08.19 - 2019-08-12 (Bulletin de Novum)    

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 08.19 - 2019-08-12 Type de document : texte imprimé Année de publication : 2019 Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : Complex contexts explained through graphic design: novum 08.19 presents studios and designers who specialise in data visualisation and have produced some quite amazing work in this field. For the cover we used a highly pigmented silver ink on a deep-black paper. All this and more awaits you in the new novum! Note de contenu : Design explains the world Complex contexts explained through graphic design: novum 08.19 presents studios and designers who specialise in data visualisation and have produced some quite amazing work in this field. In the Showroom we again look over the shoulders of creatives …. In an interview with our correspondent Susanne Schaller, Farmgroup of Thailand tell us about their philosophy and about the design scene in that country. We also bring you Chris Tille, a truly exceptional photographer and artist who takes us to the stars – his fascinating works are mostly based on scientific data and calculations. And – nomen est omen – the Austrian studio Icarus delights us with their high-flying graphics; clipped wings are not for them! Bureau Collective of Switzerland opens up their amazing portfolio for us and illustrator Frau Isa shows us her charming illustrations. Plus: Belgian designer Davy Dooms treats us to some strong typographic solutions. novum+: Data visualization Making complex contexts easy to understand, visualising complexity without oversimplifying the content – data visualisation has always been a highly respected design discipline. We talked to Gert Franke, co-founder of Clever°Franke, one of the leading design studios in this genre. What changes do they think are needed in design education? What drives them to tackle so many complex free projects? And, is there anything that is just too complex to present through the medium of graphic design? No less exciting was the interview with The New York Times, which each day publishes infographics of the highest quality in their print and web editions. This look behind the scenes will astound you. With a visit to The Visual Agency we commemorate the 500th anniversary of the death of Leonardo da Vinci: The Codex Atlanticus project uses highly modern means to dip into history. These and other articles give you a chance to delve deep into the broad field of data visualization… The cover For our cover this month Clever°Franke let us use a detail from one of their data visualisations – even without a context, this excerpt is an aesthetic delight that you can interpret freely. As a brief, we simply stipulated the colour silver – because we were very keen to use the highly pigmented Suprametal® 510 VMP from the French ink specialist Radior. As a perfect material for this we discovered Real Black (James Cropper, sales: Römerturm), which certainly lived up to its name. This deep-black, carbon-free paper (here in 350 gsm) has a superb feel and a natural-looking surface. The print result has an almost three-dimensional depth, and Vogl printers really drew out the maximum here with paper and ink. For example, the logotype was printed three times in white and the silver part went through the printer twice. More inside this issue on how this cover was produced. Showroom: Bauhaus Frau Isa (GER) Bureau Collective (SWI) Chris Tille (GER) Davy Dooms (BEL) Farmgroup (THA) Icarus Creative (AUT) novum+ Weltkulturatlas Clever°Franke (NLD) The visual company (ITA) Ferdio (DEN) New York Times (USA) Market Cafe Magazine (GBR) Cover: Clever°Franke Papier: Real Black, James Cropper über Römerturm Offset-Druck: Druckerei Vogl Sonderfarbe: Suprametal® 510 VMP, radior Fotografie: Janina Engel En ligne : https://novum.graphics/de/magazin/magazin-detailseite/detail/novum-0819/ [n° ou bulletin]  est un bulletin de Novum   08.19 - 2019-08-12 [texte imprimé] . - 2019. Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : Complex contexts explained through graphic design: novum 08.19 presents studios and designers who specialise in data visualisation and have produced some quite amazing work in this field. For the cover we used a highly pigmented silver ink on a deep-black paper. All this and more awaits you in the new novum! Note de contenu : Design explains the world Complex contexts explained through graphic design: novum 08.19 presents studios and designers who specialise in data visualisation and have produced some quite amazing work in this field. In the Showroom we again look over the shoulders of creatives …. In an interview with our correspondent Susanne Schaller, Farmgroup of Thailand tell us about their philosophy and about the design scene in that country. We also bring you Chris Tille, a truly exceptional photographer and artist who takes us to the stars – his fascinating works are mostly based on scientific data and calculations. And – nomen est omen – the Austrian studio Icarus delights us with their high-flying graphics; clipped wings are not for them! Bureau Collective of Switzerland opens up their amazing portfolio for us and illustrator Frau Isa shows us her charming illustrations. Plus: Belgian