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[n° ou bulletin]
Titre : 10.20 - 2020-10-12 Type de document : texte imprimé Année de publication : 2020 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle
Arts graphiques -- 21e siècle
Arts graphiques -- Corée -- 21e siècle
Arts graphiques -- Mise en page et typographie
Communication visuelle -- 21e siècle
Covid-19 -- Aspect économique -- 21e siècle
Covid-19 -- Aspect social -- 21e siècle
Data visualisation
Mobilité spatiale -- Design
Scheinberger, Felix (1969-....)
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Résumé : Tourism, commuter traffic, leisure activities, business travel – few sectors have been so avidly talked about, fought over and sorely missed over past months as mobility, both private and public. For the first time society has asked itself: »What good is freedom when we can´t move around unhindered, plan trips and just generally be out and about living our lives?«
We took this opportunity to explore in this new issue not only design concepts for conventional means of transport such as planes, cars and bicycles, but also to interview studios and designers who are re-interpreting and re-designing the theme of mobility, and making it fit for the future.Note de contenu :
Visionary ideas, innovative concepts
For example, our editor-in-chief, Christine Moosmann, talked to the Dutch studio Clever°Franke which specialises in data visualisation, a tool that can have a key impact on improving traffic flows and urban planning. And Corinna Natter, creative director at BMW Mini LIving and responsible for spatial designs for the future, explains in an interview some of the ideas that are being considered in the automotive sector at the moment. Tom Hegen, whose work you saw on the cover of our recent issue on photography, made his »Lockdown Series« available to us, in which he portrays airports where all the planes are grounded. Bratus, a Vietnamese agency, told us about their highly apt corporate identity for the aviation supplier Incentex, and Carlo Ratti Associati, an Italian design studio, set out its visionary idea of turning old shipping containers into mobile, provisional intensive care units for Covid-19 patients, in an open-source initiative.
In the Showroom section we present the creative female duo Works Services of Seoul, which in its highly diverse creations, combines Korean design traditions with brightly coloured design elements. Our correspondent Susanne Schaller went to visit the designer Carlotta Origoni, a specialist in silk-screen printing – and produced a studio portrait on this versatile creative. In this issue you can also get to know the Dutch graphic designer Lex Reitsma, who, as a documentary film maker, portrays design greats such as Wim Crouwel. And finally, we take you to Belgium where the agency Oilinwater develops sensational projects.
The cover
»Finding a motif on such a broad-ranging subject as mobility it not so easy,« admits our art director Tobias Holzmann, who accepted the challenge of designing the cover this month. »After all it covers so many things – from a rocket to a bicycle, and even a stamp on a letter!« And so his design reflects many different directions. It seemed appropriate to make use of the many and varied symbols, signs and graphic designs that we encounter in day-to-day transport, or in long-distance travel. He even sought inspiration in the design of the signs and runway markings at airports.
In producing this cover we decided to do something we have been wanting to do for a long time – and, in cooperation with printers Stainer, we have printed this design in screenprint on a rough machine-grey card from Igepa. And the result is, we think, a wonderful contrast of glowing citron yellow and cool grey.
In this way the cover takes up visually the many differences, conflicts even, in themes that we are confronted with daily: proximity and distance, technical progress and a return to nature, tradition and innovation.
We hope you enjoy the read – and that this issue will also set some wheels in motion in your own heads!
The content
novum+ mobility
Clever°Franke
Bike Space
Bratus
Mini Living
Tom Hegen
NASA / Standards Manual
Cura Pods
Thijs Verbeek
Showroom
Lex Reitsma
Works Services
Oilinwater
Carlotta Origoni
Cover
Paper: Machine gray cardboard, 300g/qm (Leipa)
Distribution: Igepa (Artikelnummer 704370)
Screen printing: Stainer Schriften & Siebdruck
Cover design: Tobias HolzmannEn ligne : https://novum.graphics/en/magazine/archive/detail/novum-1020/ [n° ou bulletin] 10.20 - 2020-10-12 [texte imprimé] . - 2020.
