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Titre : N°1023(2018:aprile) - 2018-04-01 - Silence Type de document : texte imprimé Année de publication : 2018 Langues : Italien (ita) Anglais (eng) Catégories : Agences d'architecture -- Gérone (Espagne)
Andō, Tadao (1941-....)
Anechoic chambers
Architecture -- Philosophie
Art contemporain -- Fondations -- Paris (France)
Burley, Robert (1957-....)
Caimi Brevetti (Firm)
Cooper-Hewitt national design museum (New York, N.Y.)
Friedman, Yona (1923-....)
Iacchetti, Giulio (1966-....)
KOOLHAAS, Rem (1944 - ....)
Laan, Hans van der (1904-1991)
Mancuso, Vito (1962-....)
Miyake, Issey (1938 - ...)
Os -- Dans l'art -- Italie -- 21e siècle
Parcs -- États-Unis -- Photographies
Pawson, John (1949-....)
Pharaons -- Tombes
RCR arquitectes
Rojkind Halpert, Michel (1969-....)
Sculpture sur bois -- Italie -- 21e siècle
Silence (philosophie)
Silvestrin, Claudio (1954-....)
SIZA, Alvaro (1933 - ....)
Urbanisme -- Philosophie
Van Duysen, Vincent (1962-....)
Vascellari, Nico (1976-....)
Zonta, Emmanuel (1988-....)Index. décimale : 7 Arts et Beaux-Arts Résumé : Álvaro Siza, Tadao Ando, Michel Rojkind, Focus: Minimalism, Issey Miyake, Nico Vascellari/TarekAtoui
In Domus April 2018 issue, director Michele De Lucchi writes about silence and of the potential of objects to communicate.Note de contenu :
Domus 1023
Cover illustration: The Blue Chemist
Working on a facsimile of the Hall of Beauties in the Factum Arte workshop. Photo © Oak Taylor-Smith
Archaeology. Meditation over time
Silence and eternity.
“The rest is silence.” Hamlet’s last words. William Shakespeare, Hamlet, Act 5, Scene 2. Edited by Adam Lowe & Charlotte Skene Catling
Giulio Iacchetti and Emmanuel Zonta. Ossi/Ossimori. Probably an ulna, ebony wood, 34.5x5.5x4.5 cm
Portfolio
Giulio Iacchetti and Emmanuel Zonta, Ossi/Ossimori.
This Portfolio features a project that will be on display at the Galleria
Luisa Delle Piane in Milan for the Fuorisalone 2018.
St Romuald’s cell at Camaldoli, in the province of Arezzo. © 2018. Foto Scala, Firenze
Anthropology. Objects & Beheaviour
The silence of our gods.
Silence is not only a passive condition but a creative opportunity to construct our space,our representations and ourselves. Text by Francesca Sbardella
Studio visit
RCR Arquitectes.
RCR is a tripartite microcosm featuring offices for designing; a foundation for recording; and a “Lab” combining nature and dreams. Edited by Andrea Caputo
OMA – Rem Koolhaas, Lafayette Anticipations. Fondation d’entreprise Galerie Lafayette, Paris France, 2018. © Delfino Sisto Legnani e Marco Cappelletti
Institution
And yet it moves.
Lafayette Anticipations is a new exhibition machine designed by Rem Koolhaas and OMA in the heart of Paris. Edited by Paola Nicolin
Robert Burley, Playing field of Riverdale Park next to Don Valley Parkway, Toronto, Ontario 1984. Chromogenic colour print 38.0x48.1 cm. Canadian Centre for Architecture © Robert Burley
Archive
Silence in the city.
Robert Burley’s photographs describe the ambiguous condition of parks when overlooked by other urban infrastructures. Edited by the Canadian Centre for Architecture
Cara Domus. Rui Agnelo
Dear Domus
This page features readers’ thoughts, ideas, criticism and opinions. Send us your letters, drawings and photos by mail or email. Write to us!
Architecture
Álvaro Siza, Anastasis church, Saint-Jacques-de-la-Lande, France.
A closed solid, composed of perfectly orthogonal elements, encloses an interior of slabs, planes and volumes that break up the light shed from above. Photos by Duccio Malagamba
Tadao Ando, Church in Hiroo, Tokyo, Japan, 2014. Photos by Shigeo Ogawa
Architecture
Tadao Ando, Church in Hiroo, Tokyo.
