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[n° ou bulletin]
Titre : 10.18 - 2018-10-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- Design
Aliments -- Conditionnement
Arts graphiques -- 21e siècle
Arts graphiques -- Mise en page et typographie
Arts graphiques -- Technique -- Innovations
Magasins -- Aménagement
Magasins -- Décoration
Marques de commerceIndex. décimale : 766 Arts graphiques Résumé : Online sales keep on rising – so how should real bricks-and-mortar stores react? We present communication and interior design concepts that work …
From attractive window displays to strong visual identities for retailers, and also how to present the brand experience in store: In our October issue of novum you can sit back and enjoy a relaxed shopping tour of innovative ideas from all over the world.Note de contenu : Our cover design sets just the right tone for the focus this month on retail design. It’s about real physical spaces, about visual and material experiences. Where does the shopper’s gaze linger longest? Why do we spend more time in one store than in another? Attractive window displays, the right spatial organisation and a feeling of willing and pleasant immersion in a brand experience or philosophy – these are some of the keys to keeping the customers coming into the store.
On this subject we interviewed retail specialists at DFrost and peeked into the excellent and award-winning small shop, rar. We also present you a new concept for a newspaper stand and we report on a visit to a charming children’s boutique designed by Silvio Girolamo. Then we talked to Storey Design about eye-catching window displays and dipped into the unusual shop concepts from the Mexican studio Yeye. Not forgetting, of course, an introduction to the innovative ideas of the Spanish agency Zooco.
In the Showroom section we are pleased to present the fantastic illustrations of Daniel Egneus, we visited the studio of Tough Slate Design in Ukraine and report on the results of the 2018 edition of the venerable 100 Best Posters award. Then, to round this section off, we end up in Spain, with »I am blue I am pink«, enjoying their amazing set designs that really give wings to the imagination…
The cover
A visual magnet is one way of describing what the Cologne-based agency KD1 produced for this month’s cover: it’s a three-dimensional fireworks display, interpreting the spatial aspect of the novum+ theme. The material chosen for this impressive realisation is also one that can be used in store design: The Yupo range of long-lasting, synthetic papers that are water and UV-resistant - available from Papier Union (www.papierunion.de).
The particular type chosen for our cover is SuperYupo, often used for city maps, climbing or diving maps, price tickets or also for packaging. This real all-rounder, which is also easy to print, is available in 90 to 400 gsm weights. The range also contains a self-adhesive variant, called YupoTako, which has tiny »suction cups« on the back that leave no trace when it´s time to remove the paper. Another remarkable paper in this range is YupoJelly, PVC-free and 100% recyclable, that was developed for applications on glass, making it interesting for use in window designs. This variety, too, can be easily removed and even re-applied elsewhere. For offset printing the manufacturer recommends foil colours.
With this glowing introduction, we send you on a shopping expedition where you won’t need your wallet….
Showroom:
Daniel Egneus
Tough Slate Design
100 beste Plakate 2018
I am blue I am pink
novum+:
DFrost
Rar (Super BFG)
Storey Studio
Newstand (Verdes)
Zooco
Silvio Girolamo
Yeye
Cover: KD1
Offset-Druck: f&w
Fotos: Tobias Holzmann (Assistenz: Miriam Zimmer)En ligne : https://novum.graphics/en/magazine/archive/detail/novum-1018/ [n° ou bulletin] 10.18 - 2018-10-12 [texte imprimé] . - 2018.
Langues : Allemand (ger) Anglais (eng)
Catégories : Affiches -- Design
Aliments -- Conditionnement
Arts graphiques -- 21e siècle
Arts graphiques -- Mise en page et typographie
Arts graphiques -- Technique -- Innovations
Magasins -- Aménagement
Magasins -- Décoration
Marques de commerceIndex. décimale : 766 Arts graphiques Résumé : Online sales keep on rising – so how should real bricks-and-mortar stores react? We present communication and interior design concepts that work …
From attractive window displays to strong visual identities for retailers, and also how to present the brand experience in store: In our October issue of novum you can sit back and enjoy a relaxed shopping tour of innovative ideas from all over the world.Note de contenu : Our cover design sets just the right tone for the focus this month on retail design. It’s about real physical spaces, about visual and material experiences. Where does the shopper’s gaze linger longest? Why do we spend more time in one store than in another? Attractive window displays, the right spatial organisation and a feeling of willing and pleasant immersion in a brand experience or philosophy – these are some of the keys to keeping the customers coming into the store.
