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Contemporary European architects : volume vi / Philip Jodidio; French translation Jacques Bosser, German translation Alexander Sahm / Philip Jodidio
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Titre : N°1013(2017:mai) - 2017-05-01 - Non c'è italia senza spine Type de document : texte imprimé Année de publication : 2017 Langues : Italien (ita) Anglais (eng) Catégories : Art -- Italie
Arts -- Italie
Caruso, Giuseppe (1953-....)
Culture -- Administration -- Italie
Design -- Italie
Design industriel -- Innovations technologiques
Métros -- Naples (Italie)
PIANO, Renzo (1937 - ....)
Technologie et artsIndex. décimale : 7 Arts et Beaux-Arts Note de contenu : Table of Contents
Domus 1013
Cover: Non c'è Italia senza spine, drawing by Alessandro Mendini for Domus, May 2017. Graphics by Leonardo Sonnoli
Editoriale: Non c'è Italia senza spine
There’s no Italy without a thorn, says the drawing by Alessandro Mendini that gives this May issue of Domus its title. May is the month of roses, precisely. “A rose is a rose is a rose” goes a famous line by Gertrude Stein, as popular as it is enigmatic. The rose/Italy to which Domus issue 1013 is dedicated aims to reflect the call of this brilliant American poetess to see things for what they are.
Fulvio Irace
The city of design
Italy has remained a federation of city-states. There are museum-cities and factory-cities. There is a city whose streets are made of water, and another where all streets are hollowed walls...
Emilio Ambasz
SEEN FROM AFAR
Italomodern
Diary of a sentimental journey through a forgotten Italy
Text Martin Feiersinger. Photo Martin e Werner Feiersinger
Grand Hotel Colosseo
Italian icons
Text Marco Carminati
ITALY OUTSIDE ITALY
An endangered masterpiece
Gio Ponti. Villa Nemazee in Tehran is slated for demolition
Text Maria Manuela Leoni
A city for knowledge
Renzo Piano Building Workshop: Columbia University Manhattanville, New York
Text Lee C. Bollinger
A 21st-century campus
Text Fulvio Irace
The analogous factory
Caruso Torricella Architetti. 52 buildings for Techint around the world
Text and design Giuseppe Caruso, Agata Torricella
AN UNEXPECTED SIDE OF ITALY
Small giants
The ancient future of what is made in Italy
Text Chiara Alessi. Photo Filippo Romano
Italia, mondo
Innovation without borders
Text Francesca Molteni
WHEN BUSINESS MAKES CULTURE
La Rinascente
A creative laboratory
Text Teresa Feraboli
Stories of industry
From the factory to the museum
Text Alberto Meomartini
At design school
The Italian road to design
Text Vanni Pasca
NEW ITALIAN LANDSCAPES
Cloud with a view
Massimiliano e Doriana Fuksas. New congress centre at the EUR in Rome
Design Massimiliano e Doriana Fuksas. Text Aldo Castellano. Photo Roland Halbe, Moreno Maggi, Leonardo Finotti, Fabrizio Filosa
Void and traces
Vincenzo Latina. Regenerating the old quarries of Lampedusa / Housing in Ronco di via Damone, Syracuse
Design Vincenzo Latina. Text Paola Barbera. Photo Lamberto Rubino
Italian-style factory
Italo Rota. Industrial complex for Elatech in Brembilla, Bergamo
Design Italo Rota. Text Manuel Orazi. Photo Mattia Balsamini
1-14 learning inside the kite
C+S Architects. School complex in Fontaniva, Padua
Design C+S Architects. Text Manlio Brusatin. Photo Alessandra Bello, Pietro Savorelli
BACKBONE
Seismic Italy
Specimens from a diary about cataclysms
Text Matteo Agnoletto. Photo Antonio Di Cecco
PLACES AND ART
Time is out of joint
Galleria Nazionale d’Arte Moderna e Contemporanea, Rome
Text Antonella Greco. Photo Fernando Guerra | FG+SG
Art on the move
Three subway stations in Naples
Text Cettina Lenza. Photo Peppe Avallone, Archivio MN Metropolitana di Napoli Spa
Secret art
Museo delle statue stele lunigianesi, Pontremoli
Design Guido Canali. Text Italo Lupi. Photo Vaclav SedyEn ligne : http://www.domusweb.it/en/issues/2017/1013.html [n° ou bulletin] N°1013(2017:mai) - 2017-05-01 - Non c'è italia senza spine [texte imprimé] . - 2017.
Langues : Italien (ita) Anglais (eng)
Catégories : Art -- Italie
Arts -- Italie
Caruso, Giuseppe (1953-....)
Culture -- Administration -- Italie
Design -- Italie
Design industriel -- Innovations technologiques
Métros -- Naples (Italie)
PIANO, Renzo (1937 - ....)
Technologie et artsIndex. décimale : 7 Arts et Beaux-Arts Note de contenu : Table of Contents
Domus 1013
Cover: Non c'è Italia senza spine, drawing by Alessandro Mendini for Domus, May 2017. Graphics by Leonardo Sonnoli
Editoriale: Non c'è Italia senza spine
There’s no Italy without a thorn, says the drawing by Alessandro Mendini that gives this May issue of Domus its title. May is the month of roses, precisely. “A rose is a rose is a rose” goes a famous line by Gertrude Stein, as popular as it is enigmatic. The rose/Italy to which Domus issue 1013 is dedicated aims to reflect the call of this brilliant American poetess to see things for what they are.
Fulvio Irace
The city of design
Italy has remained a federation of city-states. There are museum-cities and factory-cities. There is a city whose streets are made of water, and another where all streets are hollowed walls...
