N°1034(2019:avril) - 2019-04-01 - Sapzio alla diversità = Room for diversity (Bulletin de Domus) 

Public ISBD [n° ou bulletin]  est un bulletin de Domus Titre : N°1034(2019:avril) - 2019-04-01 - Sapzio alla diversità = Room for diversity Type de document : texte imprimé Année de publication : 2019 Langues : Italien (ita) Anglais (eng) Catégories : Architecture -- 21e siècle -- Aspect social Architecture et la nature Chaises -- Design Construction durable Constructions en verre Design -- 21e siècle Design -- Aspect de l'environnement Design durable Logement -- Aspect économique Logement -- New York (N.Y.) -- 21e siècle -- Aspect économique Miroirs Nature -- Dans l'art Ungers, Oswald Mathias (1926-2007) Index. décimale : 7 Arts et Beaux-Arts Résumé : Architecture. Doubling the planet is a selection of projects through which architecture questions the mirror as a way to solve its problems of identity and aesthetics. We also analyze how Oswald Mathias Hungers compositional ordering principles are translated into German architecture today and the role of China’s Design Institute, a hybrid organization between bureaucracy and charisma. Anatxu Zabalbeascoa, architecture critic of El Pais, has selected the revolutionary renovations of Lacaton & Vassal on three buildings in Bordeaux as a good example of projects that don’t demolish, but repair, saving the social housing legacy. Design. We’ve collected five projects which demonstrate that it’s possible to design with nature, using bio-materials and creating artificial ecologies. April is the month of Milano Design Week: we explain what it is its impact on the city. Its legacy for Milan is the capacity to generate continual transformations of the built environment, with virtuous repercussions for citizens’ lives. Editorial director Walter Mariotti interviews Claudio Luti, president of the Salone del Mobile, president and owner of Kartell. [n° ou bulletin]  est un bulletin de Domus N°1034(2019:avril) - 2019-04-01 - Sapzio alla diversità = Room for diversity [texte imprimé] . - 2019. Langues : Italien (ita) Anglais (eng) Catégories : Architecture -- 21e siècle -- Aspect social Architecture et la nature Chaises -- Design Construction durable Constructions en verre Design -- 21e siècle Design -- Aspect de l'environnement Design durable Logement -- Aspect économique Logement -- New York (N.Y.) -- 21e siècle -- Aspect économique Miroirs Nature -- Dans l'art Ungers, Oswald Mathias (1926-2007) Index. décimale : 7 Arts et Beaux-Arts Résumé : Architecture. Doubling the planet is a selection of projects through which architecture questions the mirror as a way to solve its problems of identity and aesthetics. We also analyze how Oswald Mathias Hungers compositional ordering principles are translated into German architecture today and the role of China’s Design Institute, a hybrid organization between bureaucracy and charisma. Anatxu Zabalbeascoa, architecture critic of El Pais, has selected the revolutionary renovations of Lacaton & Vassal on three buildings in Bordeaux as a good example of projects that don’t demolish, but repair, saving the social housing legacy. Design. We’ve collected five projects which demonstrate that it’s possible to design with nature, using bio-materials and creating artificial ecologies. April is the month of Milano Design Week: we explain what it is its impact on the city. Its legacy for Milan is the capacity to generate continual transformations of the built environment, with virtuous repercussions for citizens’ lives. Editorial director Walter Mariotti interviews Claudio Luti, president of the Salone del Mobile, president and owner of Kartell.

