/novum-1019/

[n° ou bulletin]  10.19 - 2019-11-12 [texte imprimé] . - 2019.
Langues : Allemand (ger) Anglais (eng)

Index. décimale :	766 Arts graphiques
En ligne :	https://novum.graphics/en/magazine/archive/detail/novum-1019/

[n° ou bulletin] 

Titre :	Vol.2019:N°10 - 2019-10-01 - Hybride Konstruktionen = Hybrid Forms of Construction
Type de document :	texte imprimé
Année de publication :	2019
Langues :	Allemand (ger) Anglais (eng)
Catégories :	Architecture -- Dessins et plans Constructions en bois -- Innovations technologiques Immeubles de grande hauteur -- Innovations technologiques
Index. décimale :	72 Architecture
Résumé :	The new Blox building in Copenhagen is a hybrid in more ways than one. With its fully glazed facade, OMA’s multipurpose ­facility accommodates a lively mix that combines exhibition spaces for the Danish Architecture Center with housing units, co-working spaces, a fitness studio and a café with a terrace, to name a few. In addition to its unusually hybrid use, the ­striking harbourside building was built as a hybrid: in order to meet the design requirements and their respective material properties, a combination of steel and concrete was used for its load-bearing structure. For our October issue, Frank Kaltenbach has compiled this and other outstanding examples of hybrid forms of construction. The range of possible structural combinations – be it prefabricated wooden elements with reinforced concrete, steel frames infilled with bricks, or timber frame construction with load-bearing reinforced concrete panels – are as varied as the architectural expression of the individual projects. Our ­documentations show to what extent these two aspects go hand in hand, for example, at the new residential complex in Stockholm by BIG, in the renovation of a former locksmith’s shop in Bordeaux by RCR Artotec, or at the primary school in Flanders by Compagnie-O. This issue’s essay considers hybrid timber high-rise buildings and examines how construction types, building owners, architects and structural planners are setting new height records. Our Technology feature highlights one such example – namely the highest timber-hybrid construction in Switzerland; Primin Jung explains the project’s structural design challenges.
Note de contenu :	1 Editorial 26 Impressum = Imprint 90 Projektbeteiligte / HerstellerProject Teams / Suppliers 136 Contributors MagazinReports 6 12 500 Tonnen Leichtigkeit = 12,500 Tonnes of Lightness 10 Wie groß ist BIG genug? = How Big is Enough for BIG? 14 Bauhaus 100: Zu Architektur und Architektur-geschichtsschreibung = On the Political Legacy of the Bauhaus 18 Bücher = Books 20 DETAIL researchStütze aus Beton und Edelstahl = Support Made of Concrete and Stainless Stee l24 DETAIL Kongress 2019 = DETAIL Congress 2019 Produkte = Products 96 Gebäudehülle = Building Envelopes 122 System- und Leichtbauweisen = Prefabricated and Lightweight Construction Hybride Konstruktionen = Hybrid Forms of Construction Essay 28 Holz Höher Hybrid = Timber High-Rise Hybrid Frank Kaltenbach Dokumentation = Documentation 34 Meditationshaus bei Garmisch-Partenkirchen (DE )= Meditation House near Garmisch-Partenkirchen (DE)Kengo Kuma and Associates und Studio Lois 40 Grundschule in Lebbeke (BE)= Primary School in Lebbeke (BE)Compagnie-O 46 Wohnblock in Stockholm (SE)= Housing Development in Stockholm (SE)BIG 54 Einfamilienhaus in Tuttlingen (DE)= Single-Family House in Tuttlingen (DE)Yonder – Architektur und Design 60 Wohn- und Bürohaus in Bordeaux (FR)= Residential and Office Building in Bordeaux (FR) RCR Artotec 66 Wohnhochhaus in Heilbronn (DE)= Housing High-Rise in Heilbronn (DE)Kaden + Lager 74 Kulturzentrum Blox in Kopenhagen (DK)= Blox Cultural Centre in Copenhagen (DK)OMA/Ellen van Loon Technik = Technology 82 60 Meter: Das höchste Holzhybridhaus der Schweiz = 60 Metres: The Tallest Hybrid Timber High-Rise in Switzerland Primin Jung
En ligne :	https://www.detail-online.com/en/magazine/hybrid-forms-of-construction-34705/