Emilio Ambasz
SEEN FROM AFAR
Italomodern
Diary of a sentimental journey through a forgotten Italy
Text Martin Feiersinger. Photo Martin e Werner Feiersinger
Grand Hotel Colosseo
Italian icons
Text Marco Carminati
ITALY OUTSIDE ITALY
An endangered masterpiece
Gio Ponti. Villa Nemazee in Tehran is slated for demolition
Text Maria Manuela Leoni
A city for knowledge
Renzo Piano Building Workshop: Columbia University Manhattanville, New York
Text Lee C. Bollinger
A 21st-century campus
Text Fulvio Irace
The analogous factory
Caruso Torricella Architetti. 52 buildings for Techint around the world
Text and design Giuseppe Caruso, Agata Torricella
AN UNEXPECTED SIDE OF ITALY
Small giants
The ancient future of what is made in Italy
Text Chiara Alessi. Photo Filippo Romano
Italia, mondo
Innovation without borders
Text Francesca Molteni
WHEN BUSINESS MAKES CULTURE
La Rinascente
A creative laboratory
Text Teresa Feraboli
Stories of industry
From the factory to the museum
Text Alberto Meomartini
At design school
The Italian road to design
Text Vanni Pasca
NEW ITALIAN LANDSCAPES
Cloud with a view
Massimiliano e Doriana Fuksas. New congress centre at the EUR in Rome
Design Massimiliano e Doriana Fuksas. Text Aldo Castellano. Photo Roland Halbe, Moreno Maggi, Leonardo Finotti, Fabrizio Filosa
Void and traces
Vincenzo Latina. Regenerating the old quarries of Lampedusa / Housing in Ronco di via Damone, Syracuse
Design Vincenzo Latina. Text Paola Barbera. Photo Lamberto Rubino
Italian-style factory
Italo Rota. Industrial complex for Elatech in Brembilla, Bergamo
Design Italo Rota. Text Manuel Orazi. Photo Mattia Balsamini
1-14 learning inside the kite
C+S Architects. School complex in Fontaniva, Padua
Design C+S Architects. Text Manlio Brusatin. Photo Alessandra Bello, Pietro Savorelli
BACKBONE
Seismic Italy
Specimens from a diary about cataclysms
Text Matteo Agnoletto. Photo Antonio Di Cecco
PLACES AND ART
Time is out of joint
Galleria Nazionale d’Arte Moderna e Contemporanea, Rome
Text Antonella Greco. Photo Fernando Guerra | FG+SG
Art on the move
Three subway stations in Naples
Text Cettina Lenza. Photo Peppe Avallone, Archivio MN Metropolitana di Napoli Spa
Secret art
Museo delle statue stele lunigianesi, Pontremoli
Design Guido Canali. Text Italo Lupi. Photo Vaclav SedyEn ligne : http://www.domusweb.it/en/issues/2017/1013.html Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 21260 DOMUS Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
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Titre : N°1018(2017:novembre) - 2017-11-01 Type de document : texte imprimé Année de publication : 2017 Langues : Italien (ita) Anglais (eng) Catégories : Anastassiades, Michael (1967-....)
Architecture -- Etude et enseignement -- Etats-Unis
Architecture -- Pratique -- Milan (Italie)
Ars aevi
Baudelaire, Charles-Pierre (1821 - 1867)
CHIPPERFIELD, David (1953 - ....)
Composition (architecture)
Design -- Pratique -- Londres (GB) -- 21e siècle
Eames, Charles (1907-1978)
Eames, Ray (1912-1988)
Immeubles de bureaux -- Zurich (Suisse) -- 21e siècle -- Dessins et plans
Ishigami, Junya (1974-....)
Kounellis, Jannis (1936-2017)
Laan, Hans van der (1904-1991)
Louvre-Abu Dhabi -- Dessins et plans
Luminaires - Design
Mäckler, Christoph (1951-....)
Meubles -- Design -- Tolentino (Italie)
Meubles -- Fabrication -- Tolentino (Italie)
Musées (construction) -- Sarajevo (Bosnie-Herzégovine)
Musées (constructions) -- Abu Dhabi (Émirats arabes unis) -- 21e siècle
Muzej savremene umjetnosti (Sarajevo)
Nouvel, Jean (1945 - ....)
Opéras (constructions) -- Milan (Italie) -- Réfection
Parcs -- Pays-Bas -- Dessins et plans
Paris (France) -- 19e siècle
PIANO, Renzo (1937 - ....)
Poltrona Frau (Tolentino)
Ports -- Italie
Tarente (Italie)
Teatro alla Scala (Milan, Italie)
Urbanisme -- Francfort-sur-le-Main (Allemagne)
Villes disparues, en ruine, etc. -- Italie
Vitra internationalIndex. décimale : 7 Arts et Beaux-Arts Résumé : Domus 1018
Cover: graphic interpretation of the overall plan of the Louvre Abu Dhabi designed by Ateliers Jean Nouvel. Right: the project’s two constitutive elements, a dome with underlying pavilions. © Jean Nouvel Architecte
Note de contenu : The Eames’ wonder-filled workshop
The education of an architect in the United States and beyond
My Taranto: a critical walk
Ars Aevi: the weapon of culture
I wanted to be a historian
A way of working
A house for the mind
Milan’s Teatro Lirico reopens
Charles Baudelaire and modernity in Paris
Ateliers Jean Nouvel: Louvre Abu Dhabi
Baukontor Architekten: Office and shop building on Schiffbauplatz, Zurich
junya.ishigami + associates, Studio Maks: Vijversburg Park, The Netherlands
Danilo Parisio: House in Ostuni, Puglia
Michael Anastassiades: Designing is a kind of constant search
Christoph Mäckler’s Frankfurt
Elzeviro: Home and roots
Rassegna: Outdoor
En ligne : https://www.domusweb.it/en.html [n° ou bulletin] N°1018(2017:novembre) - 2017-11-01 [texte imprimé] . - 2017.
Langues : Italien (ita) Anglais (eng)
Catégories : Anastassiades, Michael (1967-....)
Architecture -- Etude et enseignement -- Etats-Unis
Architecture -- Pratique -- Milan (Italie)
Ars aevi
Baudelaire, Charles-Pierre (1821 - 1867)
CHIPPERFIELD, David (1953 - ....)
Composition (architecture)
Design -- Pratique -- Londres (GB) -- 21e siècle
Eames, Charles (1907-1978)
Eames, Ray (1912-1988)
Immeubles de bureaux -- Zurich (Suisse) -- 21e siècle -- Dessins et plans
Ishigami, Junya (1974-....)
Kounellis, Jannis (1936-2017)
Laan, Hans van der (1904-1991)
Louvre-Abu Dhabi -- Dessins et plans
Luminaires - Design
Mäckler, Christoph (1951-....)
Meubles -- Design -- Tolentino (Italie)
Meubles -- Fabrication -- Tolentino (Italie)
Musées (construction) -- Sarajevo (Bosnie-Herzégovine)
Musées (constructions) -- Abu Dhabi (Émirats arabes unis) -- 21e siècle
Muzej savremene umjetnosti (Sarajevo)
Nouvel, Jean (1945 - ....)
Opéras (constructions) -- Milan (Italie) -- Réfection
Parcs -- Pays-Bas -- Dessins et plans
Paris (France) -- 19e siècle
PIANO, Renzo (1937 - ....)
