08.17 - 2017-08-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 08.17 - 2017-08-12 Type de document : texte imprimé Année de publication : 2017 Langues : Allemand (ger) Anglais (eng) Catégories : Air Canada -- Charte graphique Aliments -- Conditionnement Arts graphiques -- 21e siècle Arts graphiques -- Technique -- Innovations Compagnies de transport aérien -- Canada -- Design Hôtels -- 19e siècle -- Vienne (Autriche) -- Décoration Infographie -- Logiciels Livres -- Mise en page Mangas Nikon (appareils-photo) Taniguchi, Jirō (1947-2017) Travail du papier Typographie -- 21e siècle Typographie sur le Web Index. décimale : 766 Arts graphiques Résumé : Wenn es mal wieder so richtig heiß ist, wer träumt dann nicht davon, ins kühle Wasser zu springen oder an einen schönen Ort zu reisen? Auch die neue novum »macht Blau«: Ein Siebdruck-Cover lockt mit satten Farben und im novum + dreht sich in dieser Ausgabe alles ums Reisen. Passend zur Jahreszeit dreht sich im novum+ der Augustausgabe alles ums Reisen. Mit dem Creative Director von Winkreative sprachen wir über das Redesign von Air Canada, wir stellen das Erscheinungsbild eines Wiener Grand Hotels vor, reisen mit dem Mangaka Jiro Taniguchi nach Venedig und zeigen, mit welch fantastischen Kommunikationsmitteln Großkunden bei einer Reise ausgestattet werden. Es gibt viel spannendes Design rund um das Reisen zu entdecken wie diese und weitere Projekte zeigen Im Showroom besuchen wir Studios und Gestalter von Amerika bis Griechenland und setzten unsere historische Serie zur Neuen Typographie fort, die sich diese Mal mit dem »Ring neue Werbegestalter« befasst. In der Rubrik »Produktion« fragt Sylvia Lerch nach, was es denn mit Öko-Druckfarben so auf sich hat. Sind sie wirklich umweltfreundlich? In »Focus Typography« stellen wir eine Plattform vor, die hilft, wirklich inklusives Kommunikationsdesign zu schaffen und Felix Scheinberger erklärt, warum das Gehirn in Felsformationen Aliens erkennt und wie man diesen Effekt für die Illustration nutzen kann. Das Cover Für diese Ausgabe nutzten wir den Kreativkarton von Koehler Papier. Das Recycling-Papier besteht zu 100 Prozent aus Sekundärfaserstoffen und ist FSC-zertifiziert. Das Material ist in viele bunten Farben erhältlich, wir wählten den leuchtenden Farbton azur. Bedruckt wurde das Material im Siebdruck und durch Überdrucken einiger Stellen konnten wir neben den drei Originalfarben noch einen vierten Ton generieren. Auf dem farbigen Untergrund kommen die satten Siebdruckfarben besonders gut zur Geltung. Das Cover-Motiv stammt von Bob Design aus London. Die Kreativen experimentieren gern mit Feinpapieren und haben in ihrem Entwurf kurzerhand die Buchstaben des novum-Logos selbst auf Reisen geschickt und spielerisch in ein sommerliches Meer eintauchen lassen. Note de contenu : Das finden Sie im Heft novum+ Winkreative (CAN) Moodley (AUT) Lily Design (ISR) Jiro Taniguchi (JAP) Dunkelblaufastschwarz (AUT) Paperlux (GER) Showroom Tsto (FIN/USA) Lazy Snail (GRI/DEN) Designwork (ITA) Ingrid Picanyol (ESP) CL Design (FRA/GBR) Neue Typographie, Teil 3: Die internationale Bewegung der »Ring neue Werbegestalter«Papier: Kreativkarton, azur in 350 g/qm von Koehler Papier Cover-Design: Bob Design Silkscreen printing: Stainer Schriften und Siebdruck Offset-Druck: f&w Druck- und Mediencenter Bilder: Tobias Holzmann En ligne : http://novum.graphics/magazin/magazin-detailseite/detail/novum-0817/ [n° ou bulletin]  est un bulletin de Novum   08.17 - 2017-08-12 [texte imprimé] . - 2017. Langues : Allemand (ger) Anglais (eng) Catégories : Air Canada -- Charte graphique Aliments -- Conditionnement Arts graphiques -- 21e siècle Arts graphiques -- Technique -- Innovations Compagnies de transport aérien -- Canada -- Design Hôtels -- 19e siècle -- Vienne (Autriche) -- Décoration Infographie -- Logiciels Livres -- Mise en page Mangas Nikon (appareils-photo) Taniguchi, Jirō (1947-2017) Travail du papier Typographie -- 21e siècle Typographie sur le Web Index. décimale : 766 Arts graphiques Résumé : Wenn es mal wieder so richtig heiß ist, wer träumt dann nicht davon, ins kühle Wasser zu springen oder an einen schönen Ort zu reisen? Auch die neue novum »macht Blau«: Ein Siebdruck-Cover lockt mit satten Farben und im novum + dreht sich in dieser Ausgabe alles ums Reisen. Passend zur Jahreszeit dreht sich im novum+ der Augustausgabe alles ums Reisen. Mit dem Creative Director von Winkreative