[n° ou bulletin]  Vol.2019:N°10 - 2019-10-01 - Hybride Konstruktionen = Hybrid Forms of Construction [texte imprimé] . - 2019.
Langues : Allemand (ger) Anglais (eng)

Catégories :	Architecture -- Dessins et plans Constructions en bois -- Innovations technologiques Immeubles de grande hauteur -- Innovations technologiques
Index. décimale :	72 Architecture
Résumé :	The new Blox building in Copenhagen is a hybrid in more ways than one. With its fully glazed facade, OMA’s multipurpose ­facility accommodates a lively mix that combines exhibition spaces for the Danish Architecture Center with housing units, co-working spaces, a fitness studio and a café with a terrace, to name a few. In addition to its unusually hybrid use, the ­striking harbourside building was built as a hybrid: in order to meet the design requirements and their respective material properties, a combination of steel and concrete was used for its load-bearing structure. For our October issue, Frank Kaltenbach has compiled this and other outstanding examples of hybrid forms of construction. The range of possible structural combinations – be it prefabricated wooden elements with reinforced concrete, steel frames infilled with bricks, or timber frame construction with load-bearing reinforced concrete panels – are as varied as the architectural expression of the individual projects. Our ­documentations show to what extent these two aspects go hand in hand, for example, at the new residential complex in Stockholm by BIG, in the renovation of a former locksmith’s shop in Bordeaux by RCR Artotec, or at the primary school in Flanders by Compagnie-O. This issue’s essay considers hybrid timber high-rise buildings and examines how construction types, building owners, architects and structural planners are setting new height records. Our Technology feature highlights one such example – namely the highest timber-hybrid construction in Switzerland; Primin Jung explains the project’s structural design challenges.
Note de contenu :	1 Editorial 26 Impressum = Imprint 90 Projektbeteiligte / HerstellerProject Teams / Suppliers 136 Contributors MagazinReports 6 12 500 Tonnen Leichtigkeit = 12,500 Tonnes of Lightness 10 Wie groß ist BIG genug? = How Big is Enough for BIG? 14 Bauhaus 100: Zu Architektur und Architektur-geschichtsschreibung = On the Political Legacy of the Bauhaus 18 Bücher = Books 20 DETAIL researchStütze aus Beton und Edelstahl = Support Made of Concrete and Stainless Stee l24 DETAIL Kongress 2019 = DETAIL Congress 2019 Produkte = Products 96 Gebäudehülle = Building Envelopes 122 System- und Leichtbauweisen = Prefabricated and Lightweight Construction Hybride Konstruktionen = Hybrid Forms of Construction Essay 28 Holz Höher Hybrid = Timber High-Rise Hybrid Frank Kaltenbach Dokumentation = Documentation 34 Meditationshaus bei Garmisch-Partenkirchen (DE )= Meditation House near Garmisch-Partenkirchen (DE)Kengo Kuma and Associates und Studio Lois 40 Grundschule in Lebbeke (BE)= Primary School in Lebbeke (BE)Compagnie-O 46 Wohnblock in Stockholm (SE)= Housing Development in Stockholm (SE)BIG 54 Einfamilienhaus in Tuttlingen (DE)= Single-Family House in Tuttlingen (DE)Yonder – Architektur und Design 60 Wohn- und Bürohaus in Bordeaux (FR)= Residential and Office Building in Bordeaux (FR) RCR Artotec 66 Wohnhochhaus in Heilbronn (DE)= Housing High-Rise in Heilbronn (DE)Kaden + Lager 74 Kulturzentrum Blox in Kopenhagen (DK)= Blox Cultural Centre in Copenhagen (DK)OMA/Ellen van Loon Technik = Technology 82 60 Meter: Das höchste Holzhybridhaus der Schweiz = 60 Metres: The Tallest Hybrid Timber High-Rise in Switzerland Primin Jung
En ligne :	https://www.detail-online.com/en/magazine/hybrid-forms-of-construction-34705/

[n° ou bulletin] 

Titre :	Vol.48 no424(2019:octobre) - 2019-10-01 - Un logement à rénover?
Type de document :	texte imprimé
Année de publication :	2019
Langues :	Français (fre)
Catégories :	Constructions -- Chauffage et ventilation -- Régulation -- Belgique Habitations -- Isolation -- Belgique Habitations -- Réfection -- Belgique -- 21e siècle Logement -- Finances -- Belgique
Index. décimale :	7:691 Matériaux de construction - Généralités

