N°1023(2018:aprile) - 2018-04-01 - Silence (Bulletin de Domus)  

Public ISBD [n° ou bulletin]  est un bulletin de Domus Titre : N°1023(2018:aprile) - 2018-04-01 - Silence Type de document : texte imprimé Année de publication : 2018 Langues : Italien (ita) Anglais (eng) Catégories : Agences d'architecture -- Gérone (Espagne) Andō, Tadao (1941-....) Anechoic chambers Architecture -- Philosophie Art contemporain -- Fondations -- Paris (France) Burley, Robert (1957-....) Caimi Brevetti (Firm) Cooper-Hewitt national design museum (New York, N.Y.) Friedman, Yona (1923-....) Iacchetti, Giulio (1966-....) KOOLHAAS, Rem (1944 - ....) Laan, Hans van der (1904-1991) Mancuso, Vito (1962-....) Miyake, Issey (1938 - ...) Os -- Dans l'art -- Italie -- 21e siècle Parcs -- États-Unis -- Photographies Pawson, John (1949-....) Pharaons -- Tombes RCR arquitectes Rojkind Halpert, Michel (1969-....) Sculpture sur bois -- Italie -- 21e siècle Silence (philosophie) Silvestrin, Claudio (1954-....) SIZA, Alvaro (1933 - ....) Urbanisme -- Philosophie Van Duysen, Vincent (1962-....) Vascellari, Nico (1976-....) Zonta, Emmanuel (1988-....) Index. décimale : 7 Arts et Beaux-Arts Résumé : Álvaro Siza, Tadao Ando, Michel Rojkind, Focus: Minimalism, Issey Miyake, Nico Vascellari/TarekAtoui In Domus April 2018 issue, director Michele De Lucchi writes about silence and of the potential of objects to communicate. Note de contenu : Domus 1023 Cover illustration: The Blue Chemist Working on a facsimile of the Hall of Beauties in the Factum Arte workshop. Photo © Oak Taylor-Smith Archaeology. Meditation over time Silence and eternity. “The rest is silence.” Hamlet’s last words. William Shakespeare, Hamlet, Act 5, Scene 2. Edited by Adam Lowe & Charlotte Skene Catling Giulio Iacchetti and Emmanuel Zonta. Ossi/Ossimori. Probably an ulna, ebony wood, 34.5x5.5x4.5 cm Portfolio Giulio Iacchetti and Emmanuel Zonta, Ossi/Ossimori. This Portfolio features a project that will be on display at the Galleria Luisa Delle Piane in Milan for the Fuorisalone 2018. St Romuald’s cell at Camaldoli, in the province of Arezzo. © 2018. Foto Scala, Firenze Anthropology. Objects & Beheaviour The silence of our gods. Silence is not only a passive condition but a creative opportunity to construct our space,our representations and ourselves. Text by Francesca Sbardella Studio visit RCR Arquitectes. RCR is a tripartite microcosm featuring offices for designing; a foundation for recording; and a “Lab” combining nature and dreams. Edited by Andrea Caputo OMA – Rem Koolhaas, Lafayette Anticipations. Fondation d’entreprise Galerie Lafayette, Paris France, 2018. © Delfino Sisto Legnani e Marco Cappelletti Institution And yet it moves. Lafayette Anticipations is a new exhibition machine designed by Rem Koolhaas and OMA in the heart of Paris. Edited by Paola Nicolin Robert Burley, Playing field of Riverdale Park next to Don Valley Parkway, Toronto, Ontario 1984. Chromogenic colour print 38.0x48.1 cm. Canadian Centre for Architecture © Robert Burley Archive Silence in the city. Robert Burley’s photographs describe the ambiguous condition of parks when overlooked by other urban infrastructures. Edited by the Canadian Centre for Architecture Cara Domus. Rui Agnelo Dear Domus This page features readers’ thoughts, ideas, criticism and opinions. Send us your letters, drawings and photos by mail or email. Write to us! Architecture Álvaro Siza, Anastasis church, Saint-Jacques-de-la-Lande, France. A closed solid, composed of perfectly orthogonal elements, encloses an interior of slabs, planes and volumes that break up the light shed from above. Photos by Duccio Malagamba Tadao Ando, Church in Hiroo, Tokyo, Japan, 2014. Photos by Shigeo Ogawa Architecture Tadao Ando, Church in Hiroo, Tokyo. Ando exacerbates the perspective with converging walls to focus the attention on the Christian symbol. Floors and ceilings treated with a glossy finish reflect the light in a beam that continues in space. Photos by Shigeo Ogawa Hans van der Laan, St. Benedictusberg Abbey, Vaals, The Netherlands, 1986. Photo Frans de la Cousine Focus: Minimalism Formal purity, conceptual abstraction, material naturalness and chromatic reduction are combined in rigorously austere spaces Hans van der Laan, St. Benedictusberg Abbey, Vaals, The Netherlands, 1986. Photo Frans de la Cousine Focus: Minimalism Hans van der Laan, St. Benedictusberg Abbey, Vaals, The Netherlands. Dom Hans Van der Laan was a monk who anticipated the sensitivity of the Minimalist culture in his contemporary religious-building designs. Photos Frans de la Cousine Focus: Minimalism