Ando exacerbates the perspective with converging walls to focus the attention on the Christian symbol. Floors and ceilings treated with a glossy finish reflect the light in a beam that continues in space. Photos by Shigeo Ogawa
Hans van der Laan, St. Benedictusberg Abbey, Vaals, The Netherlands, 1986. Photo Frans de la Cousine
Focus: Minimalism
Formal purity, conceptual abstraction, material naturalness and chromatic reduction are combined in rigorously austere spaces
Hans van der Laan, St. Benedictusberg Abbey, Vaals, The Netherlands, 1986. Photo Frans de la Cousine
Focus: Minimalism
Hans van der Laan, St. Benedictusberg Abbey, Vaals, The Netherlands.
Dom Hans Van der Laan was a monk who anticipated the sensitivity of the Minimalist culture in his contemporary religious-building designs. Photos Frans de la Cousine
Focus: Minimalism
John Pawson, Abbey of Our Lady, Nový Dvůr, Czech Republic.
John Pawson’s work rigorously visits the fundamentals of architecture to generate simple and modest expressions. Photos Hisao Suzuki
Claudio Silvestrin Architects, Rocca Sinibalda Castle, Rieti, Italy, 2013
Focus: Minimalism
Claudio Silvestrin Architects, Castle of Rocca Sinibalda, Rieti, Italy.
Claudio Silvestrin’s aphorisms define his work as a quest for honesty, austerity, simplicity and calm.
Vincent Van Duysen Architects, TR Residence, Knokke, Belgium, 2016. Photo Hélène Binet
Focus: Minimalism
Vincent Van Duysen Architects, TR Residence, Knokke, Belgium.
Vincent Van Duysen incorporates furnishings into his architecture and employs shadow, half-light, dark colours and shafts of light in his compositions. Photos Hélène Binet
Yona Friedman, Sculpting the void, sketches
Visual essay
Yona Friedman, Sculpting the void
Silence. Emptiness
Anechoic chambers.
Can absolute silence be constructed? The anechoic chambers (from the Greek
term meaning “free of echo”) at the Joint Research Centre in Ispra are lab spaces created to minimise the reflection of sound off the walls. Photos Delfino Sisto Legnani and Marco Cappelletti
Rojkind Arquitectos, Foro Boca, Veracruz, Mexico, 2017. Photo Jaime Navarro. Courtesy of Rojkind Arquitectos
Architecture
Rojkind Arquitectos, Foro Boca, Boca del Río, Veracruz, Mexico.
Solid and heavy reinforced concrete floats in the air, creating a tangible sense
of emptiness. Photos Jaime Navarro, Paul Rivera
View of Caimi Acoustic Lab. Photo Henrik Blomqvist
Design
Hearing the difference.
Intelligibile sound is Caimi Brevetti’s research horizon. After patenting its
Snowsound technology in 2011, the firm has tirelessly researched quietness to enhance people’s lives. Text Paola Nicolin, photo Henrik Blomqvist
“Access-Ability”, Cooper Hewitt Museum, New York, 2017. Illustration by Andrea Mongia
Visual report
Cooper Hewitt, “Access+Ability”.
The “Access-Ability” exhibition at the Cooper Hewitt Museum in New York, teaches us that these very “failings” can be greatdesign opportunities,
especially when combined with research, technology and digital manufacturing. Illustration by Andrea Mongia
Silence. Ancestral
Issey Miyake, Session One.
Miyake’s work is based on technological research, where the idea gives rise to a process that can last for many years and is independent of market logic.
Tarek Atoui, Within, Sharjah Biennial 11
Silence. Unknown
Nico Vascellari in conversation with Tarek Atoui
Still frame from Pierre Huyghe’s film, Untitled (Human Mask), 2014. Film, color, sound. 19 minutes
Cinema
By filming a desolate city and empty buildings, Pierre Huyghe raises basic issues: the value of silence, the emptiness around us and the search for sacredness. Edited by Piero Golia
On the couch. Giampaolo Cantini
On the couch
“Space stations and spacecraft need the best architects,” says Simonetta Di Pippo, “in order to accommodate our needs”. Edited by Walter Mariotti
Meteorology
The physical principle of emissivity has become an interesting criterion for choosing a facade material and colour. Edited by Philippe Rahm
The Hamptons. Eclectic houses on sand pedestals. Photo Michele De Lucchi
Travel
The Hamptons. Eclectic houses on sand pedestals.
In the hovering silence, the houses are the undisputed protagonists of the
Hamptons surrounded by a mix of lush gardens and untamed nature. Text Francesca Cigola, photos Michele De Lucchi
Illustrazione di Andrea Mongia
Rassegna: Furniture and decorative lights
Irma Blank: when writing becomes silence.