On this subject we interviewed retail specialists at DFrost and peeked into the excellent and award-winning small shop, rar. We also present you a new concept for a newspaper stand and we report on a visit to a charming children’s boutique designed by Silvio Girolamo. Then we talked to Storey Design about eye-catching window displays and dipped into the unusual shop concepts from the Mexican studio Yeye. Not forgetting, of course, an introduction to the innovative ideas of the Spanish agency Zooco.
In the Showroom section we are pleased to present the fantastic illustrations of Daniel Egneus, we visited the studio of Tough Slate Design in Ukraine and report on the results of the 2018 edition of the venerable 100 Best Posters award. Then, to round this section off, we end up in Spain, with »I am blue I am pink«, enjoying their amazing set designs that really give wings to the imagination…
The cover
A visual magnet is one way of describing what the Cologne-based agency KD1 produced for this month’s cover: it’s a three-dimensional fireworks display, interpreting the spatial aspect of the novum+ theme. The material chosen for this impressive realisation is also one that can be used in store design: The Yupo range of long-lasting, synthetic papers that are water and UV-resistant - available from Papier Union (www.papierunion.de).
The particular type chosen for our cover is SuperYupo, often used for city maps, climbing or diving maps, price tickets or also for packaging. This real all-rounder, which is also easy to print, is available in 90 to 400 gsm weights. The range also contains a self-adhesive variant, called YupoTako, which has tiny »suction cups« on the back that leave no trace when it´s time to remove the paper. Another remarkable paper in this range is YupoJelly, PVC-free and 100% recyclable, that was developed for applications on glass, making it interesting for use in window designs. This variety, too, can be easily removed and even re-applied elsewhere. For offset printing the manufacturer recommends foil colours.
With this glowing introduction, we send you on a shopping expedition where you won’t need your wallet….
Showroom:
Daniel Egneus
Tough Slate Design
100 beste Plakate 2018
I am blue I am pink
novum+:
DFrost
Rar (Super BFG)
Storey Studio
Newstand (Verdes)
Zooco
Silvio Girolamo
Yeye
Cover: KD1
Offset-Druck: f&w
Fotos: Tobias Holzmann (Assistenz: Miriam Zimmer)En ligne : https://novum.graphics/en/magazine/archive/detail/novum-1018/ Réservation
Réserver ce document
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Code-barres Cote Support Localisation Section Disponibilité SL 22911 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : 10.19 - 2019-10-14 Type de document : texte imprimé Année de publication : 2019 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle
Aliments -- Conditionnement
Arts graphiques -- 21e siècle
Arts graphiques -- Design
Arts graphiques -- Mise en page et typographie
Arts graphiques -- Norvège -- 21e siècle
Bauhaus
Bauhaus -- Publicité -- Europe
Gaufrage
Impression numérique
Impression sérigraphique
Impression sur étoffes -- Design
Livres -- Couvertures
Livres d'artistes
Papier -- Dans l'art
Périodiques -- Couvertures
Publicité -- Mise en page et typographie -- 20e siècle
Réalité augmentée
Scheinberger, Felix (1969-....)
Textiles et tissus -- Design
Vieux papiers -- RecyclageIndex. décimale : 766 Arts graphiques Résumé : The Oktoberfest in Munich is not normally relevant to the design world, but in this issue of novum it serves as a wonderful source of inspiration for the cover, which is quite literally an all-round delight. On a standard recycling card we used different hot-foil stampings, adding micro-embossing for stylish accent. A total of four different colour variants was produced, finished with two foils in silver and gold and a gold spot colour – the wrap-around motif comes from the Munich design agency Milch+Honig.
Other great projects that exploit the possibilities of paper, print and finishing can be found in our novum+ and Showroom sections. There you can enjoy first-class design from France, Hungary, Norway and the Netherlands, as well as eight pages of prize-winning posters from Germany, Austria and Switzerland.Note de contenu : Paper & Print
Multisensorics is a big theme at the moment in marketing and communication. After all, we human beings don´t just see, we can also feel, hear and smell. Things that appeal to us on several levels are therefore perceived more intensively, we feel them to be more positive and we remember them for longer.
Unusually designed print products can achieve this sustained effect. In the novum+ section this month we bring you lots of exciting examples, such as intelligently conceived packaging, illustrations with hand-made charm and campaigns that attract attention through high-quality finishes. Also there´s lots to discover about recycling papers, beautiful books and sophisticated CIs.