sprachen wir über das Redesign von Air Canada, wir stellen das Erscheinungsbild eines Wiener Grand Hotels vor, reisen mit dem Mangaka Jiro Taniguchi nach Venedig und zeigen, mit welch fantastischen Kommunikationsmitteln Großkunden bei einer Reise ausgestattet werden. Es gibt viel spannendes Design rund um das Reisen zu entdecken wie diese und weitere Projekte zeigen Im Showroom besuchen wir Studios und Gestalter von Amerika bis Griechenland und setzten unsere historische Serie zur Neuen Typographie fort, die sich diese Mal mit dem »Ring neue Werbegestalter« befasst. In der Rubrik »Produktion« fragt Sylvia Lerch nach, was es denn mit Öko-Druckfarben so auf sich hat. Sind sie wirklich umweltfreundlich? In »Focus Typography« stellen wir eine Plattform vor, die hilft, wirklich inklusives Kommunikationsdesign zu schaffen und Felix Scheinberger erklärt, warum das Gehirn in Felsformationen Aliens erkennt und wie man diesen Effekt für die Illustration nutzen kann. Das Cover Für diese Ausgabe nutzten wir den Kreativkarton von Koehler Papier. Das Recycling-Papier besteht zu 100 Prozent aus Sekundärfaserstoffen und ist FSC-zertifiziert. Das Material ist in viele bunten Farben erhältlich, wir wählten den leuchtenden Farbton azur. Bedruckt wurde das Material im Siebdruck und durch Überdrucken einiger Stellen konnten wir neben den drei Originalfarben noch einen vierten Ton generieren. Auf dem farbigen Untergrund kommen die satten Siebdruckfarben besonders gut zur Geltung. Das Cover-Motiv stammt von Bob Design aus London. Die Kreativen experimentieren gern mit Feinpapieren und haben in ihrem Entwurf kurzerhand die Buchstaben des novum-Logos selbst auf Reisen geschickt und spielerisch in ein sommerliches Meer eintauchen lassen. Note de contenu : Das finden Sie im Heft novum+ Winkreative (CAN) Moodley (AUT) Lily Design (ISR) Jiro Taniguchi (JAP) Dunkelblaufastschwarz (AUT) Paperlux (GER) Showroom Tsto (FIN/USA) Lazy Snail (GRI/DEN) Designwork (ITA) Ingrid Picanyol (ESP) CL Design (FRA/GBR) Neue Typographie, Teil 3: Die internationale Bewegung der »Ring neue Werbegestalter«Papier: Kreativkarton, azur in 350 g/qm von Koehler Papier Cover-Design: Bob Design Silkscreen printing: Stainer Schriften und Siebdruck Offset-Druck: f&w Druck- und Mediencenter Bilder: Tobias Holzmann En ligne : http://novum.graphics/magazin/magazin-detailseite/detail/novum-0817/

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09.18 - 2018-09-12 (Bulletin de Novum)    

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 09.18 - 2018-09-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Art et politique Art numérique Arts graphiques -- 21e siècle Arts graphiques -- Étude et enseignement -- 21e siècle Arts graphiques -- Technique -- Innovations Collage (art) -- 21e siècle Communication en politique Communication visuelle -- 21e siècle Conditionnement Designers -- 21e siècle Mise en page et typographie Index. décimale : 766 Arts graphiques Note de contenu : What will work be like in the future? How can we influence future developments? Where does our responsibility lie? Will we be living in the city or in the countryside? And are AI and AR a blessing or a curse? On the subject of the future, there are many pressing and interesting questions. We asked those questions for the September issue of novum. The answers are thought-provoking and inspirational. The cover, too, opens up unusual new insights. The partially open spine reveals the stitching behind, and silk screen printing in silver and neon green adds contrast to the luxurious grey paper. Today everything happens very quickly, and it has to. Ideas are sought and found instantly – on Instagram. Information comes from Google. But some things are too important to be dealt with quickly. Like, for example, what our future will look like. In the latest issue of novum we have taken time to talk to creatives and researchers about how they see the future developing. The result is ten extended interviews in which we explore identity, new technologies, the question of how we want to live, work and design in the future, how we will be communicating, and not least the responsibility of the designer in all this. We guarantee you a thought-provoking and inspirational read. This is not a fast read – but it will be very rewarding. So open up your mind to this unusual issue of novum – and the thought-provoking ideas, inspiration and possibilities contained