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N°1039(2019:octobre) - 2019-10-01 - Solo noi possiamo fare le città = Only we can make the new cities (Bulletin de Domus)    

Public ISBD [n° ou bulletin]  est un bulletin de Domus Titre : N°1039(2019:octobre) - 2019-10-01 - Solo noi possiamo fare le città = Only we can make the new cities Type de document : texte imprimé Année de publication : 2019 Langues : Italien (ita) Anglais (eng) Catégories : Aménagement du territoire -- Shanghai (Chine) -- 21e siècle Anastassiades, Michael (1967-....) Architecture -- Chine -- Dessins et plans -- 21e siècle Architecture -- Dessins et plans Architecture durable Art -- Aspect social -- 21e siècle Art dans la rue -- 21e siècle Cartographie -- Informatique Constructions -- 21e siècle Constructions en verre Croissance urbaine -- Inde -- Aspect environnemental Data visualisation -- Cartographie Design -- 21e siècle Design durable Design industriel -- 21e siècle -- Dessins et plans Designers -- 21e siècle Ecoconception Escaliers extérieurs JR (1983 - ....) Matières plastiques -- Déchets -- 21e siècle Matières plastiques -- Industrie et commerce -- 21e siècle Mobilité spatiale -- 21e siècle -- Cartes Musées -- Shanghai (Chine) Rives -- Aménagement -- Huangpu (Chine ; cours d'eau) Urbanisme -- 21e siècle Urbanisme -- Aspect économique Urbanisme -- Aspect social Urbanisme -- Istanbul (Turquie) Urbanisme -- Medellín (Colombie) Urbanisme durable Villes -- Aspect environnemental Index. décimale : 7 Arts et Beaux-Arts Note de contenu : Many people maybe think that cities are made of concrete, stone, and brick – and fixed by ‘others’: politicians, bureaucrats and developers. But the city is made of people; concrete, stone, and brick is only needed to let them live in such close proximity. Few artists who show this ethos better than JR. His style of “graffiti” – in which he pastes enlarged photographs, usually of people, onto buildings and around the city – literally humanizes our urban environments. In this way, JR reminds us who makes the city. In this issue we see how an enlightened initiative in Medellín has turned areas around the city’s water storage tanks into beautiful ( and much-needed) open spaces and facilities for public use. Thanks to Medellín’s topography, many of these spaces offer astonishing views over the city. Another way a city can change for the benefit of its citizens is by improving transport. Good mobility allows people to access equal opportunities and to make sustainable choices. But how should a city approach this? In each city the challenges and opportunities are different. Mobility In Chain introduces us to four very different cities (in North America, Europe, and Africa) which have each taken a different approach to mobility with interesting results. Many people maybe think that cities are made of concrete, stone, and brick – and fixed by ‘others’: politicians, bureaucrats and developers. But the city is made of people; concrete, stone, and brick is only needed to let them live in such close proximity Those are ways that people have received better urban environments thanks to those with power. But not all of those in power are so generous. Fortunately, some people are occasionally lucky enough to replace those people. In this issue we feature an interview with Ekrem İmamoğlu, whom the people of Istanbul elected as their new mayor this summer. It is the first time in 15 years that Istanbul’s mayor has not been a representative of Recep Tayyip Erdogan’s AK party – a “celebration of democracy”, as İmamoğlu called it when he took office. In the interview he tells us of his plans for the city, many of which centre on the citizens: social housing, pedestrian spaces, and open, transparent competitions to redesign public spaces. Taking control of the city is not always simple. Sometimes people have to fight for transparency in new developments, and for spaces that put their concerns first. An interesting example is the Quayside district in Toronto, being produced by Sidewalk Labs (a sister company of Google). Google sees the Quayside District as a “human-centred” plan with smart technological solutions to improve the public realm. But the community has been worried by a lack of transparency, a lack of community consultation and privacy issues. They have maintained an impressive resistance – showing there is an important difference between being told that something is good for you, and getting to decide what is good for yourself. The effects of a fire in the