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[n° ou bulletin]
Titre : N°53(2017:décembre) - 2017-12-01 Type de document : texte imprimé Année de publication : 2017 Langues : Français (fre) Catégories : Art -- Conservation et restauration -- Liège (Liège,Belgique)
Cloches d'église et de beffroi
Guerre mondiale (1939-1945) -- Confiscations et contributions
Guerre mondiale (1939-1945) -- Destruction et pillage
Ivoires -- 11e siècle -- Conservation et restauration
Lambert (saint ; 0635?-0705?)
Liège (Belgique) -- Cathédrale Saint-Lambert -- Histoire
Liège (Belgique) -- Cathédrale Saint-Paul -- Conservation et restauration
Pierres précieuses -- Liège (Belgique) -- 13e siècle -- Conservation et restauration
Plomb -- Conservation et restauration
Reliquaires -- Liège (Belgique) -- 13e siècle -- Conservation et restauration
Sculpture sur bois -- 13e siècle -- Meuse, bassin de la -- Conservation et restauration
Spectroscopie de fluorescence
Spectroscopie Raman
Trésor de la cathédrale de Liège -- Conservation et restauration
Verre -- Liège (Belgique) -- 13e siècle -- Conservation et restaurationIndex. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : SOMMAIRE
Éditorial 1
Les pierres du buste-reliquaire de saint Lambert, Yannick Bruni, Frédéric Hatert, Merry Demaude & David Strivay.2
Les sens latents de l’Ivoire des trois résurrections, Monique Close-Dehin 4
Vie de chantier – La restauration de la cathédrale, Yves Jacques & Xavier Tonon 8
Une statue mosane du xiiie siècle méconnue : La Vierge en majesté de l’Hôpital Saint-Pierre de Louvain, Jean-Claude Ghislain 10
La sauvegarde du patrimoine campanaire durant la Deuxième Guerre
mondiale, Monique Merland 15
La démolition de la cathédrale Saint-Lambert de Liège (II), Marie Maréchal 20
Cycle de conférences et concerts 24En ligne : http://www.tresordeliege.be/publications/ Format de la ressource électronique : http://www.tresordeliege.be/publication/pdf/053.pdf [n° ou bulletin] N°53(2017:décembre) - 2017-12-01 [texte imprimé] . - 2017.
Langues : Français (fre)Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 22075 Trésor de Liège Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible SL 22104 Trésor de Liège Fascicule ESA Saint-Luc Réserve Disponible
[n° ou bulletin]
Titre : N°57(2018:décembre) - 2018-12-01 Type de document : texte imprimé Année de publication : 2018 Langues : Français (fre) Catégories : Art mosan -- Conservation et restauration
Couronnes (coiffures) -- Namur (Belqique) -- 13e siècle
Émaux champlevés -- Meuse, Vallée de la (Belgique) -- 12e siècle
Gemmes -- 13e siècle -- Conservation et restauration
Melchisédech (personnage biblique) -- Dans l'art -- 12e siècle
Reliques -- Histoire et critique
Sainte Croix
Spectroscopie de fluorescence
Spectroscopie RamanIndex. décimale : 7.025 Dommages. Conservation. Protection Note de contenu :
Sommaire :
A propos d'une plaquette émaillée mosane du XIIe siècle, L'offrande de Melchisédech. Jean-Claude Ghislain
Entre l'histoire et la science. Le bois de la Croix après l'an mil. Georges Kazan
Les pierres de la couronne de Namur, début des analyse gemmologiques. Yannick Bruni, Frédéric Hatert, David Strivay
Conférences du Trésor de LiègeEn ligne : http://www.tresordeliege.be/publications/ [n° ou bulletin] N°57(2018:décembre) - 2018-12-01 [texte imprimé] . - 2018.