In the Showroom section Dutch designer Gilles de Brock explains how coding can boost creativity. Treize Grammes from France takes an opposite line, building charming settings by hand, and Kind from Norway impresses with visual identities that combine emotions with Nordic minimalism. Patrick Rössler presents graphic design treasures from the Bauhaus era, the Hungarian design agency Classmate shows how designers collaborate across different countries and still manage to maintain a coherent line in terms of design. Last, but not least, we interviewed Anette Lenz, jury member of the competition »100 Best Posters — Germany, Austria, Switzerland«, about trends and the meaning of posters today.
The cover
Why just one cover, when you can have a variety? Embracing this idea, the October issue of novum appears in four different colours and was embossed with two different hot foils and a gold spot colour. For the first time we also used micro-embossing, a technique that enables very fine details to be worked into the embossing die. Often this technique is used in protection against forgery, but as you see from our cover, it is also a great way to create intriguing optical accents.
On the wrap-around cover we used five embossing dies in different sizes, made by MSP Prägetechnik. As both larger areas and also fine details were embossed, it was necessary to do extensive testing to produce the best results with foils (Kurz) and paper (RecyCard from Papyrus Deutschland). The embossing itself also required great skill and sensitivity and that was delivered superbly by August Conzelmann AG.
The design on the cover comes from Milch+Honig, and, as a design bureau based in Munich, for the October issue the subject foremost in many people´s minds here is the Oktoberfest. As the designers at Milch+Honig have extensive experience with high-end print products, the finishing technique, the paper and the design were all expertly coordinated to produce a beautiful and successful result.
And, as masters of all that, Milch+Honig went one step further: with micro-embossing to integrate hidden messages. Working with the motion agency Paul Bewegt, they also concealed one or two things in the cover of novum – digitally, you understand. Using augmented reality parts of the cover can be brought to life – you can see this via an app on your smartphone or tablet.
Inhalt
Showroom
Gilles de Brock
Classmate
Kind
Treize grammes
100 Beste Plakate
Bauhaus
novum+
Clormann Design
WRK
Recycling Papiere
Anna Niestroj
Luminous
Editions Non Standard
Commission
Anagrama
Cover design: Milch+Honig
Paper: Papyrus Deutschland
Hot foil & micro embossing: August Conzelmann GmbH
Stamping die: MSP Prägetechnik
Foils: Kurz
Offset: f&w Medien
Augmented Reality: Paul Bewegt
Photography: Janina Engel, Tobias HolzmannEn ligne : https://novum.graphics/en/magazine/archive/detail/novum-1019/ [n° ou bulletin] 10.19 - 2019-10-14 [texte imprimé] . - 2019.
Langues : Allemand (ger) Anglais (eng)
Catégories : Affiches -- 21e Siècle
Aliments -- Conditionnement
Arts graphiques -- 21e siècle
Arts graphiques -- Design
Arts graphiques -- Mise en page et typographie
Arts graphiques -- Norvège -- 21e siècle
Bauhaus
Bauhaus -- Publicité -- Europe
Gaufrage
Impression numérique
Impression sérigraphique
Impression sur étoffes -- Design
Livres -- Couvertures
Livres d'artistes
Papier -- Dans l'art
Périodiques -- Couvertures
Publicité -- Mise en page et typographie -- 20e siècle
Réalité augmentée
Scheinberger, Felix (1969-....)
Textiles et tissus -- Design
Vieux papiers -- RecyclageIndex. décimale : 766 Arts graphiques Résumé : The Oktoberfest in Munich is not normally relevant to the design world, but in this issue of novum it serves as a wonderful source of inspiration for the cover, which is quite literally an all-round delight. On a standard recycling card we used different hot-foil stampings, adding micro-embossing for stylish accent. A total of four different colour variants was produced, finished with two foils in silver and gold and a gold spot colour – the wrap-around motif comes from the Munich design agency Milch+Honig.
Other great projects that exploit the possibilities of paper, print and finishing can be found in our novum+ and Showroom sections. There you can enjoy first-class design from France, Hungary, Norway and the Netherlands, as well as eight pages of prize-winning posters from Germany, Austria and Switzerland.Note de contenu : Paper & Print
Multisensorics is a big theme at the moment in marketing and communication. After all, we human beings don´t just see, we can also feel, hear and smell. Things that appeal to us on several levels are therefore perceived more intensively, we feel them to be more positive and we remember them for longer.
Unusually designed print products can achieve this sustained effect. In the novum+ section this month we bring you lots of exciting examples, such as intelligently conceived packaging, illustrations with hand-made charm and campaigns that attract attention through high-quality finishes. Also there´s lots to discover about recycling papers, beautiful books and sophisticated CIs.
