ESA SAINT-LUC LIEGE BIBLIOTHEQUE
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Vol.2016:N°11 - 2016-11-01 - Transparent und transluzent : transparent and Translucent (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
[n° ou bulletin]
Titre : Vol.2016:N°11 - 2016-11-01 - Transparent und transluzent : transparent and Translucent Type de document : texte imprimé Année de publication : 2016 Langues : Allemand (ger) Anglais (eng) Catégories : Architecture
Construction en verre
Éclairage architectural
Transparence (art)
Verre en décoration architecturaleIndex. décimale : 72 Architecture Résumé : published 11/01/2016
Clear, transparent, and democratic. These were the axioms of Germany’s postwar architecture. Transparency had a symbolic meaning for the country’s new public buildings. In 1961, for example, Baden-Württemberg’s new state parliament building was the first such institution to be completed after the war; all of its facades were completely glazed. Günter Behnisch’s lofty, daylit plenary assembly hall in the German Bundestag in Bonn also served as an example of an open society. Federal legislators convened there until 1999, when the government moved to Berlin.
Transparency and democracy were synonymous. In this issue we present different contemporary manifestations of transparency. The projects are located in France, Estonia, China, and Germany and range from chapels and apartment houses to museums and departmental buildings at universities; they have transparent and translucent facades, narrow operable sashes, and carefully orchestrated views to the surroundings.
As DETAIL’s new editor-in-chief, I look forward to keeping in touch with you via this Editorial column. Our experienced team will continue to present you timely topics – as in the past, architecture itself will show the way. Our next issue, which appears on December 1, explores applications of colour in architecture. (?Sandra Hofmeister)En ligne : http://www.detail-online.com/magazine/transparent-translucent-28793/ [n° ou bulletin] Vol.2016:N°11 - 2016-11-01 - Transparent und transluzent : transparent and Translucent [texte imprimé] . - 2016.
Langues : Allemand (ger) Anglais (eng)
Catégories : Architecture
Construction en verre
Éclairage architectural
Transparence (art)
Verre en décoration architecturaleIndex. décimale : 72 Architecture Résumé : published 11/01/2016
Clear, transparent, and democratic. These were the axioms of Germany’s postwar architecture. Transparency had a symbolic meaning for the country’s new public buildings. In 1961, for example, Baden-Württemberg’s new state parliament building was the first such institution to be completed after the war; all of its facades were completely glazed. Günter Behnisch’s lofty, daylit plenary assembly hall in the German Bundestag in Bonn also served as an example of an open society. Federal legislators convened there until 1999, when the government moved to Berlin.
Transparency and democracy were synonymous. In this issue we present different contemporary manifestations of transparency. The projects are located in France, Estonia, China, and Germany and range from chapels and apartment houses to museums and departmental buildings at universities; they have transparent and translucent facades, narrow operable sashes, and carefully orchestrated views to the surroundings.
As DETAIL’s new editor-in-chief, I look forward to keeping in touch with you via this Editorial column. Our experienced team will continue to present you timely topics – as in the past, architecture itself will show the way. Our next issue, which appears on December 1, explores applications of colour in architecture. (?Sandra Hofmeister)En ligne : http://www.detail-online.com/magazine/transparent-translucent-28793/ Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 20500 DETAIL Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible Vol.2016:N°12 - 2016-12-01 - Farbe Material Oberfläche = Colour Materials Finishes (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
[n° ou bulletin]
Titre : Vol.2016:N°12 - 2016-12-01 - Farbe Material Oberfläche = Colour Materials Finishes Type de document : texte imprimé Année de publication : 2016 Langues : Allemand (ger) Anglais (eng) Catégories : Architecture intérieure -- Matériaux
Couleur en architectureIndex. décimale : 72 Architecture Résumé : Some places or epochs are identified with certain colours: Siena for example, which lent its name to yellowish-brown pig-ments, or the Habsburg era with its Imperial yellow. Tel Aviv, has its White City – a UNESCO World Heritage site designed by Jewish architects who studied at the Bauhaus. White is the colour identified with the Modern Movement, of course, but the coloured interiors of the masters’ houses in Dessau by Walter Gropius show that not everything was reduced to that hue.
