N°1032(2019:février) - 2019-02-01 - Visioni per salavre il pianeta = Visions to save the planet (Bulletin de Domus)    

Public ISBD [n° ou bulletin]  est un bulletin de Domus Titre : N°1032(2019:février) - 2019-02-01 - Visioni per salavre il pianeta = Visions to save the planet Type de document : texte imprimé Année de publication : 2019 Langues : Italien (ita) Anglais (eng) Catégories : Architecture -- 21e siècle -- Aspect social Architecture -- Aspect environnemental Architecture durable -- Dessins et plans Architecture fantastique Baies -- Chine -- Aménagement Cafés -- Aménagement -- Design -- 21e siècle Climat -- Cartes Construction -- Matériaux -- Aluminium Construction -- Normalisation Coordination modulaire (construction) Design durable Développement durable Écologie Façades -- 21e siècle Gestion des ressources en eau -- Aspect environnemental Hadid, Zaha (1950-2016) Hôtels -- Macao (Chine) Immeubles de grande hauteur Logement collectif Mobilier urbain -- Conception et construction Ponts -- Chine Postes-frontières -- Hong Kong (Chine) Projets d'architecture -- Dessins et plans Projets d'urbanisme -- Dessins et plans Restaurants -- Automatisation -- Berlin (Allemagne) Urbanisme durable Vintage -- Design Mots-clés : gentrification Index. décimale : 7 Arts et Beaux-Arts Note de contenu : In the February issue, guest editor Winy Maas talks about the importance of water and a new generation of designers working on visionary proposals aimed to save the Earth. Read Winy Maas’ editorial Domus 1032 The issue starts with the Discussion section with a contribution from Dutch water ambassador Henk Ovink, which gives a realistic – and dramatic – insight into the water situation in Europe and the world, but concludes with a message of hope: we can still save the planet but have to do it collectively. The Landscape section is dedicated to the speculative work Geostories by Design Earth, composed by the duo Rania Ghosn + E, Hadi Jazairy. Their illustrations are projected into the future and offer new ideas for living in space and the abysses. Also presented is the low-budget urban decoration project for Avenida Carles Buïgas in Tarragona, Spain. In Urbanism we talk about the Greater Bay Area in China, the largest metropolitan area in the world, with ‘creative’ borders and characterized by colossal infrastructural works. The second focus is on the proliferation of hipster aesthetics, defined by a stereotyped imaginary in a gentrified world, which has made cafes all over the world homogeneous. Avenida Carles Buïgas, Salou, Tarragona, Spain. Photo Adrià Goula Avenida Carles Buïgas, Salou, Tarragona, Spain. Photo Adrià Goula The Architecture section is populated by a series of projects designed for a community, from the social housing of LIN Architects in Germany and the projects of EM2N in Zurich, to the urban veranda of Brasil Arquitetura in Recife, Brazil. An article recounts the work of the Belgian collective Rotor, and their radical approach to the concept of reuse in architecture. The chapter on Future city products highlights the sliding shutter systems used for the facade of Herzog & de Meuron’s Meret Oppenheim Hochhaus in Basel, the digitized Data Kitchen in Berlin – the first automatic restaurant in Europe designed around high-quality slow food – and the strategies to safeguard the Coin Street district in London. Discover Domus by Winy Maas in the guest editor special The issue closes with the case of the eviction of ADM, one of the last independent communities in Amsterdam, crushed under real estate speculation. The city loses one of the most representative architectural complexes of a radical and visionary housing approach. The key event covered in this issue is the Super Bowl LIII Atlanta: for the American football final, an ephemeral city works its way into the urban fabric, offering its inhabitants a unique opportunity. This month’s Rassegna is dedicated to thresholds, best represented by the work of dutch designer Petra Blaisse. En ligne : https://www.domusweb.it/en.html [n° ou bulletin]  est un bulletin de Domus N°1032(2019:février) - 2019-02-01 - Visioni per salavre il pianeta = Visions to save the planet [texte imprimé] . - 2019. Langues : Italien (ita) Anglais (eng) Catégories : Architecture -- 21e siècle -- Aspect social Architecture -- Aspect environnemental Architecture durable -- Dessins et plans Architecture fantastique Baies -- Chine -- Aménagement Cafés -- Aménagement -- Design -- 21e siècle Climat -- Cartes Construction -- Matériaux -- Aluminium Construction -- Normalisation Coordination modulaire (construction) Design durable Développement durable Écologie Façades -- 21e siècle Gestion des ressources en eau -- Aspect environnemental Hadid, Zaha (1950-2016) Hôtels -- Macao (Chine) Immeubles de grande hauteur Logement collectif Mobilier urbain -- Conception et construction Ponts -- Chine Postes-frontières -- Hong Kong (Chine) Projets d'architecture -- Dessins et plans Projets d'urbanisme -- Dessins et plans Restaurants -- Automatisation -- Berlin (Allemagne) Urbanisme durable Vintage -- Design Mots-clés : gentrification Index. décimale : 7 Arts et Beaux-Arts Note de contenu : In the February issue, guest editor Winy Maas talks about the importance of water and a new generation of designers working on visionary proposals aimed to save the Earth. Read Winy Maas’ editorial Domus 1032 The issue starts with the Discussion section with a contribution from Dutch water ambassador Henk Ovink, which gives a realistic – and dramatic – insight into the water situation in Europe and the world, but concludes with a message of hope: we can still save the planet but have to do it collectively. The Landscape section is dedicated to the speculative work Geostories by Design Earth, composed by the duo Rania Ghosn + E, Hadi Jazairy. Their illustrations are projected into the future and offer new ideas for living in space and the abysses. Also presented is the low-budget urban decoration project for Avenida Carles Buïgas in Tarragona, Spain. In Urbanism we talk about the Greater Bay Area in China, the largest metropolitan area in the world, with ‘creative’ borders and characterized by colossal infrastructural works. The second focus is on the proliferation of hipster aesthetics, defined by a stereotyped imaginary in a gentrified world, which has made cafes all over the world homogeneous. Avenida Carles Buïgas, Salou, Tarragona, Spain. Photo Adrià Goula Avenida Carles Buïgas, Salou, Tarragona, Spain. Photo Adrià Goula The Architecture section is populated by a series of projects designed for a community, from the social housing of LIN Architects in Germany and the projects of EM2N in Zurich, to the urban veranda of Brasil Arquitetura in Recife, Brazil. An article recounts the work of the Belgian collective Rotor, and their radical approach to the concept of reuse in architecture. The chapter on Future city products highlights the sliding shutter systems used for the facade of Herzog & de Meuron’s Meret Oppenheim Hochhaus in Basel, the digitized Data Kitchen in Berlin – the first automatic restaurant in Europe designed around high-quality slow food – and the strategies to safeguard the Coin Street district in London. Discover Domus by Winy Maas in the guest editor special The issue closes with the case of the eviction of ADM, one of the last independent communities in Amsterdam, crushed under real estate speculation. The city loses one of the most representative architectural complexes of a radical and visionary housing approach. The key event covered in this issue is the Super Bowl LIII Atlanta: for the American football final, an ephemeral city works its way into the urban fabric, offering its inhabitants a unique opportunity. This month’s Rassegna is dedicated to thresholds, best represented by the work of dutch designer Petra Blaisse. En ligne : https://www.domusweb.it/en.html

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N°1033(2019:mars) - 2019-03-01 - Le infrastrutture del potere = The infrastructure of power (Bulletin de Domus)    

Public ISBD [n° ou bulletin]  est un bulletin de Domus Titre : N°1033(2019:mars) - 2019-03-01 - Le infrastrutture del potere = The infrastructure of power Type de document : texte imprimé Année de publication : 2019 Langues : Italien (ita) Anglais (eng) Catégories : Aménagement du territoire -- Aspect économique Aménagement du territoire -- Aspect environnemental Aménagement du territoire -- Aspect social Architecture -- Dessins et plans Architecture durable -- Buenos Aires (Argentine) Art public -- Nantes (France) -- 21e siècle Brexit Cartes statistiques Constructions commerciales -- Croissance -- Italie Croissance urbaine -- Allahabad (Inde) Développement économique -- Chine Économie sociale et solidaire Infrastructure (économie politique) Kim, Jong-un (1984-....) Libéralisme économique Littoraux -- Aménagement -- Lagos (Nigeria) Logement collectif -- Berlin (Allemagne) -- Dessins et plans Marché international des professionnels de l'immobilier Mendini, Alessandro (1931-2019) Mines (sites d'extraction) -- Aspect environnemental Musées nationaux -- Qatar Nouvel, Jean (1945 - ....) Pays de l'Union européenne -- Politique et gouvernement Planification stratégique Politique sociale Projets d'urbanisme -- Dessins et