ESA SAINT-LUC LIEGE BIBLIOTHEQUE
ACCES COMPTE LECTEUR :
à la demande via l'adresse mail de la bibliothèque.
Catégories



N°1032(2019:février) - 2019-02-01 - Visioni per salavre il pianeta = Visions to save the planet (Bulletin de Domus)
![]()
![]()
[n° ou bulletin]
Titre : N°1032(2019:février) - 2019-02-01 - Visioni per salavre il pianeta = Visions to save the planet Type de document : texte imprimé Année de publication : 2019 Langues : Italien (ita) Anglais (eng) Catégories : Architecture -- 21e siècle -- Aspect social
Architecture -- Aspect environnemental
Architecture durable -- Dessins et plans
Architecture fantastique
Baies -- Chine -- Aménagement
Cafés -- Aménagement -- Design -- 21e siècle
Climat -- Cartes
Construction -- Matériaux -- Aluminium
Construction -- Normalisation
Coordination modulaire (construction)
Design durable
Développement durable
Écologie
Façades -- 21e siècle
Gestion des ressources en eau -- Aspect environnemental
Hadid, Zaha (1950-2016)
Hôtels -- Macao (Chine)
Immeubles de grande hauteur
Logement collectif
Mobilier urbain -- Conception et construction
Ponts -- Chine
Postes-frontières -- Hong Kong (Chine)
Projets d'architecture -- Dessins et plans
Projets d'urbanisme -- Dessins et plans
Restaurants -- Automatisation -- Berlin (Allemagne)
Urbanisme durable
Vintage -- DesignMots-clés : gentrification Index. décimale : 7 Arts et Beaux-Arts Note de contenu : In the February issue, guest editor Winy Maas talks about the importance of water and a new generation of designers working on visionary proposals aimed to save the Earth.
Read Winy Maas’ editorial Domus 1032
The issue starts with the Discussion section with a contribution from Dutch water ambassador Henk Ovink, which gives a realistic – and dramatic – insight into the water situation in Europe and the world, but concludes with a message of hope: we can still save the planet but have to do it collectively.
The Landscape section is dedicated to the speculative work Geostories by Design Earth, composed by the duo Rania Ghosn + E, Hadi Jazairy. Their illustrations are projected into the future and offer new ideas for living in space and the abysses. Also presented is the low-budget urban decoration project for Avenida Carles Buïgas in Tarragona, Spain.
In Urbanism we talk about the Greater Bay Area in China, the largest metropolitan area in the world, with ‘creative’ borders and characterized by colossal infrastructural works. The second focus is on the proliferation of hipster aesthetics, defined by a stereotyped imaginary in a gentrified world, which has made cafes all over the world homogeneous.
Avenida Carles Buïgas, Salou, Tarragona, Spain. Photo Adrià Goula
Avenida Carles Buïgas, Salou, Tarragona, Spain. Photo Adrià Goula
The Architecture section is populated by a series of projects designed for a community, from the social housing of LIN Architects in Germany and the projects of EM2N in Zurich, to the urban veranda of Brasil Arquitetura in Recife, Brazil. An article recounts the work of the Belgian collective Rotor, and their radical approach to the concept of reuse in architecture.
The chapter on Future city products highlights the sliding shutter systems used for the facade of Herzog & de Meuron’s Meret Oppenheim Hochhaus in Basel, the digitized Data Kitchen in Berlin – the first automatic restaurant in Europe designed around high-quality slow food – and the strategies to safeguard the Coin Street district in London.
Discover Domus by Winy Maas in the guest editor special
The issue closes with the case of the eviction of ADM, one of the last independent communities in Amsterdam, crushed under real estate speculation. The city loses one of the most representative architectural complexes of a radical and visionary housing approach.
The key event covered in this issue is the Super Bowl LIII Atlanta: for the American football final, an ephemeral city works its way into the urban fabric, offering its inhabitants a unique opportunity.
This month’s Rassegna is dedicated to thresholds, best represented by the work of dutch designer Petra Blaisse.En ligne : https://www.domusweb.it/en.html [n° ou bulletin] N°1032(2019:février) - 2019-02-01 - Visioni per salavre il pianeta = Visions to save the planet [texte imprimé] . - 2019.