in it. When it comes to the future, one thing you can be sure of is that it won’t be like today. So for this issue of novum – focusing on the future – we also opted for another format. Instead of the usual structure of novum+ and Showroom, we bring you a series of thought-provoking interviews about the future. This time the inspiration comes not so much from images, but from ideas and visions. Many aspects such as singularity, behaviour and artificial intelligence recur as a common thread throughout these interviews. And we have sought to reflect this in the thread-stitched binding. In the 94-year history of novum this is the first issue to have such a binding, and it is quite a special one. We used different neon threads such as are normally found in the textile industry. They give a very special note throughout the magazine and the quality of the binding underlines the high importance of this theme. The cover This, too, opens up unusual new insights. The partially open spine reveals the stitching behind, and the neon threads glow against the dark body of the magazine. For the paper we used Conqueror Cartridge in 300 gsm from Antalis which has a particularly fine grey tone. The paper with its muted colour is intriguingly contrasted by the printing. Screen printing makes the colours stand out strongly and a bright neon green points the way auspiciously into an – admittedly somewhat psychedelic – future. A delicate silver and a spot colour add further accents. Content In this issue we feature the following articles: Kilian Stauss – Quo vadis design? Threatened Orders – Learning from history. Design: Ditho Design SyPartners – Design for Humanity Gesellschaft für Designgeschichte – A world of singularities Officina Humana – The office of the future Indeed Innovation – Human centred design Sebastian Sadowski – Data visualisation Soderhavet – Branding Sweden Packaging trends: merz punkt and Clormann Design Universal Everything – Keep evolving The cover Design: Tobias Holzmann Paper: Conqueror Cartridge in 300 gsm by Antalis Silk screen printing: Stainer Stich binding with neon threads and Offset printing: f&w Photos: Guillaume Sinopoli En ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0918/ [n° ou bulletin]  est un bulletin de Novum   09.18 - 2018-09-12 [texte imprimé] . - 2018. Langues : Allemand (ger) Anglais (eng) Catégories : Art et politique Art numérique Arts graphiques -- 21e siècle Arts graphiques -- Étude et enseignement -- 21e siècle Arts graphiques -- Technique -- Innovations Collage (art) -- 21e siècle Communication en politique Communication visuelle -- 21e siècle Conditionnement Designers -- 21e siècle Mise en page et typographie Index. décimale : 766 Arts graphiques Note de contenu : What will work be like in the future? How can we influence future developments? Where does our responsibility lie? Will we be living in the city or in the countryside? And are AI and AR a blessing or a curse? On the subject of the future, there are many pressing and interesting questions. We asked those questions for the September issue of novum. The answers are thought-provoking and inspirational. The cover, too, opens up unusual new insights. The partially open spine reveals the stitching behind, and silk screen printing in silver and neon green adds contrast to the luxurious grey paper. Today everything happens very quickly, and it has to. Ideas are sought and found instantly – on Instagram. Information comes from Google. But some things are too important to be dealt with quickly. Like, for example, what our future will look like. In the latest issue of novum we have taken time to talk to creatives and researchers about how they see the future developing. The result is ten extended interviews in which we explore identity, new technologies, the question of how we want to live, work and design in the future, how we will be communicating, and not least the responsibility of the designer in all this. We guarantee you a thought-provoking and inspirational read. This is not a fast read – but it will be very rewarding. So open up your mind to this unusual issue of novum – and the thought-provoking ideas, inspiration and possibilities contained in it. When it comes to the future, one thing you can be sure of is that it won’t be like today. So for this issue of novum – focusing on the future – we also opted for another format. Instead of the usual structure of