designer Davy Dooms treats us to some strong typographic solutions. novum+: Data visualization Making complex contexts easy to understand, visualising complexity without oversimplifying the content – data visualisation has always been a highly respected design discipline. We talked to Gert Franke, co-founder of Clever°Franke, one of the leading design studios in this genre. What changes do they think are needed in design education? What drives them to tackle so many complex free projects? And, is there anything that is just too complex to present through the medium of graphic design? No less exciting was the interview with The New York Times, which each day publishes infographics of the highest quality in their print and web editions. This look behind the scenes will astound you. With a visit to The Visual Agency we commemorate the 500th anniversary of the death of Leonardo da Vinci: The Codex Atlanticus project uses highly modern means to dip into history. These and other articles give you a chance to delve deep into the broad field of data visualization… The cover For our cover this month Clever°Franke let us use a detail from one of their data visualisations – even without a context, this excerpt is an aesthetic delight that you can interpret freely. As a brief, we simply stipulated the colour silver – because we were very keen to use the highly pigmented Suprametal® 510 VMP from the French ink specialist Radior. As a perfect material for this we discovered Real Black (James Cropper, sales: Römerturm), which certainly lived up to its name. This deep-black, carbon-free paper (here in 350 gsm) has a superb feel and a natural-looking surface. The print result has an almost three-dimensional depth, and Vogl printers really drew out the maximum here with paper and ink. For example, the logotype was printed three times in white and the silver part went through the printer twice. More inside this issue on how this cover was produced. Showroom: Bauhaus Frau Isa (GER) Bureau Collective (SWI) Chris Tille (GER) Davy Dooms (BEL) Farmgroup (THA) Icarus Creative (AUT) novum+ Weltkulturatlas Clever°Franke (NLD) The visual company (ITA) Ferdio (DEN) New York Times (USA) Market Cafe Magazine (GBR) Cover: Clever°Franke Papier: Real Black, James Cropper über Römerturm Offset-Druck: Druckerei Vogl Sonderfarbe: Suprametal® 510 VMP, radior Fotografie: Janina Engel En ligne : https://novum.graphics/de/magazin/magazin-detailseite/detail/novum-0819/

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10.20 - 2020-10-12 (Bulletin de Novum)    

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 10.20 - 2020-10-12 Type de document : texte imprimé Année de publication : 2020 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle Arts graphiques -- 21e siècle Arts graphiques -- Corée -- 21e siècle Arts graphiques -- Mise en page et typographie Communication visuelle -- 21e siècle Covid-19 -- Aspect économique -- 21e siècle Covid-19 -- Aspect social -- 21e siècle Data visualisation Mobilité spatiale -- Design Scheinberger, Felix (1969-....) Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : Tourism, commuter traffic, leisure activities, business travel – few sectors have been so avidly talked about, fought over and sorely missed over past months as mobility, both private and public. For the first time society has asked itself: »What good is freedom when we can´t move around unhindered, plan trips and just generally be out and about living our lives?« We took this opportunity to explore in this new issue not only design concepts for conventional means of transport such as planes, cars and bicycles, but also to interview studios and designers who are re-interpreting and re-designing the theme of mobility, and making it fit for the future. Note de contenu : Visionary ideas, innovative concepts For example, our editor-in-chief, Christine Moosmann, talked to the Dutch studio Clever°Franke which specialises in data visualisation, a tool that can have a key impact on improving traffic flows and urban planning. And Corinna Natter, creative director at BMW Mini LIving and responsible for spatial designs for the future, explains in an interview some of the ideas that are being considered in the automotive sector at the moment. Tom Hegen, whose work you saw on the cover of our recent issue on photography, made his »Lockdown Series« available to us, in which he portrays airports where all the planes are grounded. Bratus, a Vietnamese agency, told us about their highly apt corporate identity for the aviation supplier Incentex, and Carlo Ratti Associati, an Italian design studio, set out its visionary idea of turning old shipping containers into mobile, provisional intensive care units for Covid-19 patients, in an open-source initiative. In the Showroom section we present the creative female duo Works Services of Seoul, which in its highly diverse creations, combines Korean design traditions with brightly coloured design elements. Our correspondent Susanne Schaller went to visit the designer Carlotta Origoni, a specialist in silk-screen printing – and produced a studio portrait on this versatile creative. In this issue you can also get to know the Dutch graphic designer Lex Reitsma, who, as a documentary film maker, portrays design greats such as Wim Crouwel. And finally, we take you to Belgium where the agency Oilinwater develops sensational projects. The cover »Finding a motif on such a broad-ranging subject as mobility it not so easy,« admits our art director Tobias Holzmann, who accepted the challenge of designing the cover this month. »After all it covers so many things – from a rocket to a bicycle, and even a stamp on a letter!