Langues : Allemand (ger) Anglais (eng)
Catégories : Affiches -- 21e Siècle
Arts graphiques -- 21e siècle
Arts graphiques -- Corée -- 21e siècle
Arts graphiques -- Mise en page et typographie
Communication visuelle -- 21e siècle
Covid-19 -- Aspect économique -- 21e siècle
Covid-19 -- Aspect social -- 21e siècle
Data visualisation
Mobilité spatiale -- Design
Scheinberger, Felix (1969-....)
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Résumé : Tourism, commuter traffic, leisure activities, business travel – few sectors have been so avidly talked about, fought over and sorely missed over past months as mobility, both private and public. For the first time society has asked itself: »What good is freedom when we can´t move around unhindered, plan trips and just generally be out and about living our lives?«
We took this opportunity to explore in this new issue not only design concepts for conventional means of transport such as planes, cars and bicycles, but also to interview studios and designers who are re-interpreting and re-designing the theme of mobility, and making it fit for the future.Note de contenu :
Visionary ideas, innovative concepts
For example, our editor-in-chief, Christine Moosmann, talked to the Dutch studio Clever°Franke which specialises in data visualisation, a tool that can have a key impact on improving traffic flows and urban planning. And Corinna Natter, creative director at BMW Mini LIving and responsible for spatial designs for the future, explains in an interview some of the ideas that are being considered in the automotive sector at the moment. Tom Hegen, whose work you saw on the cover of our recent issue on photography, made his »Lockdown Series« available to us, in which he portrays airports where all the planes are grounded. Bratus, a Vietnamese agency, told us about their highly apt corporate identity for the aviation supplier Incentex, and Carlo Ratti Associati, an Italian design studio, set out its visionary idea of turning old shipping containers into mobile, provisional intensive care units for Covid-19 patients, in an open-source initiative.
In the Showroom section we present the creative female duo Works Services of Seoul, which in its highly diverse creations, combines Korean design traditions with brightly coloured design elements. Our correspondent Susanne Schaller went to visit the designer Carlotta Origoni, a specialist in silk-screen printing – and produced a studio portrait on this versatile creative. In this issue you can also get to know the Dutch graphic designer Lex Reitsma, who, as a documentary film maker, portrays design greats such as Wim Crouwel. And finally, we take you to Belgium where the agency Oilinwater develops sensational projects.
The cover
»Finding a motif on such a broad-ranging subject as mobility it not so easy,« admits our art director Tobias Holzmann, who accepted the challenge of designing the cover this month. »After all it covers so many things – from a rocket to a bicycle, and even a stamp on a letter!« And so his design reflects many different directions. It seemed appropriate to make use of the many and varied symbols, signs and graphic designs that we encounter in day-to-day transport, or in long-distance travel. He even sought inspiration in the design of the signs and runway markings at airports.
In producing this cover we decided to do something we have been wanting to do for a long time – and, in cooperation with printers Stainer, we have printed this design in screenprint on a rough machine-grey card from Igepa. And the result is, we think, a wonderful contrast of glowing citron yellow and cool grey.
In this way the cover takes up visually the many differences, conflicts even, in themes that we are confronted with daily: proximity and distance, technical progress and a return to nature, tradition and innovation.
We hope you enjoy the read – and that this issue will also set some wheels in motion in your own heads!
