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1/2.2020 - 2020-01-09 - Fenster und Fasaden = Windows and Facades (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
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Titre : 1/2.2020 - 2020-01-09 - Fenster und Fasaden = Windows and Facades Type de document : texte imprimé Année de publication : 2020 Langues : Allemand (ger) Anglais (eng) Catégories : Architecture -- Dessins et plans
Architecture et climat -- Dhahran (Arabie Saoudite)
Baies (architecture)
Brise-soleil -- Histoire et critique
Centre des études olympiques (Lausanne, Suisse)
Centres culturels -- Dhahran (Arabie Saoudite)
Constructions en verre
Constructions scolaires -- Façades -- Suisse
Écoles professionnelles -- Genk (Belgique)
Façades -- 21e siècle
Fenêtres
Toits végétalisés
Verre en décoration architecturale -- Innovations technologiques
Verrières (architecture)
VitrageIndex. décimale : 72 Architecture Note de contenu : Editorial
Impressum Imprint
Projektbeteiligte & HerstellerProject Teams & Suppliers
Contributors Magazin Reports
Produktive StadtkroneGarden City Crown
Geschichten über scheinbar UnscheinbaresHidden Stories Shaping the Built Environment
Notfall auf dem Planeten ErdeEmergency on Planet Earth
Bücher Books
DETAIL researchDünnglas für die Fassaden-gestaltungThin Glass for Facade Design
Architektur im DialogArchitecture in Dialogue
ProdukteProducts Fassade Facade Innenausbau Interior Construction Dokumentation Documentation
Kulturzentrum in Dhahran (SA)Cultural Centre in Dhahran (SA)Snøhetta
Sanierung des Great Arthur House in London (GB)Renovation of Great Arthur House in London (GB)John Robertson Architects
Schule in Orsonnens (CH)School in Orsonnens (CH)TEd’A arquitectes, Rapin Saiz ArchitectesEssay Schattenwurf nach MaßCasting Custom Shadows Jakob SchoofTe c hnikTechnology Olympic House in Lausanne (CH)Frank Kaltenbach Wohnhochhaus in Stockholm (SE)Residential Tower in Stockholm (SE)OMA Ausbildungszentrum in Genk (BE)Education Centre in Genk (BE)Atelier Kempe Thill, osar architects Wohnhaus in Zürich (CH)Residential House in Zurich (CH)Andreas Fuhrimann Gabrielle Hächler Architekten Kulturzentrum in Prag (CZ)Cultural Centre in Prague (CZ)Petr Hájek ArchitekEn ligne : https://www.detail-online.com/fileadmin/uploads/hogeweyk/DETAIL-1-2-2020-Inhalt. [...] [n° ou bulletin] 1/2.2020 - 2020-01-09 - Fenster und Fasaden = Windows and Facades [texte imprimé] . - 2020.