Before we cross the great commotion generated by a review of products anticipating all the big news from the 2018 Milan Furniture Fair, we sink into the silence evoked by the work of Irma Blank, a German artist naturalised in Italy. Edited by Giulia Guzzini
© Courtesy of Sotheby’s
Auction
Frank Gehry’s love of fish shapes – and particularly that of the carp – originated during his childhood in Toronto when he used to visit the market with his grandmother to buy a live one to be turned into Gefilte FishEn ligne : https://www.domusweb.it/en/issues.html [n° ou bulletin] N°1023(2018:aprile) - 2018-04-01 - Silence [texte imprimé] . - 2018.
Langues : Italien (ita) Anglais (eng)
Catégories : Agences d'architecture -- Gérone (Espagne)
Andō, Tadao (1941-....)
Anechoic chambers
Architecture -- Philosophie
Art contemporain -- Fondations -- Paris (France)
Burley, Robert (1957-....)
Caimi Brevetti (Firm)
Cooper-Hewitt national design museum (New York, N.Y.)
Friedman, Yona (1923-....)
Iacchetti, Giulio (1966-....)
KOOLHAAS, Rem (1944 - ....)
Laan, Hans van der (1904-1991)
Mancuso, Vito (1962-....)
Miyake, Issey (1938 - ...)
Os -- Dans l'art -- Italie -- 21e siècle
Parcs -- États-Unis -- Photographies
Pawson, John (1949-....)
Pharaons -- Tombes
RCR arquitectes
Rojkind Halpert, Michel (1969-....)
Sculpture sur bois -- Italie -- 21e siècle
Silence (philosophie)
Silvestrin, Claudio (1954-....)
SIZA, Alvaro (1933 - ....)
Urbanisme -- Philosophie
Van Duysen, Vincent (1962-....)
Vascellari, Nico (1976-....)
Zonta, Emmanuel (1988-....)Index. décimale : 7 Arts et Beaux-Arts Résumé : Álvaro Siza, Tadao Ando, Michel Rojkind, Focus: Minimalism, Issey Miyake, Nico Vascellari/TarekAtoui
In Domus April 2018 issue, director Michele De Lucchi writes about silence and of the potential of objects to communicate.Note de contenu :
Domus 1023
Cover illustration: The Blue Chemist
Working on a facsimile of the Hall of Beauties in the Factum Arte workshop. Photo © Oak Taylor-Smith
Archaeology. Meditation over time
Silence and eternity.
“The rest is silence.” Hamlet’s last words. William Shakespeare, Hamlet, Act 5, Scene 2. Edited by Adam Lowe & Charlotte Skene Catling
Giulio Iacchetti and Emmanuel Zonta. Ossi/Ossimori. Probably an ulna, ebony wood, 34.5x5.5x4.5 cm
Portfolio
Giulio Iacchetti and Emmanuel Zonta, Ossi/Ossimori.
This Portfolio features a project that will be on display at the Galleria
Luisa Delle Piane in Milan for the Fuorisalone 2018.
St Romuald’s cell at Camaldoli, in the province of Arezzo. © 2018. Foto Scala, Firenze
Anthropology. Objects & Beheaviour
The silence of our gods.
Silence is not only a passive condition but a creative opportunity to construct our space,our representations and ourselves. Text by Francesca Sbardella
Studio visit
RCR Arquitectes.
RCR is a tripartite microcosm featuring offices for designing; a foundation for recording; and a “Lab” combining nature and dreams. Edited by Andrea Caputo
OMA – Rem Koolhaas, Lafayette Anticipations. Fondation d’entreprise Galerie Lafayette, Paris France, 2018. © Delfino Sisto Legnani e Marco Cappelletti
Institution
And yet it moves.
Lafayette Anticipations is a new exhibition machine designed by Rem Koolhaas and OMA in the heart of Paris. Edited by Paola Nicolin
Robert Burley, Playing field of Riverdale Park next to Don Valley Parkway, Toronto, Ontario 1984. Chromogenic colour print 38.0x48.1 cm. Canadian Centre for Architecture © Robert Burley
Archive
Silence in the city.
Robert Burley’s photographs describe the ambiguous condition of parks when overlooked by other urban infrastructures. Edited by the Canadian Centre for Architecture
Cara Domus. Rui Agnelo
Dear Domus
This page features readers’ thoughts, ideas, criticism and opinions. Send us your letters, drawings and photos by mail or email. Write to us!
Architecture
Álvaro Siza, Anastasis church, Saint-Jacques-de-la-Lande, France.
