[n° ou bulletin]
| Titre : |
N°1011(2017:mars) - 2017-03-01 |
| Type de document : |
texte imprimé |
| Année de publication : |
2017 |
| Langues : |
Italien (ita) Anglais (eng) |
| Catégories : |
CHAREAU, Pierre (1883-1950)
Espaces verts -- Planification -- Tokyo (Japon)
Intelligence artificielle
MOSCOU (RUSSIE)
Musées
Paris (France) -- Maison de verre
Pratt institute (Brooklyn, N.Y.)
Vacchini, Livio (1933-2007)
|
| Index. décimale : |
7 Arts et Beaux-Arts |
| Résumé : |
In the editorial Nicola Di Battista develops the idea of imagination as the richest part of the architectural process that he divided in four parts, each one discussed in as many editorials.
Among this issue projects: the restoration of the Five Dragons Temple, the oldest Taoist Chinese temple, by Wang Hui – Urbanus with a comment by Pierre-Alain Croset; the Walmer Yard housing in London by Peter Salter combining wood and concrete with knowledge; the House in Laax, on the Swiss mountains by Valerio Olgiati and the project for a huge green area North of Tokyo by Junya Ishigami.
Two shows at the Triennale di Milano: on Gio Ponti’s ceramics and Mario Bellini’s retrospective “My World”, plus the design approach of Philippe Nigro. This month’s school is the Pratt Institution School of Design in New York, and the feedback brings us to Kanita-Ita Fočak’s Sarajevo.
|
| Note de contenu : |
Table of Contents
Domus 1011
Cover: graphic interpretation of the sketch by Peter Salter for Walmer Yard housing London. © Peter Salter
Editorial: On imagination
The idea of dividing the making of architectural design into successive and sequential phases makes it easier to approach the subject. By treating these different phases singly rather than together, we can describe them individually and autonomously rather than within their framework as a whole.
Nicola Di Battista
CONFETTI
Jannis Kounellis (1936-2017), Arch and Art, 2016
Gio Ponti and the Parco dei Principi
A display of Ponti’s beloved ceramic tiles at the Triennale di Milano offers the occasion to peruse his design for the Parco dei Principi Hotel in Sorrento and the restoration of its exact original appearances, including an adjustment to changed standards in norms and technology with which today’s places of public hospitality must comply.
Fabrizio Mautone
Designing to continue the city
By singling out the fabric of the European historic city as a field of study, the Architectural and Urban Composition 4 workshop, directed by Ferruccio Izzo at the School of Architecture, University of Naples Federico II, develops an investigation of forms through a dialectical relationship between intuition and rigorous verification.
Ferruccio Izzo
School of Design Pratt Institute, New York
To guide students through the immense field of industrial design, one of the oldest and most famous design schools in the United States offers greatly varying workshops – from abstract investigations of three-dimensional form to socially aware design. These always result in accurate physical models, because training in manual construction and the humanisation of digital technologies remain crucial components of design education.
Constantin Boym
Maison de Verre as bachelor machine
Mysterious, ambiguous and experimental, the Maison de Verre remains one of the most significant pieces of 20th-century architecture, erasing the imagined line between architecture and interior design. This true revolution in the approach to living is reread by Kenneth Frampton in concurrence with the exhibition “Pierre Chareau: Modern Architecture and Design” at the Jewish Museum in New York.
Kenneth Frampton
Pierre Chareau: modern architecture and design
Esther Da Costa Meyer
Action, reflection and encounters
On the eve of his first edition as artistic director, Alessandro Rabottini describes “his” Miart: a polyphonic art fair where diverse and complementary circumstances meet and many different types of relations with art congregate, an event that would be unthinkable without the Milan we are getting to know in these years.
Alessandro Rabottini
The stacked house
Le Corbusier’s immeuble-villas; the stacked houses studied by Diotallevi and Marescotti; and the habitat marocain in Casablanca by Georges Candilis/AtBat Afrique are three modernist references examined by Giorgio Peghin as a typology still of interest today.
Giorgio Peghin
Livio Vacchini: architecture as logical construction
Ten years after his death, we commemorate the great Swiss architect Livio Vacchini through the words of the historian Roberto Masiero, who frequented him for many years and wrote about his buildings.
Roberto Masiero
Art Bio Farm
The design of a large green area adjacent to a spa hotel north of Tokyo is allowing this Japanese architect to explore the park genre as he creates a kind of vast jigsaw puzzle where the relation between people and ponds, trees and plants aims to be intimate and familiar.
Junya Ishigami
A post-earthquake commitment
An invitation to work in tremor-hit areas to ensure every new construction is built to standards worthy of Italy’s heritage comes from the influential Francesco Venezia who experienced the post-earthquake situation in Belice from an architect’s viewpoint.
