10.17 - 2017-10-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 10.17 - 2017-10-12 Type de document : texte imprimé Année de publication : 2017 Langues : Allemand (ger) Catégories : Beau (esthétique) Livres -- Mise en page Menus -- Mise en page et typographie Mise en page et typographie Podkościelny, Patrycja (1988-....) Produits cosmétiques -- Conditionnement Index. décimale : 766 Arts graphiques Résumé : High-end cosmetics and medical products are generally marketed with a clear, clean look. So, for October´s cover of novum we have chosen a material that is very lively, but still communicates the elegance of pure white. In terms of content this time, our novum+ section focuses on the very broad field of health and beauty from a number of angles. We have a wide range of examples for you, including a visual identity for a clinic and sophisticated packaging for luxury cosmetics. Along the way we explore the graphic design history of the Geigy brand for which over the years many a well known designer has worked, and an interview with Eva Wünsch and Luisa Stömer, whose book »Ebbe und Blut« (Ebb and [menstrual] Flow) has received much attention. In the Showroom section we present the winners of Gold in the European Design Awards, look over the shoulder of gifted illustrator Patrycja Podkoscielny, visit Studio Mut in South Tyrol and give an insight into the multidisciplinary Atelier 522 whose philosophy is truly special. The next article in our series on the »New Typography« takes us back in time to the city of Frankfurt in the 1920s, when the urban development program of estates housing expert Ernst May fostered a whole design movement touching upon many areas of life. And in his column, Andreas Koop muses on »unreal realities« and »bleak realities« – explore with him thoughts on appearances and reality and how graphic design finds its place here. Or take a closer look at the fascinating options presented by register punching – a useful but also a decorative element. Silvia Lerch has produced a very practical and informative guide to what’s involved. Also in her column, our lawyer Andrijana Kojic writes about how to recind contracts – something that is indeed possible, you just have to know how. The cover White stands for clarity, freshness and purity. As such it is an ideal component in the visual design of health and beauty products. Combined with haptic elements, this clean aesthetic moves to a new level of subtlety. We were able to capture all these qualities with Keaykolour. The entire collection contains papers made of recycled pulp, conforming to FSC regulations, in weights of 90 to 450 gsm. One member of this product family is card-quality (300 gsm) “Keaykolour Geprägt” available from Antalis in the variants Hammer blow, Horizon, Leather, Cedar and Linear. We chose linear embossed 300 gsm card quality in snow white which produces a sophisticated play of light and shade and feels almost velvety to the touch. For the high-end graphic design, we have Studio Grau of Berlin to thank – a multiple-award-winning team of designers who we featured in novum 07.17. We were very pleased that they agreed to visualise this theme for us: The delicate, metallic shades of pastel give eye-shadow like emphasis to the motif. Special colours (Pantone 8361 and 488) were the answer for such a subtle, elegant solution. The perfect way to “make up” the cover for an issue about health and beauty, we thought! novum+ Studio Oeding (GER) Ebbe & Blut (GER) Studio Build (GBR) Étiquette (LIT) Geigy (SWI) Suprematika (RUS) Hunap (HUN) Ortolan (AUS) Showroom: European Design Awards Atelier522 (GER) Patrycja Podkoscielny (POL) Studio Mut (ITA) Neue Typographie, Teil V Paper: Keaykolour, Antalis Offset printing: f&w Druck- und Mediencenter Cover design: Chrish Knigge, Studio Grau Special colours: Pantone 488, 8361 Photos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/archive/detail/novum-1017/ [n° ou bulletin]  est un bulletin de Novum   10.17 - 2017-10-12 [texte imprimé] . - 2017. Langues : Allemand (ger) Catégories : Beau (esthétique) Livres -- Mise en page Menus -- Mise en page et typographie Mise en page et typographie Podkościelny, Patrycja (1988-....) Produits cosmétiques -- Conditionnement Index. décimale : 766 Arts graphiques Résumé : High-end cosmetics and medical products are generally marketed with a clear, clean look. So, for October´s cover of novum we have chosen a material that is very lively, but still communicates