Langues : Italien (ita) Anglais (eng)
Catégories : Architecture -- 21e siècle -- Aspect social
Architecture -- Aspect environnemental
Architecture durable -- Dessins et plans
Architecture fantastique
Baies -- Chine -- Aménagement
Cafés -- Aménagement -- Design -- 21e siècle
Climat -- Cartes
Construction -- Matériaux -- Aluminium
Construction -- Normalisation
Coordination modulaire (construction)
Design durable
Développement durable
Écologie
Façades -- 21e siècle
Gestion des ressources en eau -- Aspect environnemental
Hadid, Zaha (1950-2016)
Hôtels -- Macao (Chine)
Immeubles de grande hauteur
Logement collectif
Mobilier urbain -- Conception et construction
Ponts -- Chine
Postes-frontières -- Hong Kong (Chine)
Projets d'architecture -- Dessins et plans
Projets d'urbanisme -- Dessins et plans
Restaurants -- Automatisation -- Berlin (Allemagne)
Urbanisme durable
Vintage -- DesignMots-clés : gentrification Index. décimale : 7 Arts et Beaux-Arts Note de contenu : In the February issue, guest editor Winy Maas talks about the importance of water and a new generation of designers working on visionary proposals aimed to save the Earth.
Read Winy Maas’ editorial Domus 1032
The issue starts with the Discussion section with a contribution from Dutch water ambassador Henk Ovink, which gives a realistic – and dramatic – insight into the water situation in Europe and the world, but concludes with a message of hope: we can still save the planet but have to do it collectively.
The Landscape section is dedicated to the speculative work Geostories by Design Earth, composed by the duo Rania Ghosn + E, Hadi Jazairy. Their illustrations are projected into the future and offer new ideas for living in space and the abysses. Also presented is the low-budget urban decoration project for Avenida Carles Buïgas in Tarragona, Spain.
In Urbanism we talk about the Greater Bay Area in China, the largest metropolitan area in the world, with ‘creative’ borders and characterized by colossal infrastructural works. The second focus is on the proliferation of hipster aesthetics, defined by a stereotyped imaginary in a gentrified world, which has made cafes all over the world homogeneous.
Avenida Carles Buïgas, Salou, Tarragona, Spain. Photo Adrià Goula
Avenida Carles Buïgas, Salou, Tarragona, Spain. Photo Adrià Goula
The Architecture section is populated by a series of projects designed for a community, from the social housing of LIN Architects in Germany and the projects of EM2N in Zurich, to the urban veranda of Brasil Arquitetura in Recife, Brazil. An article recounts the work of the Belgian collective Rotor, and their radical approach to the concept of reuse in architecture.
The chapter on Future city products highlights the sliding shutter systems used for the facade of Herzog & de Meuron’s Meret Oppenheim Hochhaus in Basel, the digitized Data Kitchen in Berlin – the first automatic restaurant in Europe designed around high-quality slow food – and the strategies to safeguard the Coin Street district in London.
Discover Domus by Winy Maas in the guest editor special
The issue closes with the case of the eviction of ADM, one of the last independent communities in Amsterdam, crushed under real estate speculation. The city loses one of the most representative architectural complexes of a radical and visionary housing approach.
The key event covered in this issue is the Super Bowl LIII Atlanta: for the American football final, an ephemeral city works its way into the urban fabric, offering its inhabitants a unique opportunity.
This month’s Rassegna is dedicated to thresholds, best represented by the work of dutch designer Petra Blaisse.En ligne : https://www.domusweb.it/en.html Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 23312 DOMUS Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible N°1033(2019:mars) - 2019-03-01 - Le infrastrutture del potere = The infrastructure of power (Bulletin de Domus)
![]()
![]()
[n° ou bulletin]
Titre : N°1033(2019:mars) - 2019-03-01 - Le infrastrutture del potere = The infrastructure of power Type de document : texte imprimé Année de publication : 2019 Langues : Italien (ita) Anglais (eng) Catégories : Aménagement du territoire -- Aspect économique
Aménagement du territoire -- Aspect environnemental
Aménagement du territoire -- Aspect social
Architecture -- Dessins et plans
Architecture durable -- Buenos Aires (Argentine)
Art public -- Nantes (France) -- 21e siècle
Brexit
Cartes statistiques
Constructions commerciales -- Croissance -- Italie
Croissance urbaine -- Allahabad (Inde)
Développement économique -- Chine
Économie sociale et solidaire
Infrastructure (économie politique)
Kim, Jong-un (1984-....)
Libéralisme économique
Littoraux -- Aménagement -- Lagos (Nigeria)
Logement collectif -- Berlin (Allemagne) -- Dessins et plans
Marché international des professionnels de l'immobilier
Mendini, Alessandro (1931-2019)
Mines (sites d'extraction) -- Aspect environnemental
Musées nationaux -- Qatar
Nouvel, Jean (1945 - ....)