A closed solid, composed of perfectly orthogonal elements, encloses an interior of slabs, planes and volumes that break up the light shed from above. Photos by Duccio Malagamba
Tadao Ando, Church in Hiroo, Tokyo, Japan, 2014. Photos by Shigeo Ogawa
Architecture
Tadao Ando, Church in Hiroo, Tokyo.
Ando exacerbates the perspective with converging walls to focus the attention on the Christian symbol. Floors and ceilings treated with a glossy finish reflect the light in a beam that continues in space. Photos by Shigeo Ogawa
Hans van der Laan, St. Benedictusberg Abbey, Vaals, The Netherlands, 1986. Photo Frans de la Cousine
Focus: Minimalism
Formal purity, conceptual abstraction, material naturalness and chromatic reduction are combined in rigorously austere spaces
Hans van der Laan, St. Benedictusberg Abbey, Vaals, The Netherlands, 1986. Photo Frans de la Cousine
Focus: Minimalism
Hans van der Laan, St. Benedictusberg Abbey, Vaals, The Netherlands.
Dom Hans Van der Laan was a monk who anticipated the sensitivity of the Minimalist culture in his contemporary religious-building designs. Photos Frans de la Cousine
Focus: Minimalism
John Pawson, Abbey of Our Lady, Nový Dvůr, Czech Republic.
John Pawson’s work rigorously visits the fundamentals of architecture to generate simple and modest expressions. Photos Hisao Suzuki
Claudio Silvestrin Architects, Rocca Sinibalda Castle, Rieti, Italy, 2013
Focus: Minimalism
Claudio Silvestrin Architects, Castle of Rocca Sinibalda, Rieti, Italy.
Claudio Silvestrin’s aphorisms define his work as a quest for honesty, austerity, simplicity and calm.
Vincent Van Duysen Architects, TR Residence, Knokke, Belgium, 2016. Photo Hélène Binet
Focus: Minimalism
Vincent Van Duysen Architects, TR Residence, Knokke, Belgium.
Vincent Van Duysen incorporates furnishings into his architecture and employs shadow, half-light, dark colours and shafts of light in his compositions. Photos Hélène Binet
Yona Friedman, Sculpting the void, sketches
Visual essay
Yona Friedman, Sculpting the void
Silence. Emptiness
Anechoic chambers.
Can absolute silence be constructed? The anechoic chambers (from the Greek
term meaning “free of echo”) at the Joint Research Centre in Ispra are lab spaces created to minimise the reflection of sound off the walls. Photos Delfino Sisto Legnani and Marco Cappelletti
Rojkind Arquitectos, Foro Boca, Veracruz, Mexico, 2017. Photo Jaime Navarro. Courtesy of Rojkind Arquitectos
Architecture
Rojkind Arquitectos, Foro Boca, Boca del Río, Veracruz, Mexico.
Solid and heavy reinforced concrete floats in the air, creating a tangible sense
of emptiness. Photos Jaime Navarro, Paul Rivera
View of Caimi Acoustic Lab. Photo Henrik Blomqvist
Design
Hearing the difference.
Intelligibile sound is Caimi Brevetti’s research horizon. After patenting its
Snowsound technology in 2011, the firm has tirelessly researched quietness to enhance people’s lives. Text Paola Nicolin, photo Henrik Blomqvist
“Access-Ability”, Cooper Hewitt Museum, New York, 2017. Illustration by Andrea Mongia
Visual report
Cooper Hewitt, “Access+Ability”.
The “Access-Ability” exhibition at the Cooper Hewitt Museum in New York, teaches us that these very “failings” can be greatdesign opportunities,
especially when combined with research, technology and digital manufacturing. Illustration by Andrea Mongia
Silence. Ancestral
Issey Miyake, Session One.
Miyake’s work is based on technological research, where the idea gives rise to a process that can last for many years and is independent of market logic.
Tarek Atoui, Within, Sharjah Biennial 11
Silence. Unknown
Nico Vascellari in conversation with Tarek Atoui
Still frame from Pierre Huyghe’s film, Untitled (Human Mask), 2014. Film, color, sound. 19 minutes
Cinema
By filming a desolate city and empty buildings, Pierre Huyghe raises basic issues: the value of silence, the emptiness around us and the search for sacredness. Edited by Piero Golia
On the couch. Giampaolo Cantini
On the couch
“Space stations and spacecraft need the best architects,” says Simonetta Di Pippo, “in order to accommodate our needs”. Edited by Walter Mariotti
Meteorology
The physical principle of emissivity has become an interesting criterion for choosing a facade material and colour. Edited by Philippe Rahm
The Hamptons. Eclectic houses on sand pedestals. Photo Michele De Lucchi
Travel
The Hamptons. Eclectic houses on sand pedestals.