[n° ou bulletin]  Vol.48 no424(2019:octobre) - 2019-10-01 - Un logement à rénover? [texte imprimé] . - 2019.
Langues : Français (fre)

Catégories :	Constructions -- Chauffage et ventilation -- Régulation -- Belgique Habitations -- Isolation -- Belgique Habitations -- Réfection -- Belgique -- 21e siècle Logement -- Finances -- Belgique
Index. décimale :	7:691 Matériaux de construction - Généralités

[n° ou bulletin] 

Titre :	N°227(2019 : octobre) - 2019-10-01 - Invisibles Cities à Manchester. Kraftwerk 3D à la Philarmonie. La Ceriseraie de Simon McBurney
Type de document :	texte imprimé
Année de publication :	2019
Langues :	Français (fre)
Catégories :	Acoustique musicale Architecture -- Dessins et plans Art de la lumière -- France -- 21e siècle Art numérique -- 21e siècle Art numérique -- Histoire et critique Arts du spectacle -- 21e siècle Arts du spectacle et technologie Danse contemporaine -- 21e siècle Festival d'Avignon (73 ; 2019) Grand Théâtre (Genève) Kraftwerk Machinerie de théâtres -- Dessins et plans Opéras (constructions) -- Extensions -- Genève (Suisse) Régie (arts du spectacle) Régie (arts du spectacle) -- Innovations technologiques Scénographie -- 21e siècle Théâtre -- Production et mise en scène -- France -- 21e siècle Vidéo 3D (imagerie tridimensionnelle)
Index. décimale :	792 Arts du spectacle
En ligne :	http://www.librairie-as.com/118-revue-as

[n° ou bulletin]  N°227(2019 : octobre) - 2019-10-01 - Invisibles Cities à Manchester. Kraftwerk 3D à la Philarmonie. La Ceriseraie de Simon McBurney [texte imprimé] . - 2019.
Langues : Français (fre)

Catégories :	Acoustique musicale Architecture -- Dessins et plans Art de la lumière -- France -- 21e siècle Art numérique -- 21e siècle Art numérique -- Histoire et critique Arts du spectacle -- 21e siècle Arts du spectacle et technologie Danse contemporaine -- 21e siècle Festival d'Avignon (73 ; 2019) Grand Théâtre (Genève) Kraftwerk Machinerie de théâtres -- Dessins et plans Opéras (constructions) -- Extensions -- Genève (Suisse) Régie (arts du spectacle) Régie (arts du spectacle) -- Innovations technologiques Scénographie -- 21e siècle Théâtre -- Production et mise en scène -- France -- 21e siècle Vidéo 3D (imagerie tridimensionnelle)
Index. décimale :	792 Arts du spectacle
En ligne :	http://www.librairie-as.com/118-revue-as

[n° ou bulletin] 

Titre :	Oktober.2019 - 2019-10-11 - Innovation@work
Type de document :	texte imprimé
Année de publication :	2019
Langues :	Allemand (ger)
Catégories :	Acoustique architecturale Architecture d'intérieur -- Dessins et plans Art cinétique -- New York (N.Y.) -- District de Manhattan -- 21e siècle Bureaux (pièces) -- Aménagement -- 21e siècle Bureaux (pièces) -- Éclairage Bureaux (pièces) -- Meubles -- Innovations technologiques Design industriel -- Innovations technologiques Designers -- 21e siècle Éclairage -- Innovations technologiques Immeubles de bureaux -- 21e siècle -- Dessins et plans Immeubles de bureaux -- Berlin (Allemagne) -- Dessins et plans
Index. décimale :	747 Architecture d'intérieur
Note de contenu :	.PROJECT In Dogern am Hochrhein hat die Firma Sedus ihr „Smart Office“ bezogen. Die Bürobereiche zeigen als „Living Showroom“, wie das Büro der Zukunft aussehen könnte. Die wichtigste Perspektive: Die Möblierung verbindet sich mit dem Internet of Things. Experimental Labor [PDF-Leseprobe] » .SMART MATERIALS Materialexperte und Inhaber der Stuttgarter Raumprobe Hannes Bäuerle stellt in jeder md-Ausgabe Preisträger oder Einreichungen des Materialpreises 2018 vor. Diesmal aus der Kategorie Glas. Aus 100 % recyceltem Abfall [PDF-Leseprobe] » .PRODUCTS Wie Watte um die Ohren. Im Arbeitsalltag gibt es genug Stressfaktoren – schlechte Akustik darf keiner davon sein. Mit diesen Produktneuheiten können Sie umsichtig für alle Sinne planen: in Gemeinschaftsbereichen, am Schreibtisch, in der Chefetage. Keeps you calm [PDF-Leseprobe] »
En ligne :	https://www.md-mag.com/print-abo/aktuelles-heft/