Pays de l'Union européenne -- Politique et gouvernement
Planification stratégique
Politique sociale
Projets d'urbanisme -- Dessins et plans
Réseaux (aménagement du territoire) -- Chine
Sennett, Richard (1943-....)
Sociologie urbaine
Stades -- Corée (République populaire démocratique)
Urbanisme -- Aspect social
Urbanisme temporaire -- Allahabad (Inde)
Villes -- Effets des innovations
World economic forumIndex. décimale : 7 Arts et Beaux-Arts Résumé : Infrastructures and power, the future of Europe, mines and landscape, African megalopolises (imaginary or real), an interview with Richard Sennett. Browse the gallery to discover the features included in the March issue. Note de contenu : In the March issue guest editor Winy Maas discusses about a new world map. Climate change, poverty, social tensions and conflicts are the problems that we face and need to solve not forgetting to create beauty in places.
Domus remembers Alessandro Mendini, that passed away in February. He was editor in chief for two “very different seasons”, as editorial editor Walter Mariotti defines them: from 1979 to 1986 and from 2010 to 2011.
Interview. Winy Maas meets the American sociologist Richard Sennett for a semi-formal discussion about the neoliberal city, open planning systems and more. The occasion is the Dutch publication of Sennett’s last book Building and Dwelling.
Photo Ed Jones/Afp/Getty Images
Urbanism. The cover story of this month is about the new Silk Road, the Belt and Road initiative, that will link Beijing to Madrid. With it, the Chinese economic expansion plan takes the form of a constellation of relationships that goes well beyond the infrastructure. Meanwhile, Europe is still shaken by Brexit: we propose two future scenarios about the European identity and role in the world, as a larger continent of shared values, or as an artificial democracy dominated by the machines. In Africa the cultural, social and ecological setup of the coastal area of Lagos, one of the world’s largest megacities, are threatened by development plans and land speculation.
Cinema. From Nigeria to Marvel’s fictional Wakanda, home kingdom of the African superhero Black Panther, that in some way reminds of the promotional brochures presented by real-estate developers to promote new towns in Africa.
Birnin Zana, from Black Panther (2018)
Landscape. Mines destroy the land, but will continue to expand as long as there’s money to be made. We present a global mineral extraction map and the most relevant data, that outline the leading role of China in the production of rare earth metals – but also of coal.
Architecture. Esselunga opened its first supermarket in 1957 in Milan. Since then, the company growth has been entwined with the work of famous architects and graphic designers. The story through the pictures that depict the most relevant of 158 “big boxes” that Esselunga has built all over Italy.
In Buenos Aires, the Bonpland 2169 building by Adamo Faiden was conceveid as a flexible infrastructure that welcomes diversity, and represents “a programmatically unstable but spatially specific environment”.
Oliver Wainwright, the architecture and design critic of The Guardian, picks up the Rungrado May Day Stadium, the biggest in the world, as the symbol of Kim Jong-un’s international outward-looking ambitions.
Charles Xelot, Nenets family, Navy Port, Yamal Peninsula, Russia, 2016.
Cities. In Berlin, 194.000 new apartments are needed until 2030. 28 students explored ways in which the future can become increasingly co-operative, with shared spaces and services. We present a series of five case studies analyzed in the capital city of Germany.
Kumbh Mela is the world’s largest ephemeral metropolis, with 120 millions of pilgrims attending this Hindu religious festival, and a good example of elastic urban design. It’s erected in only three months. We analyze it as a part of our series on events, after Davos and Atlanta.
One photo at a time this month features Charles Xelot’s Nenets Family, shot in the Yamal Peninsula, where the exploitation of the natural gas fields may be a double-edged sword for its inhabitants.
En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/03/04/do [...] [n° ou bulletin] N°1033(2019:mars) - 2019-03-01 - Le infrastrutture del potere = The infrastructure of power [texte imprimé] . - 2019.
Langues : Italien (ita) Anglais (eng)
Catégories : Aménagement du territoire -- Aspect économique
Aménagement du territoire -- Aspect environnemental
Aménagement du territoire -- Aspect social
Architecture -- Dessins et plans
Architecture durable -- Buenos Aires (Argentine)
Art public -- Nantes (France) -- 21e siècle
Brexit
Cartes statistiques
Constructions commerciales -- Croissance -- Italie
Croissance urbaine -- Allahabad (Inde)
Développement économique -- Chine
Économie sociale et solidaire
Infrastructure (économie politique)
Kim, Jong-un (1984-....)
Libéralisme économique
Littoraux -- Aménagement -- Lagos (Nigeria)
Logement collectif -- Berlin (Allemagne) -- Dessins et plans
Marché international des professionnels de l'immobilier
Mendini, Alessandro (1931-2019)
Mines (sites d'extraction) -- Aspect environnemental
Musées nationaux -- Qatar
Nouvel, Jean (1945 - ....)