Poltrona Frau (Tolentino)
Ports -- Italie
Tarente (Italie)
Teatro alla Scala (Milan, Italie)
Urbanisme -- Francfort-sur-le-Main (Allemagne)
Villes disparues, en ruine, etc. -- Italie
Vitra internationalIndex. décimale : 7 Arts et Beaux-Arts Résumé : Domus 1018
Cover: graphic interpretation of the overall plan of the Louvre Abu Dhabi designed by Ateliers Jean Nouvel. Right: the project’s two constitutive elements, a dome with underlying pavilions. © Jean Nouvel Architecte
Note de contenu : The Eames’ wonder-filled workshop
The education of an architect in the United States and beyond
My Taranto: a critical walk
Ars Aevi: the weapon of culture
I wanted to be a historian
A way of working
A house for the mind
Milan’s Teatro Lirico reopens
Charles Baudelaire and modernity in Paris
Ateliers Jean Nouvel: Louvre Abu Dhabi
Baukontor Architekten: Office and shop building on Schiffbauplatz, Zurich
junya.ishigami + associates, Studio Maks: Vijversburg Park, The Netherlands
Danilo Parisio: House in Ostuni, Puglia
Michael Anastassiades: Designing is a kind of constant search
Christoph Mäckler’s Frankfurt
Elzeviro: Home and roots
Rassegna: Outdoor
En ligne : https://www.domusweb.it/en.html Réservation
Réserver ce document
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Code-barres Cote Support Localisation Section Disponibilité SL 21957 DOMUS Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
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Titre : N°1025(2018:juin) - 2018-06-01 - Fabrica Italia Type de document : texte imprimé Année de publication : 2018 Langues : Italien (ita) Anglais (eng) Catégories : Archéologie industrielle -- Italie
Architecture -- Dessins et plans
Architecture – Expositions -- Vicence (Italie) – 21e siècle
CHIPPERFIELD, David (1953 - ....)
CITTERIO, Antonio (1950 - ....)
Conditionnement -- Industrie et commerce -- Aspect de l’environnement -- Italie -- 21e siècle
Constructions industrielles -- Italie
Constructions métalliques – Turin (Italie) – 21e siècle
Cucinella, Mario (1960-....)
Design industriel -- Italie
Distilleries -- Italie -- 21e siècle
Fondations -- Italie -- Aspect économique -- 21e siècle
Fondazione Prada
Friches industrielles -- Italie
Garutti, Alberto (1948-....)
Giunta, Santo (1965-....)
Guidi, Guido (1940-....)
Installations (art) -- Favara (Sicile, Italie) -- 21e siècle
Latronico (Basilicate, Italie)
Matériaux - Innovations
Moulage par injection -- Italie -- 21e siècle
Nanotechnologie
Palais -- Palerme (Italie) -- 18e siècle -- Conservation et restauration
Paysage -- Italie -- Au cinéma
Peinture et décoration murales -- Favara (Sicile, Italie) -- 21e siècle
Photographie d'architecture -- Italie
Photographies de paysages -- Italie
PIANO, Renzo (1937 - ....)
Rogers, Richard (1933 - ....)
Scarpa, Afra (1937-....)
Scarpa, Tobia (1935-....)
Sculpture en plein air -- Caorle (Vénétie, Italie) -- 21e siècle
Sel -- Industrie et commerce -- Cagliari (Italie)
Sel -- Mines et extraction -- Cagliari (Italie)
Travail du bois -- Italie
Urbanisme -- Italie
Verre -- Industrie et commerce -- Italie -- 21e siècle
Viel, Patricia (1962-....)
Zucchi, Cino (1955-....)Index. décimale : 7 Arts et Beaux-Arts Résumé :
Domus June 2018 focuses on the best Italian factories and manufactures, and on their relationship with the territories where the work takes place. The editorial by Fulvio Irace.
Guido Guidi, David Chipperfield, Cino Zucchi, Mario Cucinella, OMA, B&B Italia, Panotec, Toscanini, Palazzo Butera
Note de contenu :
Domus 1025
Cover: Artwork by Mauro Bubbico
2017 © FAI – Fondo Ambiente Italiano
Landscape
Is it a factory?
Thanks to the FAI, the most enduring salt factory in Sardinia tells stories of landscapes and workers. Photos by Andrea Mariniello
Alberto Garutti, Ca’ Corniani project
Landscape
Alberto Garutti, Ca’ Corniani Project
Winner of the Avant-garde Land competition, Alberto Garutti has conceived three manifesto-works, in which art is at the service of the community and landscape. Text by Anna Detheridge
Guido Guidi
Landscape
Walking with Guido Guidi
Pesaro. The photographer interprets the landscape that stretches along the edges of a cycle-pedestrian path, which was recently donated to the Marches city by the IFI firm. Text by Lucia Miodini
Richard Parker è a Latronico (“Richard Parker is at Latronico”, 2009) by Giuseppe Teofilo, a series of warnings of the supposed escape of a dangerous tiger, troubling the apparent peace of the place
Landscape
The making of art
In over 10 years, artists working with the inhabitants have turned Latronico, a village in Basilicata into an outdoor museum of public art. Text by Pasquale Campanella
On of the “Seven Courtyards” space at Farm Cultural Park. Photo Sandro Scalia
Landscape
Favara Farm Cultural Park. A non-linear sequence
In Sicily, in the historic centre of Favara, a series of buildings and places become a cultural space uniting the past and contemporaneity. Text by Santo Giunta
The C&B factory (later B&B Italia) designed by Afra and Tobia Scarpa. Courtesy B&B Italia
Companies
Designer factories
In Novedrate, the B&B Italia campus combines top-quality architecture with top-quality production. A creative hub rooted in a territory of outstanding artisan skills.