Langues : Allemand (ger) Anglais (eng)
Catégories : Architecture -- Dessins et plans
Architecture et climat -- Dhahran (Arabie Saoudite)
Baies (architecture)
Brise-soleil -- Histoire et critique
Centre des études olympiques (Lausanne, Suisse)
Centres culturels -- Dhahran (Arabie Saoudite)
Constructions en verre
Constructions scolaires -- Façades -- Suisse
Écoles professionnelles -- Genk (Belgique)
Façades -- 21e siècle
Fenêtres
Toits végétalisés
Verre en décoration architecturale -- Innovations technologiques
Verrières (architecture)
VitrageIndex. décimale : 72 Architecture Note de contenu : Editorial
Impressum Imprint
Projektbeteiligte & HerstellerProject Teams & Suppliers
Contributors Magazin Reports
Produktive StadtkroneGarden City Crown
Geschichten über scheinbar UnscheinbaresHidden Stories Shaping the Built Environment
Notfall auf dem Planeten ErdeEmergency on Planet Earth
Bücher Books
DETAIL researchDünnglas für die Fassaden-gestaltungThin Glass for Facade Design
Architektur im DialogArchitecture in Dialogue
ProdukteProducts Fassade Facade Innenausbau Interior Construction Dokumentation Documentation
Kulturzentrum in Dhahran (SA)Cultural Centre in Dhahran (SA)Snøhetta
Sanierung des Great Arthur House in London (GB)Renovation of Great Arthur House in London (GB)John Robertson Architects
Schule in Orsonnens (CH)School in Orsonnens (CH)TEd’A arquitectes, Rapin Saiz ArchitectesEssay Schattenwurf nach MaßCasting Custom Shadows Jakob SchoofTe c hnikTechnology Olympic House in Lausanne (CH)Frank Kaltenbach Wohnhochhaus in Stockholm (SE)Residential Tower in Stockholm (SE)OMA Ausbildungszentrum in Genk (BE)Education Centre in Genk (BE)Atelier Kempe Thill, osar architects Wohnhaus in Zürich (CH)Residential House in Zurich (CH)Andreas Fuhrimann Gabrielle Hächler Architekten Kulturzentrum in Prag (CZ)Cultural Centre in Prague (CZ)Petr Hájek ArchitekEn ligne : https://www.detail-online.com/fileadmin/uploads/hogeweyk/DETAIL-1-2-2020-Inhalt. [...] Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 23992 DETAIL Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible 10.2020 - 2020-10-09 - Gebäudehüllen = Building Envelopes (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)
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Titre : 10.2020 - 2020-10-09 - Gebäudehüllen = Building Envelopes Type de document : texte imprimé Année de publication : 2020 Langues : Allemand (ger) Anglais (eng) Catégories : Architecture -- 21e siècle -- Dessins et plans
Balcons -- Design -- Montpellier (Hérault)
CHIPPERFIELD, David (1953 - ....)
Constructions en bois
Constructions en verre
Constructions métalliques
Façades
Fujimoto, Sou (1971-....)
Immeubles de grande hauteur -- Façades -- Innovations technologiques
Immeubles de grande hauteur -- Montpellier (Hérault) -- 21e siècle
Immeubles de grande hauteur -- Réfection -- Anvers (Belgique)
Laisné, Nicolas (1977-....)
Mies van der Rohe, Ludwig (1886-1969)
Musées (constructions) -- Berlin (Allemagne) -- 20e siècle -- Réfection -- 21e siècle
Neue Nationalgalerie (Berlin)
Roussel, Dimitri (1985-....)Note de contenu : Für die Grundinstandsetzung der Neuen Nationalgalerie standen David Chipperfield Architects Berlin vor der Herausforderung, soviel wie möglich von Mies van der Rohes ikonischem Original aus den 1960er-Jahren zu erhalten und die filigrane Stahl-Glas-Fassade gleichzeitig an heutige technische Anforderungen anzupassen. Ein schwieriges Unterfangen, das durch sorgfältige Recherche und minutiös entwickelte Details gelingt. Im Sommer 2021 soll das Gebäude am Kulturforum in Berlin wieder eröffnen, in unserem Technik-Beitrag erläutert Julia Liese die Details der Sanierung.
Weitere aktuelle Beispiele in unserer Oktober-Ausgabe zu Außenhüllen führen Sie von Berlin nach Marseille und von Antwerpen nach Vorarlberg. Kaleidoskopartig spiegelt sich die Umgebung des Berliner Hauptbahnhofs in der Fassade des neuen Bürogebäudes von 3XN. Unterschiedlich geneigte Glasdreiecke umhüllen den kubischen Solitär und lassen Luft in den Fassadenzwischenraum strömen. Für den Wohnturm L’Arbre Blanc in Marseille war ein Baumstamm mit Ästen die Leitidee der Architekten. Luftige Balkone, die bis zu 7 m aus der weißen Trapezblechfassade auskragen, bestimmen das Erscheinungsbild des Gebäudes und sorgen für Sonnenschutz. Die Plattformen im Freien sind jeweils einer Wohneinheit zugeordnet und bei den Maisonetten über Treppen miteinander verbunden. Auch in Höchst am Bodensee ist die Verschattung eine maßgebliche Funktion der Fassade: Die homogene Außenhülle der pavillonartigen Werkhalle besteht aus Weißtannenlamellen, die das Tageslicht filtern und die Innenräume gemeinsam mit dem durchgehenden Holzvordach vor direkter Sonneneinstrahlung schützen.En ligne : https://www.detail.de/heft-artikel/gebaeudehuellen/ [n° ou bulletin] 10.2020 - 2020-10-09 - Gebäudehüllen = Building Envelopes [texte imprimé] . - 2020.