There are probably just as many colour theories as there are colour tones; but the streets in our towns and cities are rarely characterized by a consistent colour scheme. In this respect, the materials and their surface finishes play a dominant role. In our December issue, we present various architectural concepts that focus on the effects of colour. For example, the Sparren-burg Visitors’ Centre in Bielefeld with its tamped concrete facades enters into a dialogue with the historical surroundings, while the polychrome glazing of Sauerbruch Hutton’s office building in London forms a deliberate counterpoint to the urban environment. As one can see, architecture has to come to terms with colour. There is no such thing as neutrality.En ligne : http://www.detail-online.com/magazine/colour-materials-finishes-29002/ [n° ou bulletin] Vol.2016:N°12 - 2016-12-01 - Farbe Material Oberfläche = Colour Materials Finishes [texte imprimé] . - 2016.
Langues : Allemand (ger) Anglais (eng)
Catégories : Architecture intérieure -- Matériaux
Couleur en architectureIndex. décimale : 72 Architecture Résumé : Some places or epochs are identified with certain colours: Siena for example, which lent its name to yellowish-brown pig-ments, or the Habsburg era with its Imperial yellow. Tel Aviv, has its White City – a UNESCO World Heritage site designed by Jewish architects who studied at the Bauhaus. White is the colour identified with the Modern Movement, of course, but the coloured interiors of the masters’ houses in Dessau by Walter Gropius show that not everything was reduced to that hue.
There are probably just as many colour theories as there are colour tones; but the streets in our towns and cities are rarely characterized by a consistent colour scheme. In this respect, the materials and their surface finishes play a dominant role. In our December issue, we present various architectural concepts that focus on the effects of colour. For example, the Sparren-burg Visitors’ Centre in Bielefeld with its tamped concrete facades enters into a dialogue with the historical surroundings, while the polychrome glazing of Sauerbruch Hutton’s office building in London forms a deliberate counterpoint to the urban environment. As one can see, architecture has to come to terms with colour. There is no such thing as neutrality.En ligne : http://www.detail-online.com/magazine/colour-materials-finishes-29002/ Réservation
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Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 20765 DETAIL Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible Vol.2016:N°3 - 2016-03-01 - Besucher-und Gemeindezentren : Visitor and Community Centres (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
[n° ou bulletin]
Titre : Vol.2016:N°3 - 2016-03-01 - Besucher-und Gemeindezentren : Visitor and Community Centres Type de document : texte imprimé Année de publication : 2016 Langues : Allemand (ger) Anglais (eng) Catégories : Accueil des publics -- Constructions
Architecture publique
Centres culturels
Musées (constructions)Index. décimale : 72 Architecture Résumé : A typical visitor centre must fulfil a variety of functions: it receives visitors, provides information about the specific place, serves as point of departure for guided tours and individual sightseeing, and contains both a café and the unavoidable souvenir shop.
The form it takes varies as markedly as the accompanying attraction: some of our examples are nestled in their surroundings, while others stand out against the backdrop of sublime landscapes. Construction methods vary as well, from glass and concrete to vernacular interpretations.En ligne : http://www.detail-online.com/magazine/konzept-visitor-and-community-centres-2708 [...] [n° ou bulletin] Vol.2016:N°3 - 2016-03-01 - Besucher-und Gemeindezentren : Visitor and Community Centres [texte imprimé] . - 2016.
Langues : Allemand (ger) Anglais (eng)
Catégories : Accueil des publics -- Constructions
Architecture publique
Centres culturels
Musées (constructions)Index. décimale : 72 Architecture Résumé : A typical visitor centre must fulfil a variety of functions: it receives visitors, provides information about the specific place, serves as point of departure for guided tours and individual sightseeing, and contains both a café and the unavoidable souvenir shop.
The form it takes varies as markedly as the accompanying attraction: some of our examples are nestled in their surroundings, while others stand out against the backdrop of sublime landscapes. Construction methods vary as well, from glass and concrete to vernacular interpretations.En ligne : http://www.detail-online.com/magazine/konzept-visitor-and-community-centres-2708 [...] Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 20100 DETAIL Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible Vol.2016:N°4 - 2016-04-01 - Bauen mit beton = Concrete Construction = Construire en béton (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
[n° ou bulletin]
Titre : Vol.2016:N°4 - 2016-04-01 - Bauen mit beton = Concrete Construction = Construire en béton Type de document : texte imprimé Année de publication : 2016 Langues : Anglais (eng) Allemand (ger) Catégories : Constructions en béton Index. décimale : 72 Architecture Résumé : »Using ancient methods, we have suddenly achieved the finest exposed-concrete ever made,« Le Corbusier wrote in 1954 in a letter to his mother from Chandigarh, where he had just com-pleted the first of his government buildings. For him, »béton brut« had to be sculptural and raw, irregular and powerful.