In the hovering silence, the houses are the undisputed protagonists of the
Hamptons surrounded by a mix of lush gardens and untamed nature. Text Francesca Cigola, photos Michele De Lucchi
Illustrazione di Andrea Mongia
Rassegna: Furniture and decorative lights
Irma Blank: when writing becomes silence.
Before we cross the great commotion generated by a review of products anticipating all the big news from the 2018 Milan Furniture Fair, we sink into the silence evoked by the work of Irma Blank, a German artist naturalised in Italy. Edited by Giulia Guzzini
© Courtesy of Sotheby’s
Auction
Frank Gehry’s love of fish shapes – and particularly that of the carp – originated during his childhood in Toronto when he used to visit the market with his grandmother to buy a live one to be turned into Gefilte FishEn ligne : https://www.domusweb.it/en/issues.html Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 22385 DOMUS Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible N°1038(2019:septembre) - 2019-09-01 - La moda è urbanistica = Fashion is urbanisme (Bulletin de Domus)
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[n° ou bulletin]
Titre : N°1038(2019:septembre) - 2019-09-01 - La moda è urbanistica = Fashion is urbanisme Type de document : texte imprimé Année de publication : 2019 Langues : Italien (ita) Anglais (eng) Catégories : Aéroports -- Constructions -- Berlin (Allemagne) -- 21e siècle
Architecture du paysage
CHIPPERFIELD, David (1953 - ....)
Design durable -- 21e siècle
Design industriel -- Aspect social
Design urbain
Designers de mode
Éco-matériaux
Émigration et immigration
Herpen, Iris van (1984-....)
Huile de palme -- Industrie et commerce -- Aspect environnemental
Matériaux -- Aspect environnemental
Mode et art
Musées (constructions) -- Berlin (Allemagne) -- Dessins et plans -- 21e siècle
New York (N.Y.) -- Quartier de Harlem
Paris (France) -- Cathédrale Notre-Dame -- Conservation et restauration
Paris (France) -- Cathédrale Notre-Dame -- Incendies -- Photographies
Urbanisme -- PhilosophieIndex. décimale : 7 Arts et Beaux-Arts Résumé :
This issue of Domus is entitled “Fashion is urbanism”. Winy Maas reminds in his editorial that everybody has the responsibility to contribute to a sustainable future and that small-scale actions can have as much impact as large-scale ones. Fashion designer Iris van Herpen explains how fashion meets urbanism, discussing the encounter of fashion, architecture, nature and technology. The future city products are presented in the article “Design is alive”: amongs the projects in which the potential of nature is revealed, Biogarmentry by Roya Aghighi is a living textile capable of purifying the air with its photosynthetic cells.
The article on Oil Palm plantations, that are transforming lanscape and causing damage to the environment and rural communities, reflects on the ecological violence behind the food we eat. The issue of Domus discusses about the fire of Notre-Dame, showing some of the debated projects proposals made for the reconstruction of the Parisian Cathedral.
The interview with Gaëlle Hamonic and Jean-Christophe Masson talks about the city of the future: compact, dense and integrated with nature. Another example can be found in The Jetsons, the animated sitcom that imagined a future with flying cars, jatpacks, robot maids and moving sidewalks.
In the issue it’s explained why migration can be a catalyst for the housing problem, with an analysis of German cities and their transformation to integrate refugees. At the end of the issue, a photo by Yan Wang Preston of the Egongyan Park, in China, from the series Forest.
With the magazine are attached Domus EcoWorld, The UN global goals in practice and Domus paper.En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/08/30/do [...] [n° ou bulletin] N°1038(2019:septembre) - 2019-09-01 - La moda è urbanistica = Fashion is urbanisme [texte imprimé] . - 2019.
Langues : Italien (ita) Anglais (eng)
Catégories : Aéroports -- Constructions -- Berlin (Allemagne) -- 21e siècle
Architecture du paysage
CHIPPERFIELD, David (1953 - ....)
Design durable -- 21e siècle
Design industriel -- Aspect social
Design urbain
Designers de mode
Éco-matériaux
Émigration et immigration
Herpen, Iris van (1984-....)