Langues : Allemand (ger) Anglais (eng)
Catégories : Architecture -- 21e siècle -- Dessins et plans
Balcons -- Design -- Montpellier (Hérault)
CHIPPERFIELD, David (1953 - ....)
Constructions en bois
Constructions en verre
Constructions métalliques
Façades
Fujimoto, Sou (1971-....)
Immeubles de grande hauteur -- Façades -- Innovations technologiques
Immeubles de grande hauteur -- Montpellier (Hérault) -- 21e siècle
Immeubles de grande hauteur -- Réfection -- Anvers (Belgique)
Laisné, Nicolas (1977-....)
Mies van der Rohe, Ludwig (1886-1969)
Musées (constructions) -- Berlin (Allemagne) -- 20e siècle -- Réfection -- 21e siècle
Neue Nationalgalerie (Berlin)
Roussel, Dimitri (1985-....)Note de contenu : Für die Grundinstandsetzung der Neuen Nationalgalerie standen David Chipperfield Architects Berlin vor der Herausforderung, soviel wie möglich von Mies van der Rohes ikonischem Original aus den 1960er-Jahren zu erhalten und die filigrane Stahl-Glas-Fassade gleichzeitig an heutige technische Anforderungen anzupassen. Ein schwieriges Unterfangen, das durch sorgfältige Recherche und minutiös entwickelte Details gelingt. Im Sommer 2021 soll das Gebäude am Kulturforum in Berlin wieder eröffnen, in unserem Technik-Beitrag erläutert Julia Liese die Details der Sanierung.
Weitere aktuelle Beispiele in unserer Oktober-Ausgabe zu Außenhüllen führen Sie von Berlin nach Marseille und von Antwerpen nach Vorarlberg. Kaleidoskopartig spiegelt sich die Umgebung des Berliner Hauptbahnhofs in der Fassade des neuen Bürogebäudes von 3XN. Unterschiedlich geneigte Glasdreiecke umhüllen den kubischen Solitär und lassen Luft in den Fassadenzwischenraum strömen. Für den Wohnturm L’Arbre Blanc in Marseille war ein Baumstamm mit Ästen die Leitidee der Architekten. Luftige Balkone, die bis zu 7 m aus der weißen Trapezblechfassade auskragen, bestimmen das Erscheinungsbild des Gebäudes und sorgen für Sonnenschutz. Die Plattformen im Freien sind jeweils einer Wohneinheit zugeordnet und bei den Maisonetten über Treppen miteinander verbunden. Auch in Höchst am Bodensee ist die Verschattung eine maßgebliche Funktion der Fassade: Die homogene Außenhülle der pavillonartigen Werkhalle besteht aus Weißtannenlamellen, die das Tageslicht filtern und die Innenräume gemeinsam mit dem durchgehenden Holzvordach vor direkter Sonneneinstrahlung schützen.En ligne : https://www.detail.de/heft-artikel/gebaeudehuellen/ Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 24702 DETAIL Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible N°1034(2019:avril) - 2019-04-01 - Sapzio alla diversità = Room for diversity (Bulletin de Domus)
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Titre : N°1034(2019:avril) - 2019-04-01 - Sapzio alla diversità = Room for diversity Type de document : texte imprimé Année de publication : 2019 Langues : Italien (ita) Anglais (eng) Catégories : Architecture -- 21e siècle -- Aspect social
Architecture et la nature
Chaises -- Design
Construction durable
Constructions en verre
Design -- 21e siècle
Design -- Aspect de l'environnement
Design durable
Logement -- Aspect économique
Logement -- New York (N.Y.) -- 21e siècle -- Aspect économique
Miroirs
Nature -- Dans l'art
Ungers, Oswald Mathias (1926-2007)Index. décimale : 7 Arts et Beaux-Arts Résumé : Architecture. Doubling the planet is a selection of projects through which architecture questions the mirror as a way to solve its problems of identity and aesthetics. We also analyze how Oswald Mathias Hungers compositional ordering principles are translated into German architecture today and the role of China’s Design Institute, a hybrid organization between bureaucracy and charisma. Anatxu Zabalbeascoa, architecture critic of El Pais, has selected the revolutionary renovations of Lacaton & Vassal on three buildings in Bordeaux as a good example of projects that don’t demolish, but repair, saving the social housing legacy.