The content
novum+ mobility
Clever°Franke
Bike Space
Bratus
Mini Living
Tom Hegen
NASA / Standards Manual
Cura Pods
Thijs Verbeek
Showroom
Lex Reitsma
Works Services
Oilinwater
Carlotta Origoni
Cover
Paper: Machine gray cardboard, 300g/qm (Leipa)
Distribution: Igepa (Artikelnummer 704370)
Screen printing: Stainer Schriften & Siebdruck
Cover design: Tobias HolzmannEn ligne : https://novum.graphics/en/magazine/archive/detail/novum-1020/ Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 24693 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : 11.19 - 2019-10-21 Type de document : texte imprimé Année de publication : 2019 Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques -- Pays arabes -- 21e siècle
Campagne -- Illustrations, images, etc. -- Design
Cartonnages (reliure) -- 21e siècle
Gaufrage
Livres animés -- Innovations technologiques -- 21e siècle
Périodiques -- Couvertures -- Technique -- 21e siècle
Travail du papier -- Innovations technologiques -- 21e siècle
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Résumé : »I have never tried that before, so I think I should definitely be able to do that«, says Pippi Longstocking. In this issue we too tried something that was never done before. For the cover of this issue we used 1,4 mm strong mechanical pulp board, commonly used for making beer mats. It’s being said, that this material cannot be folded and bound – we tried it nevertheless and lo and behold, it worked!
Our November issue is really coming on strong. The cover draws attention with a shimmering hot foil and letterpress and inside the magazine a lot of great projects from studios all around the world await our readers. In our novum+ section we wanted to know, what it feels like to work in the countryside. What problems do designers face, what does the daily routine look like and what makes living in the countryside so attractive? Out in the sticks there is quite a lot to discover …Note de contenu : Countryside
Like few other professions, designers are free to choose where to work from. Decent WiFi, a laptop and a bit of discipline and Bob’s your uncle. But what does it really feel like, if you dare to move to the countryside permanently? When clients are far away and visiting exhibitions, concerts or conferences means travelling for a day and how to deal with sceptical natives? We asked designers, who followed up on their dream and who developed different strategies to reconcile work and county-living.
In our showroom section too, there is a lot to discover. Oslo for example has indulged in a new corporate design and we looked behind the scenes of this complex design process. In Qatar athletes demonstrate marvellous achievements, but the small country also sports a design scene that is worth looking at. And of course, typography is always a topic in novum magazine. In this issue we visited Dutch calligrapher Guido de Boer and his impressive letterings as well as the French typo-lovers from My Name is Wendy.
The cover
»I have never tried that before, so I think I should definitely be able to do that«, says Pippi Longstocking. In this issue we too tried something that was never done before. For the cover of this issue we used 1,4 mm strong mechanical pulp board, commonly used for making beer mats. It’s being said, that this material cannot be folded and bound – we tried it nevertheless and lo and behold, it worked!
Mechanical pulp board may be tricky to bind, but it feels very nice to the touch and it can be used for all kinds of print finishing techniques such as hot foil embossing or letterpress.
Content
Showroom
Guido de Boer (NLD)
Creuna (NOR)
Alejandro Magallanes (MEX)
Creative Union (QAT)
Roots (SGP)
My Name is Wendy (FRA)
novum+
Studo Amore (GER)
SPY (GBR)
Laura Moretti (ITA)
Simon Marchner (GER)
Papiermühle Homburg (GER)
Smith + Village (FRA)
Roadtyping (GER)
Struktiv (AUT)
AD Design Agency (GRC)
Cover
Paper: mechanical pulp board, 1,4 mm
Offset, hot foil and letterpress: Druckerei Thieme
Foil: Foilco
Bookbinding: f&w
Design: Tobias Holzmann
Photos: Janina EngelEn ligne : https://novum.graphics/en/magazine/current-issue/ [n° ou bulletin] 11.19 - 2019-10-21 [texte imprimé] . - 2019.
Langues : Allemand (ger) Anglais (eng)
Catégories : Arts graphiques -- Pays arabes -- 21e siècle
Campagne -- Illustrations, images, etc. -- Design
Cartonnages (reliure) -- 21e siècle
Gaufrage
Livres animés -- Innovations technologiques -- 21e siècle
Périodiques -- Couvertures -- Technique -- 21e siècle
Travail du papier -- Innovations technologiques -- 21e siècle
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Résumé : »I have never tried that before, so I think I should definitely be able to do that«, says Pippi Longstocking. In this issue we too tried something that was never done before. For the cover of this issue we used 1,4 mm strong mechanical pulp board, commonly used for making beer mats. It’s being said, that this material cannot be folded and bound – we tried it nevertheless and lo and behold, it worked!