This philosophy still has its adherents today, as is demonstrated by the new library in Beidaihe, China, which stands like a monolith in the landscape, defying wind and weather, its surfaces reflecting the interplay of light and shade occasioned by the sawn softwood shuttering. Quite a different impression is conjured by a school in London, where the concrete has a smooth, white, gleaming appearance. Here, the animated quality of the precast facades is based largely on the rhythm of the angular window reveals.
The exterior of the German School in Madrid is characterized by a combination of precast and in-situ concrete, with a latticework of balustrades and diagonal load-bearing columns. These and the other buildings in this issue show the enormous scope that exists for using concrete today. What’s more, as the range of innovative exposed-concrete surfaces described in the introductory Discussion shows, this ancient building material is always good for a surprise, presenting ever new faces.En ligne : http://www.detail-online.com/magazine/concrete-construction-27211/ [n° ou bulletin] Vol.2016:N°4 - 2016-04-01 - Bauen mit beton = Concrete Construction = Construire en béton [texte imprimé] . - 2016.
Langues : Anglais (eng) Allemand (ger)
Catégories : Constructions en béton Index. décimale : 72 Architecture Résumé : »Using ancient methods, we have suddenly achieved the finest exposed-concrete ever made,« Le Corbusier wrote in 1954 in a letter to his mother from Chandigarh, where he had just com-pleted the first of his government buildings. For him, »béton brut« had to be sculptural and raw, irregular and powerful.
This philosophy still has its adherents today, as is demonstrated by the new library in Beidaihe, China, which stands like a monolith in the landscape, defying wind and weather, its surfaces reflecting the interplay of light and shade occasioned by the sawn softwood shuttering. Quite a different impression is conjured by a school in London, where the concrete has a smooth, white, gleaming appearance. Here, the animated quality of the precast facades is based largely on the rhythm of the angular window reveals.
The exterior of the German School in Madrid is characterized by a combination of precast and in-situ concrete, with a latticework of balustrades and diagonal load-bearing columns. These and the other buildings in this issue show the enormous scope that exists for using concrete today. What’s more, as the range of innovative exposed-concrete surfaces described in the introductory Discussion shows, this ancient building material is always good for a surprise, presenting ever new faces.En ligne : http://www.detail-online.com/magazine/concrete-construction-27211/ Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 20101 DETAIL Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible Vol.2016:N°5 - 2016-05-01 - Licht und Innenraum = Lighting and Interiors = Eclairages et intérieurs (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
[n° ou bulletin]
Titre : Vol.2016:N°5 - 2016-05-01 - Licht und Innenraum = Lighting and Interiors = Eclairages et intérieurs Type de document : texte imprimé Année de publication : 2016 Langues : Anglais (eng) Allemand (ger) Catégories : Éclairage architectural
Éclairage intérieurIndex. décimale : 72 Architecture Résumé : Toyo Ito, who is nearing seventy-five, continues to reinvent himself. Seeking resemblances in his buildings, even two of them, would likely be in vain. The common thread running through nearly all his designs, however, is poise. This he combines with an inclination to do away with the distinction between indoors and outdoors, or at least to blur it a bit. At a university library in Taipei, the irregularly placed mushroom columns stand on both sides of its pared-down glazed skin.
Filtered daylight enters the library space through glazed openings between the parasol-like supports, making the silhouettes of the roof structure become indistinct. Perhaps it is this quality of light that endows the space with a special atmosphere. Daylight plays an important role in an expressive transfer terminal at the new train station in Arnheim, as well. Carefully positioned skylights direct it deep into the interior, but also supply views outward, helping passengers orient themselves.