rainforest of Mandacaru, state of Mato Grosso, Brazil, September 2019. Photo Victor Moiyama/The New York Times/Redux/Contrasto Domus 1039 is entitled “Only we can make the cities”. In his editorial Winy Maas reminds us that cities are made of people and not of concrete, stone and brick, only needed to let people live in proximity. He introduces the work by JR, the artist who pastes huge photographs of people onto buildings and around urban environments, reminding who makes the city. The requalification of the periphery of Medellín, in Colombia, led by the Articulated Life Units, is a social urban planning at the service of the community, and the regeneration plan for the Huangpu riverside makes Shanghai the new cultural metropolis of Asia. The interview with Ekrem İmamoğlu, the new mayor of Istanbul, deals with the sustainability of the city, the traffic congestion and the shortage of affordable housing. In “How should we move?” urban mobilty systems have been compared, showing the maps of transports of Dar es Salaam, Zurich, Los Angeles and Silicon Valley. The challenge of design and architecture professionals: how to employ eco-friendlier materials reducing waste production in the design process, for a world without disposable plastic? The issue of white architecture is discussed in “Worldwhite?”: the different connotations of this architecture from the Partenon to the buildings designed by Le Corbusier, Oscar Niemeyer or Álvaro Siza; the projects by Aires Mateus for the Architecture Faculty in Belgium, and by Alberto Campo Baeza for Casa Cala in Spain. The last page is dedicated to photography: Harpur Hill, from Project Cleansweep, taken by Dara McGrath, represents the quarry, one of many UK sites were chemical weapons were manufactured, tested or stored between WWI and the Cold War. With the magazine, the supplement Atelier interiors. Places of creativity. En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/10/03/do [...] [n° ou bulletin]  est un bulletin de Domus N°1039(2019:octobre) - 2019-10-01 - Solo noi possiamo fare le città = Only we can make the new cities [texte imprimé] . - 2019. Langues : Italien (ita) Anglais (eng) Catégories : Aménagement du territoire -- Shanghai (Chine) -- 21e siècle Anastassiades, Michael (1967-....) Architecture -- Chine -- Dessins et plans -- 21e siècle Architecture -- Dessins et plans Architecture durable Art -- Aspect social -- 21e siècle Art dans la rue -- 21e siècle Cartographie -- Informatique Constructions -- 21e siècle Constructions en verre Croissance urbaine -- Inde -- Aspect environnemental Data visualisation -- Cartographie Design -- 21e siècle Design durable Design industriel -- 21e siècle -- Dessins et plans Designers -- 21e siècle Ecoconception Escaliers extérieurs JR (1983 - ....) Matières plastiques -- Déchets -- 21e siècle Matières plastiques -- Industrie et commerce -- 21e siècle Mobilité spatiale -- 21e siècle -- Cartes Musées -- Shanghai (Chine) Rives -- Aménagement -- Huangpu (Chine ; cours d'eau) Urbanisme -- 21e siècle Urbanisme -- Aspect économique Urbanisme -- Aspect social Urbanisme -- Istanbul (Turquie) Urbanisme -- Medellín (Colombie) Urbanisme durable Villes -- Aspect environnemental Index. décimale : 7 Arts et Beaux-Arts Note de contenu : Many people maybe think that cities are made of concrete, stone, and brick – and fixed by ‘others’: politicians, bureaucrats and developers. But the city is made of people; concrete, stone, and brick is only needed to let them live in such close proximity. Few artists who show this ethos better than JR. His style of “graffiti” – in which he pastes enlarged photographs, usually of people, onto buildings and around the city – literally humanizes our urban environments. In this way, JR reminds us who makes the city. In this issue we see how an enlightened initiative in Medellín has turned areas around the city’s water storage tanks into beautiful ( and much-needed) open spaces and facilities for public use. Thanks to Medellín’s topography, many of these spaces offer astonishing views over the city. Another way a city can change for the benefit of its citizens is by improving transport. Good mobility allows people to access equal opportunities and to make sustainable choices. But how should a city approach this? In each city the challenges and opportunities are different. Mobility In Chain introduces us to four very different cities (in North America, Europe, and Africa) which have each taken a different approach to mobility with interesting results. Many people