novum+ and Showroom, we bring you a series of thought-provoking interviews about the future. This time the inspiration comes not so much from images, but from ideas and visions. Many aspects such as singularity, behaviour and artificial intelligence recur as a common thread throughout these interviews. And we have sought to reflect this in the thread-stitched binding. In the 94-year history of novum this is the first issue to have such a binding, and it is quite a special one. We used different neon threads such as are normally found in the textile industry. They give a very special note throughout the magazine and the quality of the binding underlines the high importance of this theme. The cover This, too, opens up unusual new insights. The partially open spine reveals the stitching behind, and the neon threads glow against the dark body of the magazine. For the paper we used Conqueror Cartridge in 300 gsm from Antalis which has a particularly fine grey tone. The paper with its muted colour is intriguingly contrasted by the printing. Screen printing makes the colours stand out strongly and a bright neon green points the way auspiciously into an – admittedly somewhat psychedelic – future. A delicate silver and a spot colour add further accents. Content In this issue we feature the following articles: Kilian Stauss – Quo vadis design? Threatened Orders – Learning from history. Design: Ditho Design SyPartners – Design for Humanity Gesellschaft für Designgeschichte – A world of singularities Officina Humana – The office of the future Indeed Innovation – Human centred design Sebastian Sadowski – Data visualisation Soderhavet – Branding Sweden Packaging trends: merz punkt and Clormann Design Universal Everything – Keep evolving The cover Design: Tobias Holzmann Paper: Conqueror Cartridge in 300 gsm by Antalis Silk screen printing: Stainer Stich binding with neon threads and Offset printing: f&w Photos: Guillaume Sinopoli En ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0918/

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no267(2022:mai - juin) - 2022-05-01 (Bulletin de Étapes) 

Public ISBD [n° ou bulletin]  est un bulletin de Étapes   Titre : no267(2022:mai - juin) - 2022-05-01 : Études de cas Type de document : texte imprimé Année de publication : 2022 Langues : Français (fre) Catégories : Communication visuelle et art Graphistes -- 21e siècle Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Note de contenu : Objets graphiques - Sorties typo pp. 72 - 73 - Objets graphiques pp. 74 - 77 - Made by Kihara pp. 78 - 81 Études de cas - Gage & Tollner pp. 84 - 91 - Dou Dou Bake pp. 92 - 97 - Centre social Louise-Michel pp. 98 - 103 - Visa pp. 104 - 111 - The French Dispatch pp. 112 - 119 - Gerrid Rietveld Academy & Sandberg Institute pp. 120 - 127 - Pure Sunfarms pp. 128 - 135 - Studio Théâtre de Vitry pp. 136 - 141 Studio spécialisés - Liebermann Kiep Reddemann pp. 144 - 151 - Gijs Frieling pp. 152 - 159 - Uchronia pp. 160 - 167 Livres - Sara De Bondt pp. 168 - 171 - Sélection de livres pp. 172 - 174 [n° ou bulletin]  est un bulletin de Étapes   no267(2022:mai - juin) - 2022-05-01 : Études de cas [texte imprimé] . - 2022. Langues : Français (fre) Catégories : Communication visuelle et art Graphistes -- 21e siècle Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Note de contenu : Objets graphiques - Sorties typo pp. 72 - 73 - Objets graphiques pp. 74 - 77 - Made by Kihara pp. 78 - 81 Études de cas - Gage & Tollner pp. 84 - 91 - Dou Dou Bake pp. 92 - 97 - Centre social Louise-Michel pp. 98 - 103 - Visa pp. 104 - 111 - The French Dispatch pp. 112 - 119 - Gerrid Rietveld Academy & Sandberg Institute pp. 120 - 127 - Pure Sunfarms pp. 128 - 135 - Studio Théâtre de Vitry pp. 136 - 141 Studio spécialisés - Liebermann Kiep Reddemann pp. 144 - 151 - Gijs Frieling pp. 152 - 159 - Uchronia pp. 160 - 167 Livres - Sara De Bondt pp. 168 - 171 - Sélection de livres pp. 172 - 174

