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Changes in the Degree of Degradation with Position of Painting Papers in Japanese Hanging Scrolls by Accelerated Ageing Using Open and Sealed Tube Methods in Studies in conservation, Vol.68 N°1-2(2023; January-February) (2023-01-01)
[article]
Titre : Changes in the Degree of Degradation with Position of Painting Papers in Japanese Hanging Scrolls by Accelerated Ageing Using Open and Sealed Tube Methods Type de document : texte imprimé Année de publication : 2023 Article en page(s) : P. 43-53 Langues : Anglais (eng) Catégories : Acides organiques
Essais accélérés (technologie)
Fibres cellulosiques -- Analyse
Papier -- Couleur -- Altération
Peinture sur rouleau -- Japon -- Conservation et restauration
Peinture sur rouleau -- Japon -- Détérioration -- Méthode comparativeIndex. décimale : 7.025 Dommages. Conservation. Protection Résumé : To understand the degradation behaviour of rolled hanging scrolls for future conservation treatments, we evaluated the degradation–position profiles of naturally aged hanging scrolls and their model samples, which were subjected to different storage conditions. For the sample immersed in a CuSO4・5H2O solution and rolled around a glass rod, accelerated ageing using the open method (80°C, 65% RH) revealed a tendency of lower pH and higher discolouration towards the central positions, where rolling caused the most tightness. However, no clear tendencies were observed for the concentration variations of organic acids. The degradation effects of the organic acids emitted from the paulownia wooden box were also examined using the sealed tube method by enclosing the rolled painting paper and acidic paper containing organic acids together in a glass tube. Large amounts of oxalic and formic acids were detected at the periphery and scant migration of the organic acids was observed towards the centre, thus indicating that the central positions of the painting paper were less susceptible to the influence of the organic acids emitted from the external environment. By contrast, glycolic acid diffused towards the centre. The analysis of two naturally aged hanging scrolls showed different degradation behaviours. One sample, stored open in the rolled state, showed severe discolouration with the naked eye at the outermost back surface of the scroll. This was possibly associated with the large amount of sulfate ions originating from the external atmosphere, which kept the pH lower and increased discolouration towards the peripheral positions of the painting paper. For the sample stored in a paulownia wooden box, discolouration was not observed with the naked eye at the outermost back surface of the scroll, although lower pH and higher discolouration were observed towards the central positions.
in Studies in conservation > Vol.68 N°1-2(2023; January-February) (2023-01-01) . - P. 43-53[article] Changes in the Degree of Degradation with Position of Painting Papers in Japanese Hanging Scrolls by Accelerated Ageing Using Open and Sealed Tube Methods [texte imprimé] . - 2023 . - P. 43-53.
Langues : Anglais (eng)
in Studies in conservation > Vol.68 N°1-2(2023; January-February) (2023-01-01) . - P. 43-53
Catégories : Acides organiques
Essais accélérés (technologie)
Fibres cellulosiques -- Analyse
Papier -- Couleur -- Altération
Peinture sur rouleau -- Japon -- Conservation et restauration
Peinture sur rouleau -- Japon -- Détérioration -- Méthode comparativeIndex. décimale : 7.025 Dommages. Conservation. Protection Résumé : To understand the degradation behaviour of rolled hanging scrolls for future conservation treatments, we evaluated the degradation–position profiles of naturally aged hanging scrolls and their model samples, which were subjected to different storage conditions. For the sample immersed in a CuSO4・5H2O solution and rolled around a glass rod, accelerated ageing using the open method (80°C, 65% RH) revealed a tendency of lower pH and higher discolouration towards the central positions, where rolling caused the most tightness. However, no clear tendencies were observed for