maybe think that cities are made of concrete, stone, and brick – and fixed by ‘others’: politicians, bureaucrats and developers. But the city is made of people; concrete, stone, and brick is only needed to let them live in such close proximity Those are ways that people have received better urban environments thanks to those with power. But not all of those in power are so generous. Fortunately, some people are occasionally lucky enough to replace those people. In this issue we feature an interview with Ekrem İmamoğlu, whom the people of Istanbul elected as their new mayor this summer. It is the first time in 15 years that Istanbul’s mayor has not been a representative of Recep Tayyip Erdogan’s AK party – a “celebration of democracy”, as İmamoğlu called it when he took office. In the interview he tells us of his plans for the city, many of which centre on the citizens: social housing, pedestrian spaces, and open, transparent competitions to redesign public spaces. Taking control of the city is not always simple. Sometimes people have to fight for transparency in new developments, and for spaces that put their concerns first. An interesting example is the Quayside district in Toronto, being produced by Sidewalk Labs (a sister company of Google). Google sees the Quayside District as a “human-centred” plan with smart technological solutions to improve the public realm. But the community has been worried by a lack of transparency, a lack of community consultation and privacy issues. They have maintained an impressive resistance – showing there is an important difference between being told that something is good for you, and getting to decide what is good for yourself. The effects of a fire in the rainforest of Mandacaru, state of Mato Grosso, Brazil, September 2019. Photo Victor Moiyama/The New York Times/Redux/Contrasto Domus 1039 is entitled “Only we can make the cities”. In his editorial Winy Maas reminds us that cities are made of people and not of concrete, stone and brick, only needed to let people live in proximity. He introduces the work by JR, the artist who pastes huge photographs of people onto buildings and around urban environments, reminding who makes the city. The requalification of the periphery of Medellín, in Colombia, led by the Articulated Life Units, is a social urban planning at the service of the community, and the regeneration plan for the Huangpu riverside makes Shanghai the new cultural metropolis of Asia. The interview with Ekrem İmamoğlu, the new mayor of Istanbul, deals with the sustainability of the city, the traffic congestion and the shortage of affordable housing. In “How should we move?” urban mobilty systems have been compared, showing the maps of transports of Dar es Salaam, Zurich, Los Angeles and Silicon Valley. The challenge of design and architecture professionals: how to employ eco-friendlier materials reducing waste production in the design process, for a world without disposable plastic? The issue of white architecture is discussed in “Worldwhite?”: the different connotations of this architecture from the Partenon to the buildings designed by Le Corbusier, Oscar Niemeyer or Álvaro Siza; the projects by Aires Mateus for the Architecture Faculty in Belgium, and by Alberto Campo Baeza for Casa Cala in Spain. The last page is dedicated to photography: Harpur Hill, from Project Cleansweep, taken by Dara McGrath, represents the quarry, one of many UK sites were chemical weapons were manufactured, tested or stored between WWI and the Cold War. With the magazine, the supplement Atelier interiors. Places of creativity. En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/10/03/do [...]

Est accompagné de

• Supplément 1039 - 2019-10-01 - Interni d'autore : i luoghi della creatività = Ateliers interiors : placec of creativity (Bulletin de Domus)
• Supplément 1039 - 2019-10-01 - Naturality : the italian stone theatre : 2019 (Bulletin de Domus)

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Supplément 1030 - 2018-12-01 - Winy Maas : everything is urbanism (Bulletin de Domus)    