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07.18 - 2018-07-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 07.18 - 2018-07-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Café -- Conditionnement Communication en design Illusions d'optique -- Design Livres -- Couvertures Livres -- Mise en page Lufthansa Marques de commerce Signaux et signalisation Thé -- Conditionnement Twinings (Firm) Typographie Index. décimale : 766 Arts graphiques Résumé : Whatever your preference – espresso or cappuccino, black or green tea – for our July issue we have inspected the entire range and selected some very attractive packaging and visual identities from this market segment for you. But apart from the novum+ on »Tea & Coffee«, we have many more visual delights for you to savour in this month’s novum. Note de contenu : This month our Showroom takes us to the city of Québec in Canada, where Jeremy Hall runs an excellent small studio. Guillermo Flores, alias Orbeh, charms us with his unique illustrations that conjure up brand new worlds. The works of Monica Zec delight in a different way, with intriguing little visual tricks. Then we go to Austria to Seite Zwei, whose portfolio boasts clever and extensive visual identities, and also to Knoed in Poland, where the creations, whether print or digital, are always an experience. A special kind of design collective goes under the name of Bureau Stabil, based in Saarbrücken. And, finally, we present you an extensive »making of« about the major Lufthansa re-design, realised by Martin et Karczinski. Our typography section this time features two new fonts that are quite unusual, and our legal corner continues with part two of an article on the new data-protection regulations – explained expertly and in a way that´s easy to understand. If you missed the first part, you can order a back copy of issue 06.18 here. The mood lightens then in our brand story, which homes in on the long history of Miele with its many charming subjects from various decades. The cover A paper that bursts with summer and enjoyment: Dolcelicious presents titbits such as »Lemon Drizzle«, »Roasted Chestnut« and »Elderflower White«, which combine beautifully into a harmonious colour palette. This is just one of the new additions to the Römerturm range and it came from the recent cooperation with the British manufacturer James Cropper. For our »Coffee & Tea« theme Dolcelicious is of course a perfect fit, and in the nostalgic colours»“Summer Coulis« and »Kiwi Fizz« it conjures up the ice cafés of the 1950s and mouth-watering petit fours. The luxurious surface finishing on this paper is a real eye-catcher, not just when used on covers: it positively gleams (note: also certified for use in direct food contact) in the field of luxury packaging. Whether for a folding carton or a carrier bag, this brand new material (available in eleven colours and grammages up to 330 gsm) inspired our cover designers Mursal Nasr and Patrick Marc Sommer (typoint, www.typoint.com): If you place the two novum variants in pink and green next to each other, you get a whimsical coffee table scene that looks an absolute delight. Dolcelicious can of course be finished quite easily with many different techniques – its great touch & feel, however, in combination with the expressive colours, has turned our cover into a really »hands-on« experience. Grab those cups and enjoy! The content Showroom Orbeh (MEX) Lufthansa Re-Design (Martin et Karczinski, GER) Monica Zec (MKD) Seite Zwei (AUT) Bureau Stabil (GER) Knoed (USA) Studio Figure (CAN) novum+ Collins (USA) Salvita (LIT) Juana Alvarez (ITA) Here Design (GBR) Plenum (RUS) Hugo Aranha (BRA) Futura (MEX) Branded (AUT) Brand Opus (GBR) Coffee Style / Prestel Verlag Cover design: Typoint Paper: Dolcelicious, 330 g/qm, two colours (»Kiwi Fizz«, »Summer Coulis«), Römerturm (distribution), James Cropper (manufacturer) Photos: Guillaume Sinopoli Offset printing: f&w Druck- und Mediencenter En ligne : https://novum.graphics/en/news/all-news/ [n° ou bulletin]  est un bulletin de Novum   07.18 - 2018-07-12 [texte imprimé] . - 2018. Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Café -- Conditionnement Communication en design Illusions d'optique -- Design Livres -- Couvertures Livres -- Mise en page Lufthansa Marques de commerce Signaux et signalisation Thé -- Conditionnement Twinings (Firm) Typographie Index. décimale : 766 Arts graphiques Résumé : Whatever your preference – espresso or cappuccino, black or green tea – for our July issue we have inspected the entire range and selected some very attractive packaging and visual identities from this market segment for you. But apart from the novum+ on »Tea & Coffee«, we have many more visual delights for you to savour in this month’s novum. Note de contenu : This month our Showroom takes us to the city of Québec in Canada, where Jeremy Hall runs an excellent small