plans Réseaux (aménagement du territoire) -- Chine Sennett, Richard (1943-....) Sociologie urbaine Stades -- Corée (République populaire démocratique) Urbanisme -- Aspect social Urbanisme temporaire -- Allahabad (Inde) Villes -- Effets des innovations World economic forum Index. décimale : 7 Arts et Beaux-Arts Résumé : Infrastructures and power, the future of Europe, mines and landscape, African megalopolises (imaginary or real), an interview with Richard Sennett. Browse the gallery to discover the features included in the March issue. Note de contenu : In the March issue guest editor Winy Maas discusses about a new world map. Climate change, poverty, social tensions and conflicts are the problems that we face and need to solve not forgetting to create beauty in places. Domus remembers Alessandro Mendini, that passed away in February. He was editor in chief for two “very different seasons”, as editorial editor Walter Mariotti defines them: from 1979 to 1986 and from 2010 to 2011. Interview. Winy Maas meets the American sociologist Richard Sennett for a semi-formal discussion about the neoliberal city, open planning systems and more. The occasion is the Dutch publication of Sennett’s last book Building and Dwelling. Photo Ed Jones/Afp/Getty Images Urbanism. The cover story of this month is about the new Silk Road, the Belt and Road initiative, that will link Beijing to Madrid. With it, the Chinese economic expansion plan takes the form of a constellation of relationships that goes well beyond the infrastructure. Meanwhile, Europe is still shaken by Brexit: we propose two future scenarios about the European identity and role in the world, as a larger continent of shared values, or as an artificial democracy dominated by the machines. In Africa the cultural, social and ecological setup of the coastal area of Lagos, one of the world’s largest megacities, are threatened by development plans and land speculation. Cinema. From Nigeria to Marvel’s fictional Wakanda, home kingdom of the African superhero Black Panther, that in some way reminds of the promotional brochures presented by real-estate developers to promote new towns in Africa. Birnin Zana, from Black Panther (2018) Landscape. Mines destroy the land, but will continue to expand as long as there’s money to be made. We present a global mineral extraction map and the most relevant data, that outline the leading role of China in the production of rare earth metals – but also of coal. Architecture. Esselunga opened its first supermarket in 1957 in Milan. Since then, the company growth has been entwined with the work of famous architects and graphic designers. The story through the pictures that depict the most relevant of 158 “big boxes” that Esselunga has built all over Italy. In Buenos Aires, the Bonpland 2169 building by Adamo Faiden was conceveid as a flexible infrastructure that welcomes diversity, and represents “a programmatically unstable but spatially specific environment”. Oliver Wainwright, the architecture and design critic of The Guardian, picks up the Rungrado May Day Stadium, the biggest in the world, as the symbol of Kim Jong-un’s international outward-looking ambitions. Charles Xelot, Nenets family, Navy Port, Yamal Peninsula, Russia, 2016. Cities. In Berlin, 194.000 new apartments are needed until 2030. 28 students explored ways in which the future can become increasingly co-operative, with shared spaces and services. We present a series of five case studies analyzed in the capital city of Germany. Kumbh Mela is the world’s largest ephemeral metropolis, with 120 millions of pilgrims attending this Hindu religious festival, and a good example of elastic urban design. It’s erected in only three months. We analyze it as a part of our series on events, after Davos and Atlanta. One photo at a time this month features Charles Xelot’s Nenets Family, shot in the Yamal Peninsula, where the exploitation of the natural gas fields may be a double-edged sword for its inhabitants. En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/03/04/do [...] [n° ou bulletin]  est un bulletin de Domus N°1033(2019:mars) - 2019-03-01 - Le infrastrutture del potere = The infrastructure of power [texte imprimé] . - 2019. Langues : Italien (ita) Anglais (eng) Catégories : Aménagement du territoire -- Aspect économique Aménagement du territoire -- Aspect environnemental Aménagement du territoire -- Aspect social Architecture -- Dessins et plans Architecture durable -- Buenos Aires (Argentine) Art public -- Nantes (France) -- 21e siècle Brexit Cartes statistiques Constructions commerciales -- Croissance -- Italie Croissance urbaine -- Allahabad (Inde) Développement économique -- Chine Économie sociale et solidaire Infrastructure (économie politique) Kim, Jong-un (1984-....) Libéralisme économique Littoraux -- Aménagement -- Lagos (Nigeria) Logement collectif -- Berlin (Allemagne) -- Dessins et plans Marché international des professionnels de l'immobilier Mendini, Alessandro (1931-2019) Mines (sites d'extraction) -- Aspect environnemental Musées nationaux -- Qatar Nouvel, Jean (1945 - ....) Pays de l'Union européenne -- Politique et gouvernement Planification stratégique Politique sociale Projets d'urbanisme -- Dessins et plans Réseaux (aménagement du territoire) -- Chine Sennett, Richard (1943-....) Sociologie urbaine Stades -- Corée (République populaire démocratique) Urbanisme -- Aspect social Urbanisme temporaire -- Allahabad (Inde) Villes -- Effets des innovations World economic forum Index. décimale : 7 Arts et Beaux-Arts Résumé : Infrastructures and power, the future of Europe, mines and landscape, African megalopolises (imaginary or real), an interview with Richard Sennett. Browse the gallery to discover the features included in the March issue. Note de contenu : In the March issue guest editor Winy Maas discusses about a new world map. Climate change, poverty, social tensions and conflicts are the problems that we face and need to solve not forgetting to create beauty in places. Domus remembers Alessandro Mendini, that passed away in February. He was editor in chief for two “very different seasons”, as editorial editor Walter Mariotti defines them: from 1979 to 1986 and from 2010 to 2011. Interview. Winy Maas meets the American sociologist Richard Sennett for a semi-formal discussion about the neoliberal city, open planning systems and more. The occasion is the Dutch publication of Sennett’s last book Building and Dwelling. Photo Ed Jones/Afp/Getty Images Urbanism. The cover story of this month is about the new Silk Road, the Belt and Road initiative, that will link Beijing to Madrid. With it, the Chinese economic expansion plan takes the form of a constellation of relationships that goes well beyond the infrastructure. Meanwhile, Europe is still shaken by Brexit: we propose two future scenarios about the European identity and role in the world, as a larger continent of shared values, or as an artificial democracy dominated by the machines. In Africa the cultural, social and ecological setup of the coastal area of Lagos, one of the world’s largest megacities, are threatened by development plans and land speculation. Cinema. From Nigeria to Marvel’s fictional Wakanda, home kingdom of the African superhero Black Panther, that in some way reminds of the promotional brochures presented by real-estate developers to promote new towns in Africa. Birnin Zana, from Black Panther (2018) Landscape. Mines destroy the land, but will continue to expand as long as there’s money to be made. We present a global mineral extraction map and the most relevant data, that outline the leading role of China in the production of rare earth metals – but also of coal. Architecture. Esselunga opened its first supermarket in 1957 in Milan. Since then, the company growth has been entwined with the work of famous architects and graphic designers. The story through the pictures that depict the most relevant of 158 “big boxes” that Esselunga has built all over Italy. In Buenos Aires, the Bonpland 2169 building by Adamo Faiden was conceveid as a flexible infrastructure that welcomes diversity, and represents “a programmatically unstable but spatially specific environment”. Oliver Wainwright, the architecture and design critic of The Guardian, picks up the Rungrado May Day Stadium, the biggest in the world, as the symbol of Kim Jong-un’s international outward-looking ambitions. Charles Xelot, Nenets family, Navy Port, Yamal Peninsula, Russia, 2016. Cities. In Berlin, 194.000 new apartments are needed until 2030. 28 students explored ways in which the future can become increasingly co-operative, with shared spaces and services. We present a series of five case studies analyzed in the capital city of Germany. Kumbh Mela is the world’s largest ephemeral metropolis, with 120 millions of pilgrims attending this Hindu religious festival, and a good example of elastic urban design. It’s erected in only three months. We analyze it as a part of our series on events, after Davos and Atlanta. One photo at a time this month features Charles Xelot’s Nenets Family, shot in the Yamal Peninsula, where the exploitation of the natural gas fields may be a double-edged sword for its inhabitants. En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/03/04/do [...]