Public ISBD [n° ou bulletin]  est un bulletin de Domus Titre : Supplément 1030 - 2018-12-01 - Winy Maas : everything is urbanism Type de document : texte imprimé Année de publication : 2018 Langues : Italien (ita) Anglais (eng) Catégories : Architectes -- Pays-Bas -- 21e siècle Architecture -- Informatique Bibliothèques (constructions) -- Chine -- 21e siècle Constructions en verre Expositions horticoles -- Almere (Pays-Bas) – 21e siècle Innovations technologiques LEGO (jouets) Maas, Winy (1959-....) MVRDV Projets d'urbanisme -- Bordeaux -- 21e siècle Projets d'urbanisme -- Dessins et plans Projets d'urbanisme -- Séoul (Corée du Sud) Urbanisme -- Dessins et plans Urbanisme -- Philosophie Villes -- Aspect environnemental Villes -- Effets des innovations Villes -- Photographies Index. décimale : 711 - Urbanisme Note de contenu : “Urbanism can be sexy”: 5 minutes with Domus guest editor Winy Maas Winy Maas vows to make urbanism “sexy” as Domus editor for 2019. In this video he discusses his vision for the magazine with editorial director Walter Mariotti. Winy Maas asks school children to imagine the future of Milan with Lego Lego towers modeled on the Trojan horse and human DNA were among the proposals of school children asked to predict the future of their city. Jessica Mairs Marianna Guernieri En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas.html [n° ou bulletin]  est un bulletin de Domus Supplément 1030 - 2018-12-01 - Winy Maas : everything is urbanism [texte imprimé] . - 2018. Langues : Italien (ita) Anglais (eng) Catégories : Architectes -- Pays-Bas -- 21e siècle Architecture -- Informatique Bibliothèques (constructions) -- Chine -- 21e siècle Constructions en verre Expositions horticoles -- Almere (Pays-Bas) – 21e siècle Innovations technologiques LEGO (jouets) Maas, Winy (1959-....) MVRDV Projets d'urbanisme -- Bordeaux -- 21e siècle Projets d'urbanisme -- Dessins et plans Projets d'urbanisme -- Séoul (Corée du Sud) Urbanisme -- Dessins et plans Urbanisme -- Philosophie Villes -- Aspect environnemental Villes -- Effets des innovations Villes -- Photographies Index. décimale : 711 - Urbanisme Note de contenu : “Urbanism can be sexy”: 5 minutes with Domus guest editor Winy Maas Winy Maas vows to make urbanism “sexy” as Domus editor for 2019. In this video he discusses his vision for the magazine with editorial director Walter Mariotti. Winy Maas asks school children to imagine the future of Milan with Lego Lego towers modeled on the Trojan horse and human DNA were among the proposals of school children asked to predict the future of their city. Jessica Mairs Marianna Guernieri En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas.html

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Vol.2017:N°6 - 2017-06-01 - Bauen mit Glas = Gass Construction (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)  

Public ISBD [n° ou bulletin]  est un bulletin de Detail : Zeitschrift für Architecktur + Baudetail Titre : Vol.2017:N°6 - 2017-06-01 - Bauen mit Glas = Gass Construction Type de document : texte imprimé Année de publication : 2017 Langues : Allemand (ger) Anglais (eng) Catégories : Centres de recherche -- Londres (GB) Construction en verre -- Innovations technologiques Constructions -- Gand (Belgique) Constructions commerciales -- Shanghai (Chine) Constructions en verre Constructions scolaires (universités) -- Etats-Unis Façades Habitations -- Manchester (GB) Immeubles de bureau -- Londres (GB) Immeubles de bureau -- Nantes (Loire-Atlantique) Mouvement moderne (architecture) Index. décimale : 72 Architecture Résumé : Datum: 01.06.2017 »Transparenz wird überschätzt«, meinte Jacques Herzog vor etwa einem Jahr bei der Eröffnung des Vitra Schaudepots in Weil am Rhein. Wird sie das wirklich? Wir sind dieser Frage in unserer Juni-Ausgabe nachgegangen und haben eine vorläufige Bilanz gezogen. Zwar hat die zeichenhafte Bedeutung von transparenter Architektur im Vergleich zur Nachkriegsära an Relevanz verloren – ihre symbolische Strahlkraft als Sinnbild für die Demokratie ist nicht mehr vorrangig. Doch im Gegensatz zu früher gibt es heute sehr vielfältige Qualitäten, die Gebäude aus Glas auszeichnen und ihre Architektur einzigartig machen. Für die Dokumentationen dieser Ausgabe hat unsere Redakteurin Heide Wessely richtungsweisende Projekte und die entsprechenden konstruktiven Details zusammengestellt. Der Baukörper der Ryerson-Universität in Toronto von Snøhetta stellt den Studierenden dank seiner bedruckten Glasfassade abwechslungsreich belichtete Innenräume zur Verfügung, die sie für unterschiedliche Lernszenarien nutzen können. Mit drehbaren bedruckten Glaslamellen reagiert die Fassade des Bankengebäudes in Nantes von AIA Associés auf die Sonneneinstrahlung und schafft eine klimatische Pufferzone. Die wärmegedämmten Gussglaselemente der Außenhülle des Sainsbury Wellcome Centre in London von Ian Ritchie Architects schirmen das Innere der Forschungseinrichtung vom Straßenraum ab und streuen