Huile de palme -- Industrie et commerce -- Aspect environnemental
Matériaux -- Aspect environnemental
Mode et art
Musées (constructions) -- Berlin (Allemagne) -- Dessins et plans -- 21e siècle
New York (N.Y.) -- Quartier de Harlem
Paris (France) -- Cathédrale Notre-Dame -- Conservation et restauration
Paris (France) -- Cathédrale Notre-Dame -- Incendies -- Photographies
Urbanisme -- PhilosophieIndex. décimale : 7 Arts et Beaux-Arts Résumé :
This issue of Domus is entitled “Fashion is urbanism”. Winy Maas reminds in his editorial that everybody has the responsibility to contribute to a sustainable future and that small-scale actions can have as much impact as large-scale ones. Fashion designer Iris van Herpen explains how fashion meets urbanism, discussing the encounter of fashion, architecture, nature and technology. The future city products are presented in the article “Design is alive”: amongs the projects in which the potential of nature is revealed, Biogarmentry by Roya Aghighi is a living textile capable of purifying the air with its photosynthetic cells.
The article on Oil Palm plantations, that are transforming lanscape and causing damage to the environment and rural communities, reflects on the ecological violence behind the food we eat. The issue of Domus discusses about the fire of Notre-Dame, showing some of the debated projects proposals made for the reconstruction of the Parisian Cathedral.
The interview with Gaëlle Hamonic and Jean-Christophe Masson talks about the city of the future: compact, dense and integrated with nature. Another example can be found in The Jetsons, the animated sitcom that imagined a future with flying cars, jatpacks, robot maids and moving sidewalks.
In the issue it’s explained why migration can be a catalyst for the housing problem, with an analysis of German cities and their transformation to integrate refugees. At the end of the issue, a photo by Yan Wang Preston of the Egongyan Park, in China, from the series Forest.
With the magazine are attached Domus EcoWorld, The UN global goals in practice and Domus paper.En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/08/30/do [...] Est accompagné deRéservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 23780 DOMUS Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : N°1040(2019:novembre) - 2019-11-01 - Ora tocca a voi = It's up to you Type de document : texte imprimé Année de publication : 2019 Langues : Italien (ita) Anglais (eng) Catégories : Architecture et arts -- 21e siècle
Comportement alimentaire -- Dans l'art -- 21e siècle
Constructions en bois -- Innovations technologiques
Design -- 21e siècle
Design -- Philosophie
Design durable -- 21e siècle
Immeubles de grande hauteur -- Innovations technologiques
Murs végétalisés
Paysage urbain -- 21e siècle
Perspective temporelle
Photocollage
Projets d'urbanisme -- Illustrations, images, etc.
Société numérique
Toits végétalisés
Urbanisme -- Aspect social
Urbanisme -- Philosophie
Urbanisme -- Recherche
Urbanisme durable -- 21e siècleIndex. décimale : 7 Arts et Beaux-Arts Résumé :
Domus 1040 is entitled “It’s up to you”. In his last editorial, Winy Maas touches climate issues and how we could face them reminding that a better future is possible “only if everybody take responsibility for it”.
The final issue of Domus guest-directed by Winy Maas shows some visions of the future, including the revalutation of food and closer ties between city and countryside: our bodies, homes, cities and landscapes are all shaped by food, and only learning to value it and harnessing its power, we can create a fair, healthy and resilient society.
“Wood is coming” introduces the development of timber structures for tall buildings as a measure to reduce the environmental impact of the construction industry. In fact, 36% of global energy consumption is attributed to construction and building use in 2017. The building industry is responsible for over a third of the total carbon emissions in the developed countries of the EU and the United States, and produces a third of the waste worldwide.
In his article – accompanied by illustrations by (ab)Normal studio – Barry Bergdoll, professor of art history in the Department of Art History and Archaeology at Columbia University, talks about the need for architectural research, expertise and design imagination considering the crisis situation we are living today.
Winy Maas interviews Mayor Ahmed Aboutaleb of Rotterdam, thinking about how the city can be made denser and friendlier. The mayor says that the diversity and many nationalities of the city are a “capital” and a “wealth”. Among the topics, the population growth in Rotterdam and thousands of housing units to be added to improve the city.
With the magazine, the supplement Contract. The Production scene, “outlines the limits and ambits of a word – contract – that is losing its clarity and focus”, as editorial director Walter Mariotti explains in his editorial. The issue explores what it is like to work in the field of contract supplies today, including an analysis of five sectors – furniture, offices, lighting, textiles and bathrooms – made by five companies: Artemide, Cappellini, Duravit, Kvadrat and UniFor.En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/11/05/do [...] [n° ou bulletin] N°1040(2019:novembre) - 2019-11-01 - Ora tocca a voi = It's up to you [texte imprimé] . - 2019.
Langues : Italien (ita) Anglais (eng)
Catégories : Architecture et arts -- 21e siècle
Comportement alimentaire -- Dans l'art -- 21e siècle
Constructions en bois -- Innovations technologiques
Design -- 21e siècle
Design -- Philosophie
Design durable -- 21e siècle
Immeubles de grande hauteur -- Innovations technologiques
Murs végétalisés
Paysage urbain -- 21e siècle
Perspective temporelle
Photocollage
Projets d'urbanisme -- Illustrations, images, etc.