Francesco Venezia
|
| En ligne : |
http://www.domusweb.it/en/issues/2017/1011.html |
[n° ou bulletin]
N°1011(2017:mars) - 2017-03-01 [texte imprimé] . - 2017. Langues : Italien ( ita) Anglais ( eng)
| Catégories : |
CHAREAU, Pierre (1883-1950)
Espaces verts -- Planification -- Tokyo (Japon)
Intelligence artificielle
MOSCOU (RUSSIE)
Musées
Paris (France) -- Maison de verre
Pratt institute (Brooklyn, N.Y.)
Vacchini, Livio (1933-2007)
|
| Index. décimale : |
7 Arts et Beaux-Arts |
| Résumé : |
In the editorial Nicola Di Battista develops the idea of imagination as the richest part of the architectural process that he divided in four parts, each one discussed in as many editorials.
Among this issue projects: the restoration of the Five Dragons Temple, the oldest Taoist Chinese temple, by Wang Hui – Urbanus with a comment by Pierre-Alain Croset; the Walmer Yard housing in London by Peter Salter combining wood and concrete with knowledge; the House in Laax, on the Swiss mountains by Valerio Olgiati and the project for a huge green area North of Tokyo by Junya Ishigami.
Two shows at the Triennale di Milano: on Gio Ponti’s ceramics and Mario Bellini’s retrospective “My World”, plus the design approach of Philippe Nigro. This month’s school is the Pratt Institution School of Design in New York, and the feedback brings us to Kanita-Ita Fočak’s Sarajevo.
|
| Note de contenu : |
Table of Contents
Domus 1011
Cover: graphic interpretation of the sketch by Peter Salter for Walmer Yard housing London. © Peter Salter
Editorial: On imagination
The idea of dividing the making of architectural design into successive and sequential phases makes it easier to approach the subject. By treating these different phases singly rather than together, we can describe them individually and autonomously rather than within their framework as a whole.
Nicola Di Battista
CONFETTI
Jannis Kounellis (1936-2017), Arch and Art, 2016
Gio Ponti and the Parco dei Principi
A display of Ponti’s beloved ceramic tiles at the Triennale di Milano offers the occasion to peruse his design for the Parco dei Principi Hotel in Sorrento and the restoration of its exact original appearances, including an adjustment to changed standards in norms and technology with which today’s places of public hospitality must comply.
Fabrizio Mautone
Designing to continue the city
By singling out the fabric of the European historic city as a field of study, the Architectural and Urban Composition 4 workshop, directed by Ferruccio Izzo at the School of Architecture, University of Naples Federico II, develops an investigation of forms through a dialectical relationship between intuition and rigorous verification.
Ferruccio Izzo
School of Design Pratt Institute, New York
To guide students through the immense field of industrial design, one of the oldest and most famous design schools in the United States offers greatly varying workshops – from abstract investigations of three-dimensional form to socially aware design. These always result in accurate physical models, because training in manual construction and the humanisation of digital technologies remain crucial components of design education.
Constantin Boym
Maison de Verre as bachelor machine
Mysterious, ambiguous and experimental, the Maison de Verre remains one of the most significant pieces of 20th-century architecture, erasing the imagined line between architecture and interior design. This true revolution in the approach to living is reread by Kenneth Frampton in concurrence with the exhibition “Pierre Chareau: Modern Architecture and Design” at the Jewish Museum in New York.
Kenneth Frampton
Pierre Chareau: modern architecture and design
Esther Da Costa Meyer
Action, reflection and encounters
On the eve of his first edition as artistic director, Alessandro Rabottini describes “his” Miart: a polyphonic art fair where diverse and complementary circumstances meet and many different types of relations with art congregate, an event that would be unthinkable without the Milan we are getting to know in these years.
Alessandro Rabottini
The stacked house
Le Corbusier’s immeuble-villas; the stacked houses studied by Diotallevi and Marescotti; and the habitat marocain in Casablanca by Georges Candilis/AtBat Afrique are three modernist references examined by Giorgio Peghin as a typology still of interest today.
Giorgio Peghin
Livio Vacchini: architecture as logical construction
Ten years after his death, we commemorate the great Swiss architect Livio Vacchini through the words of the historian Roberto Masiero, who frequented him for many years and wrote about his buildings.
Roberto Masiero
Art Bio Farm
The design of a large green area adjacent to a spa hotel north of Tokyo is allowing this Japanese architect to explore the park genre as he creates a kind of vast jigsaw puzzle where the relation between people and ponds, trees and plants aims to be intimate and familiar.
Junya Ishigami
A post-earthquake commitment
An invitation to work in tremor-hit areas to ensure every new construction is built to standards worthy of Italy’s heritage comes from the influential Francesco Venezia who experienced the post-earthquake situation in Belice from an architect’s viewpoint.
Francesco Venezia
|
| En ligne : |
http://www.domusweb.it/en/issues/2017/1011.html |
|
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