Our November issue is really coming on strong. The cover draws attention with a shimmering hot foil and letterpress and inside the magazine a lot of great projects from studios all around the world await our readers. In our novum+ section we wanted to know, what it feels like to work in the countryside. What problems do designers face, what does the daily routine look like and what makes living in the countryside so attractive? Out in the sticks there is quite a lot to discover …Note de contenu : Countryside
Like few other professions, designers are free to choose where to work from. Decent WiFi, a laptop and a bit of discipline and Bob’s your uncle. But what does it really feel like, if you dare to move to the countryside permanently? When clients are far away and visiting exhibitions, concerts or conferences means travelling for a day and how to deal with sceptical natives? We asked designers, who followed up on their dream and who developed different strategies to reconcile work and county-living.
In our showroom section too, there is a lot to discover. Oslo for example has indulged in a new corporate design and we looked behind the scenes of this complex design process. In Qatar athletes demonstrate marvellous achievements, but the small country also sports a design scene that is worth looking at. And of course, typography is always a topic in novum magazine. In this issue we visited Dutch calligrapher Guido de Boer and his impressive letterings as well as the French typo-lovers from My Name is Wendy.
The cover
»I have never tried that before, so I think I should definitely be able to do that«, says Pippi Longstocking. In this issue we too tried something that was never done before. For the cover of this issue we used 1,4 mm strong mechanical pulp board, commonly used for making beer mats. It’s being said, that this material cannot be folded and bound – we tried it nevertheless and lo and behold, it worked!
Mechanical pulp board may be tricky to bind, but it feels very nice to the touch and it can be used for all kinds of print finishing techniques such as hot foil embossing or letterpress.
Content
Showroom
Guido de Boer (NLD)
Creuna (NOR)
Alejandro Magallanes (MEX)
Creative Union (QAT)
Roots (SGP)
My Name is Wendy (FRA)
novum+
Studo Amore (GER)
SPY (GBR)
Laura Moretti (ITA)
Simon Marchner (GER)
Papiermühle Homburg (GER)
Smith + Village (FRA)
Roadtyping (GER)
Struktiv (AUT)
AD Design Agency (GRC)
Cover
Paper: mechanical pulp board, 1,4 mm
Offset, hot foil and letterpress: Druckerei Thieme
Foil: Foilco
Bookbinding: f&w
Design: Tobias Holzmann
Photos: Janina EngelEn ligne : https://novum.graphics/en/magazine/current-issue/ Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 23870 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : 12.19 - 2019-12-12 Type de document : texte imprimé Année de publication : 2019 Langues : Allemand (ger) Anglais (eng) Catégories : Accessibilité aux handicapés
Aveugles -- Systèmes d'écriture et d'impression
Backaert, Roel (1978-....)
Broer, Guido de (1988-....)
Calendriers illustrés
Composition (imprimerie)
Lisibilité (imprimerie)
Papier décoratif
Photographie d'architecture
Typographie -- 21e siècle
Typographie -- Moyen-OrientIndex. décimale : 766 Arts graphiques Résumé : Admittedly, we do have a tendency to push the boat out with our covers. Why have just one special finish, when you can have five? Why use beige paper, when you can go for gold? Yet sometimes it is good to concentrate on the essentials only, because the things you see at second glance often stay in the memory longer.
In the novum+ section this month, it´s all about “accessibility”, about designing things so that they can also be accessed by those with a handicap, better still, which work well for all. This can be achieved by paring the design right down to the fundamentals, by communicating clearly and leaving aside all unnecessary, decorative accessories. And making it work for all people, with or without handicap.Note de contenu : Love at second glance
We have tried to transfer this principle to the cover design for this December issue: At first sight it looks very plain and simple, with a white paper, smooth surface and a black-and-white printed image. But on closer inspection, you uncover its charms: the new Zeta paper with extra-smooth surface excites the sense of touch, and delivers a very rich finish for the image. The chosen motif for this issue cleverly challenges our senses. The Dutch calligraphic artist Guido de Boer loves to play with perception and push the boundaries between image and text.