Pays de l'Union européenne -- Politique et gouvernement
Planification stratégique
Politique sociale
Projets d'urbanisme -- Dessins et plans
Réseaux (aménagement du territoire) -- Chine
Sennett, Richard (1943-....)
Sociologie urbaine
Stades -- Corée (République populaire démocratique)
Urbanisme -- Aspect social
Urbanisme temporaire -- Allahabad (Inde)
Villes -- Effets des innovations
World economic forumIndex. décimale : 7 Arts et Beaux-Arts Résumé : Infrastructures and power, the future of Europe, mines and landscape, African megalopolises (imaginary or real), an interview with Richard Sennett. Browse the gallery to discover the features included in the March issue. Note de contenu : In the March issue guest editor Winy Maas discusses about a new world map. Climate change, poverty, social tensions and conflicts are the problems that we face and need to solve not forgetting to create beauty in places.
Domus remembers Alessandro Mendini, that passed away in February. He was editor in chief for two “very different seasons”, as editorial editor Walter Mariotti defines them: from 1979 to 1986 and from 2010 to 2011.
Interview. Winy Maas meets the American sociologist Richard Sennett for a semi-formal discussion about the neoliberal city, open planning systems and more. The occasion is the Dutch publication of Sennett’s last book Building and Dwelling.
Photo Ed Jones/Afp/Getty Images
Urbanism. The cover story of this month is about the new Silk Road, the Belt and Road initiative, that will link Beijing to Madrid. With it, the Chinese economic expansion plan takes the form of a constellation of relationships that goes well beyond the infrastructure. Meanwhile, Europe is still shaken by Brexit: we propose two future scenarios about the European identity and role in the world, as a larger continent of shared values, or as an artificial democracy dominated by the machines. In Africa the cultural, social and ecological setup of the coastal area of Lagos, one of the world’s largest megacities, are threatened by development plans and land speculation.
Cinema. From Nigeria to Marvel’s fictional Wakanda, home kingdom of the African superhero Black Panther, that in some way reminds of the promotional brochures presented by real-estate developers to promote new towns in Africa.
Birnin Zana, from Black Panther (2018)
Landscape. Mines destroy the land, but will continue to expand as long as there’s money to be made. We present a global mineral extraction map and the most relevant data, that outline the leading role of China in the production of rare earth metals – but also of coal.
Architecture. Esselunga opened its first supermarket in 1957 in Milan. Since then, the company growth has been entwined with the work of famous architects and graphic designers. The story through the pictures that depict the most relevant of 158 “big boxes” that Esselunga has built all over Italy.
In Buenos Aires, the Bonpland 2169 building by Adamo Faiden was conceveid as a flexible infrastructure that welcomes diversity, and represents “a programmatically unstable but spatially specific environment”.
Oliver Wainwright, the architecture and design critic of The Guardian, picks up the Rungrado May Day Stadium, the biggest in the world, as the symbol of Kim Jong-un’s international outward-looking ambitions.
Charles Xelot, Nenets family, Navy Port, Yamal Peninsula, Russia, 2016.
Cities. In Berlin, 194.000 new apartments are needed until 2030. 28 students explored ways in which the future can become increasingly co-operative, with shared spaces and services. We present a series of five case studies analyzed in the capital city of Germany.
Kumbh Mela is the world’s largest ephemeral metropolis, with 120 millions of pilgrims attending this Hindu religious festival, and a good example of elastic urban design. It’s erected in only three months. We analyze it as a part of our series on events, after Davos and Atlanta.
One photo at a time this month features Charles Xelot’s Nenets Family, shot in the Yamal Peninsula, where the exploitation of the natural gas fields may be a double-edged sword for its inhabitants.
En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/03/04/do [...] Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 23401 DOMUS Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : N°1036(2019:juin) - 2019-06-01 - Tradizione istantanea = Instant heritage Type de document : texte imprimé Année de publication : 2019 Importance : xii p. et 712 p. Présentation : ill. en coul. Format : 32 cm Langues : Italien (ita) Anglais (eng) Catégories : Architecture -- Dessins et plans
Architecture du paysage -- Japon -- Dessins et plans
Art public
Design urbain
Embourgeoisement (urbanisme) -- Dans l'art
Graffiti
Haussmann, Georges Eugène (1809-1891)
Impression 3D -- Dans l'art
Jardins botaniques -- Japon -- Dessins et plans
Patrimoine culturel -- Conservation et restauration
Projets d'urbanisme -- Dessins et plans
Rotterdam (Pays-Bas)
Urbanisation -- Aspect de l'environnement
Urbanisme durable
Venise (Italie)Index. décimale : 7 Arts et Beaux-Arts Note de contenu :
This issue of Domus is entitled "Instant heritage". Winy Maas starts his editorial talking about urbanism, that "is all about thinking about the future and imagining how the present might be improved”, underlining the importance of our heritage, seen not as something to be demolished but something we should take care of. The cover of the issue shows Matter Design and CEMEX Global R&D project, Walking Assembly, made of concrete using 3D printing. We talk about digital innovation, the impact of networks in the production of objects and architectures, and we present five projects that, with digital innovation, can promote a return to the pre-modern ethos of community sharing.