blendfreies Licht in die Arbeitsräume. Mit dem gläsernen Pavillon in Manchester und dem Glasatrium in der Baker Street in London zeigen wir Ihnen zwei funktionale und dezente Ergänzungen von historischen Bestandsbauten. Der Diskussionsbeitrag in dieser Ausgabe erörtert das Potenzial von Glas für die vielen Wohntürme, die derzeit in großen Städten Konjunktur haben. Und im Technik-Artikel wirft unser Autor Kars Haarhuis einen Blick auf innovative Hybridstrukturen, die Beton oder Stahl mit tragendem Glas kombinieren. Note de contenu : 1 Editorial Sandra Hofmeister 18 Impressum, Fotonachweis 108 Contributors Berichte • reports 6 Studieren mit Aussicht: Universitätsgebäude in New York Jakob Schoof 10 Zwischen Expressionismus und Nachkriegsmoderne – Otto Bartning Claudia Fuchs 12 Wohnhochhaus für Studenten in Vancouver Roland Pawlitschko 14 Bücher Diskussion • discussion 20 In der Höhe wohnen Heide Wessely Dokumentation • documentation 30 Wohnhaus in Gent (BE) Miass Architectuur, Gent / Steven Vandenborre Architecten, Kortrijk 34 Hochschulzentrum in Toronto (CA) Snøhetta, New York, mit Zeidler Partnership Architects, Toronto 42 Glasatrium in London (GB) Marks Barfield Architects, London 47 Bürogebäude in Nantes (FR)AIA Associés, Paris 52 Flagship-Store in Shanghai (CN) UUfie, Toronto 58 Pavillon in Manchester (GB) SimpsonHaugh and Partners, Manchester 64 Forschungszentrum in London (GB) Ian Ritchie Architects, London Technik • technology 72 Tragendes Glas in HybridstrukturenKars Haarhuis Produkte • products 76 DETAIL research 82 Fassaden 90 Außenanlagen 92 Möbel- und Raumkonzepte 96 Bauphysik 100 Architektur im Dialog 101 Serviceteil 106 Projektbeteiligte / Hersteller /Ausführende Firmen En ligne : http://www.detail.de/heftarchiv-artikel/bauen-mit-glas-30176/ [n° ou bulletin]  est un bulletin de Detail : Zeitschrift für Architecktur + Baudetail Vol.2017:N°6 - 2017-06-01 - Bauen mit Glas = Gass Construction [texte imprimé] . - 2017. Langues : Allemand (ger) Anglais (eng) Catégories : Centres de recherche -- Londres (GB) Construction en verre -- Innovations technologiques Constructions -- Gand (Belgique) Constructions commerciales -- Shanghai (Chine) Constructions en verre Constructions scolaires (universités) -- Etats-Unis Façades Habitations -- Manchester (GB) Immeubles de bureau -- Londres (GB) Immeubles de bureau -- Nantes (Loire-Atlantique) Mouvement moderne (architecture) Index. décimale : 72 Architecture Résumé : Datum: 01.06.2017 »Transparenz wird überschätzt«, meinte Jacques Herzog vor etwa einem Jahr bei der Eröffnung des Vitra Schaudepots in Weil am Rhein. Wird sie das wirklich? Wir sind dieser Frage in unserer Juni-Ausgabe nachgegangen und haben eine vorläufige Bilanz gezogen. Zwar hat die zeichenhafte Bedeutung von transparenter Architektur im Vergleich zur Nachkriegsära an Relevanz verloren – ihre symbolische Strahlkraft als Sinnbild für die Demokratie ist nicht mehr vorrangig. Doch im Gegensatz zu früher gibt es heute sehr vielfältige Qualitäten, die Gebäude aus Glas auszeichnen und ihre Architektur einzigartig machen. Für die Dokumentationen dieser Ausgabe hat unsere Redakteurin Heide Wessely richtungsweisende Projekte und die entsprechenden konstruktiven Details zusammengestellt. Der Baukörper der Ryerson-Universität in Toronto von Snøhetta stellt den Studierenden dank seiner bedruckten Glasfassade abwechslungsreich belichtete Innenräume zur Verfügung, die sie für unterschiedliche Lernszenarien nutzen können. Mit drehbaren bedruckten Glaslamellen reagiert die Fassade des Bankengebäudes in Nantes von AIA Associés auf die Sonneneinstrahlung und schafft eine klimatische Pufferzone. Die wärmegedämmten Gussglaselemente der Außenhülle des Sainsbury Wellcome Centre in London von Ian Ritchie Architects schirmen das Innere der Forschungseinrichtung vom Straßenraum ab und streuen blendfreies Licht in die Arbeitsräume. Mit dem gläsernen Pavillon in Manchester und dem Glasatrium in der Baker Street in London zeigen wir Ihnen zwei funktionale und dezente Ergänzungen von historischen Bestandsbauten. Der Diskussionsbeitrag in dieser Ausgabe erörtert das Potenzial von Glas für die vielen Wohntürme, die derzeit in großen Städten Konjunktur haben. Und im Technik-Artikel wirft unser Autor Kars Haarhuis einen Blick auf innovative Hybridstrukturen, die Beton oder Stahl mit tragendem Glas kombinieren. Note de contenu : 1 Editorial Sandra Hofmeister 18 Impressum, Fotonachweis 108 Contributors Berichte • reports 6 Studieren mit Aussicht: Universitätsgebäude in New York Jakob