In the Showroom section Dutch designer Gilles de Brock explains how coding can boost creativity. Treize Grammes from France takes an opposite line, building charming settings by hand, and Kind from Norway impresses with visual identities that combine emotions with Nordic minimalism. Patrick Rössler presents graphic design treasures from the Bauhaus era, the Hungarian design agency Classmate shows how designers collaborate across different countries and still manage to maintain a coherent line in terms of design. Last, but not least, we interviewed Anette Lenz, jury member of the competition »100 Best Posters — Germany, Austria, Switzerland«, about trends and the meaning of posters today.
The cover
Why just one cover, when you can have a variety? Embracing this idea, the October issue of novum appears in four different colours and was embossed with two different hot foils and a gold spot colour. For the first time we also used micro-embossing, a technique that enables very fine details to be worked into the embossing die. Often this technique is used in protection against forgery, but as you see from our cover, it is also a great way to create intriguing optical accents.
On the wrap-around cover we used five embossing dies in different sizes, made by MSP Prägetechnik. As both larger areas and also fine details were embossed, it was necessary to do extensive testing to produce the best results with foils (Kurz) and paper (RecyCard from Papyrus Deutschland). The embossing itself also required great skill and sensitivity and that was delivered superbly by August Conzelmann AG.
The design on the cover comes from Milch+Honig, and, as a design bureau based in Munich, for the October issue the subject foremost in many people´s minds here is the Oktoberfest. As the designers at Milch+Honig have extensive experience with high-end print products, the finishing technique, the paper and the design were all expertly coordinated to produce a beautiful and successful result.
And, as masters of all that, Milch+Honig went one step further: with micro-embossing to integrate hidden messages. Working with the motion agency Paul Bewegt, they also concealed one or two things in the cover of novum – digitally, you understand. Using augmented reality parts of the cover can be brought to life – you can see this via an app on your smartphone or tablet.
Inhalt
Showroom
Gilles de Brock
Classmate
Kind
Treize grammes
100 Beste Plakate
Bauhaus
novum+
Clormann Design
WRK
Recycling Papiere
Anna Niestroj
Luminous
Editions Non Standard
Commission
Anagrama
Cover design: Milch+Honig
Paper: Papyrus Deutschland
Hot foil & micro embossing: August Conzelmann GmbH
Stamping die: MSP Prägetechnik
Foils: Kurz
Offset: f&w Medien
Augmented Reality: Paul Bewegt
Photography: Janina Engel, Tobias HolzmannEn ligne : https://novum.graphics/en/magazine/archive/detail/novum-1019/ Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 23875 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : 10.20 - 2020-10-12 Type de document : texte imprimé Année de publication : 2020 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle
Arts graphiques -- 21e siècle
Arts graphiques -- Corée -- 21e siècle
Arts graphiques -- Mise en page et typographie
Communication visuelle -- 21e siècle
Covid-19 -- Aspect économique -- 21e siècle
Covid-19 -- Aspect social -- 21e siècle
Data visualisation
Mobilité spatiale -- Design
Scheinberger, Felix (1969-....)
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Résumé : Tourism, commuter traffic, leisure activities, business travel – few sectors have been so avidly talked about, fought over and sorely missed over past months as mobility, both private and public. For the first time society has asked itself: »What good is freedom when we can´t move around unhindered, plan trips and just generally be out and about living our lives?«
We took this opportunity to explore in this new issue not only design concepts for conventional means of transport such as planes, cars and bicycles, but also to interview studios and designers who are re-interpreting and re-designing the theme of mobility, and making it fit for the future.Note de contenu :
Visionary ideas, innovative concepts
For example, our editor-in-chief, Christine Moosmann, talked to the Dutch studio Clever°Franke which specialises in data visualisation, a tool that can have a key impact on improving traffic flows and urban planning. And Corinna Natter, creative director at BMW Mini LIving and responsible for spatial designs for the future, explains in an interview some of the ideas that are being considered in the automotive sector at the moment. Tom Hegen, whose work you saw on the cover of our recent issue on photography, made his »Lockdown Series« available to us, in which he portrays airports where all the planes are grounded. Bratus, a Vietnamese agency, told us about their highly apt corporate identity for the aviation supplier Incentex, and Carlo Ratti Associati, an Italian design studio, set out its visionary idea of turning old shipping containers into mobile, provisional intensive care units for Covid-19 patients, in an open-source initiative.
In the Showroom section we present the creative female duo Works Services of Seoul, which in its highly diverse creations, combines Korean design traditions with brightly coloured design elements. Our correspondent Susanne Schaller went to visit the designer Carlotta Origoni, a specialist in silk-screen printing – and produced a studio portrait on this versatile creative. In this issue you can also get to know the Dutch graphic designer Lex Reitsma, who, as a documentary film maker, portrays design greats such as Wim Crouwel. And finally, we take you to Belgium where the agency Oilinwater develops sensational projects.