In contrast, a pre-school in western Austria by Bernardo Bader and a residence in Slovenia by Ofis arhitekti are characterised by thoroughly considered details and carefully selected surface materials. A shop in Kuala Lampur by Russell & George employs white to intimate luxury. The bright lighting and the slender cross-sections of the spatial screen obscure the contours. Toyo Ito would be pleased.En ligne : http://www.detail-online.com/magazine/lighting-and-interiors-27370/ [n° ou bulletin] Vol.2016:N°5 - 2016-05-01 - Licht und Innenraum = Lighting and Interiors = Eclairages et intérieurs [texte imprimé] . - 2016.
Langues : Anglais (eng) Allemand (ger)
Catégories : Éclairage architectural
Éclairage intérieurIndex. décimale : 72 Architecture Résumé : Toyo Ito, who is nearing seventy-five, continues to reinvent himself. Seeking resemblances in his buildings, even two of them, would likely be in vain. The common thread running through nearly all his designs, however, is poise. This he combines with an inclination to do away with the distinction between indoors and outdoors, or at least to blur it a bit. At a university library in Taipei, the irregularly placed mushroom columns stand on both sides of its pared-down glazed skin.
Filtered daylight enters the library space through glazed openings between the parasol-like supports, making the silhouettes of the roof structure become indistinct. Perhaps it is this quality of light that endows the space with a special atmosphere. Daylight plays an important role in an expressive transfer terminal at the new train station in Arnheim, as well. Carefully positioned skylights direct it deep into the interior, but also supply views outward, helping passengers orient themselves.
In contrast, a pre-school in western Austria by Bernardo Bader and a residence in Slovenia by Ofis arhitekti are characterised by thoroughly considered details and carefully selected surface materials. A shop in Kuala Lampur by Russell & George employs white to intimate luxury. The bright lighting and the slender cross-sections of the spatial screen obscure the contours. Toyo Ito would be pleased.En ligne : http://www.detail-online.com/magazine/lighting-and-interiors-27370/ Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 20104 DETAIL Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible Vol.2016:N°6 - 2016-06-01 - fassaden = facades = façades = facciate = fachadas (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
PermalinkVol.2016:N°7/8 - 2016-07-01 - Kostengünstig Bauen = Cost-Effective Building = Economie (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
PermalinkVol.2016:N°9 - 2016-09-01 - Office buildings = immeubles de bureaux (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
PermalinkVol.2017:N°1/2 - 2017-01-01 - Umnutzung, Ergänzung, Sanierung = Refurbishment, Conversion (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
PermalinkVol.2017:N°10 - 2017-10-02 - Mauerwerk = Brick Construction (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
PermalinkVol.2017:N°11 - 2017-11-01 - Material und Oberfläche = Materials and Finishes (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
PermalinkVol.2017:N°12 - 2017-12-01 - Architektur und Landschaft = Architecture and Landscape (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
PermalinkVol.2017:N°3 - 2017-03-01 - Konzept : Wohnkonzepte für das Aletr = Housing for Seniors (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
PermalinkVol.2017:N°4 - 2017/04/01 - Bauen mit Stahl = Steel Construction (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
PermalinkVol.2017:N°5 - 2017-05-01 - Klimagerechtes Bauen = Biolimatic Construction (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
PermalinkVol.2017:N°6 - 2017-06-01 - Bauen mit Glas = Gass Construction (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
PermalinkVol.2017:N°7/8 - 2017-07-01 - Serielles Bauen = Serial Construction (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
PermalinkVol.2017:N°9 - 2017-09-01 - Konzept : Mischnutzungen = Concepts for Mixed Uses (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
PermalinkVol.2018:N°1/2 - 2018-01-01 - Bauen mit Holz = Timber Construction (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
PermalinkVol.2018:N°10 - 2018-10-01 - Reuse Recycle (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
PermalinkVol.2018:N°11 - 2018-11-01 - Licht und Raum : Lighting and Space (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
PermalinkVol.2018:N°12 - 2018-12-01 - Dächer = Roof Structures (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
PermalinkVol.2018:N°3 - 2018-03-01 - Bühnenbauten = Theatre Structures (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
PermalinkVol.2018:N°4 - 2018-04-01 - Kostengünstiger Wohnungsbau = Cost-Effective Housing (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
PermalinkVol.2018:N°5 - 2018-05-01 - Fassaden = Façades (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
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