Langues : Français (fre)
Catégories : Art mosan -- Conservation et restauration
Couronnes (coiffures) -- Namur (Belqique) -- 13e siècle
Émaux champlevés -- Meuse, Vallée de la (Belgique) -- 12e siècle
Gemmes -- 13e siècle -- Conservation et restauration
Melchisédech (personnage biblique) -- Dans l'art -- 12e siècle
Reliques -- Histoire et critique
Sainte Croix
Spectroscopie de fluorescence
Spectroscopie RamanIndex. décimale : 7.025 Dommages. Conservation. Protection Note de contenu :
Sommaire :
A propos d'une plaquette émaillée mosane du XIIe siècle, L'offrande de Melchisédech. Jean-Claude Ghislain
Entre l'histoire et la science. Le bois de la Croix après l'an mil. Georges Kazan
Les pierres de la couronne de Namur, début des analyse gemmologiques. Yannick Bruni, Frédéric Hatert, David Strivay
Conférences du Trésor de LiègeEn ligne : http://www.tresordeliege.be/publications/ Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 23013 Trésor de Liège Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible SL 23066 Trésor de Liège Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible Trim. IV(2018) - 2018-10-01 (Bulletin de Bulletin de l'Association professionnelle de conservateurs-restaurateurs d'oeuvres d'art asbl (APROA))
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Code-barres Cote Support Localisation Section Disponibilité SL 23098 Bulletin APROA Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible Vol.17 no1(2002) - 2002-01-01 - Photographic Conservation (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)
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[n° ou bulletin]
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin
Titre : Vol.17 no1(2002) - 2002-01-01 - Photographic Conservation Type de document : texte imprimé Année de publication : 2002 Langues : Anglais (eng) Catégories : Archives photographiques -- Aspect social
Archives photographiques -- Conservation et restauration
Archives photographiques -- Conservation et restauration -- Recherche
Art et sciences
Cartier-Bresson, Anne
Centre de recherche sur les collections (Paris)
Fourier, Spectroscopie infrarouge à transformée de
Hiéroglyphes -- Copán (Honduras ; site archéologique) -- Conservation et restauration
Mosaïque antique -- Utique (ville ancienne) -- Conservation et restauration
Négatifs sur verre
Pavements de mosaïque -- Antiquité -- Tunisie -- Conservation et restauration
Peinture et décoration murales -- Dunhuang (Chine) -- Grottes de Mogao -- Conservation et restauration
Photographie -- Histoire
Photographies -- Collections publiques
Photographies -- Conservation et restauration
Photographies -- Conservation et restauration -- Étude et enseignement
Photographies -- Conservation et restauration -- Pratique
Photographies -- Détérioration
Spectroscopie de fluorescenceIndex. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents
Newsletter Cover
A portrait of a girl, attibuted to U.S. photographer Allen Drew Cook, who was active in Philadelphia in the 1890s and early 1900s. This is how the albumen photograph appeared prior to conservation treatment. Photo: Tram M. Vo, courtesy the University Gallery Teaching Collection, University of Delaware (photograph given by an anonymous donor in 1991).
The Conservation of Photography: Three Perspectives
Awareness of preservation challenges for photographs dates back to photography's inception in the mid-19th century. However, it was not until the latter part of the 20th century that conserving photographs emerged as a professional pursuit. The current state of conservation of photography is examined by three professionals in the field who explore some key areas for research, outline the development and needs of photographic conservation education, and describe the critical role photographic conservators can play in the care of photographic collections.
Evolution of a Medium: A Discussion about Photography and Its Conservation
Image Permanence Institute in Rochester, New York, and Bertrand Lavédrine, director of the Centre de recherches sur la conservation des documents graphiques in Paris, along with Getty photographic conservators Marc Harnly and Teresa Mesquit, discuss the conservation of photographs with the GCI’s Dusan Stulik and Jeffrey Levin.
Conservation of Photographic Collections: A New Collaborative Project at the GCI
The conservation of photographic collections and photographic material is relatively young when compared with other museum conservation areas. To expand the existing body of knowledge regarding photographic conservation, the Getty Conservation Institute recently embarked on a collaborative project to advance techniques for characterizing photographic material and identifying variations in photographic processes.
Conserving Mosaics in Tunisia
The areas of North Africa along the Mediterranean that were once part of the Roman world are abundant in preserved mosaics—particularly in what is today modern Tunisia. As part of the GCI's project on in situ mosaic conservation, the GCI and Tunisia's Institut National du Patrimoine (INP) have collaborated on a program to provide training for INP staff in order to help save this immensely rich heritage from further deterioration.