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N°1036(2019:juin) - 2019-06-01 - Tradizione istantanea = Instant heritage (Bulletin de Domus)  

Public ISBD [n° ou bulletin]  est un bulletin de Domus Titre : N°1036(2019:juin) - 2019-06-01 - Tradizione istantanea = Instant heritage Type de document : texte imprimé Année de publication : 2019 Importance : xii p. et 712 p. Présentation : ill. en coul. Format : 32 cm Langues : Italien (ita) Anglais (eng) Catégories : Architecture -- Dessins et plans Architecture du paysage -- Japon -- Dessins et plans Art public Design urbain Embourgeoisement (urbanisme) -- Dans l'art Graffiti Haussmann, Georges Eugène (1809-1891) Impression 3D -- Dans l'art Jardins botaniques -- Japon -- Dessins et plans Patrimoine culturel -- Conservation et restauration Projets d'urbanisme -- Dessins et plans Rotterdam (Pays-Bas) Urbanisation -- Aspect de l'environnement Urbanisme durable Venise (Italie) Index. décimale : 7 Arts et Beaux-Arts Note de contenu : This issue of Domus is entitled "Instant heritage". Winy Maas starts his editorial talking about urbanism, that "is all about thinking about the future and imagining how the present might be improved”, underlining the importance of our heritage, seen not as something to be demolished but something we should take care of. The cover of the issue shows Matter Design and CEMEX Global R&D project, Walking Assembly, made of concrete using 3D printing. We talk about digital innovation, the impact of networks in the production of objects and architectures, and we present five projects that, with digital innovation, can promote a return to the pre-modern ethos of community sharing. Urban planning. In Baku, the past becomes a resource: the oil capital of Azerbaijan changes its shape through the construction of new buildings and the renovation of Soviet-era buildings, becoming the "Paris of the Caspian” once again. Europe, on the other hand, is the protagonist of Ilja Leonard Pfeiffer's novel, Grand Hotel Europa, which describes a continent that lives with the weight of the past and with tourism as the only revenue model. The future city is presented in "Frictionless urbanism", with five visions for urban aerial mobility. Architecture: ZUS, the Rotterdam-based architecture and urban planning studio, recounts its "city of permanent temporariness", a place in constant transformation and always incomplete. It tells the story of the construction of the Colón Towers in Madrid from 1969, which at the time was striking for the technical innovation of their construction process, and the landscape scale design of Vector Architects in China, which dialogues with the natural territory and industrial heritage. In Belgium, the historic Sint-Jozef building, set in the campus of the already famous Melle psychiatric centre, has a continuous debate in the design process involving patients, staff and architects. In Niger, a market designed by Mariam Kamara (Atelier Masomi) with simple coloured metal structures strengthens the sense of community. "Artificial landscape poetry" talks about the beauty of projected nature, with a focus on Art Biotop Botanical Garden, a park rich in water designed by Junya Ishigami in Tochigi, Japan. Working with local communities, the Cape Town International Public Art Festival uses graffiti as a tool against gentrification, while in London the next Serpentine Pavilion by Junya Ishigami is eagerly awaited. In this issue of Domus, a cataloguing of all the pavilions located in Hyde Park since 2000. The photo of the month has as protagonist the urbanization in a peripheral area in Namibia taken by the Australian photographer Leah Kennedy. En ligne : https://www.edidomus.it/en/brand/domus.html [n° ou bulletin]  est un bulletin de Domus N°1036(2019:juin) - 2019-06-01 - Tradizione istantanea = Instant heritage [texte imprimé] . - 2019 . - xii p. et 712 p. : ill. en coul. ; 32 cm. Langues : Italien (ita) Anglais (eng) Catégories : Architecture -- Dessins et plans Architecture du paysage -- Japon -- Dessins et plans Art public Design urbain Embourgeoisement (urbanisme) -- Dans l'art Graffiti Haussmann, Georges Eugène (1809-1891) Impression 3D -- Dans l'art Jardins botaniques -- Japon -- Dessins et plans Patrimoine culturel -- Conservation et restauration Projets d'urbanisme -- Dessins et plans Rotterdam (Pays-Bas) Urbanisation -- Aspect de l'environnement Urbanisme durable Venise (Italie) Index. décimale : 7 Arts et Beaux-Arts Note de contenu : This issue of Domus is entitled "Instant heritage". Winy Maas starts his editorial talking about urbanism, that "is all about thinking about the future and imagining how the present might be improved”, underlining the importance of our heritage, seen not as something to be demolished but something we should take care of. The cover of the issue shows Matter Design and CEMEX Global R&D project, Walking Assembly, made of concrete using 3D printing. We talk about digital innovation, the impact of networks in the production of objects and architectures, and we present five projects that, with digital innovation, can promote a return to the pre-modern ethos of community sharing. Urban planning. In Baku, the past becomes a resource: the oil