studio. Guillermo Flores, alias Orbeh, charms us with his unique illustrations that conjure up brand new worlds. The works of Monica Zec delight in a different way, with intriguing little visual tricks. Then we go to Austria to Seite Zwei, whose portfolio boasts clever and extensive visual identities, and also to Knoed in Poland, where the creations, whether print or digital, are always an experience. A special kind of design collective goes under the name of Bureau Stabil, based in Saarbrücken. And, finally, we present you an extensive »making of« about the major Lufthansa re-design, realised by Martin et Karczinski. Our typography section this time features two new fonts that are quite unusual, and our legal corner continues with part two of an article on the new data-protection regulations – explained expertly and in a way that´s easy to understand. If you missed the first part, you can order a back copy of issue 06.18 here. The mood lightens then in our brand story, which homes in on the long history of Miele with its many charming subjects from various decades. The cover A paper that bursts with summer and enjoyment: Dolcelicious presents titbits such as »Lemon Drizzle«, »Roasted Chestnut« and »Elderflower White«, which combine beautifully into a harmonious colour palette. This is just one of the new additions to the Römerturm range and it came from the recent cooperation with the British manufacturer James Cropper. For our »Coffee & Tea« theme Dolcelicious is of course a perfect fit, and in the nostalgic colours»“Summer Coulis« and »Kiwi Fizz« it conjures up the ice cafés of the 1950s and mouth-watering petit fours. The luxurious surface finishing on this paper is a real eye-catcher, not just when used on covers: it positively gleams (note: also certified for use in direct food contact) in the field of luxury packaging. Whether for a folding carton or a carrier bag, this brand new material (available in eleven colours and grammages up to 330 gsm) inspired our cover designers Mursal Nasr and Patrick Marc Sommer (typoint, www.typoint.com): If you place the two novum variants in pink and green next to each other, you get a whimsical coffee table scene that looks an absolute delight. Dolcelicious can of course be finished quite easily with many different techniques – its great touch & feel, however, in combination with the expressive colours, has turned our cover into a really »hands-on« experience. Grab those cups and enjoy! The content Showroom Orbeh (MEX) Lufthansa Re-Design (Martin et Karczinski, GER) Monica Zec (MKD) Seite Zwei (AUT) Bureau Stabil (GER) Knoed (USA) Studio Figure (CAN) novum+ Collins (USA) Salvita (LIT) Juana Alvarez (ITA) Here Design (GBR) Plenum (RUS) Hugo Aranha (BRA) Futura (MEX) Branded (AUT) Brand Opus (GBR) Coffee Style / Prestel Verlag Cover design: Typoint Paper: Dolcelicious, 330 g/qm, two colours (»Kiwi Fizz«, »Summer Coulis«), Römerturm (distribution), James Cropper (manufacturer) Photos: Guillaume Sinopoli Offset printing: f&w Druck- und Mediencenter En ligne : https://novum.graphics/en/news/all-news/

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no.3(1994:déc./1995:janv.) - 1994-12-01 (Bulletin de Etapes graphiques / Pyramyd NTCV)

Public ISBD [n° ou bulletin]  est un bulletin de Etapes graphiques / Pyramyd NTCV Titre : no.3(1994:déc./1995:janv.) - 1994-12-01 Type de document : texte imprimé Année de publication : 1994 Langues : Français (fre) Catégories : Arts graphiques -- Mise en page et typographie Cédéroms Communication visuelle -- Typographie -- Berlin (Allemagne) Freakshow -- Cédéroms Infographie -- 20e siècle Peinture -- Conditionnement Photographie Typographie -- 20e siècle Index. décimale : 766 Arts graphiques [n° ou bulletin]  est un bulletin de Etapes graphiques / Pyramyd NTCV no.3(1994:déc./1995:janv.) - 1994-12-01 [texte imprimé] . - 1994. Langues : Français (fre) Catégories : Arts graphiques -- Mise en page et typographie Cédéroms Communication visuelle -- Typographie -- Berlin (Allemagne) Freakshow -- Cédéroms Infographie -- 20e siècle Peinture -- Conditionnement Photographie Typographie -- 20e siècle Index. décimale : 766 Arts graphiques

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10.18 - 2018-10-12 (Bulletin de Novum)    

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no.217(2014:janv./fév.) - 2014-01-01 (Bulletin de Étapes)

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