Not being able to understand something immediately can be a burden for people with a handicap. Good design can help make life easier for them. Our cover, too, is something you have to look twice at to work out, but we hope it arouses your curiosity.
The paper
Zeta is an all-round genius and can be used in a variety of ways, from business stationery to image brochures or packaging. The special appeal of the material lies in its diversity, because it is not only available in six white to light shades, also different surfaces are available. From micro to hammer and linen can be found for every application the right thing, brand new in the range are the surfaces extra smooth and ribbed and the colors diamond, mother of pearl and cream. In addition, individual watermarks are available for the FSC-certified paper, and Zeta is well-suited for all common printing and finishing processes.
For this edition we used Zeta extra smooth in the color diamond in the grammage 300 gsm.
Content
Showroom
Roel Backaert (NLD)
Tarek Atrissi (SPA/NLD)
Stitch Design (USA)
Dana Dijkgraaf (NLD)
100 Jahre Bauhaus
novum+
Grauwert (GER)
Tactiles (HUN)
Sabina Sieghart (GER)
The Dot Watch (KOR)
Helping Hands (GER)
Aravit (ISR)
Ami Medical App (GBR)
Schweizergestaltung (GER)
Cover
Paper: Zeta (Reflex Paper), Diamant extra glatt, 300 g/qm
Print: F&W Druck- und Mediencenter
Design: Guido de Boer (NLD)
Photography: Janina Engel
En ligne : https://novum.graphics/de/magazin/aktuelle-ausgabe/ [n° ou bulletin] 12.19 - 2019-12-12 [texte imprimé] . - 2019.
Langues : Allemand (ger) Anglais (eng)
Catégories : Accessibilité aux handicapés
Aveugles -- Systèmes d'écriture et d'impression
Backaert, Roel (1978-....)
Broer, Guido de (1988-....)
Calendriers illustrés
Composition (imprimerie)
Lisibilité (imprimerie)
Papier décoratif
Photographie d'architecture
Typographie -- 21e siècle
Typographie -- Moyen-OrientIndex. décimale : 766 Arts graphiques Résumé : Admittedly, we do have a tendency to push the boat out with our covers. Why have just one special finish, when you can have five? Why use beige paper, when you can go for gold? Yet sometimes it is good to concentrate on the essentials only, because the things you see at second glance often stay in the memory longer.
In the novum+ section this month, it´s all about “accessibility”, about designing things so that they can also be accessed by those with a handicap, better still, which work well for all. This can be achieved by paring the design right down to the fundamentals, by communicating clearly and leaving aside all unnecessary, decorative accessories. And making it work for all people, with or without handicap.Note de contenu : Love at second glance
We have tried to transfer this principle to the cover design for this December issue: At first sight it looks very plain and simple, with a white paper, smooth surface and a black-and-white printed image. But on closer inspection, you uncover its charms: the new Zeta paper with extra-smooth surface excites the sense of touch, and delivers a very rich finish for the image. The chosen motif for this issue cleverly challenges our senses. The Dutch calligraphic artist Guido de Boer loves to play with perception and push the boundaries between image and text.
Not being able to understand something immediately can be a burden for people with a handicap. Good design can help make life easier for them. Our cover, too, is something you have to look twice at to work out, but we hope it arouses your curiosity.
The paper
Zeta is an all-round genius and can be used in a variety of ways, from business stationery to image brochures or packaging. The special appeal of the material lies in its diversity, because it is not only available in six white to light shades, also different surfaces are available. From micro to hammer and linen can be found for every application the right thing, brand new in the range are the surfaces extra smooth and ribbed and the colors diamond, mother of pearl and cream. In addition, individual watermarks are available for the FSC-certified paper, and Zeta is well-suited for all common printing and finishing processes.