capital of Azerbaijan changes its shape through the construction of new buildings and the renovation of Soviet-era buildings, becoming the "Paris of the Caspian” once again. Europe, on the other hand, is the protagonist of Ilja Leonard Pfeiffer's novel, Grand Hotel Europa, which describes a continent that lives with the weight of the past and with tourism as the only revenue model. The future city is presented in "Frictionless urbanism", with five visions for urban aerial mobility. Architecture: ZUS, the Rotterdam-based architecture and urban planning studio, recounts its "city of permanent temporariness", a place in constant transformation and always incomplete. It tells the story of the construction of the Colón Towers in Madrid from 1969, which at the time was striking for the technical innovation of their construction process, and the landscape scale design of Vector Architects in China, which dialogues with the natural territory and industrial heritage. In Belgium, the historic Sint-Jozef building, set in the campus of the already famous Melle psychiatric centre, has a continuous debate in the design process involving patients, staff and architects. In Niger, a market designed by Mariam Kamara (Atelier Masomi) with simple coloured metal structures strengthens the sense of community. "Artificial landscape poetry" talks about the beauty of projected nature, with a focus on Art Biotop Botanical Garden, a park rich in water designed by Junya Ishigami in Tochigi, Japan. Working with local communities, the Cape Town International Public Art Festival uses graffiti as a tool against gentrification, while in London the next Serpentine Pavilion by Junya Ishigami is eagerly awaited. In this issue of Domus, a cataloguing of all the pavilions located in Hyde Park since 2000. The photo of the month has as protagonist the urbanization in a peripheral area in Namibia taken by the Australian photographer Leah Kennedy. En ligne : https://www.edidomus.it/en/brand/domus.html

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N°1037(2019:juillet/août) - 2019-07-01 - Funziona! = Yes, it works! (Bulletin de Domus)    

Public ISBD [n° ou bulletin]  est un bulletin de Domus Titre : N°1037(2019:juillet/août) - 2019-07-01 - Funziona! = Yes, it works! Type de document : texte imprimé Année de publication : 2019 Langues : Anglais (eng) Italien (ita) Catégories : Aménagement du territoire -- Aspect environnemental Architecture -- Aspect environnemental Architecture -- Dessins et plans Architecture durable Biennale de Venise (58 ; 2019) Design -- Afrique -- 21e siècle Design durable Développement durable Espaces publics Jardins en milieu urbain La Mecque (Arabie saoudite) -- Mosquée al-Haram Moscou (Russie) Panama, Canal de (Panama) Projets d'architecture -- Dessins et plans Projets d'urbanisme -- Dessins et plans Shanghai (Chine) Suez, Canal de (Égypte) Toits-terrasses Urbanisme -- Dessins et plans Urbanisme durable. Villes -- Aspect environnemental Index. décimale : 7 Arts et Beaux-Arts Résumé : Architects who have used green facades or rooftop gardens have been criticised for greenwashing. There was quite a bit of negative energy drected at the Milan’s Bosco Verticale by Stefano Boeri Architetti upon its completion, but people overlooked that the actual completion date of a vertical forest can only be after the forest has had a chance to grow. It is fair to add another five years as a “growth period” after the construction phase, and to celebrate another opening once the forest has matured – see how wonderful the Bosco Verticale looks right now. Adding plants does not replace sustainable technology, but in this issue an article about the Green Dip shows that this approach still works and how it still has a positive impact on the city. We show that it also works on an urban level with the landscape design of Moscow’s inner ring road. From hostile concrete and tarmac environments, in this way the city can become friendly for its inhabitants and a joy to experience. Even if a city has little space left to become greener or refurbish its streets, a real difference can be made. In São Paulo, the transformation of a former office building into a public building with a stunning rooftop pool is touching in its simplicity and effectiveness. I always like to see humans and architecture interact in photography because we create architecture for use and interaction, and it’s amazing how often there are no images with people in them. But the building by Paulo Mendes da Rocha and MMBB is always fully used and the images are already a monument to its success. It is a truly public building in Brazil. Even if a city has little space left to become greener or refurbish its streets, a real difference can be made We also analyse the massive infrastructure needed to safely organise the annual Hajj pilgrimage. Saudi Arabia has massively remodelled the city of Mecca; the sheer scale is most remarkable. Once a year the vast pedestrian bridges and mosques turn bright white because of the white tunics worn by the millions of pilgrims. Looking back at earlier issues of Domus, I have to voice regret and share an observation. My regret is that the Mayor of Madrid Manuela Carmena, whom we