Text by Maria Teresa Feraboli
Giorgetti factory. Photo Alberto Tagliabue
Companies
Well-tempered wood
In Meda, the Giorgetti firm, has been a network of design, professionalism and production for 120 years. With an archive containing artisan know-how and the foresight of perfect forms. Text by Cristiana Colli
David Chipperfield, set design at the Basilica Palladiana, Vicenza. Photo Mario Carrieri
Companies
David Chipperfield Architects Works 2018. Basilica Palladiana
Vicenza. A show of DCA’s recent projects and works in progress: an outstanding display attesting to the collaboration with Italian firms. Text by David Chipperfield
Panotec. Photo Filippo Romano
Factories
4.0 eco-packaging. Panotec
In the province of Treviso, a furnishing company with a 100-year history and its packaging supplier come together to create innovative machinery that eliminates cardboard waste. Photos by Filippo Romano
Arpa Industriale. Photo Filippo Romano
Factories
Discovering the Phoenix bird. Arpa Industriale
Manufactured using nanotechnology and new-generation acrylic resins, Fenix NTM® is a material that will revolutionise interior design. Photos by Filippo Romano
Factories
A hanger under the suit
The fourth generation of a family firm in the province of Vercelli has developed a standard modern archetype in 4000+ permutations to indulge the very contemporary need of personalisation
Immagine Archivio ASG Superconductors
Factories
The ITER of superconductors. ASG
In the port of La Spezia, today the world’s most sophisticated superconducting magnet are being produced. An Italian excellence, thanks to a long tradition of research and the skills developed with CERN in Geneva
Vetri Speciali. Photo D’Orsi Studio
Factories
Of water and fire. Vetri Speciali
The process of reindustrialising the ex-Whirlpool factory has launched the company
into the realm of state-of-the-art technology, earning it the nickname of the “Ferrari of glassware”
Tech-Pol. Photo Studio Zagnoli and Studio PDP
Factories
Smart tear. Tech-pol
In the province of Ancona, a family-run firm supplies injection moulding for leading global players in the automotive sector, using a technology called “metal replacement”
Distilleria Varnelli. Image courtesy of Distilleria Varnelli
Factories
The spirit of the Marches
After four generations and 150 years of history since its foundation, the first distillery of the Marches region is a global success
Gothic Hall, Palazzo Butera, Palermo. Photo Sandro Scalia
Foundations
Art Rooms
Palermo. In 2016 Massimo and Francesca Valsecchi acquired Palazzo Butera. They commissioned an architectural and museographic project that will open the historic building to the public. Text by Anne and Patrick Poirier
Cino Zucchi Architetti, Lavazza Headquarters, Turin. Photo Andrea Martiradonna
Foundations
Cino Zucchi Architetti, Urban cloud
Turin. With an extensive architectural development as the pivot of redevelopment of the Aurora district, the Lavazza company has created an advanced project of spaces for cultural and social life. Text by Laura Milan
Mario Cucinella Architects, Golinelli “Arts and Sciences” Centre, Bologna, 2017. Photo Moreno Maggi
Foundations
Mario Cucinella Architects. An art incubator
Bologna. The pavilion of the “Arts and Sciences” centre completes the Golinelli Foundation: a flexible space for exhibitions and events. Text by Matteo Agnoletto
OMA, Prada Foundation, Milan, 2018. Photo Filippo Romano
Foundations
Prada and the city
On the outskirts of Milan, the Prada Foundation’s Torre is the landmark of the future city. Text by Ada Masoero
I cormorani by Fabio Bobbio. © Strani Film
Film Set Italy
Between industry and imaginary: the cinema recounts Italian landscapes. Text by Eleonora Mastropietro
View of Italy, in La geografia a colpo d’occhio: ossia primarie nozioni di geografia storica e statistica, esposta in 16 tavole, plate. XVI, F. Corbetta editore e litografo, Milan s.d. [1853]. Boston Public Library, Norman B. Leventhal Map Collection
Post Scriptum
“Before any work or any capital, when things are still neglected and unknown within nature, it is intelligence which starts the job, and gives them the seal of wealth for the first time. […]”En ligne : https://www.domusweb.it/en/issues/2018/1025.html [n° ou bulletin] N°1025(2018:juin) - 2018-06-01 - Fabrica Italia [texte imprimé] . - 2018.
Langues : Italien (ita) Anglais (eng)
Catégories : Archéologie industrielle -- Italie
Architecture -- Dessins et plans
Architecture – Expositions -- Vicence (Italie) – 21e siècle
CHIPPERFIELD, David (1953 - ....)
CITTERIO, Antonio (1950 - ....)
Conditionnement -- Industrie et commerce -- Aspect de l’environnement -- Italie -- 21e siècle
Constructions industrielles -- Italie
Constructions métalliques – Turin (Italie) – 21e siècle
Cucinella, Mario (1960-....)
Design industriel -- Italie
Distilleries -- Italie -- 21e siècle
Fondations -- Italie -- Aspect économique -- 21e siècle
Fondazione Prada
Friches industrielles -- Italie
Garutti, Alberto (1948-....)
Giunta, Santo (1965-....)
Guidi, Guido (1940-....)
Installations (art) -- Favara (Sicile, Italie) -- 21e siècle
Latronico (Basilicate, Italie)
Matériaux - Innovations
Moulage par injection -- Italie -- 21e siècle
Nanotechnologie
Palais -- Palerme (Italie) -- 18e siècle -- Conservation et restauration
Paysage -- Italie -- Au cinéma
Peinture et décoration murales -- Favara (Sicile, Italie) -- 21e siècle
Photographie d'architecture -- Italie
Photographies de paysages -- Italie
PIANO, Renzo (1937 - ....)
Rogers, Richard (1933 - ....)
Scarpa, Afra (1937-....)
Scarpa, Tobia (1935-....)
Sculpture en plein air -- Caorle (Vénétie, Italie) -- 21e siècle
Sel -- Industrie et commerce -- Cagliari (Italie)
Sel -- Mines et extraction -- Cagliari (Italie)
Travail du bois -- Italie
Urbanisme -- Italie
Verre -- Industrie et commerce -- Italie -- 21e siècle
Viel, Patricia (1962-....)
Zucchi, Cino (1955-....)Index. décimale : 7 Arts et Beaux-Arts Résumé :
Domus June 2018 focuses on the best Italian factories and manufactures, and on their relationship with the territories where the work takes place. The editorial by Fulvio Irace.
Guido Guidi, David Chipperfield, Cino Zucchi, Mario Cucinella, OMA, B&B Italia, Panotec, Toscanini, Palazzo Butera
Note de contenu :
Domus 1025
Cover: Artwork by Mauro Bubbico
2017 © FAI – Fondo Ambiente Italiano
Landscape
Is it a factory?
Thanks to the FAI, the most enduring salt factory in Sardinia tells stories of landscapes and workers. Photos by Andrea Mariniello
Alberto Garutti, Ca’ Corniani project
Landscape
Alberto Garutti, Ca’ Corniani Project
Winner of the Avant-garde Land competition, Alberto Garutti has conceived three manifesto-works, in which art is at the service of the community and landscape. Text by Anna Detheridge
Guido Guidi
Landscape
Walking with Guido Guidi
Pesaro. The photographer interprets the landscape that stretches along the edges of a cycle-pedestrian path, which was recently donated to the Marches city by the IFI firm. Text by Lucia Miodini
Richard Parker è a Latronico (“Richard Parker is at Latronico”, 2009) by Giuseppe Teofilo, a series of warnings of the supposed escape of a dangerous tiger, troubling the apparent peace of the place
Landscape
The making of art
In over 10 years, artists working with the inhabitants have turned Latronico, a village in Basilicata into an outdoor museum of public art. Text by Pasquale Campanella
On of the “Seven Courtyards” space at Farm Cultural Park. Photo Sandro Scalia
Landscape
Favara Farm Cultural Park. A non-linear sequence
In Sicily, in the historic centre of Favara, a series of buildings and places become a cultural space uniting the past and contemporaneity. Text by Santo Giunta
The C&B factory (later B&B Italia) designed by Afra and Tobia Scarpa. Courtesy B&B Italia
Companies
Designer factories
In Novedrate, the B&B Italia campus combines top-quality architecture with top-quality production. A creative hub rooted in a territory of outstanding artisan skills.