Urban planning. In Baku, the past becomes a resource: the oil capital of Azerbaijan changes its shape through the construction of new buildings and the renovation of Soviet-era buildings, becoming the "Paris of the Caspian” once again. Europe, on the other hand, is the protagonist of Ilja Leonard Pfeiffer's novel, Grand Hotel Europa, which describes a continent that lives with the weight of the past and with tourism as the only revenue model. The future city is presented in "Frictionless urbanism", with five visions for urban aerial mobility.
Architecture: ZUS, the Rotterdam-based architecture and urban planning studio, recounts its "city of permanent temporariness", a place in constant transformation and always incomplete.
It tells the story of the construction of the Colón Towers in Madrid from 1969, which at the time was striking for the technical innovation of their construction process, and the landscape scale design of Vector Architects in China, which dialogues with the natural territory and industrial heritage.
In Belgium, the historic Sint-Jozef building, set in the campus of the already famous Melle psychiatric centre, has a continuous debate in the design process involving patients, staff and architects. In Niger, a market designed by Mariam Kamara (Atelier Masomi) with simple coloured metal structures strengthens the sense of community. "Artificial landscape poetry" talks about the beauty of projected nature, with a focus on Art Biotop Botanical Garden, a park rich in water designed by Junya Ishigami in Tochigi, Japan.
Working with local communities, the Cape Town International Public Art Festival uses graffiti as a tool against gentrification, while in London the next Serpentine Pavilion by Junya Ishigami is eagerly awaited. In this issue of Domus, a cataloguing of all the pavilions located in Hyde Park since 2000.
The photo of the month has as protagonist the urbanization in a peripheral area in Namibia taken by the Australian photographer Leah Kennedy.En ligne : https://www.edidomus.it/en/brand/domus.html [n° ou bulletin] N°1036(2019:juin) - 2019-06-01 - Tradizione istantanea = Instant heritage [texte imprimé] . - 2019 . - xii p. et 712 p. : ill. en coul. ; 32 cm.
Langues : Italien (ita) Anglais (eng)
Catégories : Architecture -- Dessins et plans
Architecture du paysage -- Japon -- Dessins et plans
Art public
Design urbain
Embourgeoisement (urbanisme) -- Dans l'art
Graffiti
Haussmann, Georges Eugène (1809-1891)
Impression 3D -- Dans l'art
Jardins botaniques -- Japon -- Dessins et plans
Patrimoine culturel -- Conservation et restauration
Projets d'urbanisme -- Dessins et plans
Rotterdam (Pays-Bas)
Urbanisation -- Aspect de l'environnement
Urbanisme durable
Venise (Italie)Index. décimale : 7 Arts et Beaux-Arts Note de contenu :
This issue of Domus is entitled "Instant heritage". Winy Maas starts his editorial talking about urbanism, that "is all about thinking about the future and imagining how the present might be improved”, underlining the importance of our heritage, seen not as something to be demolished but something we should take care of. The cover of the issue shows Matter Design and CEMEX Global R&D project, Walking Assembly, made of concrete using 3D printing. We talk about digital innovation, the impact of networks in the production of objects and architectures, and we present five projects that, with digital innovation, can promote a return to the pre-modern ethos of community sharing.
Urban planning. In Baku, the past becomes a resource: the oil capital of Azerbaijan changes its shape through the construction of new buildings and the renovation of Soviet-era buildings, becoming the "Paris of the Caspian” once again. Europe, on the other hand, is the protagonist of Ilja Leonard Pfeiffer's novel, Grand Hotel Europa, which describes a continent that lives with the weight of the past and with tourism as the only revenue model. The future city is presented in "Frictionless urbanism", with five visions for urban aerial mobility.
Architecture: ZUS, the Rotterdam-based architecture and urban planning studio, recounts its "city of permanent temporariness", a place in constant transformation and always incomplete.