The cover
»Finding a motif on such a broad-ranging subject as mobility it not so easy,« admits our art director Tobias Holzmann, who accepted the challenge of designing the cover this month. »After all it covers so many things – from a rocket to a bicycle, and even a stamp on a letter!« And so his design reflects many different directions. It seemed appropriate to make use of the many and varied symbols, signs and graphic designs that we encounter in day-to-day transport, or in long-distance travel. He even sought inspiration in the design of the signs and runway markings at airports.
In producing this cover we decided to do something we have been wanting to do for a long time – and, in cooperation with printers Stainer, we have printed this design in screenprint on a rough machine-grey card from Igepa. And the result is, we think, a wonderful contrast of glowing citron yellow and cool grey.
In this way the cover takes up visually the many differences, conflicts even, in themes that we are confronted with daily: proximity and distance, technical progress and a return to nature, tradition and innovation.
We hope you enjoy the read – and that this issue will also set some wheels in motion in your own heads!
The content
novum+ mobility
Clever°Franke
Bike Space
Bratus
Mini Living
Tom Hegen
NASA / Standards Manual
Cura Pods
Thijs Verbeek
Showroom
Lex Reitsma
Works Services
Oilinwater
Carlotta Origoni
Cover
Paper: Machine gray cardboard, 300g/qm (Leipa)
Distribution: Igepa (Artikelnummer 704370)
Screen printing: Stainer Schriften & Siebdruck
Cover design: Tobias HolzmannEn ligne : https://novum.graphics/en/magazine/archive/detail/novum-1020/ [n° ou bulletin] 10.20 - 2020-10-12 [texte imprimé] . - 2020.
Langues : Allemand (ger) Anglais (eng)
Catégories : Affiches -- 21e Siècle
Arts graphiques -- 21e siècle
Arts graphiques -- Corée -- 21e siècle
Arts graphiques -- Mise en page et typographie
Communication visuelle -- 21e siècle
Covid-19 -- Aspect économique -- 21e siècle
Covid-19 -- Aspect social -- 21e siècle
Data visualisation
Mobilité spatiale -- Design
Scheinberger, Felix (1969-....)
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Résumé : Tourism, commuter traffic, leisure activities, business travel – few sectors have been so avidly talked about, fought over and sorely missed over past months as mobility, both private and public. For the first time society has asked itself: »What good is freedom when we can´t move around unhindered, plan trips and just generally be out and about living our lives?«
We took this opportunity to explore in this new issue not only design concepts for conventional means of transport such as planes, cars and bicycles, but also to interview studios and designers who are re-interpreting and re-designing the theme of mobility, and making it fit for the future.Note de contenu :
Visionary ideas, innovative concepts
For example, our editor-in-chief, Christine Moosmann, talked to the Dutch studio Clever°Franke which specialises in data visualisation, a tool that can have a key impact on improving traffic flows and urban planning. And Corinna Natter, creative director at BMW Mini LIving and responsible for spatial designs for the future, explains in an interview some of the ideas that are being considered in the automotive sector at the moment. Tom Hegen, whose work you saw on the cover of our recent issue on photography, made his »Lockdown Series« available to us, in which he portrays airports where all the planes are grounded. Bratus, a Vietnamese agency, told us about their highly apt corporate identity for the aviation supplier Incentex, and Carlo Ratti Associati, an Italian design studio, set out its visionary idea of turning old shipping containers into mobile, provisional intensive care units for Covid-19 patients, in an open-source initiative.
In the Showroom section we present the creative female duo Works Services of Seoul, which in its highly diverse creations, combines Korean design traditions with brightly coloured design elements. Our correspondent Susanne Schaller went to visit the designer Carlotta Origoni, a specialist in silk-screen printing – and produced a studio portrait on this versatile creative. In this issue you can also get to know the Dutch graphic designer Lex Reitsma, who, as a documentary film maker, portrays design greats such as Wim Crouwel. And finally, we take you to Belgium where the agency Oilinwater develops sensational projects.
The cover
»Finding a motif on such a broad-ranging subject as mobility it not so easy,« admits our art director Tobias Holzmann, who accepted the challenge of designing the cover this month. »After all it covers so many things – from a rocket to a bicycle, and even a stamp on a letter!« And so his design reflects many different directions. It seemed appropriate to make use of the many and varied symbols, signs and graphic designs that we encounter in day-to-day transport, or in long-distance travel. He even sought inspiration in the design of the signs and runway markings at airports.