For this edition we used Zeta extra smooth in the color diamond in the grammage 300 gsm.
Content
Showroom
Roel Backaert (NLD)
Tarek Atrissi (SPA/NLD)
Stitch Design (USA)
Dana Dijkgraaf (NLD)
100 Jahre Bauhaus
novum+
Grauwert (GER)
Tactiles (HUN)
Sabina Sieghart (GER)
The Dot Watch (KOR)
Helping Hands (GER)
Aravit (ISR)
Ami Medical App (GBR)
Schweizergestaltung (GER)
Cover
Paper: Zeta (Reflex Paper), Diamant extra glatt, 300 g/qm
Print: F&W Druck- und Mediencenter
Design: Guido de Boer (NLD)
Photography: Janina Engel
En ligne : https://novum.graphics/de/magazin/aktuelle-ausgabe/ Réservation
Réserver ce document
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Code-barres Cote Support Localisation Section Disponibilité SL 23941 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : 12.20 - 2020-12-12 Type de document : texte imprimé Année de publication : 2020 Langues : Allemand (ger) Anglais (eng) Catégories : Art textile -- 21e siècle
Calendriers illustrés
Cardia, Gringo (1957-....)
Films d'animation -- Italie -- 21e siècle
Illustrateurs -- Entretiens
Illustrations, images, etc. -- 21è siècle
Livres illustrés pour enfants
Logotypes -- Design
Mise en page et typographie
Mosebach, Stefan
Netflix -- Design
Noy, Noam
Sokolova, Anna (1975-....)
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Note de contenu : We believe illustration is a wonderfully adaptable form of expression – it can handle complexity, communicate humour and change minds. »We love the fact that illustration can transcend any theme, style and field,« enthused the London-based creative duo Le.Blue in an interview with them on our novum+ theme.
A broad spectrum
In this new issue we present a broad spectrum of talented illustrators – some stand out for their use of colour or unusual forms, others for the special techniques or materials they employ. Delight in the charming figures and imagery in children´s books, and discover the story behind how Aiga Rasch came to create the illustrations for the German edition of the 1960s classic »The Three Investigators«. London-based studio Le.Blue contributed some striking black-and-white designs from pop culture and music to this issue. What else awaits? Together with award-winning illustrator Anna Sokolova, we pay a visit to the feudal Netflix headquarters; with Israeli textile designer Noam Noy, we explore three-dimensionality in illustration, and Hamburg-based illustrator Stefan Mosebach answers our questions on life and work – his drawing »Spinning Pencil« was chosen to adorn our cover.
Our world tour of graphic design, in the Showroom section, stops off this month in Brazil (Gringo Cardia), the Netherlands (Mieke Gerritzen) and France and Germany (Freilinger & Feldmann, who have a base in both). And we look in on the jury of the Red Dot Awards. Not forgetting of course our grand prize draw, a firm feature of the December issue.
The cover
Our cover illustrator Stefan Mosebach sees the »Spinning Pencil« as a metaphor for creative brainstorming. He explains: »A pencil stands for writing and sketching. The looping stands for fun, agility, and the fact that it´s often good to look at a thing from different perspectives.«
This striking and highly appropriate motif fits perfectly to our theme of illustration this month. Once again it shows how a truly successful illustration needs no words or lengthy explanation.
For the paper we chose Design Offset in 300 gsm in cream, which is ideal for corporate publishing projects. The range, available from Igepa, includes seven grammages and four colours, and all products are FSC certified.
A strong image on beautiful paper – what more does an attractive magazine cover need?