Design. We’ve collected five projects which demonstrate that it’s possible to design with nature, using bio-materials and creating artificial ecologies.
April is the month of Milano Design Week: we explain what it is its impact on the city. Its legacy for Milan is the capacity to generate continual transformations of the built environment, with virtuous repercussions for citizens’ lives. Editorial director Walter Mariotti interviews Claudio Luti, president of the Salone del Mobile, president and owner of Kartell.
[n° ou bulletin] N°1034(2019:avril) - 2019-04-01 - Sapzio alla diversità = Room for diversity [texte imprimé] . - 2019.
Langues : Italien (ita) Anglais (eng)
Catégories : Architecture -- 21e siècle -- Aspect social
Architecture et la nature
Chaises -- Design
Construction durable
Constructions en verre
Design -- 21e siècle
Design -- Aspect de l'environnement
Design durable
Logement -- Aspect économique
Logement -- New York (N.Y.) -- 21e siècle -- Aspect économique
Miroirs
Nature -- Dans l'art
Ungers, Oswald Mathias (1926-2007)Index. décimale : 7 Arts et Beaux-Arts Résumé : Architecture. Doubling the planet is a selection of projects through which architecture questions the mirror as a way to solve its problems of identity and aesthetics. We also analyze how Oswald Mathias Hungers compositional ordering principles are translated into German architecture today and the role of China’s Design Institute, a hybrid organization between bureaucracy and charisma. Anatxu Zabalbeascoa, architecture critic of El Pais, has selected the revolutionary renovations of Lacaton & Vassal on three buildings in Bordeaux as a good example of projects that don’t demolish, but repair, saving the social housing legacy.
Design. We’ve collected five projects which demonstrate that it’s possible to design with nature, using bio-materials and creating artificial ecologies.
April is the month of Milano Design Week: we explain what it is its impact on the city. Its legacy for Milan is the capacity to generate continual transformations of the built environment, with virtuous repercussions for citizens’ lives. Editorial director Walter Mariotti interviews Claudio Luti, president of the Salone del Mobile, president and owner of Kartell.
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Code-barres Cote Support Localisation Section Disponibilité SL 23502 DOMUS Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible N°1039(2019:octobre) - 2019-10-01 - Solo noi possiamo fare le città = Only we can make the new cities (Bulletin de Domus)
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Titre : N°1039(2019:octobre) - 2019-10-01 - Solo noi possiamo fare le città = Only we can make the new cities Type de document : texte imprimé Année de publication : 2019 Langues : Italien (ita) Anglais (eng) Catégories : Aménagement du territoire -- Shanghai (Chine) -- 21e siècle
Anastassiades, Michael (1967-....)
Architecture -- Chine -- Dessins et plans -- 21e siècle
Architecture -- Dessins et plans
Architecture durable
Art -- Aspect social -- 21e siècle
Art dans la rue -- 21e siècle
Cartographie -- Informatique
Constructions -- 21e siècle
Constructions en verre
Croissance urbaine -- Inde -- Aspect environnemental
Data visualisation -- Cartographie
Design -- 21e siècle
Design durable
Design industriel -- 21e siècle -- Dessins et plans
Designers -- 21e siècle
Écoconception
Escaliers extérieurs
JR (1983 - ....)