John Pawson, Abbey of Our Lady, Nový Dvůr, Czech Republic. John Pawson’s work rigorously visits the fundamentals of architecture to generate simple and modest expressions. Photos Hisao Suzuki Claudio Silvestrin Architects, Rocca Sinibalda Castle, Rieti, Italy, 2013 Focus: Minimalism Claudio Silvestrin Architects, Castle of Rocca Sinibalda, Rieti, Italy. Claudio Silvestrin’s aphorisms define his work as a quest for honesty, austerity, simplicity and calm. Vincent Van Duysen Architects, TR Residence, Knokke, Belgium, 2016. Photo Hélène Binet Focus: Minimalism Vincent Van Duysen Architects, TR Residence, Knokke, Belgium. Vincent Van Duysen incorporates furnishings into his architecture and employs shadow, half-light, dark colours and shafts of light in his compositions. Photos Hélène Binet Yona Friedman, Sculpting the void, sketches Visual essay Yona Friedman, Sculpting the void Silence. Emptiness Anechoic chambers. Can absolute silence be constructed? The anechoic chambers (from the Greek term meaning “free of echo”) at the Joint Research Centre in Ispra are lab spaces created to minimise the reflection of sound off the walls. Photos Delfino Sisto Legnani and Marco Cappelletti Rojkind Arquitectos, Foro Boca, Veracruz, Mexico, 2017. Photo Jaime Navarro. Courtesy of Rojkind Arquitectos Architecture Rojkind Arquitectos, Foro Boca, Boca del Río, Veracruz, Mexico. Solid and heavy reinforced concrete floats in the air, creating a tangible sense of emptiness. Photos Jaime Navarro, Paul Rivera View of Caimi Acoustic Lab. Photo Henrik Blomqvist Design Hearing the difference. Intelligibile sound is Caimi Brevetti’s research horizon. After patenting its Snowsound technology in 2011, the firm has tirelessly researched quietness to enhance people’s lives. Text Paola Nicolin, photo Henrik Blomqvist “Access-Ability”, Cooper Hewitt Museum, New York, 2017. Illustration by Andrea Mongia Visual report Cooper Hewitt, “Access+Ability”. The “Access-Ability” exhibition at the Cooper Hewitt Museum in New York, teaches us that these very “failings” can be greatdesign opportunities, especially when combined with research, technology and digital manufacturing. Illustration by Andrea Mongia Silence. Ancestral Issey Miyake, Session One. Miyake’s work is based on technological research, where the idea gives rise to a process that can last for many years and is independent of market logic. Tarek Atoui, Within, Sharjah Biennial 11 Silence. Unknown Nico Vascellari in conversation with Tarek Atoui Still frame from Pierre Huyghe’s film, Untitled (Human Mask), 2014. Film, color, sound. 19 minutes Cinema By filming a desolate city and empty buildings, Pierre Huyghe raises basic issues: the value of silence, the emptiness around us and the search for sacredness. Edited by Piero Golia On the couch. Giampaolo Cantini On the couch “Space stations and spacecraft need the best architects,” says Simonetta Di Pippo, “in order to accommodate our needs”. Edited by Walter Mariotti Meteorology The physical principle of emissivity has become an interesting criterion for choosing a facade material and colour. Edited by Philippe Rahm The Hamptons. Eclectic houses on sand pedestals. Photo Michele De Lucchi Travel The Hamptons. Eclectic houses on sand pedestals. In the hovering silence, the houses are the undisputed protagonists of the Hamptons surrounded by a mix of lush gardens and untamed nature. Text Francesca Cigola, photos Michele De Lucchi Illustrazione di Andrea Mongia Rassegna: Furniture and decorative lights Irma Blank: when writing becomes silence. Before we cross the great commotion generated by a review of products anticipating all the big news from the 2018 Milan Furniture Fair, we sink into the silence evoked by the work of Irma Blank, a German artist naturalised in Italy. Edited by Giulia Guzzini © Courtesy of Sotheby’s Auction Frank Gehry’s love of fish shapes – and particularly that of the carp – originated during his childhood in Toronto when he used to visit the market with his grandmother to buy a live one to be turned into Gefilte Fish En ligne : https://www.domusweb.it/en/issues.html [n° ou bulletin]  est un bulletin de Domus N°1023(2018:aprile) - 2018-04-01 - Silence [texte imprimé] . - 2018. Langues : Italien (ita) Anglais (eng) Catégories : Agences d'architecture -- Gérone (Espagne) Andō, Tadao (1941-....) Anechoic chambers Architecture -- Philosophie Art contemporain -- Fondations -- Paris (France) Burley, Robert (1957-....) Caimi Brevetti (Firm) Cooper-Hewitt national design museum (New York, N.Y.) Friedman, Yona (1923-....) Iacchetti, Giulio (1966-....) KOOLHAAS, Rem (1944 - ....) Laan, Hans van der (1904-1991) Mancuso, Vito (1962-....) Miyake, Issey (1938 - ...) Os -- Dans l'art -- Italie -- 21e siècle Parcs -- États-Unis -- Photographies Pawson, John (1949-....) Pharaons -- Tombes RCR arquitectes Rojkind Halpert, Michel (1969-....) Sculpture sur bois -- Italie -- 21e siècle Silence (philosophie) Silvestrin, Claudio (1954-....) SIZA, Alvaro (1933 - ....) Urbanisme -- Philosophie Van Duysen, Vincent (1962-....) Vascellari, Nico (1976-....) Zonta, Emmanuel (1988-....) Index. décimale : 7 Arts et Beaux-Arts Résumé : Álvaro Siza, Tadao Ando, Michel Rojkind, Focus: Minimalism, Issey Miyake, Nico Vascellari/TarekAtoui In Domus April 2018 issue, director Michele De Lucchi writes about silence and of the potential of objects to communicate. Note de contenu : Domus 1023 Cover illustration: The Blue Chemist Working on a facsimile of the Hall of Beauties in the Factum Arte workshop. Photo © Oak Taylor-Smith Archaeology. Meditation over time Silence and eternity. “The rest is silence.” Hamlet’s last words. William Shakespeare, Hamlet, Act 5, Scene 2. Edited by Adam Lowe & Charlotte Skene Catling Giulio Iacchetti and Emmanuel Zonta. Ossi/Ossimori. Probably an ulna, ebony wood, 34.5x5.5x4.5 cm Portfolio Giulio Iacchetti and Emmanuel Zonta, Ossi/Ossimori. This Portfolio features a project that will be on display at the Galleria Luisa Delle Piane in Milan for the Fuorisalone 2018. St Romuald’s cell at Camaldoli, in the province of Arezzo. © 2018. Foto Scala, Firenze Anthropology. Objects & Beheaviour The silence of our gods. Silence is not only a passive condition but a creative opportunity to construct our space,our representations and ourselves. Text by Francesca Sbardella Studio visit RCR Arquitectes. RCR is a tripartite microcosm featuring offices for designing; a foundation for recording; and a “Lab” combining nature and dreams. Edited by Andrea Caputo OMA – Rem Koolhaas, Lafayette Anticipations. Fondation d’entreprise Galerie Lafayette, Paris France, 2018. © Delfino Sisto Legnani e Marco Cappelletti Institution And yet it moves. Lafayette Anticipations is a new exhibition machine designed by Rem Koolhaas and OMA in the heart of Paris. Edited by Paola Nicolin Robert Burley, Playing field of Riverdale Park next to Don Valley Parkway, Toronto, Ontario 1984. Chromogenic colour print 38.0x48.1 cm. Canadian Centre for Architecture © Robert Burley Archive Silence in the city. Robert Burley’s photographs describe the ambiguous condition of parks when overlooked by other urban infrastructures. Edited by the Canadian Centre for Architecture Cara Domus. Rui Agnelo Dear Domus This page features readers’ thoughts, ideas, criticism and opinions. Send us your letters, drawings and photos by mail or email. Write to us! Architecture Álvaro Siza, Anastasis church, Saint-Jacques-de-la-Lande, France. A closed solid, composed of perfectly orthogonal elements, encloses an interior of slabs, planes and volumes that break up the light shed from above. Photos by Duccio Malagamba Tadao Ando, Church in Hiroo, Tokyo, Japan, 2014. Photos by Shigeo Ogawa Architecture Tadao Ando, Church in Hiroo, Tokyo. Ando exacerbates the perspective with converging walls to focus the attention on the Christian symbol. Floors and ceilings treated with a glossy finish reflect the light in a beam that continues in space. Photos by Shigeo Ogawa Hans van der Laan, St. Benedictusberg Abbey, Vaals, The Netherlands, 1986. Photo Frans de la Cousine Focus: Minimalism Formal purity, conceptual abstraction, material naturalness and chromatic reduction are combined in rigorously austere spaces Hans van der Laan, St. Benedictusberg Abbey, Vaals, The Netherlands, 1986. Photo Frans de la Cousine Focus: Minimalism Hans van der Laan, St. Benedictusberg Abbey, Vaals, The Netherlands. Dom Hans Van der Laan was a monk who anticipated the sensitivity of the Minimalist culture in his contemporary religious-building designs. Photos Frans de la Cousine Focus: Minimalism John Pawson, Abbey of Our Lady, Nový Dvůr, Czech Republic. John Pawson’s work rigorously visits the fundamentals of architecture to generate simple and modest expressions. Photos Hisao Suzuki Claudio Silvestrin Architects, Rocca Sinibalda Castle, Rieti, Italy, 2013 Focus: Minimalism Claudio Silvestrin Architects, Castle of Rocca Sinibalda, Rieti, Italy. Claudio Silvestrin’s aphorisms define his work as a quest for honesty, austerity, simplicity and calm. Vincent Van Duysen Architects, TR Residence, Knokke, Belgium, 2016. Photo Hélène Binet Focus: Minimalism Vincent Van Duysen Architects, TR