the elegance of pure white. In terms of content this time, our novum+ section focuses on the very broad field of health and beauty from a number of angles. We have a wide range of examples for you, including a visual identity for a clinic and sophisticated packaging for luxury cosmetics. Along the way we explore the graphic design history of the Geigy brand for which over the years many a well known designer has worked, and an interview with Eva Wünsch and Luisa Stömer, whose book »Ebbe und Blut« (Ebb and [menstrual] Flow) has received much attention. In the Showroom section we present the winners of Gold in the European Design Awards, look over the shoulder of gifted illustrator Patrycja Podkoscielny, visit Studio Mut in South Tyrol and give an insight into the multidisciplinary Atelier 522 whose philosophy is truly special. The next article in our series on the »New Typography« takes us back in time to the city of Frankfurt in the 1920s, when the urban development program of estates housing expert Ernst May fostered a whole design movement touching upon many areas of life. And in his column, Andreas Koop muses on »unreal realities« and »bleak realities« – explore with him thoughts on appearances and reality and how graphic design finds its place here. Or take a closer look at the fascinating options presented by register punching – a useful but also a decorative element. Silvia Lerch has produced a very practical and informative guide to what’s involved. Also in her column, our lawyer Andrijana Kojic writes about how to recind contracts – something that is indeed possible, you just have to know how. The cover White stands for clarity, freshness and purity. As such it is an ideal component in the visual design of health and beauty products. Combined with haptic elements, this clean aesthetic moves to a new level of subtlety. We were able to capture all these qualities with Keaykolour. The entire collection contains papers made of recycled pulp, conforming to FSC regulations, in weights of 90 to 450 gsm. One member of this product family is card-quality (300 gsm) “Keaykolour Geprägt” available from Antalis in the variants Hammer blow, Horizon, Leather, Cedar and Linear. We chose linear embossed 300 gsm card quality in snow white which produces a sophisticated play of light and shade and feels almost velvety to the touch. For the high-end graphic design, we have Studio Grau of Berlin to thank – a multiple-award-winning team of designers who we featured in novum 07.17. We were very pleased that they agreed to visualise this theme for us: The delicate, metallic shades of pastel give eye-shadow like emphasis to the motif. Special colours (Pantone 8361 and 488) were the answer for such a subtle, elegant solution. The perfect way to “make up” the cover for an issue about health and beauty, we thought! novum+ Studio Oeding (GER) Ebbe & Blut (GER) Studio Build (GBR) Étiquette (LIT) Geigy (SWI) Suprematika (RUS) Hunap (HUN) Ortolan (AUS) Showroom: European Design Awards Atelier522 (GER) Patrycja Podkoscielny (POL) Studio Mut (ITA) Neue Typographie, Teil V Paper: Keaykolour, Antalis Offset printing: f&w Druck- und Mediencenter Cover design: Chrish Knigge, Studio Grau Special colours: Pantone 488, 8361 Photos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/archive/detail/novum-1017/

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11.17 - 2017-11-13 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 11.17 - 2017-11-13 Type de document : texte imprimé Année de publication : 2017 Note générale : Electrifying 12.10.2017 Charles Eames once said: »The details are not the details. They make the design«. And in this month’s novum we are putting those very details centre-stage, as we look at the small components that make a design distinctive and unique. We also feature an interesting interview with the internationally famous creatives from Snask and the fantastic collages by Elisa Vendramin; we glimpse behind the scenes at the British studio Iwant, and peruse the amazing portfolio of konter… Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Architecture -- Dessins et plans Arts graphiques - Couleur Arts graphiques -- 21e siècle Arts graphiques -- Typographie Collage (art) Communication en marketing Communication visuelle -- 21e siècle Détails (art) Halbert, Michael Illustration -- technique Livres -- Mise en page Livres d'artistes Marques de commerce - Marketing Restaurants -- Aménagement Snask (Firm) Travail