Text by Maria Teresa Feraboli
Giorgetti factory. Photo Alberto Tagliabue
Companies
Well-tempered wood
In Meda, the Giorgetti firm, has been a network of design, professionalism and production for 120 years. With an archive containing artisan know-how and the foresight of perfect forms. Text by Cristiana Colli
David Chipperfield, set design at the Basilica Palladiana, Vicenza. Photo Mario Carrieri
Companies
David Chipperfield Architects Works 2018. Basilica Palladiana
Vicenza. A show of DCA’s recent projects and works in progress: an outstanding display attesting to the collaboration with Italian firms. Text by David Chipperfield
Panotec. Photo Filippo Romano
Factories
4.0 eco-packaging. Panotec
In the province of Treviso, a furnishing company with a 100-year history and its packaging supplier come together to create innovative machinery that eliminates cardboard waste. Photos by Filippo Romano
Arpa Industriale. Photo Filippo Romano
Factories
Discovering the Phoenix bird. Arpa Industriale
Manufactured using nanotechnology and new-generation acrylic resins, Fenix NTM® is a material that will revolutionise interior design. Photos by Filippo Romano
Factories
A hanger under the suit
The fourth generation of a family firm in the province of Vercelli has developed a standard modern archetype in 4000+ permutations to indulge the very contemporary need of personalisation
Immagine Archivio ASG Superconductors
Factories
The ITER of superconductors. ASG
In the port of La Spezia, today the world’s most sophisticated superconducting magnet are being produced. An Italian excellence, thanks to a long tradition of research and the skills developed with CERN in Geneva
Vetri Speciali. Photo D’Orsi Studio
Factories
Of water and fire. Vetri Speciali
The process of reindustrialising the ex-Whirlpool factory has launched the company
into the realm of state-of-the-art technology, earning it the nickname of the “Ferrari of glassware”
Tech-Pol. Photo Studio Zagnoli and Studio PDP
Factories
Smart tear. Tech-pol
In the province of Ancona, a family-run firm supplies injection moulding for leading global players in the automotive sector, using a technology called “metal replacement”
Distilleria Varnelli. Image courtesy of Distilleria Varnelli
Factories
The spirit of the Marches
After four generations and 150 years of history since its foundation, the first distillery of the Marches region is a global success
Gothic Hall, Palazzo Butera, Palermo. Photo Sandro Scalia
Foundations
Art Rooms
Palermo. In 2016 Massimo and Francesca Valsecchi acquired Palazzo Butera. They commissioned an architectural and museographic project that will open the historic building to the public. Text by Anne and Patrick Poirier
Cino Zucchi Architetti, Lavazza Headquarters, Turin. Photo Andrea Martiradonna
Foundations
Cino Zucchi Architetti, Urban cloud
Turin. With an extensive architectural development as the pivot of redevelopment of the Aurora district, the Lavazza company has created an advanced project of spaces for cultural and social life. Text by Laura Milan
Mario Cucinella Architects, Golinelli “Arts and Sciences” Centre, Bologna, 2017. Photo Moreno Maggi
Foundations
Mario Cucinella Architects. An art incubator
Bologna. The pavilion of the “Arts and Sciences” centre completes the Golinelli Foundation: a flexible space for exhibitions and events. Text by Matteo Agnoletto
OMA, Prada Foundation, Milan, 2018. Photo Filippo Romano
Foundations
Prada and the city
On the outskirts of Milan, the Prada Foundation’s Torre is the landmark of the future city. Text by Ada Masoero
I cormorani by Fabio Bobbio. © Strani Film
Film Set Italy
Between industry and imaginary: the cinema recounts Italian landscapes. Text by Eleonora Mastropietro
View of Italy, in La geografia a colpo d’occhio: ossia primarie nozioni di geografia storica e statistica, esposta in 16 tavole, plate. XVI, F. Corbetta editore e litografo, Milan s.d. [1853]. Boston Public Library, Norman B. Leventhal Map Collection
Post Scriptum
“Before any work or any capital, when things are still neglected and unknown within nature, it is intelligence which starts the job, and gives them the seal of wealth for the first time. […]”En ligne : https://www.domusweb.it/en/issues/2018/1025.html Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 22580 DOMUS Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
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Titre : N°1027(2018:septembre) - 2018-09-01 - Hybrid Type de document : texte imprimé Année de publication : 2018 Langues : Italien (ita) Anglais (eng) Catégories : Architecture -- 21e siècle -- Aspect social
Architecture -- Dessins et plans
Architecture et arts
Architecture et sciences
Art -- Philosophie
Art et design
Ateliers d'artiste
Bibliothèques (constructions) -- Inde -- 21e siècle
Centres d'art -- Moscou (Russie) -- 21e siècle
Chalets -- Grisons (Suisse) -- 21e siècle
Coccia, Emanuele
Construction en bois -- Grisons (Suisse) -- 21e siècle
Constructions en bois -- Grisons (Suisse) -- 21e siècle
Design durable -- 21e siècle
Design industriel -- Innovations technologiques
Designers -- 21e siècle
Évolution (philosophie)
Fassbinder, Rainer Werner (1945-1982). Welt am Draht (film)
Fukasawa, Naoto (1956-....)
Holl, Steven (1947-....)
Hybridation
Luminaires - Design
Matériaux - Innovations
Matériaux -- Design
MAURER, Ingo (1932 - ....)
Musique et architecture
Natalini, Adolfo (1941-....)
Parcs -- Milan (Italie) -- 21e siècle
Peinture à l'aquarelle
PIANO, Renzo (1937 - ....)
Urbanisme durable.