Residence, Knokke, Belgium. Vincent Van Duysen incorporates furnishings into his architecture and employs shadow, half-light, dark colours and shafts of light in his compositions. Photos Hélène Binet Yona Friedman, Sculpting the void, sketches Visual essay Yona Friedman, Sculpting the void Silence. Emptiness Anechoic chambers. Can absolute silence be constructed? The anechoic chambers (from the Greek term meaning “free of echo”) at the Joint Research Centre in Ispra are lab spaces created to minimise the reflection of sound off the walls. Photos Delfino Sisto Legnani and Marco Cappelletti Rojkind Arquitectos, Foro Boca, Veracruz, Mexico, 2017. Photo Jaime Navarro. Courtesy of Rojkind Arquitectos Architecture Rojkind Arquitectos, Foro Boca, Boca del Río, Veracruz, Mexico. Solid and heavy reinforced concrete floats in the air, creating a tangible sense of emptiness. Photos Jaime Navarro, Paul Rivera View of Caimi Acoustic Lab. Photo Henrik Blomqvist Design Hearing the difference. Intelligibile sound is Caimi Brevetti’s research horizon. After patenting its Snowsound technology in 2011, the firm has tirelessly researched quietness to enhance people’s lives. Text Paola Nicolin, photo Henrik Blomqvist “Access-Ability”, Cooper Hewitt Museum, New York, 2017. Illustration by Andrea Mongia Visual report Cooper Hewitt, “Access+Ability”. The “Access-Ability” exhibition at the Cooper Hewitt Museum in New York, teaches us that these very “failings” can be greatdesign opportunities, especially when combined with research, technology and digital manufacturing. Illustration by Andrea Mongia Silence. Ancestral Issey Miyake, Session One. Miyake’s work is based on technological research, where the idea gives rise to a process that can last for many years and is independent of market logic. Tarek Atoui, Within, Sharjah Biennial 11 Silence. Unknown Nico Vascellari in conversation with Tarek Atoui Still frame from Pierre Huyghe’s film, Untitled (Human Mask), 2014. Film, color, sound. 19 minutes Cinema By filming a desolate city and empty buildings, Pierre Huyghe raises basic issues: the value of silence, the emptiness around us and the search for sacredness. Edited by Piero Golia On the couch. Giampaolo Cantini On the couch “Space stations and spacecraft need the best architects,” says Simonetta Di Pippo, “in order to accommodate our needs”. Edited by Walter Mariotti Meteorology The physical principle of emissivity has become an interesting criterion for choosing a facade material and colour. Edited by Philippe Rahm The Hamptons. Eclectic houses on sand pedestals. Photo Michele De Lucchi Travel The Hamptons. Eclectic houses on sand pedestals. In the hovering silence, the houses are the undisputed protagonists of the Hamptons surrounded by a mix of lush gardens and untamed nature. Text Francesca Cigola, photos Michele De Lucchi Illustrazione di Andrea Mongia Rassegna: Furniture and decorative lights Irma Blank: when writing becomes silence. Before we cross the great commotion generated by a review of products anticipating all the big news from the 2018 Milan Furniture Fair, we sink into the silence evoked by the work of Irma Blank, a German artist naturalised in Italy. Edited by Giulia Guzzini © Courtesy of Sotheby’s Auction Frank Gehry’s love of fish shapes – and particularly that of the carp – originated during his childhood in Toronto when he used to visit the market with his grandmother to buy a live one to be turned into Gefilte Fish En ligne : https://www.domusweb.it/en/issues.html

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• Supplément 1023 - 2018-04-01 - Lux Facta Est : la luce naturale nel progetto di architettura = Natural light in architectural design (Bulletin de Domus)

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N°1038(2019:septembre) - 2019-09-01 - La moda è urbanistica = Fashion is urbanisme (Bulletin de Domus)    

Public ISBD [n° ou bulletin]  est un bulletin de Domus Titre : N°1038(2019:septembre) - 2019-09-01 - La moda è urbanistica = Fashion is urbanisme Type de document : texte imprimé Année de publication : 2019 Langues : Italien (ita) Anglais (eng) Catégories : Aéroports -- Constructions -- Berlin (Allemagne) -- 21e siècle Architecture du paysage CHIPPERFIELD, David (1953 - ....) Design durable -- 21e siècle Design industriel -- Aspect social Design urbain Designers de mode Éco-matériaux Émigration et immigration Herpen, Iris van (1984-....) Huile de palme -- Industrie et commerce -- Aspect environnemental Matériaux -- Aspect environnemental Mode et art Musées (constructions) -- Berlin (Allemagne) -- Dessins et plans -- 21e