du papier Typographie - Design Wrigley, William (1861-1932) Index. décimale : 766 Arts graphiques Résumé : Small cause, large effect – that is true not only of the famous »butterfly effect«. It applies also to so many other things in daily life and of course it applies to graphic design. A detail such as bold use of just one impressive colour can make all the difference. We think you´ll agree this technique has certainly produced an eye-catching result on this month´s cover, of which there is not one, but two variants! As regards content, the focus is our novum+ section is exclusively on details: For this we talked to type guru Friedrich Forssmann about the obsessiveness that is essential for any typographer, conducted an interview with designer-craftswoman Katja Knahn and explored the new visual identity of City College in New York. We also had a very productive chat with Carlos Magro, Creative Director at Interbrand Spain, about his unusual CD – called »Mind the Gap« – for an international firm of lawyers. And we feature a jaw-dropping interior design for a restaurant – with walls lined with thousands of bones. Cadena of Mexico tells us how their design came about. In the Showroom this time, we have a diversity of styles and genres: Fantastic collages from Elisa Vendramin await your inspection, along with sophisticated packaging from British studio Iwant. Plus we reveal how design greats Snask with their rock ‘n’ roll discipline made it to the top – and not only with their redesign for North Korea. Beatriz Costo often lets her creativity flow into editorial design projects, and our cover designers – Dortmund-based design studio konter – show us their inspiring portfolio. How do you protect creative titles? This is the question tackled by lawyer Andrijana Kojic; she gives practical advice in her legal column. And Andreas Koop in his column muses on why, even in design commissions for industry, so much trickery and cheating goes on … unreal realities! And – did you know that Wrigley´s now iconic chewing gum was actually not the manufacturer’s own product at all in the early days? From give-away to world fame – find out more about this exciting brand story…. The cover If you want to be subtle, then avoid Electric Blood and Vibrant Arsenic from the Action range of papermakers Gmund. But if you want to make a splash, then you´ll be very, very happy with this material. Electric Blood is a very specific colour – somewhere between red and orange with an almost neon-like effect. A special surface treatment, applied after the paper has been produced, gives it that distinctive shimmer. Vibrant Arsenic, with the same surface, is a resplendent pure neon yellow. We have used both in producing the cover for this month´s novum, but whichever one you have ended up with, there’s no chance of losing it on your shelves. All the ten expressive colours in Gmund Action – available from Papyrus – keep their promise: Go to Hell Black, Alpine Sparkling Water, Crystal Vanilla Sorbet, Nuclear Acid, Clear Sky Blue, Pastel Heart Attack, Night Offshore Blue, Dark Silver Cloud and of course also Vibrant Arsenic und Electric Blood. Whether you use them for packaging or envelopes, this colour range really grabs the attention. Available in 300 to 430 gsm, any application is guaranteed to get noticed. So, for communication that really stands out, choose a muted colour for the letter and put it in one of these Gmund Action envelopes. The finish Any complicated processing of these visually prominent materials would almost be one detail too far, so the designers at konter studio limited themselves to the contrast-rich progression in one special colour (Pantone 286 C) and a fine embossing carefully finished with hot foil. Thus finished, their artwork uniquely interprets the focus theme this month in a unique way: »Complexity, yes. Sometimes simple but hidden, allows playfulness« … to be discovered on the back cover of this issue. »We love the details. Very often it´s not the overall picture that we delight in, but the tiny, hidden, special aspects, that sometimes can be implemented without an enormous budget. And things really get rewarding when have the opportunity to spend time on such details. So what we produced here is a motif that at first sight is just a burst of colour, but on closer inspection you see the delicate embossing and the hidden content,« say Michelle Flunger and Sascha Schilling of konter – Studio für Gestaltung. The foil