Société numérique
Toits végétalisés
Urbanisme -- Aspect social
Urbanisme -- Philosophie
Urbanisme -- Recherche
Urbanisme durable -- 21e siècleIndex. décimale : 7 Arts et Beaux-Arts Résumé :
Domus 1040 is entitled “It’s up to you”. In his last editorial, Winy Maas touches climate issues and how we could face them reminding that a better future is possible “only if everybody take responsibility for it”.
The final issue of Domus guest-directed by Winy Maas shows some visions of the future, including the revalutation of food and closer ties between city and countryside: our bodies, homes, cities and landscapes are all shaped by food, and only learning to value it and harnessing its power, we can create a fair, healthy and resilient society.
“Wood is coming” introduces the development of timber structures for tall buildings as a measure to reduce the environmental impact of the construction industry. In fact, 36% of global energy consumption is attributed to construction and building use in 2017. The building industry is responsible for over a third of the total carbon emissions in the developed countries of the EU and the United States, and produces a third of the waste worldwide.
In his article – accompanied by illustrations by (ab)Normal studio – Barry Bergdoll, professor of art history in the Department of Art History and Archaeology at Columbia University, talks about the need for architectural research, expertise and design imagination considering the crisis situation we are living today.
Winy Maas interviews Mayor Ahmed Aboutaleb of Rotterdam, thinking about how the city can be made denser and friendlier. The mayor says that the diversity and many nationalities of the city are a “capital” and a “wealth”. Among the topics, the population growth in Rotterdam and thousands of housing units to be added to improve the city.
With the magazine, the supplement Contract. The Production scene, “outlines the limits and ambits of a word – contract – that is losing its clarity and focus”, as editorial director Walter Mariotti explains in his editorial. The issue explores what it is like to work in the field of contract supplies today, including an analysis of five sectors – furniture, offices, lighting, textiles and bathrooms – made by five companies: Artemide, Cappellini, Duravit, Kvadrat and UniFor.En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/11/05/do [...] Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 23934 DOMUS Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
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Titre : Supplément 1030 - 2018-12-01 - Winy Maas : everything is urbanism Type de document : texte imprimé Année de publication : 2018 Langues : Italien (ita) Anglais (eng) Catégories : Architectes -- Pays-Bas -- 21e siècle
Architecture -- Informatique
Bibliothèques (constructions) -- Chine -- 21e siècle
Constructions en verre
Expositions horticoles -- Almere (Pays-Bas) – 21e siècle
Innovations technologiques
LEGO (jouets)
Maas, Winy (1959-....)
MVRDV
Projets d'urbanisme -- Bordeaux -- 21e siècle
Projets d'urbanisme -- Dessins et plans
Projets d'urbanisme -- Séoul (Corée du Sud)
Urbanisme -- Dessins et plans
Urbanisme -- Philosophie
Villes -- Aspect environnemental
Villes -- Effets des innovations
Villes -- PhotographiesIndex. décimale : 711 - Urbanisme Note de contenu : “Urbanism can be sexy”: 5 minutes with Domus guest editor Winy Maas
Winy Maas vows to make urbanism “sexy” as Domus editor for 2019. In this video he discusses his vision for the magazine with editorial director Walter Mariotti.
Winy Maas asks school children to imagine the future of Milan with Lego
Lego towers modeled on the Trojan horse and human DNA were among the proposals of school children asked to predict the future of their city.
Jessica Mairs Marianna GuernieriEn ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas.html [n° ou bulletin] Supplément 1030 - 2018-12-01 - Winy Maas : everything is urbanism [texte imprimé] . - 2018.
Langues : Italien (ita) Anglais (eng)Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 23055 DOMUS Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible Vol.2018:N°7/8 - 2018-07-01 - Urbane Räume = Urabn Spaces (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
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Titre : Vol.2018:N°7/8 - 2018-07-01 - Urbane Räume = Urabn Spaces Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Architecture -- Dessins et plans
Constructions universitaires -- Londres (GB)
Design urbain
Eaux pluviales
Équipements sportifs
Espaces publics
Fondations (construction)
Gehl, Jan (1936-....)
Gestion des ressources en eau -- Aspect environnemental
Jeux d'extérieur
Marchés -- Anderlecht (Belgique)
Monuments commémoratifs de la Shoah -- Bologne (Italie)
Murs végétalisés
Passerelles -- Conception et construction -- Bruxelles (Belgique)
Sugimoto, Hiroshi (1948-....)