[n° ou bulletin]  Oktober.2019 - 2019-10-11 - Innovation@work [texte imprimé] . - 2019.
Langues : Allemand (ger)

Catégories :	Acoustique architecturale Architecture d'intérieur -- Dessins et plans Art cinétique -- New York (N.Y.) -- District de Manhattan -- 21e siècle Bureaux (pièces) -- Aménagement -- 21e siècle Bureaux (pièces) -- Éclairage Bureaux (pièces) -- Meubles -- Innovations technologiques Design industriel -- Innovations technologiques Designers -- 21e siècle Éclairage -- Innovations technologiques Immeubles de bureaux -- 21e siècle -- Dessins et plans Immeubles de bureaux -- Berlin (Allemagne) -- Dessins et plans
Index. décimale :	747 Architecture d'intérieur
Note de contenu :	.PROJECT In Dogern am Hochrhein hat die Firma Sedus ihr „Smart Office“ bezogen. Die Bürobereiche zeigen als „Living Showroom“, wie das Büro der Zukunft aussehen könnte. Die wichtigste Perspektive: Die Möblierung verbindet sich mit dem Internet of Things. Experimental Labor [PDF-Leseprobe] » .SMART MATERIALS Materialexperte und Inhaber der Stuttgarter Raumprobe Hannes Bäuerle stellt in jeder md-Ausgabe Preisträger oder Einreichungen des Materialpreises 2018 vor. Diesmal aus der Kategorie Glas. Aus 100 % recyceltem Abfall [PDF-Leseprobe] » .PRODUCTS Wie Watte um die Ohren. Im Arbeitsalltag gibt es genug Stressfaktoren – schlechte Akustik darf keiner davon sein. Mit diesen Produktneuheiten können Sie umsichtig für alle Sinne planen: in Gemeinschaftsbereichen, am Schreibtisch, in der Chefetage. Keeps you calm [PDF-Leseprobe] »
En ligne :	https://www.md-mag.com/print-abo/aktuelles-heft/

[n° ou bulletin] 

Titre :	Supplément 1039 - 2019-10-01 - Naturality : the italian stone theatre : 2019
Type de document :	texte imprimé
Année de publication :	2019
Langues :	Italien (ita) Anglais (eng)
Catégories :	Objets en pierre -- Italie -- 21e siècle Pierre -- Décoration Pierre -- Italie -- Expositions --Vérone (Italie) -- 21e siècle Sculpture en pierre -- Italie -- 21e siècle
Index. décimale :	7:691.2 Pierres naturelles

[n° ou bulletin]  Supplément 1039 - 2019-10-01 - Naturality : the italian stone theatre : 2019 [texte imprimé] . - 2019.
Langues : Italien (ita) Anglais (eng)

Catégories :	Objets en pierre -- Italie -- 21e siècle Pierre -- Décoration Pierre -- Italie -- Expositions --Vérone (Italie) -- 21e siècle Sculpture en pierre -- Italie -- 21e siècle
Index. décimale :	7:691.2 Pierres naturelles

[n° ou bulletin] 

Titre :	Supplément 1039 - 2019-10-01 - Interni d'autore : i luoghi della creatività = Ateliers interiors : placec of creativity
Type de document :	texte imprimé
Année de publication :	2019
Langues :	Italien (ita) Anglais (eng)
Catégories :	Ateliers d'artiste -- Milan (Italie) Design -- 21e siècle Designers -- 20e siècle Designers -- 21e siècle Designers -- Entretiens Diez, Stefan Dordoni, Rodolfo (1954-....) Tranquillini, Michele (1962-....) Van Duysen, Vincent (1962-....)
Index. décimale :	747 Architecture d'intérieur

[n° ou bulletin]  Supplément 1039 - 2019-10-01 - Interni d'autore : i luoghi della creatività = Ateliers interiors : placec of creativity [texte imprimé] . - 2019.
Langues : Italien (ita) Anglais (eng)