embossing was done by the Forum Prägefolien Veredelung, a society of finishing experts and specialists offering advice and services in the different types of hot foil stamping, from micro-embossing to structure, relief and blind blocking. www.look-and-feel.net novum+ Cadena (MEX) Michael Halbert (USA) Campbell Hay (GBR) Friedrich Forssman (GER) Katja Knahn (GER) Interbrand (ESP) Menos Es Más (ESP) Showroom Snask (SWE) Iwant Design (GBR) Beatriz Costo (ESP) Konter (GER) Elisa Vendramin (ITA) Neue Typgraphie, Teil VI Paper: Gmund Action, Papyrus, www.papyrus.com Offset printing: f&w Druck- und Mediencenter Embossing and hot foil: Forum Prägefolien Veredelung, www.look-and-feel.net Cover design: konter, www.studiokonter.de Special colour: Pantone 286 C Photos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/current-issue/detail/novum-1117/ [n° ou bulletin]  est un bulletin de Novum   11.17 - 2017-11-13 [texte imprimé] . - 2017. Electrifying 12.10.2017 Charles Eames once said: »The details are not the details. They make the design«. And in this month’s novum we are putting those very details centre-stage, as we look at the small components that make a design distinctive and unique. We also feature an interesting interview with the internationally famous creatives from Snask and the fantastic collages by Elisa Vendramin; we glimpse behind the scenes at the British studio Iwant, and peruse the amazing portfolio of konter… Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Architecture -- Dessins et plans Arts graphiques - Couleur Arts graphiques -- 21e siècle Arts graphiques -- Typographie Collage (art) Communication en marketing Communication visuelle -- 21e siècle Détails (art) Halbert, Michael Illustration -- technique Livres -- Mise en page Livres d'artistes Marques de commerce - Marketing Restaurants -- Aménagement Snask (Firm) Travail du papier Typographie - Design Wrigley, William (1861-1932) Index. décimale : 766 Arts graphiques Résumé : Small cause, large effect – that is true not only of the famous »butterfly effect«. It applies also to so many other things in daily life and of course it applies to graphic design. A detail such as bold use of just one impressive colour can make all the difference. We think you´ll agree this technique has certainly produced an eye-catching result on this month´s cover, of which there is not one, but two variants! As regards content, the focus is our novum+ section is exclusively on details: For this we talked to type guru Friedrich Forssmann about the obsessiveness that is essential for any typographer, conducted an interview with designer-craftswoman Katja Knahn and explored the new visual identity of City College in New York. We also had a very productive chat with Carlos Magro, Creative Director at Interbrand Spain, about his unusual CD – called »Mind the Gap« – for an international firm of lawyers. And we feature a jaw-dropping interior design for a restaurant – with walls lined with thousands of bones. Cadena of Mexico tells us how their design came about. In the Showroom this time, we have a diversity of styles and genres: Fantastic collages from Elisa Vendramin await your inspection, along with sophisticated packaging from British studio Iwant. Plus we reveal how design greats Snask with their rock ‘n’ roll discipline made it to the top – and not only with their redesign for North Korea. Beatriz Costo often lets her creativity flow into editorial design projects, and our cover designers – Dortmund-based design studio konter – show us their inspiring portfolio. How do you protect creative titles? This is the question tackled by lawyer Andrijana Kojic; she gives practical advice in her legal column. And Andreas Koop in his column muses on why, even in design commissions for industry, so much trickery and cheating goes on … unreal realities! And – did you know that Wrigley´s now iconic chewing gum was actually not the manufacturer’s own product at all in the early days? From give-away to world fame – find out more about this exciting brand story…. The cover If you want to be subtle, then avoid Electric Blood and Vibrant Arsenic from the Action range of papermakers Gmund. But if you want to make a splash, then you´ll be very, very happy with this material. Electric Blood is a very specific colour – somewhere between red and orange with an almost neon-like effect. A special surface treatment, applied after the paper has been produced, gives it that distinctive shimmer. Vibrant