Matières plastiques -- Déchets -- 21e siècle
Matières plastiques -- Industrie et commerce -- 21e siècle
Mobilité spatiale -- 21e siècle -- Cartes
Musées -- Shanghai (Chine)
Rives -- Aménagement -- Huangpu (Chine ; cours d'eau)
Urbanisme -- 21e siècle
Urbanisme -- Aspect économique
Urbanisme -- Aspect social
Urbanisme -- Istanbul (Turquie)
Urbanisme -- Medellín (Colombie)
Urbanisme durable
Villes -- Aspect environnementalIndex. décimale : 7 Arts et Beaux-Arts Note de contenu : Many people maybe think that cities are made of concrete, stone, and brick – and fixed by ‘others’: politicians, bureaucrats and developers. But the city is made of people; concrete, stone, and brick is only needed to let them live in such close proximity. Few artists who show this ethos better than JR. His style of “graffiti” – in which he pastes enlarged photographs, usually of people, onto buildings and around the city – literally humanizes our urban environments. In this way, JR reminds us who makes the city.
In this issue we see how an enlightened initiative in Medellín has turned areas around the city’s water storage tanks into beautiful ( and much-needed) open spaces and facilities for public use. Thanks to Medellín’s topography, many of these spaces offer astonishing views over the city.
Another way a city can change for the benefit of its citizens is by improving transport. Good mobility allows people to access equal opportunities and to make sustainable choices. But how should a city approach this? In each city the challenges and opportunities are different. Mobility In Chain introduces us to four very different cities (in North America, Europe, and Africa) which have each taken a different approach to mobility with interesting results.
Many people maybe think that cities are made of concrete, stone, and brick – and fixed by ‘others’: politicians, bureaucrats and developers. But the city is made of people; concrete, stone, and brick is only needed to let them live in such close proximity
Those are ways that people have received better urban environments thanks to those with power. But not all of those in power are so generous. Fortunately, some people are occasionally lucky enough to replace those people. In this issue we feature an interview with Ekrem İmamoğlu, whom the people of Istanbul elected as their new mayor this summer. It is the first time in 15 years that Istanbul’s mayor has not been a representative of Recep Tayyip Erdogan’s AK party – a “celebration of democracy”, as İmamoğlu called it when he took office. In the interview he tells us of his plans for the city, many of which centre on the citizens: social housing, pedestrian spaces, and open, transparent competitions to redesign public spaces.
Taking control of the city is not always simple. Sometimes people have to fight for transparency in new developments, and for spaces that put their concerns first. An interesting example is the Quayside district in Toronto, being produced by Sidewalk Labs (a sister company of Google). Google sees the Quayside District as a “human-centred” plan with smart technological solutions to improve the public realm. But the community has been worried by a lack of transparency, a lack of community consultation and privacy issues. They have maintained an impressive resistance – showing there is an important difference between being told that something is good for you, and getting to decide what is good for yourself.
The effects of a fire in the rainforest of Mandacaru, state of Mato Grosso, Brazil, September 2019. Photo Victor Moiyama/The New York Times/Redux/Contrasto
Domus 1039 is entitled “Only we can make the cities”. In his editorial Winy Maas reminds us that cities are made of people and not of concrete, stone and brick, only needed to let people live in proximity. He introduces the work by JR, the artist who pastes huge photographs of people onto buildings and around urban environments, reminding who makes the city.
The requalification of the periphery of Medellín, in Colombia, led by the Articulated Life Units, is a social urban planning at the service of the community, and the regeneration plan for the Huangpu riverside makes Shanghai the new cultural metropolis of Asia. The interview with Ekrem İmamoğlu, the new mayor of Istanbul, deals with the sustainability of the city, the traffic congestion and the shortage of affordable housing.
In “How should we move?” urban mobilty systems have been compared, showing the maps of transports of Dar es Salaam, Zurich, Los Angeles and Silicon Valley.
The challenge of design and architecture professionals: how to employ eco-friendlier materials reducing waste production in the design process, for a world without disposable plastic?