Yokohama international port terminal -- Dessins et plansIndex. décimale : 7 Arts et Beaux-Arts Résumé : Caruso St John, Naoto Fukasawa, Sameep Padora, Renzo Piano, Steven Holl, Olafur Eliasson, Ingo Maurer, Martin Huberman, Attilio Stocchi, Studio Swine Note de contenu : Domus 1027
Cover illustration: The Blue Chemist
Archeology. Detail of the map by al-Idrisi, held in the Bodleian Libraries in Oxford
Archaeology
Penetrating horizons and imagining worlds
“To put a city in a book,to put the world on one sheet of paper – maps are the most condensed humanised spaces of all...” Robert Harbison, Eccentric Spaces, 1997. Presented by Adam Lowe & Charlotte Skene Catling
Portfolio. Adolfo Natalini, watercolour for Muzenplein – De Resident, The Hague, the Netherlands, September 2000. 70 x 50 cm
Portfolio
Adolfo Natalini, Dutch allegories
“I wanted to be a painter, but then I became an avant-garde architect with Superstudio. Later, I tried to make buildings, more down to earth, in Italy, Germany and the Netherland.”
Anthropology. Aros, by the Palma studio, is one of the winning projects of the Urban Toys contest (2018)
Anthropology
What is a city for?
The think tank called Laboratorio para la Ciudad in Mexico City explores new participatory ways of inhabiting urban spaces. Text Gabriella Gómez-Mont
Studio Visit. kLo Kwangho Lee. Photo Andrea Caputo
Studio visit
kLo – Kwangho Lee
Kwangho Lee has a small but totalitarian workspace in Seoul where he designs, assembles, experiments and produces, exploring new mono-material furnishing types. Presented by Andrea Caputo
Institution. View of the display design for the exhibition “Sol Calero. Tente en el aire”, Kunsthalle Lissabon, Lisbon
Institution
A hybrid institution
Can an art institution suggests alternatives to both gentrification and a country’s focus on financial assets? Presented by Paola Nicolin
Archive. Foreign Office Architects, Details of ramp 07 for Yokohama International Port Terminal, March 2000. Diazotype
Economy
The radical dissemination of the gift
The future of a hyper-connected global society is only conceivable in the perspective of the gift, which establishes a circuit of networks in which to give without the limits of reciprocity. Text by Ivo Stefano Germano
Archive. Foreign Office Architects, Details of ramp 07 for Yokohama International Port Terminal, March 2000. Diazotype
Archive
Hybridisation
Tales of formal and technological singularity: the Yokohama International Port Terminal by Foreign Office Architects Presented by the Canadian Centre for Architecture
Cara Domus. Emilio Mossa
Cara Domus
Emilio Mossa
Dear Michele, through Domus you are accustoming us to considering objects for their symbolic meaning, objects which awakens and influences our architectural imagination.
Essay. Maria Sibylla Merian, Metamorphosis Insectorum Surinamensium ofte Verandering der Surinaamsche insecten, Amsterdam
Essay
Emanuele Coccia: The world as a permanent migration
We are not only human, since our genetic code is the trace of all the forms of life that we have passed through in history before becoming human
Contamination. Edoardo Tresoldi, Etherea, 2018. Photo Roberto Conte
Contamination
Michele De Lucchi, Hybridisation
In nature, the constant process of osmosis ensures everything is subjected to hybridisation, which generates life and development
Architecture. Caruso St John Architects, House in the mountains, Tschiertschen, Switzerland, 2017. Photo Hélène Binet
Architecture
Caruso St John Architects, House in the mountains, Tschiertschen, Switzerland
With their well-known discretion, the two British architects have adopted a contemporary style to reinterpret the essence of the Swiss chalet’s traditional iconography. Text Rowan Moore, photos Hélène Binet
Architecture. Naoto Fukasawa, Issey Miyake Kyoto, Japan, 2018. Photo Masaya Yoshimura, © Isley Miyake Inc.
Architecture
Naoto Fukasawa, Issey Miyake Kyoto, Japan
A combined shop and gallery, Issey Miyake’s new space is a hybrid that blends old and new, modern demands and the tradition of machiya. Text by Naoto Fukasawa
Architecture. Sameep Padora and Associates, Sharda school library,Kopergaon, Maharashtra, India, 2018. Photo Edmund Sumner
Architecture
Sameep Padora and Associates,Sharda school library, Kopergaon, India
In a striking landscape overlooked by a dramatic forest of electricity pylons, an example of structural brilliance offers the school’s students a new experience of space. Text by Mustansir Dalvi, photos by Edmund Sumner
Architecture. Renzo Piano Building Workshop, GES-2, V-A-C Foundation, Moscow, sketch
Architecture
Renzo Piano Building Workshop, GES-2, V-A-C Foundation, Moscow
The institution devoted to contemporary Russian art has commissioned the Renzo Piano Building Workshop to convert a two-hectare urban site into a cultural centre
For and against. Steven Holl, Reciprocal Relation – New York City / Milan, 1986. Project for Porta Vittoria, Milan, Italy. Watercolor and pencil on paper, 12,7 x 17,7 cm
For and against
Steven Holl, Let’s start from music
Architecture, like music, surrounds and engulfs us: it’s an immersive, engrossing experience. A conversation between Steven Holl and Michele De Lucchi
Design and art. Olafur Eliasson’s studio in Berlin, photographed by Armin Linke, 2018
Design. Art
Olafur Eliasson. Green means: “Go for your life”
Olafur Eliasson in conversation with Patrizia Moroso. Presented by Paola Nicolin, photos Armin Linke
Design. Ingo Maurer, Broken Egg auditorium at the Inhotim park, Brazil
Design
Into Maurer: Design is for storytelling
Every project conceals a tension between extraordinary and ordinary, daily life and theatre. A conversation between Ingo Maurer and Michele De Lucchi
Design. Martin Huberman, Bancada Prototipo in the Los Andes Park in Buenos Aires, 2013
Design
Martin Huberman, profession: designer, militant and activist
Martin Huberman displays traits of an activist and professional militant. He constantly attempts to build bridges to connect ideas, participants and viewers. Text Maria Sanchez
Art and Design. Attilio Stocchi, the wooden model of the new hill of Hermes superimposed on the map of the canals of Mars (1888)
Architecture. Landscape
Attilio Stocchi: Greenhouse fragments
The Hill of Hermes, a wing-shaped garden, is a project with mythological and astronomical allusions that restores to Milan the green spaces of the renewed Palazzo Citterio, the last phase of the Grande Brera project
Studio Swine. Azusa Murakami and Alexander Groves inside Infinity Blue, during the assembly phase. Photo Alexander Coggin
Art. Design
Studio Swine: A primordial pre-human earth