Arsenic, with the same surface, is a resplendent pure neon yellow. We have used both in producing the cover for this month´s novum, but whichever one you have ended up with, there’s no chance of losing it on your shelves. All the ten expressive colours in Gmund Action – available from Papyrus – keep their promise: Go to Hell Black, Alpine Sparkling Water, Crystal Vanilla Sorbet, Nuclear Acid, Clear Sky Blue, Pastel Heart Attack, Night Offshore Blue, Dark Silver Cloud and of course also Vibrant Arsenic und Electric Blood. Whether you use them for packaging or envelopes, this colour range really grabs the attention. Available in 300 to 430 gsm, any application is guaranteed to get noticed. So, for communication that really stands out, choose a muted colour for the letter and put it in one of these Gmund Action envelopes. The finish Any complicated processing of these visually prominent materials would almost be one detail too far, so the designers at konter studio limited themselves to the contrast-rich progression in one special colour (Pantone 286 C) and a fine embossing carefully finished with hot foil. Thus finished, their artwork uniquely interprets the focus theme this month in a unique way: »Complexity, yes. Sometimes simple but hidden, allows playfulness« … to be discovered on the back cover of this issue. »We love the details. Very often it´s not the overall picture that we delight in, but the tiny, hidden, special aspects, that sometimes can be implemented without an enormous budget. And things really get rewarding when have the opportunity to spend time on such details. So what we produced here is a motif that at first sight is just a burst of colour, but on closer inspection you see the delicate embossing and the hidden content,« say Michelle Flunger and Sascha Schilling of konter – Studio für Gestaltung. The foil embossing was done by the Forum Prägefolien Veredelung, a society of finishing experts and specialists offering advice and services in the different types of hot foil stamping, from micro-embossing to structure, relief and blind blocking. www.look-and-feel.net novum+ Cadena (MEX) Michael Halbert (USA) Campbell Hay (GBR) Friedrich Forssman (GER) Katja Knahn (GER) Interbrand (ESP) Menos Es Más (ESP) Showroom Snask (SWE) Iwant Design (GBR) Beatriz Costo (ESP) Konter (GER) Elisa Vendramin (ITA) Neue Typgraphie, Teil VI Paper: Gmund Action, Papyrus, www.papyrus.com Offset printing: f&w Druck- und Mediencenter Embossing and hot foil: Forum Prägefolien Veredelung, www.look-and-feel.net Cover design: konter, www.studiokonter.de Special colour: Pantone 286 C Photos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/current-issue/detail/novum-1117/

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06.19 - 2019-06-12 (Bulletin de Novum)    

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 06.19 - 2019-06-12 Type de document : texte imprimé Année de publication : 2019 Importance : 82 p. Présentation : ill. en coul., couv. ill. en coul. Format : 30 cm Langues : Allemand (ger) Anglais (eng) Catégories : Installations (art) Travail du papier Typographie Index. décimale : 766 Arts graphiques Résumé : Curtains up for set designers from all around the world. No matter if they are made out of paper or flowers or on the computer – we present set designs that are stunning and inspiring. On our cover you can see a brand new semi-transparent foil in two different colours. And the smooth fine paper Pergraphica lends a sensual touch to a beautiful art work by Jacob Reischel. In our showroom we take you on a journey to studios and designer in Austria, Italy, Mexico and the Netherlands as well the US. Note de contenu : Articles sur : Papier et production, Sylvia Lerch - Elisabetta Bongiorni (ITA) - A.P.Bio Design (UDA) - Six N. Five (ESP) - Hattie Newman (GBR) - Jonathan Knowles (GBR) - Akatre (FRA) - Vallée Duhamel (CAN) - Nicole Genoni (ITA) En ligne : https://novum.graphics/news/design-magazin/ Format de la ressource électronique : https://novum.graphics/de/magazin/aktuelle-ausgabe/ [n° ou bulletin]  est un bulletin de Novum   06.19 - 2019-06-12 [texte imprimé] . - 2019 . - 82 p. : ill. en coul., couv. ill. en coul. ; 30 cm. Langues : Allemand (ger) Anglais (eng) Catégories : Installations (art) Travail du papier Typographie Index. décimale : 766 Arts graphiques Résumé : Curtains up for set designers from all around the world. No matter if they are made out of paper or flowers or on the computer – we present set designs that are stunning and inspiring. On our cover you can see a brand new semi-transparent foil in two different colours. And the smooth fine paper Pergraphica lends a sensual touch to a beautiful art work by Jacob Reischel. In our showroom we take you on a journey to studios and designer in Austria, Italy, Mexico and the Netherlands as well the US. Note de contenu : Articles sur : Papier et production, Sylvia Lerch - Elisabetta Bongiorni (ITA) - A.P.Bio Design (UDA) - Six N. Five (ESP) - Hattie Newman (GBR) - Jonathan Knowles (GBR) - Akatre (FRA) - Vallée Duhamel (CAN) - Nicole Genoni (ITA) En ligne : https://novum.graphics/news/design-magazin/ Format de la ressource électronique : https://novum.graphics/de/magazin/aktuelle-ausgabe/

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11.20 - 2020-11-12 (Bulletin de Novum)    

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 11.20 - 2020-11-12 Type de document : texte imprimé Année de publication : 2020 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle Affiches -- Mise en page et typographie Arts graphiques -- Croatie -- 21e siècle Campagnes publicitaires Chocolats -- Emballages Conditionnement Covid-19 -- Aspect économique -- 21e siècle Cuculić, Vanja (1977-....) Découpage (art) -- Danemark -- 21e siècle Estampage (reproduction) Fleurs -- Dans l'art Impression numérique -- Innovation Marques de commerce Papier décoratif Reliures gaufrées Sculpture en papier -- Danemark -- 21e siècle Sculpture en papier -- Londres (GB) -- 21e siècle Signes et symboles -- Design Travail du papier -- 21e siècle Typographie -- Danemark Index. décimale : 766 Arts graphiques Résumé : Transcending themes, styles and fields 19.11.2020 We believe illustration is a wonderfully adaptable form of expression – it can handle complexity, communicate humour and change minds. »We love the fact that illustration can transcend any theme, style and field,« enthused the London-based creative duo Le.Blue in an interview with them on our novum+ theme. Note de contenu : novum 11.20 »creative paper« There’s no denying we are passionate about paper. And when it comes to »creative paper« then our imaginations start to run riot. There are just so many aspects to cover with this fascinating material: be it unusual visual treatments or surface finishes, all kinds of conceptual approaches, and even the smell of different kinds of paper. Whenever we choose creative paper as our featured topic, we know it will be a tough job to select just which projects and studios to present. Because paper offers up so many diverse aspects, we have put together a colourful bouquet for you in our novum+ section this month. From sustainable packaging and paper art to artful printing and bookbinding – this issue shows what being creative with paper really means. The cover Together with our partners we eagerly rolled up our sleeves and produced something special: the paper we chose is Stardream Rosequarz from Igepa, whose wonderful quality lends itself perfectly to finishing that really pulls out all the stops. On the outer envelope the hot foil Luxor 396 Orange from Kurz sets up a charming contrast to the delicately shimmering pink of the paper, on the inside cover pages we used a rich green (Luxor 390). But why stop when you are enjoying yourself? As well as foil finishing, we also used embossing and stamping. The artistic interplay between raised and recessed elements is all down to the skills of the experts at effektiv Druck+Veredelung. The cover of the November issue features some rather unusual combinations, but, as we all know, opposites attract! All this and more awaits in this issue of novum! Copies of this issue can be bougth here Cover design Tobias Holzmann Paper​​​​​​​ Stardream Rosequarz 285 gsm, available through Igepa Print finishing and embossing effektiv Druck+Veredelung Hotfoil Kurz Embossing die Graveurbetrieb Berneisch Photos Tobias Holzmann & Luise Raithel En ligne : https://novum.graphics/news/design-magazin/ [n° ou bulletin]  est un bulletin de Novum   11.20 - 2020-11-12 [texte imprimé] . - 2020. Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle Affiches -- Mise en page et typographie Arts graphiques -- Croatie -- 21e siècle Campagnes publicitaires Chocolats -- Emballages Conditionnement Covid-19 -- Aspect économique -- 21e siècle Cuculić, Vanja (1977-....) Découpage (art) -- Danemark -- 21e siècle Estampage (reproduction) Fleurs -- Dans l'art Impression numérique -- Innovation Marques de commerce Papier décoratif Reliures gaufrées Sculpture en papier -- Danemark -- 21e siècle Sculpture en papier -- Londres (GB) -- 21e siècle Signes et symboles -- Design Travail du papier -- 21e siècle Typographie -- Danemark Index. décimale : 766 Arts graphiques Résumé : Transcending themes, styles and fields 19.11.2020 We believe illustration is a wonderfully adaptable form of expression – it can handle complexity, communicate humour and change minds. »We love the fact that illustration can transcend any theme, style and field,« enthused the London-based creative duo Le.Blue in an interview with them on our novum+ theme. Note de contenu : novum 11.20 »creative paper« There’s no denying we are passionate about paper. And when it comes to »creative paper« then our imaginations start to run riot. There are just so many aspects to cover with this fascinating material: be it unusual visual treatments or surface finishes, all kinds of conceptual approaches, and even the smell of different kinds of paper. Whenever we choose creative paper as our featured topic, we know it will be a tough job to select just which projects and studios to present. Because paper offers up so many diverse aspects, we have put together a colourful bouquet for you in our novum+ section this month. From sustainable packaging and paper art to artful printing and bookbinding – this issue shows what being creative with paper really means. The cover Together with our partners we eagerly rolled up our sleeves and produced something special: the paper we chose is Stardream Rosequarz from Igepa, whose wonderful quality lends itself perfectly to finishing that really pulls out all the stops. On the outer envelope the hot foil Luxor 396 Orange from Kurz sets up a charming contrast to the delicately shimmering pink of the paper, on the inside cover pages we used a rich green (Luxor 390). But why stop when you are enjoying yourself? As well as foil finishing, we also used embossing and stamping. The artistic interplay between raised and recessed elements is all down to the skills of the experts at effektiv Druck+Veredelung. The cover of the November issue features some rather unusual combinations, but, as we all know, opposites attract! All this and more awaits in this issue of novum! Copies of this issue can be bougth here Cover design Tobias Holzmann Paper​​​​​​​ Stardream Rosequarz 285 gsm, available through Igepa Print finishing and embossing effektiv Druck+Veredelung Hotfoil Kurz Embossing die Graveurbetrieb Berneisch Photos Tobias Holzmann & Luise Raithel En ligne : https://novum.graphics/news/design-magazin/

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SL 24184	Novum	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

04.15 - 2015-04-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 04.15 - 2015-04-12 Type de document : texte imprimé Année de publication : 2015 Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques Design Index. décimale : 766 Arts graphiques Résumé : In the past years so many great projects reached us from Australia and New Zealand that we couldn't help ourselves, but dedicate a whole issue to designers from down under. And to fit the occasion we produced two different covers – an anchor and a diver's bell. The illustrations come form New Zealand studio Inhouse Design, the fine paper was provided by Antalis (Rives Sensation Tactile Matt Natur). Cast off to discover great designs from Australia and New Zealand. En ligne : http://www.novumnet.de/en/world-of-novum/preview/0415.html [n° ou bulletin]  est un bulletin de Novum   04.15 - 2015-04-12 [texte imprimé] . - 2015. Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques Design Index. décimale : 766 Arts graphiques Résumé : In the past years so many great projects reached us from Australia and New Zealand that we couldn't help ourselves, but dedicate a whole issue to designers from down under. And to fit the occasion we produced two different covers – an anchor and a diver's bell. The illustrations come form New Zealand studio Inhouse Design, the fine paper was provided by Antalis (Rives Sensation Tactile Matt Natur). Cast off to discover great designs from Australia and New Zealand. En ligne : http://www.novumnet.de/en/world-of-novum/preview/0415.html

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SL 18915	Novum	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

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