featured in May, won the recent elections but was not re-elected, and that the new right-wing city government has announced the cancellation of her coura- geous plan to pedestrianise the centre of Madrid, despite measurable ecological and economic benefits. These are ideological politics that help no one, especially not the citizens of Madrid. Now my observation: in the April issue of Domus we discussed the rise of German “birdcage” architecture, a tendency which the author Klaus Englert cautiously connected to the architecture of the Third Reich. In Germany there is currently a vivid debate in magazines and newspapers discussing the revival of fascism in architecture. We brought this to you just before the debate started in Germany. En ligne : https://www.domusweb.it/en.html [n° ou bulletin]  est un bulletin de Domus N°1037(2019:juillet/août) - 2019-07-01 - Funziona! = Yes, it works! [texte imprimé] . - 2019. Langues : Anglais (eng) Italien (ita) Catégories : Aménagement du territoire -- Aspect environnemental Architecture -- Aspect environnemental Architecture -- Dessins et plans Architecture durable Biennale de Venise (58 ; 2019) Design -- Afrique -- 21e siècle Design durable Développement durable Espaces publics Jardins en milieu urbain La Mecque (Arabie saoudite) -- Mosquée al-Haram Moscou (Russie) Panama, Canal de (Panama) Projets d'architecture -- Dessins et plans Projets d'urbanisme -- Dessins et plans Shanghai (Chine) Suez, Canal de (Égypte) Toits-terrasses Urbanisme -- Dessins et plans Urbanisme durable. Villes -- Aspect environnemental Index. décimale : 7 Arts et Beaux-Arts Résumé : Architects who have used green facades or rooftop gardens have been criticised for greenwashing. There was quite a bit of negative energy drected at the Milan’s Bosco Verticale by Stefano Boeri Architetti upon its completion, but people overlooked that the actual completion date of a vertical forest can only be after the forest has had a chance to grow. It is fair to add another five years as a “growth period” after the construction phase, and to celebrate another opening once the forest has matured – see how wonderful the Bosco Verticale looks right now. Adding plants does not replace sustainable technology, but in this issue an article about the Green Dip shows that this approach still works and how it still has a positive impact on the city. We show that it also works on an urban level with the landscape design of Moscow’s inner ring road. From hostile concrete and tarmac environments, in this way the city can become friendly for its inhabitants and a joy to experience. Even if a city has little space left to become greener or refurbish its streets, a real difference can be made. In São Paulo, the transformation of a former office building into a public building with a stunning rooftop pool is touching in its simplicity and effectiveness. I always like to see humans and architecture interact in photography because we create architecture for use and interaction, and it’s amazing how often there are no images with people in them. But the building by Paulo Mendes da Rocha and MMBB is always fully used and the images are already a monument to its success. It is a truly public building in Brazil. Even if a city has little space left to become greener or refurbish its streets, a real difference can be made We also analyse the massive infrastructure needed to safely organise the annual Hajj pilgrimage. Saudi Arabia has massively remodelled the city of Mecca; the sheer scale is most remarkable. Once a year the vast pedestrian bridges and mosques turn bright white because of the white tunics worn by the millions of pilgrims. Looking back at earlier issues of Domus, I have to voice regret and share an observation. My regret is that the Mayor of Madrid Manuela Carmena, whom we featured in May, won the recent elections but was not re-elected, and that the new right-wing city government has announced the cancellation of her coura- geous plan to pedestrianise the centre of Madrid, despite measurable ecological and economic benefits. These are ideological politics that help no one, especially not the citizens of Madrid. Now my observation: in the April issue of Domus we discussed the rise of German “birdcage” architecture, a tendency which the author Klaus Englert cautiously connected to the architecture of the Third Reich. In Germany there is currently a vivid debate in magazines and newspapers discussing the revival of fascism in architecture. We brought this to you just before the debate started in Germany. En ligne : https://www.domusweb.it/en.html

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N°383(2017:oct-nov) - 2017-10-01 - Jouer / Marcher (Bulletin de Architecture intérieure, CREE)