It tells the story of the construction of the Colón Towers in Madrid from 1969, which at the time was striking for the technical innovation of their construction process, and the landscape scale design of Vector Architects in China, which dialogues with the natural territory and industrial heritage.
In Belgium, the historic Sint-Jozef building, set in the campus of the already famous Melle psychiatric centre, has a continuous debate in the design process involving patients, staff and architects. In Niger, a market designed by Mariam Kamara (Atelier Masomi) with simple coloured metal structures strengthens the sense of community. "Artificial landscape poetry" talks about the beauty of projected nature, with a focus on Art Biotop Botanical Garden, a park rich in water designed by Junya Ishigami in Tochigi, Japan.
Working with local communities, the Cape Town International Public Art Festival uses graffiti as a tool against gentrification, while in London the next Serpentine Pavilion by Junya Ishigami is eagerly awaited. In this issue of Domus, a cataloguing of all the pavilions located in Hyde Park since 2000.
The photo of the month has as protagonist the urbanization in a peripheral area in Namibia taken by the Australian photographer Leah Kennedy.En ligne : https://www.edidomus.it/en/brand/domus.html Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 23686 DOMUS Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : N°1037(2019:juillet/août) - 2019-07-01 - Funziona! = Yes, it works! Type de document : texte imprimé Année de publication : 2019 Langues : Anglais (eng) Italien (ita) Catégories : Aménagement du territoire -- Aspect environnemental
Architecture -- Aspect environnemental
Architecture -- Dessins et plans
Architecture durable
Biennale de Venise (58 ; 2019)
Design -- Afrique -- 21e siècle
Design durable
Développement durable
Espaces publics
Jardins en milieu urbain
La Mecque (Arabie saoudite) -- Mosquée al-Haram
Moscou (Russie)
Panama, Canal de (Panama)
Projets d'architecture -- Dessins et plans
Projets d'urbanisme -- Dessins et plans
Shanghai (Chine)
Suez, Canal de (Égypte)
Toits-terrasses
Urbanisme -- Dessins et plans
Urbanisme durable.
Villes -- Aspect environnementalIndex. décimale : 7 Arts et Beaux-Arts Résumé :
Architects who have used green facades or rooftop gardens have been criticised for greenwashing. There was quite a bit of negative energy drected at the Milan’s Bosco Verticale by Stefano Boeri Architetti upon its completion, but people overlooked that the actual completion date of a vertical forest can only be after the forest has had a chance to grow. It is fair to add another five years as a “growth period” after the construction phase, and to celebrate another opening once the forest has matured – see how wonderful the Bosco Verticale looks right now.
Adding plants does not replace sustainable technology, but in this issue an article about the Green Dip shows that this approach still works and how it still has a positive impact on the city.
We show that it also works on an urban level with the landscape design of Moscow’s inner ring road. From hostile concrete and tarmac environments, in this way the city can become friendly for its inhabitants and a joy to experience.
Even if a city has little space left to become greener or refurbish its streets, a real difference can be made. In São Paulo, the transformation of a former office building into a public building with a stunning rooftop pool is touching in its simplicity and effectiveness. I always like to see humans and architecture interact in photography because we create architecture for use and interaction, and it’s amazing how often there are no images with people in them. But the building by Paulo Mendes da Rocha and MMBB is always fully used and the images are already a monument to its success. It is a truly public building in Brazil.
Even if a city has little space left to become greener or refurbish its streets, a real difference can be made
We also analyse the massive infrastructure needed to safely organise the annual Hajj pilgrimage. Saudi Arabia has massively remodelled the city of Mecca; the sheer scale is most remarkable. Once a year the vast pedestrian bridges and mosques turn bright white because of the white tunics worn by the millions of pilgrims.
Looking back at earlier issues of Domus, I have to voice regret and share an observation. My regret is that the Mayor of Madrid Manuela Carmena, whom we featured in May, won the recent elections but was not re-elected, and that the new right-wing city government has announced the cancellation of her coura- geous plan to pedestrianise the centre of Madrid, despite measurable ecological and economic benefits. These are ideological politics that help no one, especially not the citizens of Madrid.
Now my observation: in the April issue of Domus we discussed the rise of German “birdcage” architecture, a tendency which the author Klaus Englert cautiously connected to the architecture of the Third Reich. In Germany there is currently a vivid debate in magazines and newspapers discussing the revival of fascism in architecture. We brought this to you just before the debate started in Germany.En ligne : https://www.domusweb.it/en.html [n° ou bulletin] N°1037(2019:juillet/août) - 2019-07-01 - Funziona! = Yes, it works! [texte imprimé] . - 2019.