siècle New York (N.Y.) -- Quartier de Harlem Paris (France) -- Cathédrale Notre-Dame -- Conservation et restauration Paris (France) -- Cathédrale Notre-Dame -- Incendies -- Photographies Urbanisme -- Philosophie Index. décimale : 7 Arts et Beaux-Arts Résumé : This issue of Domus is entitled “Fashion is urbanism”. Winy Maas reminds in his editorial that everybody has the responsibility to contribute to a sustainable future and that small-scale actions can have as much impact as large-scale ones. Fashion designer Iris van Herpen explains how fashion meets urbanism, discussing the encounter of fashion, architecture, nature and technology. The future city products are presented in the article “Design is alive”: amongs the projects in which the potential of nature is revealed, Biogarmentry by Roya Aghighi is a living textile capable of purifying the air with its photosynthetic cells. The article on Oil Palm plantations, that are transforming lanscape and causing damage to the environment and rural communities, reflects on the ecological violence behind the food we eat. The issue of Domus discusses about the fire of Notre-Dame, showing some of the debated projects proposals made for the reconstruction of the Parisian Cathedral. The interview with Gaëlle Hamonic and Jean-Christophe Masson talks about the city of the future: compact, dense and integrated with nature. Another example can be found in The Jetsons, the animated sitcom that imagined a future with flying cars, jatpacks, robot maids and moving sidewalks. In the issue it’s explained why migration can be a catalyst for the housing problem, with an analysis of German cities and their transformation to integrate refugees. At the end of the issue, a photo by Yan Wang Preston of the Egongyan Park, in China, from the series Forest. With the magazine are attached Domus EcoWorld, The UN global goals in practice and Domus paper. En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/08/30/do [...] [n° ou bulletin]  est un bulletin de Domus N°1038(2019:septembre) - 2019-09-01 - La moda è urbanistica = Fashion is urbanisme [texte imprimé] . - 2019. Langues : Italien (ita) Anglais (eng) Catégories : Aéroports -- Constructions -- Berlin (Allemagne) -- 21e siècle Architecture du paysage CHIPPERFIELD, David (1953 - ....) Design durable -- 21e siècle Design industriel -- Aspect social Design urbain Designers de mode Éco-matériaux Émigration et immigration Herpen, Iris van (1984-....) Huile de palme -- Industrie et commerce -- Aspect environnemental Matériaux -- Aspect environnemental Mode et art Musées (constructions) -- Berlin (Allemagne) -- Dessins et plans -- 21e siècle New York (N.Y.) -- Quartier de Harlem Paris (France) -- Cathédrale Notre-Dame -- Conservation et restauration Paris (France) -- Cathédrale Notre-Dame -- Incendies -- Photographies Urbanisme -- Philosophie Index. décimale : 7 Arts et Beaux-Arts Résumé : This issue of Domus is entitled “Fashion is urbanism”. Winy Maas reminds in his editorial that everybody has the responsibility to contribute to a sustainable future and that small-scale actions can have as much impact as large-scale ones. Fashion designer Iris van Herpen explains how fashion meets urbanism, discussing the encounter of fashion, architecture, nature and technology. The future city products are presented in the article “Design is alive”: amongs the projects in which the potential of nature is revealed, Biogarmentry by Roya Aghighi is a living textile capable of purifying the air with its photosynthetic cells. The article on Oil Palm plantations, that are transforming lanscape and causing damage to the environment and rural communities, reflects on the ecological violence behind the food we eat. The issue of Domus discusses about the fire of Notre-Dame, showing some of the debated projects proposals made for the reconstruction of the Parisian Cathedral. The interview with Gaëlle Hamonic and Jean-Christophe Masson talks about the city of the future: compact, dense and integrated with nature. Another example can be found in The Jetsons, the animated sitcom that imagined a future with flying cars, jatpacks, robot maids and moving sidewalks. In the issue it’s explained why migration can be a catalyst for the housing problem, with an analysis of German cities and their transformation to integrate refugees. At the end of the issue, a photo by Yan Wang Preston of the Egongyan Park, in China, from the series Forest. With the magazine are attached Domus EcoWorld, The UN global goals in practice and Domus paper. En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/08/30/do [...]