the concentration variations of organic acids. The degradation effects of the organic acids emitted from the paulownia wooden box were also examined using the sealed tube method by enclosing the rolled painting paper and acidic paper containing organic acids together in a glass tube. Large amounts of oxalic and formic acids were detected at the periphery and scant migration of the organic acids was observed towards the centre, thus indicating that the central positions of the painting paper were less susceptible to the influence of the organic acids emitted from the external environment. By contrast, glycolic acid diffused towards the centre. The analysis of two naturally aged hanging scrolls showed different degradation behaviours. One sample, stored open in the rolled state, showed severe discolouration with the naked eye at the outermost back surface of the scroll. This was possibly associated with the large amount of sulfate ions originating from the external atmosphere, which kept the pH lower and increased discolouration towards the peripheral positions of the painting paper. For the sample stored in a paulownia wooden box, discolouration was not observed with the naked eye at the outermost back surface of the scroll, although lower pH and higher discolouration were observed towards the central positions. Le chantier des collections / Jean-Paul Oddos in Conservation restauration des biens culturels, no.14(1999:déc.) (1999-12-01)
Characterization of the Alteration of Debitus Grisailles in Studies in conservation, Vol.67 N°7-8(2022; October-November) (2022-10-01)
[article]
Titre : Characterization of the Alteration of Debitus Grisailles Type de document : texte imprimé Année de publication : 2022 Article en page(s) : P. 413-422 Langues : Anglais (eng) Catégories : Art du verre -- Conservation et restauration
Grisaille (peinture) -- Vitraux -- Portugal -- 16e siècle -- Conservation et restauration
Spectroscopie Raman
Vitraux -- Conservation et restaurationIndex. décimale : 7.025 Dommages. Conservation. Protection Résumé : Stained glass restoration generally involves filling glass losses to maintain the coherence of the window and the new glasses used to fill the losses can be painted to chromatically reintegrate the stained glass panel. One of the most common painting materials on stained glass is grisaille, a paint made by mixing metal oxides with a ground lead glass. Grisailles usually have black and brown hues and are used for the creation of outlines as shadows in window glasses. Although several commercial companies sell many types of products to paint on glass, few of them present the necessary compatibility with the original materials that conservation materials must have. Debitus is one of the most renowned companies, and its grisailles are frequently used for chromatic reintegration in stained glass window restoration. Thus, the main objective of this study was to assess the long-term stability and durability of commercial Debitus grisailles. Two alteration tests were carried out, with samples placed in high humidity chambers and submerged in distilled water. The samples and degradation products were characterized by optical microscopy, µ-Raman spectroscopy, and colourimetry. In the immersion, the pH of the water was measured during the experiment, and the leached elements were analyzed at the end by inductively coupled plasma atomic emission spectroscopy. The results showed an alteration of the colour and the formation of degradation products, identified as sulphates. The solution pH was increased by the aqueous extraction of alkaline and alkaline-earth ions from the support glass of the samples. Despite these changes, it was possible to conclude that these commercial grisailles presented good durability and stability for use in conservation treatments. En ligne : https://www.tandfonline.com/doi/abs/10.1080/00393630.2021.1890965
in Studies in conservation > Vol.67 N°7-8(2022; October-November) (2022-10-01) . - P. 413-422[article] Characterization of the Alteration of Debitus Grisailles [texte imprimé] . - 2022 . - P. 413-422.