GCI News
Updates on Getty Conservation Institute projects, events, publications, and staff.
The GCI Newsletter Staff BoxEn ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v17n1.p [...] [n° ou bulletin]Vol.17 no1(2002) - 2002-01-01 - Photographic Conservation [texte imprimé] . - 2002.
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin
Langues : Anglais (eng)
Catégories : Archives photographiques -- Aspect social
Archives photographiques -- Conservation et restauration
Archives photographiques -- Conservation et restauration -- Recherche
Art et sciences
Cartier-Bresson, Anne
Centre de recherche sur les collections (Paris)
Fourier, Spectroscopie infrarouge à transformée de
Hiéroglyphes -- Copán (Honduras ; site archéologique) -- Conservation et restauration
Mosaïque antique -- Utique (ville ancienne) -- Conservation et restauration
Négatifs sur verre
Pavements de mosaïque -- Antiquité -- Tunisie -- Conservation et restauration
Peinture et décoration murales -- Dunhuang (Chine) -- Grottes de Mogao -- Conservation et restauration
Photographie -- Histoire
Photographies -- Collections publiques
Photographies -- Conservation et restauration
Photographies -- Conservation et restauration -- Étude et enseignement
Photographies -- Conservation et restauration -- Pratique
Photographies -- Détérioration
Spectroscopie de fluorescenceIndex. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents
Newsletter Cover
A portrait of a girl, attibuted to U.S. photographer Allen Drew Cook, who was active in Philadelphia in the 1890s and early 1900s. This is how the albumen photograph appeared prior to conservation treatment. Photo: Tram M. Vo, courtesy the University Gallery Teaching Collection, University of Delaware (photograph given by an anonymous donor in 1991).
The Conservation of Photography: Three Perspectives
Awareness of preservation challenges for photographs dates back to photography's inception in the mid-19th century. However, it was not until the latter part of the 20th century that conserving photographs emerged as a professional pursuit. The current state of conservation of photography is examined by three professionals in the field who explore some key areas for research, outline the development and needs of photographic conservation education, and describe the critical role photographic conservators can play in the care of photographic collections.
Evolution of a Medium: A Discussion about Photography and Its Conservation
Image Permanence Institute in Rochester, New York, and Bertrand Lavédrine, director of the Centre de recherches sur la conservation des documents graphiques in Paris, along with Getty photographic conservators Marc Harnly and Teresa Mesquit, discuss the conservation of photographs with the GCI’s Dusan Stulik and Jeffrey Levin.
Conservation of Photographic Collections: A New Collaborative Project at the GCI
The conservation of photographic collections and photographic material is relatively young when compared with other museum conservation areas. To expand the existing body of knowledge regarding photographic conservation, the Getty Conservation Institute recently embarked on a collaborative project to advance techniques for characterizing photographic material and identifying variations in photographic processes.
Conserving Mosaics in Tunisia
The areas of North Africa along the Mediterranean that were once part of the Roman world are abundant in preserved mosaics—particularly in what is today modern Tunisia. As part of the GCI's project on in situ mosaic conservation, the GCI and Tunisia's Institut National du Patrimoine (INP) have collaborated on a program to provide training for INP staff in order to help save this immensely rich heritage from further deterioration.
GCI News
Updates on Getty Conservation Institute projects, events, publications, and staff.
The GCI Newsletter Staff BoxEn ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v17n1.p [...] Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 23369 GETTY Fascicule ESA Saint-Luc Beaux-Arts - Biblio Exclu du prêt Vol.21 no3(2006) - 2006-09-01 - World Rock Art (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)
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[n° ou bulletin]
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin
Titre : Vol.21 no3(2006) - 2006-09-01 - World Rock Art Type de document : texte imprimé Année de publication : 2006 Langues : Anglais (eng) Catégories : Art pariétal -- Conservation et restauration
Art pariétal -- Conservation et restauration -- Afrique du Sud
Art pariétal -- Conservation et restauration -- États-Unis
Grottes -- Protection
Pétroglyphes.