Langues : Anglais (eng) Italien (ita)
Catégories : Aménagement du territoire -- Aspect environnemental
Architecture -- Aspect environnemental
Architecture -- Dessins et plans
Architecture durable
Biennale de Venise (58 ; 2019)
Design -- Afrique -- 21e siècle
Design durable
Développement durable
Espaces publics
Jardins en milieu urbain
La Mecque (Arabie saoudite) -- Mosquée al-Haram
Moscou (Russie)
Panama, Canal de (Panama)
Projets d'architecture -- Dessins et plans
Projets d'urbanisme -- Dessins et plans
Shanghai (Chine)
Suez, Canal de (Égypte)
Toits-terrasses
Urbanisme -- Dessins et plans
Urbanisme durable.
Villes -- Aspect environnementalIndex. décimale : 7 Arts et Beaux-Arts Résumé :
Architects who have used green facades or rooftop gardens have been criticised for greenwashing. There was quite a bit of negative energy drected at the Milan’s Bosco Verticale by Stefano Boeri Architetti upon its completion, but people overlooked that the actual completion date of a vertical forest can only be after the forest has had a chance to grow. It is fair to add another five years as a “growth period” after the construction phase, and to celebrate another opening once the forest has matured – see how wonderful the Bosco Verticale looks right now.
Adding plants does not replace sustainable technology, but in this issue an article about the Green Dip shows that this approach still works and how it still has a positive impact on the city.
We show that it also works on an urban level with the landscape design of Moscow’s inner ring road. From hostile concrete and tarmac environments, in this way the city can become friendly for its inhabitants and a joy to experience.
Even if a city has little space left to become greener or refurbish its streets, a real difference can be made. In São Paulo, the transformation of a former office building into a public building with a stunning rooftop pool is touching in its simplicity and effectiveness. I always like to see humans and architecture interact in photography because we create architecture for use and interaction, and it’s amazing how often there are no images with people in them. But the building by Paulo Mendes da Rocha and MMBB is always fully used and the images are already a monument to its success. It is a truly public building in Brazil.
Even if a city has little space left to become greener or refurbish its streets, a real difference can be made
We also analyse the massive infrastructure needed to safely organise the annual Hajj pilgrimage. Saudi Arabia has massively remodelled the city of Mecca; the sheer scale is most remarkable. Once a year the vast pedestrian bridges and mosques turn bright white because of the white tunics worn by the millions of pilgrims.
Looking back at earlier issues of Domus, I have to voice regret and share an observation. My regret is that the Mayor of Madrid Manuela Carmena, whom we featured in May, won the recent elections but was not re-elected, and that the new right-wing city government has announced the cancellation of her coura- geous plan to pedestrianise the centre of Madrid, despite measurable ecological and economic benefits. These are ideological politics that help no one, especially not the citizens of Madrid.
Now my observation: in the April issue of Domus we discussed the rise of German “birdcage” architecture, a tendency which the author Klaus Englert cautiously connected to the architecture of the Third Reich. In Germany there is currently a vivid debate in magazines and newspapers discussing the revival of fascism in architecture. We brought this to you just before the debate started in Germany.En ligne : https://www.domusweb.it/en.html Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 23695 DOMUS Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible N°383(2017:oct-nov) - 2017-10-01 - Jouer / Marcher (Bulletin de Architecture intérieure, CREE)
[n° ou bulletin]
Titre : N°383(2017:oct-nov) - 2017-10-01 - Jouer / Marcher Type de document : texte imprimé Année de publication : 2017 Langues : Français (fre) Catégories : Aménagement du territoire -- Japon
Art public
Circulation urbaine -- France
Design urbain
Dioramas -- Expositions
Éclairage architectural
Éclairage décoratif
Éclairage extérieur
Elbphilharmonie (Hambourg, Allemagne)
Herzog & De Meuron (1978 - ...)