Langues : Anglais (eng)
in Studies in conservation > Vol.67 N°7-8(2022; October-November) (2022-10-01) . - P. 413-422
Catégories : Art du verre -- Conservation et restauration
Grisaille (peinture) -- Vitraux -- Portugal -- 16e siècle -- Conservation et restauration
Spectroscopie Raman
Vitraux -- Conservation et restaurationIndex. décimale : 7.025 Dommages. Conservation. Protection Résumé : Stained glass restoration generally involves filling glass losses to maintain the coherence of the window and the new glasses used to fill the losses can be painted to chromatically reintegrate the stained glass panel. One of the most common painting materials on stained glass is grisaille, a paint made by mixing metal oxides with a ground lead glass. Grisailles usually have black and brown hues and are used for the creation of outlines as shadows in window glasses. Although several commercial companies sell many types of products to paint on glass, few of them present the necessary compatibility with the original materials that conservation materials must have. Debitus is one of the most renowned companies, and its grisailles are frequently used for chromatic reintegration in stained glass window restoration. Thus, the main objective of this study was to assess the long-term stability and durability of commercial Debitus grisailles. Two alteration tests were carried out, with samples placed in high humidity chambers and submerged in distilled water. The samples and degradation products were characterized by optical microscopy, µ-Raman spectroscopy, and colourimetry. In the immersion, the pH of the water was measured during the experiment, and the leached elements were analyzed at the end by inductively coupled plasma atomic emission spectroscopy. The results showed an alteration of the colour and the formation of degradation products, identified as sulphates. The solution pH was increased by the aqueous extraction of alkaline and alkaline-earth ions from the support glass of the samples. Despite these changes, it was possible to conclude that these commercial grisailles presented good durability and stability for use in conservation treatments. En ligne : https://www.tandfonline.com/doi/abs/10.1080/00393630.2021.1890965 Code de déontologie de l'ICOM pour les musées / Conseil international des musées
Titre : Code de déontologie de l'ICOM pour les musées Type de document : texte imprimé Auteurs : Conseil international des musées, Auteur Editeur : Paris [France] : ICOM Année de publication : 2006 Importance : 16 p. Format : 21 cm ISBN/ISSN/EAN : 978-92-9012-260-9 Langues : Français (fre) Catégories : Déontologie professionnelle
Musées -- Gestion -- Aspect moralIndex. décimale : 7.025 Dommages. Conservation. Protection Résumé :
Le Code de déontologie de l'ICOM a été adopté à l'unanimitée par la 15e Assemblée générale de l'ICOM, réunie à Buenos-Aires (Argentine) le 4 novembre 1986, modifié par la 20e Assemblée générale en Barcelone (Espagne) le 6 juillet 2001 sous le titre Code de déontologie de l'ICOM pour les musées et révisé par la 21e Assemblée générale à Seoul (République de Coré) le 8 octobre 2004.Code de déontologie de l'ICOM pour les musées [texte imprimé] / Conseil international des musées, Auteur . - Paris (France) : ICOM, 2006 . - 16 p. ; 21 cm.
ISBN : 978-92-9012-260-9
Langues : Français (fre)
Catégories : Déontologie professionnelle
Musées -- Gestion -- Aspect moralIndex. décimale : 7.025 Dommages. Conservation. Protection Résumé :
Le Code de déontologie de l'ICOM a été adopté à l'unanimitée par la 15e Assemblée générale de l'ICOM, réunie à Buenos-Aires (Argentine) le 4 novembre 1986, modifié par la 20e Assemblée générale en Barcelone (Espagne) le 6 juillet 2001 sous le titre Code de déontologie de l'ICOM pour les musées et révisé par la 21e Assemblée générale à Seoul (République de Coré) le 8 octobre 2004.Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 21725 7.025 CON Livre ESA Saint-Luc Beaux-Arts - Biblio Disponible Le collage de panneaux peints désassemblés et système de maintien de panneau après restauration / Barbara Greindl
Titre : Le collage de panneaux peints désassemblés et système de maintien de panneau après restauration Type de document : texte manuscrit Auteurs : Barbara Greindl, Auteur ; Olivier Verheyden, Directeur de thèse Editeur : [S.l.] : [chez l'auteur] Année de publication : 2003 Importance : 38 f. Présentation : ill. en n. et b. Format : 30 cm Note générale : Mémoire (de 3ème bac) -- Conservation restauration des œuvres d'art, option peinture de chevalet -- ESA Saint-Luc Liège, 2003 Langues : Français (fre) Catégories : Peinture sur panneau -- Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Le collage de panneaux peints désassemblés et système de maintien de panneau après restauration [texte manuscrit] / Barbara Greindl, Auteur ; Olivier Verheyden, Directeur de thèse . - [S.l.] : [chez l'auteur], 2003 . - 38 f. : ill. en n. et b. ; 30 cm.
Mémoire (de 3ème bac) -- Conservation restauration des œuvres d'art, option peinture de chevalet -- ESA Saint-Luc Liège, 2003
Langues : Français (fre)
Catégories : Peinture sur panneau -- Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Réservation
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