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• Supplément 1038 - 2019-09-02 - EcoWorld : the UN global goals in practise (Bulletin de Domus)

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N°1040(2019:novembre) - 2019-11-01 - Ora tocca a voi = It's up to you (Bulletin de Domus)    

Public ISBD [n° ou bulletin]  est un bulletin de Domus Titre : N°1040(2019:novembre) - 2019-11-01 - Ora tocca a voi = It's up to you Type de document : texte imprimé Année de publication : 2019 Langues : Italien (ita) Anglais (eng) Catégories : Architecture et arts -- 21e siècle Comportement alimentaire -- Dans l'art -- 21e siècle Constructions en bois -- Innovations technologiques Design -- 21e siècle Design -- Philosophie Design durable -- 21e siècle Immeubles de grande hauteur -- Innovations technologiques Murs végétalisés Paysage urbain -- 21e siècle Perspective temporelle Photocollage Projets d'urbanisme -- Illustrations, images, etc. Société numérique Toits végétalisés Urbanisme -- Aspect social Urbanisme -- Philosophie Urbanisme -- Recherche Urbanisme durable -- 21e siècle Index. décimale : 7 Arts et Beaux-Arts Résumé : Domus 1040 is entitled “It’s up to you”. In his last editorial, Winy Maas touches climate issues and how we could face them reminding that a better future is possible “only if everybody take responsibility for it”. The final issue of Domus guest-directed by Winy Maas shows some visions of the future, including the revalutation of food and closer ties between city and countryside: our bodies, homes, cities and landscapes are all shaped by food, and only learning to value it and harnessing its power, we can create a fair, healthy and resilient society. “Wood is coming” introduces the development of timber structures for tall buildings as a measure to reduce the environmental impact of the construction industry. In fact, 36% of global energy consumption is attributed to construction and building use in 2017. The building industry is responsible for over a third of the total carbon emissions in the developed countries of the EU and the United States, and produces a third of the waste worldwide. In his article – accompanied by illustrations by (ab)Normal studio – Barry Bergdoll, professor of art history in the Department of Art History and Archaeology at Columbia University, talks about the need for architectural research, expertise and design imagination considering the crisis situation we are living today. Winy Maas interviews Mayor Ahmed Aboutaleb of Rotterdam, thinking about how the city can be made denser and friendlier. The mayor says that the diversity and many nationalities of the city are a “capital” and a “wealth”. Among the topics, the population growth in Rotterdam and thousands of housing units to be added to improve the city. With the magazine, the supplement Contract. The Production scene, “outlines the limits and ambits of a word – contract – that is losing its clarity and focus”, as editorial director Walter Mariotti explains in his editorial. The issue explores what it is like to work in the field of contract supplies today, including an analysis of five sectors – furniture, offices, lighting, textiles and bathrooms – made by five companies: Artemide, Cappellini, Duravit, Kvadrat and UniFor. En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/11/05/do [...] [n° ou bulletin]  est un bulletin de Domus N°1040(2019:novembre) - 2019-11-01 - Ora tocca a voi = It's up to you [texte imprimé] . - 2019. Langues : Italien (ita) Anglais (eng) Catégories : Architecture et arts -- 21e siècle Comportement alimentaire -- Dans l'art -- 21e siècle Constructions en bois -- Innovations technologiques Design -- 21e siècle Design -- Philosophie Design durable -- 21e siècle Immeubles de grande hauteur -- Innovations technologiques Murs végétalisés Paysage urbain -- 21e siècle Perspective temporelle Photocollage Projets d'urbanisme -- Illustrations, images, etc. Société numérique Toits végétalisés Urbanisme -- Aspect social Urbanisme -- Philosophie Urbanisme -- Recherche Urbanisme durable -- 21e siècle Index. décimale : 7 Arts et Beaux-Arts Résumé : Domus 1040 is entitled “It’s up to you”. In his last editorial, Winy Maas touches climate issues and how we could face them reminding that a better future is possible “only if everybody take responsibility for it”. The final issue of Domus guest-directed by Winy Maas shows some visions of the future, including the revalutation of food and closer ties between city and countryside: our bodies, homes, cities and landscapes are all shaped by food, and only learning to value it and harnessing its power, we can create a fair, healthy and resilient society. “Wood is coming” introduces the development of timber structures for tall buildings as a measure to reduce the environmental impact of the construction industry. In fact, 36% of global energy consumption is attributed to construction and building use in 2017. The building industry is responsible for over a third of the total carbon emissions in the developed countries of the EU and the United States, and produces a third of the waste worldwide. In his article – accompanied by illustrations by (ab)Normal studio – Barry Bergdoll, professor of art history in the Department of Art History and Archaeology at Columbia University, talks about the need for architectural research, expertise and design imagination considering the crisis situation we are living today. Winy Maas interviews Mayor Ahmed Aboutaleb of Rotterdam, thinking about how the city can be made denser and friendlier. The mayor says that the diversity and many nationalities of the city are a “capital” and a “wealth”. Among the topics, the population growth in Rotterdam and thousands of housing units to be added to improve the city. With the magazine, the supplement Contract. The Production scene, “outlines the limits and ambits of a word – contract – that is losing its clarity and focus”, as editorial director Walter Mariotti explains in his editorial. The issue explores what it is like to work in the field of contract supplies today, including an analysis of five sectors – furniture, offices, lighting, textiles and bathrooms – made by five companies: Artemide, Cappellini, Duravit, Kvadrat and UniFor. En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/11/05/do [...]