Schoof 10 Zwischen Expressionismus und Nachkriegsmoderne – Otto Bartning Claudia Fuchs 12 Wohnhochhaus für Studenten in Vancouver Roland Pawlitschko 14 Bücher Diskussion • discussion 20 In der Höhe wohnen Heide Wessely Dokumentation • documentation 30 Wohnhaus in Gent (BE) Miass Architectuur, Gent / Steven Vandenborre Architecten, Kortrijk 34 Hochschulzentrum in Toronto (CA) Snøhetta, New York, mit Zeidler Partnership Architects, Toronto 42 Glasatrium in London (GB) Marks Barfield Architects, London 47 Bürogebäude in Nantes (FR)AIA Associés, Paris 52 Flagship-Store in Shanghai (CN) UUfie, Toronto 58 Pavillon in Manchester (GB) SimpsonHaugh and Partners, Manchester 64 Forschungszentrum in London (GB) Ian Ritchie Architects, London Technik • technology 72 Tragendes Glas in HybridstrukturenKars Haarhuis Produkte • products 76 DETAIL research 82 Fassaden 90 Außenanlagen 92 Möbel- und Raumkonzepte 96 Bauphysik 100 Architektur im Dialog 101 Serviceteil 106 Projektbeteiligte / Hersteller /Ausführende Firmen En ligne : http://www.detail.de/heftarchiv-artikel/bauen-mit-glas-30176/

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Vol.2018:N°3 - 2018-03-01 - Bühnenbauten = Theatre Structures (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)  

Public ISBD [n° ou bulletin]  est un bulletin de Detail : Zeitschrift für Architecktur + Baudetail Titre : Vol.2018:N°3 - 2018-03-01 - Bühnenbauten = Theatre Structures Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Acoustique architecturale Architecture -- Dessins et plans Auditoriums CHIPPERFIELD, David (1953 - ....) Construction en béton Constructions circulaires Constructions en verre Couleur en architecture Éclairage architectural et décoratif Foster associates (Londres) Louvre-Abu Dhabi -- Dessins et plans Luminaires - Design Musées (constructions) Museum Würth (Künzelsau, Allemagne) Opéras (constructions) Plein air Salles de spectacle Théâtres - Conception et construction Théâtres en rond Index. décimale : 72 Architecture Résumé : Approximately one year ago, the Elbphilharmonie in Hamburg opened its doors for the first time. With the advent of this new landmark on the River Elbe in North Germany, one registers an increase in the general esteem for stage structures. Nowadays their cultural significance is no longer called in question; it is appreciated instead. In the public perception, buildings of this kind everywhere have assumed a status that was formerly reserved for museums. In the March issue of Detail, we present concepts for auditoriums and open-air theatres, congress centres and large opera houses. The one thing they all have in common, of course, is a stage – sometimes larger, sometimes smaller and sometimes even variable in size. The examples we include here, from Swabia to North Jutland, from Canada and China, allow a comparison of typological aspects; for example, questions of access and circulation and the layout of the individual halls. In the two longer “Process” contributions, which describe the Music Forum in Bochum and the Auditorium and Congress Centre in Plasencia, Spain, we investigate concrete issues involving the acoustics and planning. Stage structures are public places where people gather and feel at home. In Bochum, Bez+Kock Architects have succeeded in reactivating a 19th-century neo-Gothic church for this purpose. And in the Extremadura in Spain, a new auditorium by José Selgas and Lucía Cano has caught the attention of the public for the first time in this context in a remote location where such an audience did not previously exist. These, too, are aspects with which we have been keenly concerned in the editorial team. Note de contenu : Magazin Reports Louvre in Abu Dhabi – Symbol der Toleranz? = Louvre in Abu Dhabi – Symbol of Tolerance? Apple für Besucher = Apple Park Visitor Centre Regeln, Normen und Paragraphen = Rules, Norms and Paragraphs Bücher = Books DETAIL research Origami aus Beton = Concrete Origami Architektur im Dialog = Architecture in Dialogue Produkte = Products Light + Building Special Innenausbau = Interior Construction Essay Der Auftritt vor dem Auftritt = The Show before the Show Frank Kaltenbach Typologie = Typology Carmen Würth Forum bei Heilbronn (DE)= Carmen Würth Forum near Heilbronn (DE) David Chipperfield Architects Berlin Oper in Harbin (CN)= Opera House in Harbin (CN) MAD Architects Freilufttheater in Québec (CA)= Open-Air Theatre in Québec (CA) Atelier Paul Laurendeau Vendsyssel-Theater in Hjørring (DK) = Vendsyssl Theatre in Hjørring (DK) Schmidt