In producing this cover we decided to do something we have been wanting to do for a long time – and, in cooperation with printers Stainer, we have printed this design in screenprint on a rough machine-grey card from Igepa. And the result is, we think, a wonderful contrast of glowing citron yellow and cool grey.
In this way the cover takes up visually the many differences, conflicts even, in themes that we are confronted with daily: proximity and distance, technical progress and a return to nature, tradition and innovation.
We hope you enjoy the read – and that this issue will also set some wheels in motion in your own heads!
The content
novum+ mobility
Clever°Franke
Bike Space
Bratus
Mini Living
Tom Hegen
NASA / Standards Manual
Cura Pods
Thijs Verbeek
Showroom
Lex Reitsma
Works Services
Oilinwater
Carlotta Origoni
Cover
Paper: Machine gray cardboard, 300g/qm (Leipa)
Distribution: Igepa (Artikelnummer 704370)
Screen printing: Stainer Schriften & Siebdruck
Cover design: Tobias HolzmannEn ligne : https://novum.graphics/en/magazine/archive/detail/novum-1020/ Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 24693 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : 11.16 - 2016-11-12 Type de document : texte imprimé Année de publication : 2016 Langues : Anglais (eng) Allemand (ger) Catégories : Arts graphiques -- 21e siècle
Biennale internationale de l'affiche (25 ; 2016 ; Varsovie)
Conditionnement
Livres -- Mise en page
Travail du papier
Typographie - DesignIndex. décimale : 766 Arts graphiques En ligne : https://intramuros.fr/magazine/intramuros-187 [n° ou bulletin] 11.16 - 2016-11-12 [texte imprimé] . - 2016.
Langues : Anglais (eng) Allemand (ger)
Catégories : Arts graphiques -- 21e siècle
Biennale internationale de l'affiche (25 ; 2016 ; Varsovie)
Conditionnement
Livres -- Mise en page
Travail du papier
Typographie - DesignIndex. décimale : 766 Arts graphiques En ligne : https://intramuros.fr/magazine/intramuros-187 Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 20498 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : 11.17 - 2017-11-13 Type de document : texte imprimé Année de publication : 2017 Note générale : Electrifying
12.10.2017
Charles Eames once said: »The details are not the details. They make the design«. And in this month’s novum we are putting those very details centre-stage, as we look at the small components that make a design distinctive and unique. We also feature an interesting interview with the internationally famous creatives from Snask and the fantastic collages by Elisa Vendramin; we glimpse behind the scenes at the British studio Iwant, and peruse the amazing portfolio of konter…Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement
Architecture -- Dessins et plans
Arts graphiques - Couleur
Arts graphiques -- 21e siècle
Arts graphiques -- Typographie
Collage (art)
Communication en marketing
Communication visuelle -- 21e siècle
Détails (art)
Halbert, Michael
Illustration -- technique
Livres -- Mise en page
Livres d'artistes
Marques de commerce - Marketing
Restaurants -- Aménagement
Snask (Firm)
Travail du papier
Typographie - Design
Wrigley, William (1861-1932)Index. décimale : 766 Arts graphiques Résumé : Small cause, large effect – that is true not only of the famous »butterfly effect«. It applies also to so many other things in daily life and of course it applies to graphic design. A detail such as bold use of just one impressive colour can make all the difference. We think you´ll agree this technique has certainly produced an eye-catching result on this month´s cover, of which there is not one, but two variants!
As regards content, the focus is our novum+ section is exclusively on details: For this we talked to type guru Friedrich Forssmann about the obsessiveness that is essential for any typographer, conducted an interview with designer-craftswoman Katja Knahn and explored the new visual identity of City College in New York. We also had a very productive chat with Carlos Magro, Creative Director at Interbrand Spain, about his unusual CD – called »Mind the Gap« – for an international firm of lawyers. And we feature a jaw-dropping interior design for a restaurant – with walls lined with thousands of bones. Cadena of Mexico tells us how their design came about.
In the Showroom this time, we have a diversity of styles and genres: Fantastic collages from Elisa Vendramin await your inspection, along with sophisticated packaging from British studio Iwant. Plus we reveal how design greats Snask with their rock ‘n’ roll discipline made it to the top – and not only with their redesign for North Korea. Beatriz Costo often lets her creativity flow into editorial design projects, and our cover designers – Dortmund-based design studio konter – show us their inspiring portfolio.