Terrains de jeux
Urbanisme -- Aspect de l'environnement
Urbanisme -- Aspect social
Urbanisme -- Dessins et plans
Urbanisme -- PhilosophieIndex. décimale : 72 Architecture Résumé :
What factors contribute to the success of urban spaces? The Danish architect and urban planner Jan Gehl posed this question back in the 1960s when he first investigated the behaviour of people on the streets and squares of our cities. In his book “Life Between Buildings” (1971) Gehl distinguishes three types of outdoor activities: necessary, optional and social. His thesis is that the more a public space has to offer its users for spontaneous activities and unplanned leisure, the more social life will develop there.
In our current issue, we examine urban spaces that possess these qualities. The documentations illustrate the variety in which we encounter such spaces today: as a market hall, playground and community centre, pedestrian bridge and an inner courtyard on a university campus. We find urban spaces not only between houses, but also in, at and on buildings as well as along traffic roads. Many of these places are not only for unspecific pastimes, but have a clearly defined function and are based on a well-conceived spatial programme. Interdisciplinary planning is usually indispensable for their success.
A nice example is the playground and exercise area on the roof of a car park in Copenhagen, for which Jaja Architects collaborated with two recreational facility design firms. Along the same lines, our essay examines how the fitness trend is increasingly conquering urban space, leading to ever-new design approaches and functional overlaps.
Of course, there is a fine line between that and overdesign or functional overload. Cities also need areas that simply offer space for contemplation, such as the Shoah Memorial in Bologna by SET Architects, which we also document in the current issue.
Harald Sommer takes us underground in his article for our technology section. Explaining modern strategies of urban rainwater management, he shows how these can be integrated into compelling open space design. After all, urban spaces not only need quality of life but also a future-proof infrastructure in times of climate change.En ligne : https://www.detail-online.com/magazine/urban-spaces-32480/ [n° ou bulletin] Vol.2018:N°7/8 - 2018-07-01 - Urbane Räume = Urabn Spaces [texte imprimé] . - 2018.
Langues : Allemand (ger) Anglais (eng)
Catégories : Architecture -- Dessins et plans
Constructions universitaires -- Londres (GB)
Design urbain
Eaux pluviales
Équipements sportifs
Espaces publics
Fondations (construction)
Gehl, Jan (1936-....)
Gestion des ressources en eau -- Aspect environnemental
Jeux d'extérieur
Marchés -- Anderlecht (Belgique)
Monuments commémoratifs de la Shoah -- Bologne (Italie)
Murs végétalisés
Passerelles -- Conception et construction -- Bruxelles (Belgique)
Sugimoto, Hiroshi (1948-....)
Terrains de jeux
Urbanisme -- Aspect de l'environnement
Urbanisme -- Aspect social
Urbanisme -- Dessins et plans
Urbanisme -- PhilosophieIndex. décimale : 72 Architecture Résumé :
What factors contribute to the success of urban spaces? The Danish architect and urban planner Jan Gehl posed this question back in the 1960s when he first investigated the behaviour of people on the streets and squares of our cities. In his book “Life Between Buildings” (1971) Gehl distinguishes three types of outdoor activities: necessary, optional and social. His thesis is that the more a public space has to offer its users for spontaneous activities and unplanned leisure, the more social life will develop there.
In our current issue, we examine urban spaces that possess these qualities. The documentations illustrate the variety in which we encounter such spaces today: as a market hall, playground and community centre, pedestrian bridge and an inner courtyard on a university campus. We find urban spaces not only between houses, but also in, at and on buildings as well as along traffic roads. Many of these places are not only for unspecific pastimes, but have a clearly defined function and are based on a well-conceived spatial programme. Interdisciplinary planning is usually indispensable for their success.
A nice example is the playground and exercise area on the roof of a car park in Copenhagen, for which Jaja Architects collaborated with two recreational facility design firms. Along the same lines, our essay examines how the fitness trend is increasingly conquering urban space, leading to ever-new design approaches and functional overlaps.
Of course, there is a fine line between that and overdesign or functional overload. Cities also need areas that simply offer space for contemplation, such as the Shoah Memorial in Bologna by SET Architects, which we also document in the current issue.
Harald Sommer takes us underground in his article for our technology section. Explaining modern strategies of urban rainwater management, he shows how these can be integrated into compelling open space design. After all, urban spaces not only need quality of life but also a future-proof infrastructure in times of climate change.En ligne : https://www.detail-online.com/magazine/urban-spaces-32480/ Réservation
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