Sites historiques -- Conservation et restauration -- Gestion
Sites historiques -- Protection
Spectroscopie de fluorescenceIndex. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents
Newsletter Cover
Enhanced detail of rock art in Tigui Cocoina cave in the Tassili d'Emi Koussi region of Chad. Photo: © David Coulson.
Rock Art Today
Rock art is a major part of our cultural heritage. It is certainly the most ancient and perhaps the most vulnerable. How can we best preserve the millions of images on rocks throughout the world, which constitute a kind of gigantic museum collection exposed to the depredations of nature and human activity?
Preserving a Worldwide Heritage: A Discussion about Rock Art Conservation
J. Claire Dean, an archaeological conservator in private practice; Josephine Flood, former director of the Aboriginal Environment section of the Australian Heritage Commission; and Jo Anne Van Tilburg, director of the Rock Art Archive at UCLA's Cotsen Institute of Archaeology, talk with Neville Agnew and Jeffrey Levin of the Getty Conservation Institute.
U.S. Rock Art in the Twenty-first Century: Problems and Prospects
The last two decades have witnessed a dramatic change in the status of North American rock art, expressed in the United States by numerous research advances and a greater concern for conservation and site management. While these improvements are cause for optimism, serious problems persist, including the lack of trained rock art conservators and limited resources for site documentation and management.
Building Capacity to Conserve Southern African Rock Art
Over the years, the GCI has facilitated conservation and training programs to improve the management of rock art sites, particularly in the Americas and Australia. The lessons learned from these programs have been valuable in structuring the Institute's most recent involvement in rock art conservation—the Southern African Rock Art Project.
GCI News: Projects, Events, and Publications
Updates on Getty Conservation Institute projects, events, publications, and staff.
MastheadEn ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v21n3.p [...] [n° ou bulletin]Vol.21 no3(2006) - 2006-09-01 - World Rock Art [texte imprimé] . - 2006.
est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin
Langues : Anglais (eng)
Catégories : Art pariétal -- Conservation et restauration
Art pariétal -- Conservation et restauration -- Afrique du Sud
Art pariétal -- Conservation et restauration -- États-Unis
Grottes -- Protection
Pétroglyphes.
Sites historiques -- Conservation et restauration -- Gestion
Sites historiques -- Protection
Spectroscopie de fluorescenceIndex. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents
Newsletter Cover
Enhanced detail of rock art in Tigui Cocoina cave in the Tassili d'Emi Koussi region of Chad. Photo: © David Coulson.
Rock Art Today
Rock art is a major part of our cultural heritage. It is certainly the most ancient and perhaps the most vulnerable. How can we best preserve the millions of images on rocks throughout the world, which constitute a kind of gigantic museum collection exposed to the depredations of nature and human activity?
Preserving a Worldwide Heritage: A Discussion about Rock Art Conservation
J. Claire Dean, an archaeological conservator in private practice; Josephine Flood, former director of the Aboriginal Environment section of the Australian Heritage Commission; and Jo Anne Van Tilburg, director of the Rock Art Archive at UCLA's Cotsen Institute of Archaeology, talk with Neville Agnew and Jeffrey Levin of the Getty Conservation Institute.
U.S. Rock Art in the Twenty-first Century: Problems and Prospects
The last two decades have witnessed a dramatic change in the status of North American rock art, expressed in the United States by numerous research advances and a greater concern for conservation and site management. While these improvements are cause for optimism, serious problems persist, including the lack of trained rock art conservators and limited resources for site documentation and management.
Building Capacity to Conserve Southern African Rock Art
Over the years, the GCI has facilitated conservation and training programs to improve the management of rock art sites, particularly in the Americas and Australia. The lessons learned from these programs have been valuable in structuring the Institute's most recent involvement in rock art conservation—the Southern African Rock Art Project.
GCI News: Projects, Events, and Publications
Updates on Getty Conservation Institute projects, events, publications, and staff.
MastheadEn ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v21n3.p [...] Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 23355 GETTY Fascicule ESA Saint-Luc Beaux-Arts - Biblio Exclu du prêt PermalinkPermalinkPermalink