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Supplément 1030 - 2018-12-01 - Winy Maas : everything is urbanism (Bulletin de Domus)    

Public ISBD [n° ou bulletin]  est un bulletin de Domus Titre : Supplément 1030 - 2018-12-01 - Winy Maas : everything is urbanism Type de document : texte imprimé Année de publication : 2018 Langues : Italien (ita) Anglais (eng) Catégories : Architectes -- Pays-Bas -- 21e siècle Architecture -- Informatique Bibliothèques (constructions) -- Chine -- 21e siècle Constructions en verre Expositions horticoles -- Almere (Pays-Bas) – 21e siècle Innovations technologiques LEGO (jouets) Maas, Winy (1959-....) MVRDV Projets d'urbanisme -- Bordeaux -- 21e siècle Projets d'urbanisme -- Dessins et plans Projets d'urbanisme -- Séoul (Corée du Sud) Urbanisme -- Dessins et plans Urbanisme -- Philosophie Villes -- Aspect environnemental Villes -- Effets des innovations Villes -- Photographies Index. décimale : 711 - Urbanisme Note de contenu : “Urbanism can be sexy”: 5 minutes with Domus guest editor Winy Maas Winy Maas vows to make urbanism “sexy” as Domus editor for 2019. In this video he discusses his vision for the magazine with editorial director Walter Mariotti. Winy Maas asks school children to imagine the future of Milan with Lego Lego towers modeled on the Trojan horse and human DNA were among the proposals of school children asked to predict the future of their city. Jessica Mairs Marianna Guernieri En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas.html [n° ou bulletin]  est un bulletin de Domus Supplément 1030 - 2018-12-01 - Winy Maas : everything is urbanism [texte imprimé] . - 2018. Langues : Italien (ita) Anglais (eng) Catégories : Architectes -- Pays-Bas -- 21e siècle Architecture -- Informatique Bibliothèques (constructions) -- Chine -- 21e siècle Constructions en verre Expositions horticoles -- Almere (Pays-Bas) – 21e siècle Innovations technologiques LEGO (jouets) Maas, Winy (1959-....) MVRDV Projets d'urbanisme -- Bordeaux -- 21e siècle Projets d'urbanisme -- Dessins et plans Projets d'urbanisme -- Séoul (Corée du Sud) Urbanisme -- Dessins et plans Urbanisme -- Philosophie Villes -- Aspect environnemental Villes -- Effets des innovations Villes -- Photographies Index. décimale : 711 - Urbanisme Note de contenu : “Urbanism can be sexy”: 5 minutes with Domus guest editor Winy Maas Winy Maas vows to make urbanism “sexy” as Domus editor for 2019. In this video he discusses his vision for the magazine with editorial director Walter Mariotti. Winy Maas asks school children to imagine the future of Milan with Lego Lego towers modeled on the Trojan horse and human DNA were among the proposals of school children asked to predict the future of their city. Jessica Mairs Marianna Guernieri En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas.html

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Vol.2018:N°7/8 - 2018-07-01 - Urbane Räume = Urabn Spaces (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)  

Public ISBD [n° ou bulletin]  est un bulletin de Detail : Zeitschrift für Architecktur + Baudetail Titre : Vol.2018:N°7/8 - 2018-07-01 - Urbane Räume = Urabn Spaces Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Architecture -- Dessins et plans Constructions universitaires -- Londres (GB) Design urbain Eaux pluviales Équipements sportifs Espaces publics Fondations (construction) Gehl, Jan (1936-....) Gestion des ressources en eau -- Aspect environnemental Jeux d'extérieur Marchés -- Anderlecht (Belgique) Monuments commémoratifs de la Shoah -- Bologne (Italie) Murs végétalisés Passerelles -- Conception et construction -- Bruxelles (Belgique) Sugimoto, Hiroshi (1948-....) Terrains de jeux Urbanisme -- Aspect de l'environnement Urbanisme -- Aspect social Urbanisme -- Dessins et plans Urbanisme -- Philosophie Index. décimale : 72 Architecture Résumé : What factors contribute to the success of urban spaces? The Danish architect and urban planner Jan Gehl posed this question back in the 1960s when he first investigated the behaviour of people on the streets and squares of our cities. In his book “Life Between Buildings” (1971) Gehl distinguishes three types of outdoor activities: necessary, optional and social. His thesis is that the more a public space has to offer its users for spontaneous activities and unplanned leisure, the more social life will develop there. In our current issue, we examine urban spaces that possess these qualities. The documentations illustrate the variety in which