How do you protect creative titles? This is the question tackled by lawyer Andrijana Kojic; she gives practical advice in her legal column. And Andreas Koop in his column muses on why, even in design commissions for industry, so much trickery and cheating goes on … unreal realities!
And – did you know that Wrigley´s now iconic chewing gum was actually not the manufacturer’s own product at all in the early days? From give-away to world fame – find out more about this exciting brand story….
The cover
If you want to be subtle, then avoid Electric Blood and Vibrant Arsenic from the Action range of papermakers Gmund. But if you want to make a splash, then you´ll be very, very happy with this material. Electric Blood is a very specific colour – somewhere between red and orange with an almost neon-like effect. A special surface treatment, applied after the paper has been produced, gives it that distinctive shimmer. Vibrant Arsenic, with the same surface, is a resplendent pure neon yellow. We have used both in producing the cover for this month´s novum, but whichever one you have ended up with, there’s no chance of losing it on your shelves.
All the ten expressive colours in Gmund Action – available from Papyrus – keep their promise: Go to Hell Black, Alpine Sparkling Water, Crystal Vanilla Sorbet, Nuclear Acid, Clear Sky Blue, Pastel Heart Attack, Night Offshore Blue, Dark Silver Cloud and of course also Vibrant Arsenic und Electric Blood. Whether you use them for packaging or envelopes, this colour range really grabs the attention. Available in 300 to 430 gsm, any application is guaranteed to get noticed. So, for communication that really stands out, choose a muted colour for the letter and put it in one of these Gmund Action envelopes.
The finish
Any complicated processing of these visually prominent materials would almost be one detail too far, so the designers at konter studio limited themselves to the contrast-rich progression in one special colour (Pantone 286 C) and a fine embossing carefully finished with hot foil. Thus finished, their artwork uniquely interprets the focus theme this month in a unique way: »Complexity, yes. Sometimes simple but hidden, allows playfulness« … to be discovered on the back cover of this issue. »We love the details. Very often it´s not the overall picture that we delight in, but the tiny, hidden, special aspects, that sometimes can be implemented without an enormous budget. And things really get rewarding when have the opportunity to spend time on such details. So what we produced here is a motif that at first sight is just a burst of colour, but on closer inspection you see the delicate embossing and the hidden content,« say Michelle Flunger and Sascha Schilling of konter – Studio für Gestaltung.
The foil embossing was done by the Forum Prägefolien Veredelung, a society of finishing experts and specialists offering advice and services in the different types of hot foil stamping, from micro-embossing to structure, relief and blind blocking. www.look-and-feel.net
novum+
Cadena (MEX)
Michael Halbert (USA)
Campbell Hay (GBR)
Friedrich Forssman (GER)
Katja Knahn (GER)
Interbrand (ESP)
Menos Es Más (ESP)
Showroom
Snask (SWE)
Iwant Design (GBR)
Beatriz Costo (ESP)
Konter (GER)
Elisa Vendramin (ITA)
Neue Typgraphie, Teil VI
Paper: Gmund Action, Papyrus, www.papyrus.com
Offset printing: f&w Druck- und Mediencenter
Embossing and hot foil: Forum Prägefolien Veredelung, www.look-and-feel.net
Cover design: konter, www.studiokonter.de
Special colour: Pantone 286 C
Photos: Tobias Holzmann
En ligne : https://novum.graphics/en/magazine/current-issue/detail/novum-1117/ [n° ou bulletin] 11.17 - 2017-11-13 [texte imprimé] . - 2017.
Electrifying
12.10.2017
Charles Eames once said: »The details are not the details. They make the design«. And in this month’s novum we are putting those very details centre-stage, as we look at the small components that make a design distinctive and unique. We also feature an interesting interview with the internationally famous creatives from Snask and the fantastic collages by Elisa Vendramin; we glimpse behind the scenes at the British studio Iwant, and peruse the amazing portfolio of konter…
Langues : Allemand (ger) Anglais (eng)
Catégories : Aliments -- Conditionnement
Architecture -- Dessins et plans
Arts graphiques - Couleur
Arts graphiques -- 21e siècle
Arts graphiques -- Typographie
Collage (art)
Communication en marketing
Communication visuelle -- 21e siècle
Détails (art)
Halbert, Michael
Illustration -- technique
Livres -- Mise en page
Livres d'artistes
Marques de commerce - Marketing
Restaurants -- Aménagement
Snask (Firm)
Travail du papier
Typographie - Design
Wrigley, William (1861-1932)Index. décimale : 766 Arts graphiques Résumé : Small cause, large effect – that is true not only of the famous »butterfly effect«. It applies also to so many other things in daily life and of course it applies to graphic design. A detail such as bold use of just one impressive colour can make all the difference. We think you´ll agree this technique has certainly produced an eye-catching result on this month´s cover, of which there is not one, but two variants!