Loisirs de plein air
Lotissements -- France
Marche (locomotion)
Mobilier urbain - France
Montagnes -- Aménagement -- Suisse
Moronnoz, Alexandre
Musées de plein air -- France
Parcs naturels régionaux -- Málaga (Espagne ; province)
Passerelles -- Randa (Valais, Suisse)
Projets d'urbanisme -- Dessins et plans
Routes de montagne
Sentiers -- Entretien et réparations
Skateparks
Terrains de jeux -- Design
Transport par câble
Urbanisation -- Séoul (Corée S)
Urbanisme
VillesIndex. décimale : 747 Architecture d'intérieur Résumé : Sentiers, lignes de fuites
La ville de demain n’est pas encore construite qu’elle nous semble déjà familière. Dégoulinante de verdure, elle sera smart, pourra communiquer avec ses voisines, gérera en temps réel des flux hétéroclites : données, eaux usées, circulation automobile, flux de marchandises, déplacements humains… Avec, derrière cet attirail de systèmes régulateurs et de tuyaux, la promesse saint-simonienne d’une ville heureuse, car efficace. Tel est le scénario sur lequel s’accordent les grands acteurs du secteur du bâtiment et de tous ceux qui interviennent de près ou de loin sur la chose urbaine. Le futur est déjà sur ses rails que la population prend la tangente. Elle marche, pour aller voir l’ailleurs, pour reprendre contact avec elle-même, renouer et retisser des liens avec le territoire et ce qui fait sa substance : ses habitants, sa géographie, son architecture, même abîmée. Les sentiers que des écrivains, des artistes où des métropolitains parcourent et tracent affirment le retour du refoulé, demandent la prise en compte des territoires secondaires de l’urbanité, zones périphériques, ville diffuse. En deux mots, le back-office chaotique de la ville moderne dans lequel jamais aucun GAFA ou aucune super-entreprise ne cherchera à remettre un peu d’ordre. Le bazar de ce territoire en fait une zone ouverte à de nouvelles dérives, prélude à la création d’une ville remise sur pied par la marche. Non contentes d’utiliser le moyen de déplacement le plus archaïque, les populations refusent d’être sérieuses, utilisant l’espace public comme une aire de jeux à ciel ouvert. Derrière l’esprit ludique comme derrière la marche, une manière de reprendre la ville, d’opposer aux scénarios ficelés un récit ouvert, joyeux et utopique.
Olivier Namias[n° ou bulletin] N°383(2017:oct-nov) - 2017-10-01 - Jouer / Marcher [texte imprimé] . - 2017.
Langues : Français (fre)
Catégories : Aménagement du territoire -- Japon
Art public
Circulation urbaine -- France
Design urbain
Dioramas -- Expositions
Éclairage architectural
Éclairage décoratif
Éclairage extérieur
Elbphilharmonie (Hambourg, Allemagne)
Herzog & De Meuron (1978 - ...)
Loisirs de plein air
Lotissements -- France
Marche (locomotion)
Mobilier urbain - France
Montagnes -- Aménagement -- Suisse
Moronnoz, Alexandre
Musées de plein air -- France
Parcs naturels régionaux -- Málaga (Espagne ; province)
Passerelles -- Randa (Valais, Suisse)
Projets d'urbanisme -- Dessins et plans
Routes de montagne
Sentiers -- Entretien et réparations
Skateparks
Terrains de jeux -- Design
Transport par câble
Urbanisation -- Séoul (Corée S)
Urbanisme
VillesIndex. décimale : 747 Architecture d'intérieur Résumé : Sentiers, lignes de fuites
La ville de demain n’est pas encore construite qu’elle nous semble déjà familière. Dégoulinante de verdure, elle sera smart, pourra communiquer avec ses voisines, gérera en temps réel des flux hétéroclites : données, eaux usées, circulation automobile, flux de marchandises, déplacements humains… Avec, derrière cet attirail de systèmes régulateurs et de tuyaux, la promesse saint-simonienne d’une ville heureuse, car efficace. Tel est le scénario sur lequel s’accordent les grands acteurs du secteur du bâtiment et de tous ceux qui interviennent de près ou de loin sur la chose urbaine. Le futur est déjà sur ses rails que la population prend la tangente. Elle marche, pour aller voir l’ailleurs, pour reprendre contact avec elle-même, renouer et retisser des liens avec le territoire et ce qui fait sa substance : ses habitants, sa géographie, son architecture, même abîmée. Les sentiers que des écrivains, des artistes où des métropolitains parcourent et tracent affirment le retour du refoulé, demandent la prise en compte des territoires secondaires de l’urbanité, zones périphériques, ville diffuse. En deux mots, le back-office chaotique de la ville moderne dans lequel jamais aucun GAFA ou aucune super-entreprise ne cherchera à remettre un peu d’ordre. Le bazar de ce territoire en fait une zone ouverte à de nouvelles dérives, prélude à la création d’une ville remise sur pied par la marche. Non contentes d’utiliser le moyen de déplacement le plus archaïque, les populations refusent d’être sérieuses, utilisant l’espace public comme une aire de jeux à ciel ouvert. Derrière l’esprit ludique comme derrière la marche, une manière de reprendre la ville, d’opposer aux scénarios ficelés un récit ouvert, joyeux et utopique.
Olivier NamiasRéservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 21809 ArchiCREE Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible Permalink