Infinity Blue, the biggest ceramic sculpture ever made, is devoted to the cyanobacteria that, 3 billion years ago, formed our planets breathable atmosphere and paved the way for the evolution of complex life forms. Text Studio Swine, photos Petr Krejčí
Best of. Herb Greene, Prairie House. Photo courtesy of OU School of Architecture
Best of
Hybridisation
“A cyborg is a cybernetic organism, a hybrid of machine and organism, a creature of social reality as well as a creature of fiction. Social reality is lived social relations, our most important political construction, a world-changing fiction.” Donna J. Haraway, A Cyborg Manifesto, Routledge, London 1991
Cinema. A scene from Rainer Werner Fassbinder’s science-fiction film World on a Wire, 1973
Cinema
Mixing the virtual and the real, reality and fiction, the need for rules and fertilisation
Fassbinder’s film World on a Wire contains the hybrid, fertile and perverse concept that order is a required condition of evolution. Presented by Piero Golia
On the Couch. Corrado Passera
On the couch
Interview (over an informal lunch) with Corrado Passera. Among the topics
on the table, the hybridisation of knowledge and the economy, hence of society. Presented by Walter Mariotti
Meteorology. Solar stimulation is perceived in humans, animals and plants in different wavelengths
Meteorology
Why architecture now plays its part in the natural sciences
Once abstract and inorganic, in recent decades light has gained biological and medical implications, prompting a rethink of its design by architects and urban planners. Presented by Philippe Rahm
Travel. Cinemas that have now been closed along Lalehzar, once a luxury shopping street modelled after the Champs- Élysées in Paris with 16 cinemas and 6 theatres, commissioned in 1980 by Nasser al-Din Shah Qajar. Photo Giovanna Silva
Travel
Tehran behind the screen
Confiscated or tangled in legal disputes, the old cinemas and theatres of Iran’s capital risk disappearing or being turned into museums. Text Mahan Moalemi, photos Giovanna Silva
Rassegna. Materials tinkering with micelio, Master thesis in Product Design by S. Parisi, 2015
Rassegna
The sensory dimension of materials
The transmutation of the characteristics and properties of one material to another is one of the most fertile aspects of contemporaneity. But what do materials communicate about their nature? We asked Valentina Rognoli who has been addressing this theme for some years. Edited by Giulia Guzzini
Auction Piero Fornasetti, La Stanza Metafisica, 1958. Images courtesy of Phillips
Auction
La Stanza Metafisica sums up the thought of Piero Fornasetti (1913-1988), a prolific painter and illustrator, and his passion for the potential of screens and theatre sets in the organisation of interiors.En ligne : https://www.domusweb.it/en/issues.html [n° ou bulletin] N°1027(2018:septembre) - 2018-09-01 - Hybrid [texte imprimé] . - 2018.
Langues : Italien (ita) Anglais (eng)
Catégories : Architecture -- 21e siècle -- Aspect social
Architecture -- Dessins et plans
Architecture et arts
Architecture et sciences
Art -- Philosophie
Art et design
Ateliers d'artiste
Bibliothèques (constructions) -- Inde -- 21e siècle
Centres d'art -- Moscou (Russie) -- 21e siècle
Chalets -- Grisons (Suisse) -- 21e siècle
Coccia, Emanuele
Construction en bois -- Grisons (Suisse) -- 21e siècle
Constructions en bois -- Grisons (Suisse) -- 21e siècle
Design durable -- 21e siècle
Design industriel -- Innovations technologiques
Designers -- 21e siècle
Évolution (philosophie)
Fassbinder, Rainer Werner (1945-1982). Welt am Draht (film)
Fukasawa, Naoto (1956-....)
Holl, Steven (1947-....)
Hybridation
Luminaires - Design
Matériaux - Innovations
Matériaux -- Design
MAURER, Ingo (1932 - ....)
Musique et architecture
Natalini, Adolfo (1941-....)
Parcs -- Milan (Italie) -- 21e siècle
Peinture à l'aquarelle
PIANO, Renzo (1937 - ....)
Urbanisme durable.
Yokohama international port terminal -- Dessins et plansIndex. décimale : 7 Arts et Beaux-Arts Résumé : Caruso St John, Naoto Fukasawa, Sameep Padora, Renzo Piano, Steven Holl, Olafur Eliasson, Ingo Maurer, Martin Huberman, Attilio Stocchi, Studio Swine Note de contenu : Domus 1027
Cover illustration: The Blue Chemist
Archeology. Detail of the map by al-Idrisi, held in the Bodleian Libraries in Oxford
Archaeology
Penetrating horizons and imagining worlds
“To put a city in a book,to put the world on one sheet of paper – maps are the most condensed humanised spaces of all...” Robert Harbison, Eccentric Spaces, 1997. Presented by Adam Lowe & Charlotte Skene Catling
Portfolio. Adolfo Natalini, watercolour for Muzenplein – De Resident, The Hague, the Netherlands, September 2000. 70 x 50 cm
Portfolio
Adolfo Natalini, Dutch allegories
“I wanted to be a painter, but then I became an avant-garde architect with Superstudio. Later, I tried to make buildings, more down to earth, in Italy, Germany and the Netherland.”
Anthropology. Aros, by the Palma studio, is one of the winning projects of the Urban Toys contest (2018)
Anthropology
What is a city for?
The think tank called Laboratorio para la Ciudad in Mexico City explores new participatory ways of inhabiting urban spaces. Text Gabriella Gómez-Mont
Studio Visit. kLo Kwangho Lee. Photo Andrea Caputo
Studio visit
kLo – Kwangho Lee
Kwangho Lee has a small but totalitarian workspace in Seoul where he designs, assembles, experiments and produces, exploring new mono-material furnishing types. Presented by Andrea Caputo
Institution. View of the display design for the exhibition “Sol Calero. Tente en el aire”, Kunsthalle Lissabon, Lisbon
Institution
A hybrid institution
Can an art institution suggests alternatives to both gentrification and a country’s focus on financial assets? Presented by Paola Nicolin
Archive. Foreign Office Architects, Details of ramp 07 for Yokohama International Port Terminal, March 2000. Diazotype
Economy
The radical dissemination of the gift
The future of a hyper-connected global society is only conceivable in the perspective of the gift, which establishes a circuit of networks in which to give without the limits of reciprocity. Text by Ivo Stefano Germano
Archive. Foreign Office Architects, Details of ramp 07 for Yokohama International Port Terminal, March 2000. Diazotype
Archive
Hybridisation
Tales of formal and technological singularity: the Yokohama International Port Terminal by Foreign Office Architects Presented by the Canadian Centre for Architecture
Cara Domus. Emilio Mossa
Cara Domus
Emilio Mossa
Dear Michele, through Domus you are accustoming us to considering objects for their symbolic meaning, objects which awakens and influences our architectural imagination.