The content
novum+
Anna Sokolova
Die drei ??? & Aiga Rasch
Le.Blue
Noam Noy
Stefan Mosebach
The 6th
Kinderbücher
Showroom
Freilinger & Feldmann
Gringo Cardia
Mieke Gerritzen
Red Dot
WeihnachtsverlosungEn ligne : https://novum.graphics/en/magazine/current-issue/detail/novum-1219/ [n° ou bulletin] 12.20 - 2020-12-12 [texte imprimé] . - 2020.
Langues : Allemand (ger) Anglais (eng)
Catégories : Art textile -- 21e siècle
Calendriers illustrés
Cardia, Gringo (1957-....)
Films d'animation -- Italie -- 21e siècle
Illustrateurs -- Entretiens
Illustrations, images, etc. -- 21è siècle
Livres illustrés pour enfants
Logotypes -- Design
Mise en page et typographie
Mosebach, Stefan
Netflix -- Design
Noy, Noam
Sokolova, Anna (1975-....)
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Note de contenu : We believe illustration is a wonderfully adaptable form of expression – it can handle complexity, communicate humour and change minds. »We love the fact that illustration can transcend any theme, style and field,« enthused the London-based creative duo Le.Blue in an interview with them on our novum+ theme.
A broad spectrum
In this new issue we present a broad spectrum of talented illustrators – some stand out for their use of colour or unusual forms, others for the special techniques or materials they employ. Delight in the charming figures and imagery in children´s books, and discover the story behind how Aiga Rasch came to create the illustrations for the German edition of the 1960s classic »The Three Investigators«. London-based studio Le.Blue contributed some striking black-and-white designs from pop culture and music to this issue. What else awaits? Together with award-winning illustrator Anna Sokolova, we pay a visit to the feudal Netflix headquarters; with Israeli textile designer Noam Noy, we explore three-dimensionality in illustration, and Hamburg-based illustrator Stefan Mosebach answers our questions on life and work – his drawing »Spinning Pencil« was chosen to adorn our cover.
Our world tour of graphic design, in the Showroom section, stops off this month in Brazil (Gringo Cardia), the Netherlands (Mieke Gerritzen) and France and Germany (Freilinger & Feldmann, who have a base in both). And we look in on the jury of the Red Dot Awards. Not forgetting of course our grand prize draw, a firm feature of the December issue.
The cover
Our cover illustrator Stefan Mosebach sees the »Spinning Pencil« as a metaphor for creative brainstorming. He explains: »A pencil stands for writing and sketching. The looping stands for fun, agility, and the fact that it´s often good to look at a thing from different perspectives.«
This striking and highly appropriate motif fits perfectly to our theme of illustration this month. Once again it shows how a truly successful illustration needs no words or lengthy explanation.
For the paper we chose Design Offset in 300 gsm in cream, which is ideal for corporate publishing projects. The range, available from Igepa, includes seven grammages and four colours, and all products are FSC certified.
A strong image on beautiful paper – what more does an attractive magazine cover need?
The content
novum+
Anna Sokolova
Die drei ??? & Aiga Rasch
Le.Blue
Noam Noy
Stefan Mosebach
The 6th
Kinderbücher
Showroom
Freilinger & Feldmann
Gringo Cardia
Mieke Gerritzen
Red Dot
WeihnachtsverlosungEn ligne : https://novum.graphics/en/magazine/current-issue/detail/novum-1219/ Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 24190 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible no.141(2007:févr.) - 2007-02-01 (Bulletin de Étapes)
[n° ou bulletin]
Titre : no.141(2007:févr.) - 2007-02-01 Type de document : texte imprimé Année de publication : 2007 Langues : Français (fre) Catégories : Arts graphiques -- 21e siècle
Conal, Robbie (1944-....)
Conditionnement
Livres illustrés pour enfants
Politique et gouvernement -- Caricatures et dessins humoristiques -- Etats-Unis
Politique et gouvernement -- Portraits -- Etats-Unis
Signaux et signalisation
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques [n° ou bulletin] no.141(2007:févr.) - 2007-02-01 [texte imprimé] . - 2007.
Langues : Français (fre)Réservation
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