Catégories :	Ateliers d'artiste -- Milan (Italie) Design -- 21e siècle Designers -- 20e siècle Designers -- 21e siècle Designers -- Entretiens Diez, Stefan Dordoni, Rodolfo (1954-....) Tranquillini, Michele (1962-....) Van Duysen, Vincent (1962-....)
Index. décimale :	747 Architecture d'intérieur

[n° ou bulletin] 

Titre :	N°1039(2019:octobre) - 2019-10-01 - Solo noi possiamo fare le città = Only we can make the new cities
Type de document :	texte imprimé
Année de publication :	2019
Langues :	Italien (ita) Anglais (eng)
Catégories :	Aménagement du territoire -- Shanghai (Chine) -- 21e siècle Anastassiades, Michael (1967-....) Architecture -- Chine -- Dessins et plans -- 21e siècle Architecture -- Dessins et plans Architecture durable Art -- Aspect social -- 21e siècle Art dans la rue -- 21e siècle Cartographie -- Informatique Constructions -- 21e siècle Constructions en verre Croissance urbaine -- Inde -- Aspect environnemental Data visualisation -- Cartographie Design -- 21e siècle Design durable Design industriel -- 21e siècle -- Dessins et plans Designers -- 21e siècle Ecoconception Escaliers extérieurs JR (1983 - ....) Matières plastiques -- Déchets -- 21e siècle Matières plastiques -- Industrie et commerce -- 21e siècle Mobilité spatiale -- 21e siècle -- Cartes Musées -- Shanghai (Chine) Rives -- Aménagement -- Huangpu (Chine ; cours d'eau) Urbanisme -- 21e siècle Urbanisme -- Aspect économique Urbanisme -- Aspect social Urbanisme -- Istanbul (Turquie) Urbanisme -- Medellín (Colombie) Urbanisme durable Villes -- Aspect environnemental
Index. décimale :	7 Arts et Beaux-Arts
Note de contenu :	Many people maybe think that cities are made of concrete, stone, and brick – and fixed by ‘others’: politicians, bureaucrats and developers. But the city is made of people; concrete, stone, and brick is only needed to let them live in such close proximity. Few artists who show this ethos better than JR. His style of “graffiti” – in which he pastes enlarged photographs, usually of people, onto buildings and around the city – literally humanizes our urban environments. In this way, JR reminds us who makes the city. In this issue we see how an enlightened initiative in Medellín has turned areas around the city’s water storage tanks into beautiful ( and much-needed) open spaces and facilities for public use. Thanks to Medellín’s topography, many of these spaces offer astonishing views over the city. Another way a city can change for the benefit of its citizens is by improving transport. Good mobility allows people to access equal opportunities and to make sustainable choices. But how should a city approach this? In each city the challenges and opportunities are different. Mobility In Chain introduces us to four very different cities (in North America, Europe, and Africa) which have each taken a different approach to mobility with interesting results. Many people maybe think that cities are made of concrete, stone, and brick – and fixed by ‘others’: politicians, bureaucrats and developers. But the city is made of people; concrete, stone, and brick is only needed to let them live in such close proximity Those are ways that people have received better urban environments thanks to those with power. But not all of those in power are so generous. Fortunately, some people are occasionally lucky enough to replace those people. In this issue we feature an interview with Ekrem İmamoğlu, whom the people of Istanbul elected as their new mayor this summer. It is the first time in 15 years that Istanbul’s mayor has not been a representative of Recep Tayyip Erdogan’s AK party – a “celebration of democracy”, as İmamoğlu called it when he took office. In the interview he tells us of his plans for the city, many of which centre on the citizens: social housing, pedestrian spaces, and open, transparent competitions to redesign public spaces. Taking control of the city is not always simple. Sometimes people have to fight for transparency in new developments, and for spaces that put their concerns first. An interesting example is the Quayside district in Toronto, being produced by Sidewalk Labs (a sister company of Google). Google sees the Quayside District as a “human-centred” plan with smart technological solutions to improve the public realm. But the community has been worried by a lack of transparency, a lack of community consultation and privacy issues. They have maintained an impressive resistance – showing there is an important difference between being told that something is good for you, and getting to decide what is good for yourself. The effects of a fire in the rainforest of Mandacaru, state of Mato Grosso, Brazil, September 2019. Photo Victor Moiyama/The New York Times/Redux/Contrasto Domus 1039 is entitled “Only we can make the cities”. In his editorial Winy Maas reminds us that cities are made of people and not of concrete, stone and brick, only needed to let people live in proximity. He introduces the work by JR, the artist who pastes huge photographs of people onto buildings and around urban environments, reminding who makes the city. The requalification of the periphery of Medellín, in Colombia, led by the Articulated Life Units, is a social urban planning at the service of the community, and the regeneration plan for the Huangpu riverside makes Shanghai the new cultural metropolis of Asia. The interview with Ekrem İmamoğlu, the new mayor of Istanbul, deals with the sustainability of the city, the traffic congestion and the shortage of affordable housing. In “How should we move?” urban mobilty systems have been compared, showing the maps of transports of Dar es Salaam, Zurich, Los Angeles and Silicon Valley. The challenge of design and architecture professionals: how to employ eco-friendlier materials reducing waste production in the design process, for a world without disposable plastic? The issue of white architecture is discussed in “Worldwhite?”: the different connotations of this architecture from the Partenon to the buildings designed by Le Corbusier, Oscar Niemeyer or Álvaro Siza; the projects by Aires Mateus for the Architecture Faculty in Belgium, and by Alberto Campo Baeza for Casa Cala in Spain. The last page is dedicated to photography: Harpur Hill, from Project Cleansweep, taken by Dara McGrath, represents the quarry, one of many UK sites were chemical weapons were manufactured, tested or stored between WWI and the Cold War. With the magazine, the supplement Atelier interiors. Places of creativity.
En ligne :	https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/10/03/do [...]