Hammer Lassen Architects Theaterturm auf dem Julierpass (CH) = Theatre Tower on the Julier Pass (CH) Giovanni Netzer, Walter Bieler Barenboim-Said Akademie in Berlin (DE)= Barenboim-Said Academy in Berlin (DE) Gehry Partners, HG Merz, rw Prozess = Process Auditorium und Kongresszentrum in der Extremadura = Auditorium and Congress Centre in the Extremadura selgascano Musikforum in Bochum = Music Forum in Bochum Bez + Kock En ligne : https://www.detail-online.com/fileadmin/uploads/hogeweyk/DETAIL-3-2018-Inhalt.pd [...] [n° ou bulletin]  est un bulletin de Detail : Zeitschrift für Architecktur + Baudetail Vol.2018:N°3 - 2018-03-01 - Bühnenbauten = Theatre Structures [texte imprimé] . - 2018. Langues : Allemand (ger) Anglais (eng) Catégories : Acoustique architecturale Architecture -- Dessins et plans Auditoriums CHIPPERFIELD, David (1953 - ....) Construction en béton Constructions circulaires Constructions en verre Couleur en architecture Éclairage architectural et décoratif Foster associates (Londres) Louvre-Abu Dhabi -- Dessins et plans Luminaires - Design Musées (constructions) Museum Würth (Künzelsau, Allemagne) Opéras (constructions) Plein air Salles de spectacle Théâtres - Conception et construction Théâtres en rond Index. décimale : 72 Architecture Résumé : Approximately one year ago, the Elbphilharmonie in Hamburg opened its doors for the first time. With the advent of this new landmark on the River Elbe in North Germany, one registers an increase in the general esteem for stage structures. Nowadays their cultural significance is no longer called in question; it is appreciated instead. In the public perception, buildings of this kind everywhere have assumed a status that was formerly reserved for museums. In the March issue of Detail, we present concepts for auditoriums and open-air theatres, congress centres and large opera houses. The one thing they all have in common, of course, is a stage – sometimes larger, sometimes smaller and sometimes even variable in size. The examples we include here, from Swabia to North Jutland, from Canada and China, allow a comparison of typological aspects; for example, questions of access and circulation and the layout of the individual halls. In the two longer “Process” contributions, which describe the Music Forum in Bochum and the Auditorium and Congress Centre in Plasencia, Spain, we investigate concrete issues involving the acoustics and planning. Stage structures are public places where people gather and feel at home. In Bochum, Bez+Kock Architects have succeeded in reactivating a 19th-century neo-Gothic church for this purpose. And in the Extremadura in Spain, a new auditorium by José Selgas and Lucía Cano has caught the attention of the public for the first time in this context in a remote location where such an audience did not previously exist. These, too, are aspects with which we have been keenly concerned in the editorial team. Note de contenu : Magazin Reports Louvre in Abu Dhabi – Symbol der Toleranz? = Louvre in Abu Dhabi – Symbol of Tolerance? Apple für Besucher = Apple Park Visitor Centre Regeln, Normen und Paragraphen = Rules, Norms and Paragraphs Bücher = Books DETAIL research Origami aus Beton = Concrete Origami Architektur im Dialog = Architecture in Dialogue Produkte = Products Light + Building Special Innenausbau = Interior Construction Essay Der Auftritt vor dem Auftritt = The Show before the Show Frank Kaltenbach Typologie = Typology Carmen Würth Forum bei Heilbronn (DE)= Carmen Würth Forum near Heilbronn (DE) David Chipperfield Architects Berlin Oper in Harbin (CN)= Opera House in Harbin (CN) MAD Architects Freilufttheater in Québec (CA)= Open-Air Theatre in Québec (CA) Atelier Paul Laurendeau Vendsyssel-Theater in Hjørring (DK) = Vendsyssl Theatre in Hjørring (DK) Schmidt Hammer Lassen Architects Theaterturm auf dem Julierpass (CH) = Theatre Tower on the Julier Pass (CH) Giovanni Netzer, Walter Bieler Barenboim-Said Akademie in Berlin (DE)= Barenboim-Said Academy in Berlin (DE) Gehry Partners, HG Merz, rw Prozess = Process Auditorium und Kongresszentrum in der Extremadura = Auditorium and Congress Centre in the Extremadura selgascano Musikforum in Bochum = Music Forum in Bochum Bez + Kock En ligne : https://www.detail-online.com/fileadmin/uploads/hogeweyk/DETAIL-3-2018-Inhalt.pd [...]

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Vol.2018:N°5 - 2018-05-01 - Fassaden = Façades (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)  

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