As regards content, the focus is our novum+ section is exclusively on details: For this we talked to type guru Friedrich Forssmann about the obsessiveness that is essential for any typographer, conducted an interview with designer-craftswoman Katja Knahn and explored the new visual identity of City College in New York. We also had a very productive chat with Carlos Magro, Creative Director at Interbrand Spain, about his unusual CD – called »Mind the Gap« – for an international firm of lawyers. And we feature a jaw-dropping interior design for a restaurant – with walls lined with thousands of bones. Cadena of Mexico tells us how their design came about.
In the Showroom this time, we have a diversity of styles and genres: Fantastic collages from Elisa Vendramin await your inspection, along with sophisticated packaging from British studio Iwant. Plus we reveal how design greats Snask with their rock ‘n’ roll discipline made it to the top – and not only with their redesign for North Korea. Beatriz Costo often lets her creativity flow into editorial design projects, and our cover designers – Dortmund-based design studio konter – show us their inspiring portfolio.
How do you protect creative titles? This is the question tackled by lawyer Andrijana Kojic; she gives practical advice in her legal column. And Andreas Koop in his column muses on why, even in design commissions for industry, so much trickery and cheating goes on … unreal realities!
And – did you know that Wrigley´s now iconic chewing gum was actually not the manufacturer’s own product at all in the early days? From give-away to world fame – find out more about this exciting brand story….
The cover
If you want to be subtle, then avoid Electric Blood and Vibrant Arsenic from the Action range of papermakers Gmund. But if you want to make a splash, then you´ll be very, very happy with this material. Electric Blood is a very specific colour – somewhere between red and orange with an almost neon-like effect. A special surface treatment, applied after the paper has been produced, gives it that distinctive shimmer. Vibrant Arsenic, with the same surface, is a resplendent pure neon yellow. We have used both in producing the cover for this month´s novum, but whichever one you have ended up with, there’s no chance of losing it on your shelves.
All the ten expressive colours in Gmund Action – available from Papyrus – keep their promise: Go to Hell Black, Alpine Sparkling Water, Crystal Vanilla Sorbet, Nuclear Acid, Clear Sky Blue, Pastel Heart Attack, Night Offshore Blue, Dark Silver Cloud and of course also Vibrant Arsenic und Electric Blood. Whether you use them for packaging or envelopes, this colour range really grabs the attention. Available in 300 to 430 gsm, any application is guaranteed to get noticed. So, for communication that really stands out, choose a muted colour for the letter and put it in one of these Gmund Action envelopes.
The finish
Any complicated processing of these visually prominent materials would almost be one detail too far, so the designers at konter studio limited themselves to the contrast-rich progression in one special colour (Pantone 286 C) and a fine embossing carefully finished with hot foil. Thus finished, their artwork uniquely interprets the focus theme this month in a unique way: »Complexity, yes. Sometimes simple but hidden, allows playfulness« … to be discovered on the back cover of this issue. »We love the details. Very often it´s not the overall picture that we delight in, but the tiny, hidden, special aspects, that sometimes can be implemented without an enormous budget. And things really get rewarding when have the opportunity to spend time on such details. So what we produced here is a motif that at first sight is just a burst of colour, but on closer inspection you see the delicate embossing and the hidden content,« say Michelle Flunger and Sascha Schilling of konter – Studio für Gestaltung.
The foil embossing was done by the Forum Prägefolien Veredelung, a society of finishing experts and specialists offering advice and services in the different types of hot foil stamping, from micro-embossing to structure, relief and blind blocking. www.look-and-feel.net
novum+
Cadena (MEX)
Michael Halbert (USA)
Campbell Hay (GBR)
Friedrich Forssman (GER)
Katja Knahn (GER)
Interbrand (ESP)
Menos Es Más (ESP)
Showroom
Snask (SWE)
Iwant Design (GBR)
Beatriz Costo (ESP)
Konter (GER)
Elisa Vendramin (ITA)
Neue Typgraphie, Teil VI
Paper: Gmund Action, Papyrus, www.papyrus.com
Offset printing: f&w Druck- und Mediencenter
Embossing and hot foil: Forum Prägefolien Veredelung, www.look-and-feel.net
Cover design: konter, www.studiokonter.de
Special colour: Pantone 286 C
Photos: Tobias Holzmann
En ligne : https://novum.graphics/en/magazine/current-issue/detail/novum-1117/ Réservation
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