The issue of white architecture is discussed in “Worldwhite?”: the different connotations of this architecture from the Partenon to the buildings designed by Le Corbusier, Oscar Niemeyer or Álvaro Siza; the projects by Aires Mateus for the Architecture Faculty in Belgium, and by Alberto Campo Baeza for Casa Cala in Spain.
The last page is dedicated to photography: Harpur Hill, from Project Cleansweep, taken by Dara McGrath, represents the quarry, one of many UK sites were chemical weapons were manufactured, tested or stored between WWI and the Cold War.
With the magazine, the supplement Atelier interiors. Places of creativity.
En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/10/03/do [...] [n° ou bulletin] N°1039(2019:octobre) - 2019-10-01 - Solo noi possiamo fare le città = Only we can make the new cities [texte imprimé] . - 2019.
Langues : Italien (ita) Anglais (eng)
Catégories : Aménagement du territoire -- Shanghai (Chine) -- 21e siècle
Anastassiades, Michael (1967-....)
Architecture -- Chine -- Dessins et plans -- 21e siècle
Architecture -- Dessins et plans
Architecture durable
Art -- Aspect social -- 21e siècle
Art dans la rue -- 21e siècle
Cartographie -- Informatique
Constructions -- 21e siècle
Constructions en verre
Croissance urbaine -- Inde -- Aspect environnemental
Data visualisation -- Cartographie
Design -- 21e siècle
Design durable
Design industriel -- 21e siècle -- Dessins et plans
Designers -- 21e siècle
Écoconception
Escaliers extérieurs
JR (1983 - ....)
Matières plastiques -- Déchets -- 21e siècle
Matières plastiques -- Industrie et commerce -- 21e siècle
Mobilité spatiale -- 21e siècle -- Cartes
Musées -- Shanghai (Chine)
Rives -- Aménagement -- Huangpu (Chine ; cours d'eau)
Urbanisme -- 21e siècle
Urbanisme -- Aspect économique
Urbanisme -- Aspect social
Urbanisme -- Istanbul (Turquie)
Urbanisme -- Medellín (Colombie)
Urbanisme durable
Villes -- Aspect environnementalIndex. décimale : 7 Arts et Beaux-Arts Note de contenu : Many people maybe think that cities are made of concrete, stone, and brick – and fixed by ‘others’: politicians, bureaucrats and developers. But the city is made of people; concrete, stone, and brick is only needed to let them live in such close proximity. Few artists who show this ethos better than JR. His style of “graffiti” – in which he pastes enlarged photographs, usually of people, onto buildings and around the city – literally humanizes our urban environments. In this way, JR reminds us who makes the city.
In this issue we see how an enlightened initiative in Medellín has turned areas around the city’s water storage tanks into beautiful ( and much-needed) open spaces and facilities for public use. Thanks to Medellín’s topography, many of these spaces offer astonishing views over the city.
Another way a city can change for the benefit of its citizens is by improving transport. Good mobility allows people to access equal opportunities and to make sustainable choices. But how should a city approach this? In each city the challenges and opportunities are different. Mobility In Chain introduces us to four very different cities (in North America, Europe, and Africa) which have each taken a different approach to mobility with interesting results.
Many people maybe think that cities are made of concrete, stone, and brick – and fixed by ‘others’: politicians, bureaucrats and developers. But the city is made of people; concrete, stone, and brick is only needed to let them live in such close proximity
Those are ways that people have received better urban environments thanks to those with power. But not all of those in power are so generous. Fortunately, some people are occasionally lucky enough to replace those people. In this issue we feature an interview with Ekrem İmamoğlu, whom the people of Istanbul elected as their new mayor this summer. It is the first time in 15 years that Istanbul’s mayor has not been a representative of Recep Tayyip Erdogan’s AK party – a “celebration of democracy”, as İmamoğlu called it when he took office. In the interview he tells us of his plans for the city, many of which centre on the citizens: social housing, pedestrian spaces, and open, transparent competitions to redesign public spaces.