we encounter such spaces today: as a market hall, playground and community centre, pedestrian bridge and an inner courtyard on a university campus. We find urban spaces not only between houses, but also in, at and on buildings as well as along traffic roads. Many of these places are not only for unspecific pastimes, but have a clearly defined function and are based on a well-conceived spatial programme. Inter­disciplinary planning is usually indispensable for their success. A nice example is the playground and exercise area on the roof of a car park in Copenhagen, for which Jaja Architects collaborated with two recreational facility design firms. Along the same lines, our essay examines how the fitness trend is increasingly conquering urban space, leading to ever-new design approaches and functional overlaps. Of course, there is a fine line between that and overdesign or functional overload. Cities also need areas that simply offer space for contemplation, such as the Shoah Memorial in Bologna by SET Architects, which we also document in the ­current issue. Harald Sommer takes us underground in his article for our technology section. Explaining modern strategies of urban rainwater management, he shows how these can be ­integrated into compelling open space design. After all, urban spaces not only need quality of life but also a future-proof infrastructure in times of climate change. En ligne : https://www.detail-online.com/magazine/urban-spaces-32480/ [n° ou bulletin]  est un bulletin de Detail : Zeitschrift für Architecktur + Baudetail Vol.2018:N°7/8 - 2018-07-01 - Urbane Räume = Urabn Spaces [texte imprimé] . - 2018. Langues : Allemand (ger) Anglais (eng) Catégories : Architecture -- Dessins et plans Constructions universitaires -- Londres (GB) Design urbain Eaux pluviales Équipements sportifs Espaces publics Fondations (construction) Gehl, Jan (1936-....) Gestion des ressources en eau -- Aspect environnemental Jeux d'extérieur Marchés -- Anderlecht (Belgique) Monuments commémoratifs de la Shoah -- Bologne (Italie) Murs végétalisés Passerelles -- Conception et construction -- Bruxelles (Belgique) Sugimoto, Hiroshi (1948-....) Terrains de jeux Urbanisme -- Aspect de l'environnement Urbanisme -- Aspect social Urbanisme -- Dessins et plans Urbanisme -- Philosophie Index. décimale : 72 Architecture Résumé : What factors contribute to the success of urban spaces? The Danish architect and urban planner Jan Gehl posed this question back in the 1960s when he first investigated the behaviour of people on the streets and squares of our cities. In his book “Life Between Buildings” (1971) Gehl distinguishes three types of outdoor activities: necessary, optional and social. His thesis is that the more a public space has to offer its users for spontaneous activities and unplanned leisure, the more social life will develop there. In our current issue, we examine urban spaces that possess these qualities. The documentations illustrate the variety in which we encounter such spaces today: as a market hall, playground and community centre, pedestrian bridge and an inner courtyard on a university campus. We find urban spaces not only between houses, but also in, at and on buildings as well as along traffic roads. Many of these places are not only for unspecific pastimes, but have a clearly defined function and are based on a well-conceived spatial programme. Inter­disciplinary planning is usually indispensable for their success. A nice example is the playground and exercise area on the roof of a car park in Copenhagen, for which Jaja Architects collaborated with two recreational facility design firms. Along the same lines, our essay examines how the fitness trend is increasingly conquering urban space, leading to ever-new design approaches and functional overlaps. Of course, there is a fine line between that and overdesign or functional overload. Cities also need areas that simply offer space for contemplation, such as the Shoah Memorial in Bologna by SET Architects, which we also document in the ­current issue. Harald Sommer takes us underground in his article for our technology section. Explaining modern strategies of urban rainwater management, he shows how these can be ­integrated into compelling open space design. After all, urban spaces not only need quality of life but also a future-proof infrastructure in times of climate change. En ligne : https://www.detail-online.com/magazine/urban-spaces-32480/

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