[n° ou bulletin]  N°1039(2019:octobre) - 2019-10-01 - Solo noi possiamo fare le città = Only we can make the new cities [texte imprimé] . - 2019.
Langues : Italien (ita) Anglais (eng)

Catégories :	Aménagement du territoire -- Shanghai (Chine) -- 21e siècle Anastassiades, Michael (1967-....) Architecture -- Chine -- Dessins et plans -- 21e siècle Architecture -- Dessins et plans Architecture durable Art -- Aspect social -- 21e siècle Art dans la rue -- 21e siècle Cartographie -- Informatique Constructions -- 21e siècle Constructions en verre Croissance urbaine -- Inde -- Aspect environnemental Data visualisation -- Cartographie Design -- 21e siècle Design durable Design industriel -- 21e siècle -- Dessins et plans Designers -- 21e siècle Ecoconception Escaliers extérieurs JR (1983 - ....) Matières plastiques -- Déchets -- 21e siècle Matières plastiques -- Industrie et commerce -- 21e siècle Mobilité spatiale -- 21e siècle -- Cartes Musées -- Shanghai (Chine) Rives -- Aménagement -- Huangpu (Chine ; cours d'eau) Urbanisme -- 21e siècle Urbanisme -- Aspect économique Urbanisme -- Aspect social Urbanisme -- Istanbul (Turquie) Urbanisme -- Medellín (Colombie) Urbanisme durable Villes -- Aspect environnemental
Index. décimale :	7 Arts et Beaux-Arts
Note de contenu :	Many people maybe think that cities are made of concrete, stone, and brick – and fixed by ‘others’: politicians, bureaucrats and developers. But the city is made of people; concrete, stone, and brick is only needed to let them live in such close proximity. Few artists who show this ethos better than JR. His style of “graffiti” – in which he pastes enlarged photographs, usually of people, onto buildings and around the city – literally humanizes our urban environments. In this way, JR reminds us who makes the city. In this issue we see how an enlightened initiative in Medellín has turned areas around the city’s water storage tanks into beautiful ( and much-needed) open spaces and facilities for public use. Thanks to Medellín’s topography, many of these spaces offer astonishing views over the city. Another way a city can change for the benefit of its citizens is by improving transport. Good mobility allows people to access equal opportunities and to make sustainable choices. But how should a city approach this? In each city the challenges and opportunities are different. Mobility In Chain introduces us to four very different cities (in North America, Europe, and Africa) which have each taken a different approach to mobility with interesting results. Many people maybe think that cities are made of concrete, stone, and brick – and fixed by ‘others’: politicians, bureaucrats and developers. But the city is made of people; concrete, stone, and brick is only needed to let them live in such close proximity Those are ways that people have received better urban environments thanks to those with power. But not all of those in power are so generous. Fortunately, some people are occasionally lucky enough to replace those people. In this issue we feature an interview with Ekrem İmamoğlu, whom the people of Istanbul elected as their new mayor this summer. It is the first time in 15 years that Istanbul’s mayor has not been a representative of Recep Tayyip Erdogan’s AK party – a “celebration of democracy”, as İmamoğlu called it when he took office. In the interview he tells us of his plans for the city, many of which centre on the citizens: social housing, pedestrian spaces, and open, transparent competitions to redesign public spaces. Taking control of the city is not always simple. Sometimes people have to fight for transparency in new developments, and for spaces that put their concerns first. An interesting example is the Quayside district in Toronto, being produced by Sidewalk