Taking control of the city is not always simple. Sometimes people have to fight for transparency in new developments, and for spaces that put their concerns first. An interesting example is the Quayside district in Toronto, being produced by Sidewalk Labs (a sister company of Google). Google sees the Quayside District as a “human-centred” plan with smart technological solutions to improve the public realm. But the community has been worried by a lack of transparency, a lack of community consultation and privacy issues. They have maintained an impressive resistance – showing there is an important difference between being told that something is good for you, and getting to decide what is good for yourself.
The effects of a fire in the rainforest of Mandacaru, state of Mato Grosso, Brazil, September 2019. Photo Victor Moiyama/The New York Times/Redux/Contrasto
Domus 1039 is entitled “Only we can make the cities”. In his editorial Winy Maas reminds us that cities are made of people and not of concrete, stone and brick, only needed to let people live in proximity. He introduces the work by JR, the artist who pastes huge photographs of people onto buildings and around urban environments, reminding who makes the city.
The requalification of the periphery of Medellín, in Colombia, led by the Articulated Life Units, is a social urban planning at the service of the community, and the regeneration plan for the Huangpu riverside makes Shanghai the new cultural metropolis of Asia. The interview with Ekrem İmamoğlu, the new mayor of Istanbul, deals with the sustainability of the city, the traffic congestion and the shortage of affordable housing.
In “How should we move?” urban mobilty systems have been compared, showing the maps of transports of Dar es Salaam, Zurich, Los Angeles and Silicon Valley.
The challenge of design and architecture professionals: how to employ eco-friendlier materials reducing waste production in the design process, for a world without disposable plastic?
The issue of white architecture is discussed in “Worldwhite?”: the different connotations of this architecture from the Partenon to the buildings designed by Le Corbusier, Oscar Niemeyer or Álvaro Siza; the projects by Aires Mateus for the Architecture Faculty in Belgium, and by Alberto Campo Baeza for Casa Cala in Spain.
The last page is dedicated to photography: Harpur Hill, from Project Cleansweep, taken by Dara McGrath, represents the quarry, one of many UK sites were chemical weapons were manufactured, tested or stored between WWI and the Cold War.
With the magazine, the supplement Atelier interiors. Places of creativity.
En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/10/03/do [...] Est accompagné deRéservation
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Code-barres Cote Support Localisation Section Disponibilité SL 23899 DOMUS Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : Supplément 1030 - 2018-12-01 - Winy Maas : everything is urbanism Type de document : texte imprimé Année de publication : 2018 Langues : Italien (ita) Anglais (eng) Catégories : Architectes -- Pays-Bas -- 21e siècle
Architecture -- Informatique
Bibliothèques (constructions) -- Chine -- 21e siècle
Constructions en verre
Expositions horticoles -- Almere (Pays-Bas) – 21e siècle
Innovations technologiques
LEGO (jouets)
Maas, Winy (1959-....)
MVRDV
Projets d'urbanisme -- Bordeaux -- 21e siècle
Projets d'urbanisme -- Dessins et plans
Projets d'urbanisme -- Séoul (Corée du Sud)
Urbanisme -- Dessins et plans
Urbanisme -- Philosophie
Villes -- Aspect environnemental
Villes -- Effets des innovations
Villes -- PhotographiesIndex. décimale : 711 - Urbanisme Note de contenu : “Urbanism can be sexy”: 5 minutes with Domus guest editor Winy Maas
Winy Maas vows to make urbanism “sexy” as Domus editor for 2019. In this video he discusses his vision for the magazine with editorial director Walter Mariotti.
Winy Maas asks school children to imagine the future of Milan with Lego
Lego towers modeled on the Trojan horse and human DNA were among the proposals of school children asked to predict the future of their city.
Jessica Mairs Marianna GuernieriEn ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas.html [n° ou bulletin] Supplément 1030 - 2018-12-01 - Winy Maas : everything is urbanism [texte imprimé] . - 2018.
Langues : Italien (ita) Anglais (eng)Réservation
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