Public ISBD [n° ou bulletin]  est un bulletin de Architecture intérieure, CREE Titre : N°383(2017:oct-nov) - 2017-10-01 - Jouer / Marcher Type de document : texte imprimé Année de publication : 2017 Langues : Français (fre) Catégories : Aménagement du territoire -- Japon Art public Circulation urbaine -- France Design urbain Dioramas -- Expositions Éclairage architectural Éclairage décoratif Éclairage extérieur Elbphilharmonie (Hambourg, Allemagne) Herzog & De Meuron (1978 - ...) Loisirs de plein air Lotissements -- France Marche (locomotion) Mobilier urbain - France Montagnes -- Aménagement -- Suisse Moronnoz, Alexandre Musées de plein air -- France Parcs naturels régionaux -- Málaga (Espagne ; province) Passerelles -- Randa (Valais, Suisse) Projets d'urbanisme -- Dessins et plans Routes de montagne Sentiers -- Entretien et réparations Skateparks Terrains de jeux -- Design Transport par câble Urbanisation -- Séoul (Corée S) Urbanisme Villes Index. décimale : 747 Architecture d'intérieur Résumé : Sentiers, lignes de fuites La ville de demain n’est pas encore construite qu’elle nous semble déjà familière. Dégoulinante de verdure, elle sera smart, pourra communiquer avec ses voisines, gérera en temps réel des flux hétéroclites : données, eaux usées, circulation automobile, flux de marchandises, déplacements humains… Avec, derrière cet attirail de systèmes régulateurs et de tuyaux, la promesse saint-simonienne d’une ville heureuse, car efficace. Tel est le scénario sur lequel s’accordent les grands acteurs du secteur du bâtiment et de tous ceux qui interviennent de près ou de loin sur la chose urbaine. Le futur est déjà sur ses rails que la population prend la tangente. Elle marche, pour aller voir l’ailleurs, pour reprendre contact avec elle-même, renouer et retisser des liens avec le territoire et ce qui fait sa substance : ses habitants, sa géographie, son architecture, même abîmée. Les sentiers que des écrivains, des artistes où des métropolitains parcourent et tracent affirment le retour du refoulé, demandent la prise en compte des territoires secondaires de l’urbanité, zones périphériques, ville diffuse. En deux mots, le back-office chaotique de la ville moderne dans lequel jamais aucun GAFA ou aucune super-entreprise ne cherchera à remettre un peu d’ordre. Le bazar de ce territoire en fait une zone ouverte à de nouvelles dérives, prélude à la création d’une ville remise sur pied par la marche. Non contentes d’utiliser le moyen de déplacement le plus archaïque, les populations refusent d’être sérieuses, utilisant l’espace public comme une aire de jeux à ciel ouvert. Derrière l’esprit ludique comme derrière la marche, une manière de reprendre la ville, d’opposer aux scénarios ficelés un récit ouvert, joyeux et utopique. Olivier Namias [n° ou bulletin]  est un bulletin de Architecture intérieure, CREE N°383(2017:oct-nov) - 2017-10-01 - Jouer / Marcher [texte imprimé] . - 2017. Langues : Français (fre) Catégories : Aménagement du territoire -- Japon Art public Circulation urbaine -- France Design urbain Dioramas -- Expositions Éclairage architectural Éclairage décoratif Éclairage extérieur Elbphilharmonie (Hambourg, Allemagne) Herzog & De Meuron (1978 - ...) Loisirs de plein air Lotissements -- France Marche (locomotion) Mobilier urbain - France Montagnes -- Aménagement -- Suisse Moronnoz, Alexandre Musées de plein air -- France Parcs naturels régionaux -- Málaga (Espagne ; province) Passerelles -- Randa (Valais, Suisse) Projets d'urbanisme -- Dessins et plans Routes de montagne Sentiers -- Entretien et réparations Skateparks Terrains de jeux -- Design Transport par câble Urbanisation -- Séoul (Corée S) Urbanisme Villes Index. décimale : 747 Architecture d'intérieur Résumé : Sentiers, lignes de fuites La ville de demain n’est pas encore construite qu’elle nous semble déjà familière. Dégoulinante de verdure, elle sera smart, pourra communiquer avec ses voisines, gérera en temps réel des flux hétéroclites : données, eaux usées, circulation automobile, flux de marchandises, déplacements humains… Avec, derrière cet attirail de systèmes régulateurs et de tuyaux, la promesse saint-simonienne d’une ville heureuse, car efficace. Tel est le scénario sur lequel s’accordent les grands acteurs du secteur du bâtiment et de tous ceux qui interviennent de près ou de loin sur la chose urbaine. Le futur est déjà sur ses rails que la population prend la tangente. Elle marche, pour aller voir l’ailleurs, pour reprendre contact avec elle-même, renouer et retisser des liens avec le territoire et ce qui fait sa substance : ses habitants, sa géographie, son architecture, même abîmée. Les sentiers que des écrivains, des artistes où des métropolitains parcourent et tracent affirment le retour du refoulé, demandent la prise en compte des territoires secondaires de l’urbanité, zones périphériques, ville diffuse. En deux mots, le back-office chaotique de la ville moderne dans lequel jamais aucun GAFA ou aucune super-entreprise ne cherchera à remettre un peu d’ordre. Le bazar de ce territoire en fait une zone ouverte à de nouvelles dérives, prélude à la création d’une ville remise sur pied par la marche. Non contentes d’utiliser le moyen de déplacement le plus archaïque, les populations refusent d’être sérieuses, utilisant l’espace public comme une aire de jeux à ciel ouvert. Derrière l’esprit ludique comme derrière la marche, une manière de reprendre la ville, d’opposer aux scénarios ficelés un récit ouvert, joyeux et utopique. Olivier Namias

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Supplément 1030 - 2018-12-01 - Winy Maas : everything is urbanism (Bulletin de Domus)    

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