Labs (a sister company of Google). Google sees the Quayside District as a “human-centred” plan with smart technological solutions to improve the public realm. But the community has been worried by a lack of transparency, a lack of community consultation and privacy issues. They have maintained an impressive resistance – showing there is an important difference between being told that something is good for you, and getting to decide what is good for yourself. The effects of a fire in the rainforest of Mandacaru, state of Mato Grosso, Brazil, September 2019. Photo Victor Moiyama/The New York Times/Redux/Contrasto Domus 1039 is entitled “Only we can make the cities”. In his editorial Winy Maas reminds us that cities are made of people and not of concrete, stone and brick, only needed to let people live in proximity. He introduces the work by JR, the artist who pastes huge photographs of people onto buildings and around urban environments, reminding who makes the city. The requalification of the periphery of Medellín, in Colombia, led by the Articulated Life Units, is a social urban planning at the service of the community, and the regeneration plan for the Huangpu riverside makes Shanghai the new cultural metropolis of Asia. The interview with Ekrem İmamoğlu, the new mayor of Istanbul, deals with the sustainability of the city, the traffic congestion and the shortage of affordable housing. In “How should we move?” urban mobilty systems have been compared, showing the maps of transports of Dar es Salaam, Zurich, Los Angeles and Silicon Valley. The challenge of design and architecture professionals: how to employ eco-friendlier materials reducing waste production in the design process, for a world without disposable plastic? The issue of white architecture is discussed in “Worldwhite?”: the different connotations of this architecture from the Partenon to the buildings designed by Le Corbusier, Oscar Niemeyer or Álvaro Siza; the projects by Aires Mateus for the Architecture Faculty in Belgium, and by Alberto Campo Baeza for Casa Cala in Spain. The last page is dedicated to photography: Harpur Hill, from Project Cleansweep, taken by Dara McGrath, represents the quarry, one of many UK sites were chemical weapons were manufactured, tested or stored between WWI and the Cold War. With the magazine, the supplement Atelier interiors. Places of creativity.
En ligne :	https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/10/03/do [...]

[n° ou bulletin] 

Titre :	n°6(2019:semestre 2) - 2019-09-30
Type de document :	texte imprimé
Année de publication :	2019
Langues :	Français (fre)
Catégories :	Centres culturels -- Liège (Belgique) -- Et les femmes Chollet, Mona (1973-....) Despentes, Virginie (1969-....) Discrimination sexuelle Féminisme -- Histoire et critique -- Europe Femmes -- Droit de vote -- Belgique Femmes -- Droits Femmes -- Travail -- Belgique Femmes -- Violence envers -- Belgique Femmes et extrême droite -- Flandre (Belgique) Femmes et politique -- Belgique Femmes et religion Garcia, Manon (1985-....) Machisme Patriarcat (sociologie) Relations hommes-femmes
Index. décimale :	316 Sociologie

[n° ou bulletin]  n°6(2019:semestre 2) - 2019-09-30 [texte imprimé] . - 2019.
Langues : Français (fre)

Catégories :

Centres culturels -- Liège (Belgique) -- Et les femmes Chollet, Mona (1973-....) Despentes, Virginie (1969-....) Discrimination sexuelle Féminisme -- Histoire et critique -- Europe Femmes -- Droit de vote -- Belgique Femmes -- Droits Femmes -- Travail -- Belgique Femmes -- Violence envers -- Belgique Femmes et extrême droite -- Flandre (Belgique) Femmes et politique -- Belgique Femmes et religion Garcia, Manon (1985-....) Machisme Patriarcat (sociologie) Relations hommes-femmes

Index. décimale :

316 Sociologie