Essay. Maria Sibylla Merian, Metamorphosis Insectorum Surinamensium ofte Verandering der Surinaamsche insecten, Amsterdam
Essay
Emanuele Coccia: The world as a permanent migration
We are not only human, since our genetic code is the trace of all the forms of life that we have passed through in history before becoming human
Contamination. Edoardo Tresoldi, Etherea, 2018. Photo Roberto Conte
Contamination
Michele De Lucchi, Hybridisation
In nature, the constant process of osmosis ensures everything is subjected to hybridisation, which generates life and development
Architecture. Caruso St John Architects, House in the mountains, Tschiertschen, Switzerland, 2017. Photo Hélène Binet
Architecture
Caruso St John Architects, House in the mountains, Tschiertschen, Switzerland
With their well-known discretion, the two British architects have adopted a contemporary style to reinterpret the essence of the Swiss chalet’s traditional iconography. Text Rowan Moore, photos Hélène Binet
Architecture. Naoto Fukasawa, Issey Miyake Kyoto, Japan, 2018. Photo Masaya Yoshimura, © Isley Miyake Inc.
Architecture
Naoto Fukasawa, Issey Miyake Kyoto, Japan
A combined shop and gallery, Issey Miyake’s new space is a hybrid that blends old and new, modern demands and the tradition of machiya. Text by Naoto Fukasawa
Architecture. Sameep Padora and Associates, Sharda school library,Kopergaon, Maharashtra, India, 2018. Photo Edmund Sumner
Architecture
Sameep Padora and Associates,Sharda school library, Kopergaon, India
In a striking landscape overlooked by a dramatic forest of electricity pylons, an example of structural brilliance offers the school’s students a new experience of space. Text by Mustansir Dalvi, photos by Edmund Sumner
Architecture. Renzo Piano Building Workshop, GES-2, V-A-C Foundation, Moscow, sketch
Architecture
Renzo Piano Building Workshop, GES-2, V-A-C Foundation, Moscow
The institution devoted to contemporary Russian art has commissioned the Renzo Piano Building Workshop to convert a two-hectare urban site into a cultural centre
For and against. Steven Holl, Reciprocal Relation – New York City / Milan, 1986. Project for Porta Vittoria, Milan, Italy. Watercolor and pencil on paper, 12,7 x 17,7 cm
For and against
Steven Holl, Let’s start from music
Architecture, like music, surrounds and engulfs us: it’s an immersive, engrossing experience. A conversation between Steven Holl and Michele De Lucchi
Design and art. Olafur Eliasson’s studio in Berlin, photographed by Armin Linke, 2018
Design. Art
Olafur Eliasson. Green means: “Go for your life”
Olafur Eliasson in conversation with Patrizia Moroso. Presented by Paola Nicolin, photos Armin Linke
Design. Ingo Maurer, Broken Egg auditorium at the Inhotim park, Brazil
Design
Into Maurer: Design is for storytelling
Every project conceals a tension between extraordinary and ordinary, daily life and theatre. A conversation between Ingo Maurer and Michele De Lucchi
Design. Martin Huberman, Bancada Prototipo in the Los Andes Park in Buenos Aires, 2013
Design
Martin Huberman, profession: designer, militant and activist
Martin Huberman displays traits of an activist and professional militant. He constantly attempts to build bridges to connect ideas, participants and viewers. Text Maria Sanchez
Art and Design. Attilio Stocchi, the wooden model of the new hill of Hermes superimposed on the map of the canals of Mars (1888)
Architecture. Landscape
Attilio Stocchi: Greenhouse fragments
The Hill of Hermes, a wing-shaped garden, is a project with mythological and astronomical allusions that restores to Milan the green spaces of the renewed Palazzo Citterio, the last phase of the Grande Brera project
Studio Swine. Azusa Murakami and Alexander Groves inside Infinity Blue, during the assembly phase. Photo Alexander Coggin
Art. Design
Studio Swine: A primordial pre-human earth
Infinity Blue, the biggest ceramic sculpture ever made, is devoted to the cyanobacteria that, 3 billion years ago, formed our planets breathable atmosphere and paved the way for the evolution of complex life forms. Text Studio Swine, photos Petr Krejčí
Best of. Herb Greene, Prairie House. Photo courtesy of OU School of Architecture
Best of
Hybridisation
“A cyborg is a cybernetic organism, a hybrid of machine and organism, a creature of social reality as well as a creature of fiction. Social reality is lived social relations, our most important political construction, a world-changing fiction.” Donna J. Haraway, A Cyborg Manifesto, Routledge, London 1991
Cinema. A scene from Rainer Werner Fassbinder’s science-fiction film World on a Wire, 1973
Cinema
Mixing the virtual and the real, reality and fiction, the need for rules and fertilisation
Fassbinder’s film World on a Wire contains the hybrid, fertile and perverse concept that order is a required condition of evolution. Presented by Piero Golia
On the Couch. Corrado Passera
On the couch
Interview (over an informal lunch) with Corrado Passera. Among the topics
on the table, the hybridisation of knowledge and the economy, hence of society. Presented by Walter Mariotti
Meteorology. Solar stimulation is perceived in humans, animals and plants in different wavelengths
Meteorology
Why architecture now plays its part in the natural sciences
Once abstract and inorganic, in recent decades light has gained biological and medical implications, prompting a rethink of its design by architects and urban planners. Presented by Philippe Rahm
Travel. Cinemas that have now been closed along Lalehzar, once a luxury shopping street modelled after the Champs- Élysées in Paris with 16 cinemas and 6 theatres, commissioned in 1980 by Nasser al-Din Shah Qajar. Photo Giovanna Silva
Travel
Tehran behind the screen
Confiscated or tangled in legal disputes, the old cinemas and theatres of Iran’s capital risk disappearing or being turned into museums. Text Mahan Moalemi, photos Giovanna Silva
Rassegna. Materials tinkering with micelio, Master thesis in Product Design by S. Parisi, 2015
Rassegna
The sensory dimension of materials
The transmutation of the characteristics and properties of one material to another is one of the most fertile aspects of contemporaneity. But what do materials communicate about their nature? We asked Valentina Rognoli who has been addressing this theme for some years. Edited by Giulia Guzzini
Auction Piero Fornasetti, La Stanza Metafisica, 1958. Images courtesy of Phillips
Auction
La Stanza Metafisica sums up the thought of Piero Fornasetti (1913-1988), a prolific painter and illustrator, and his passion for the potential of screens and theatre sets in the organisation of interiors.En ligne : https://www.domusweb.it/en/issues.html SupplémentsRéservation
Réserver ce document
Exemplaires (1)
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