« And so his design reflects many different directions. It seemed appropriate to make use of the many and varied symbols, signs and graphic designs that we encounter in day-to-day transport, or in long-distance travel. He even sought inspiration in the design of the signs and runway markings at airports. In producing this cover we decided to do something we have been wanting to do for a long time – and, in cooperation with printers Stainer, we have printed this design in screenprint on a rough machine-grey card from Igepa. And the result is, we think, a wonderful contrast of glowing citron yellow and cool grey. In this way the cover takes up visually the many differences, conflicts even, in themes that we are confronted with daily: proximity and distance, technical progress and a return to nature, tradition and innovation. We hope you enjoy the read – and that this issue will also set some wheels in motion in your own heads! The content novum+ mobility Clever°Franke Bike Space Bratus Mini Living Tom Hegen NASA / Standards Manual Cura Pods Thijs Verbeek Showroom Lex Reitsma Works Services Oilinwater Carlotta Origoni Cover Paper: Machine gray cardboard, 300g/qm (Leipa) Distribution: Igepa (Artikelnummer 704370) Screen printing: Stainer Schriften & Siebdruck Cover design: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/archive/detail/novum-1020/ [n° ou bulletin]  est un bulletin de Novum   10.20 - 2020-10-12 [texte imprimé] . - 2020. Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle Arts graphiques -- 21e siècle Arts graphiques -- Corée -- 21e siècle Arts graphiques -- Mise en page et typographie Communication visuelle -- 21e siècle Covid-19 -- Aspect économique -- 21e siècle Covid-19 -- Aspect social -- 21e siècle Data visualisation Mobilité spatiale -- Design Scheinberger, Felix (1969-....) Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : Tourism, commuter traffic, leisure activities, business travel – few sectors have been so avidly talked about, fought over and sorely missed over past months as mobility, both private and public. For the first time society has asked itself: »What good is freedom when we can´t move around unhindered, plan trips and just generally be out and about living our lives?« We took this opportunity to explore in this new issue not only design concepts for conventional means of transport such as planes, cars and bicycles, but also to interview studios and designers who are re-interpreting and re-designing the theme of mobility, and making it fit for the future. Note de contenu : Visionary ideas, innovative concepts For example, our editor-in-chief, Christine Moosmann, talked to the Dutch studio Clever°Franke which specialises in data visualisation, a tool that can have a key impact on improving traffic flows and urban planning. And Corinna Natter, creative director at BMW Mini LIving and responsible for spatial designs for the future, explains in an interview some of the ideas that are being considered in the automotive sector at the moment. Tom Hegen, whose work you saw on the cover of our recent issue on photography, made his »Lockdown Series« available to us, in which he portrays airports where all the planes are grounded. Bratus, a Vietnamese agency, told us about their highly apt corporate identity for the aviation supplier Incentex, and Carlo Ratti Associati, an Italian design studio, set out its visionary idea of turning old shipping containers into mobile, provisional intensive care units for Covid-19 patients, in an open-source initiative. In the Showroom section we present the creative female duo Works Services of Seoul, which in its highly diverse creations, combines Korean design traditions with brightly coloured design elements. Our correspondent Susanne Schaller went to visit the designer Carlotta Origoni, a specialist in silk-screen printing – and produced a studio portrait on this versatile creative. In this issue you can also get to know the Dutch graphic designer Lex Reitsma, who, as a documentary film maker, portrays design greats such as Wim Crouwel. And finally, we take you to Belgium where the agency Oilinwater develops sensational projects. The cover »Finding a motif on such a broad-ranging subject as mobility it not so easy,« admits our art director Tobias Holzmann, who accepted the challenge of designing the cover this month. »After all it covers so many things – from a rocket to a bicycle, and even a stamp on a letter!« And so his design reflects many different directions. It seemed appropriate to make use of the many and varied symbols, signs and graphic designs that we encounter in day-to-day transport, or in long-distance travel. He even sought inspiration in the design of the signs and runway markings at airports. In producing this cover we decided to do something we have been wanting to do for a long time – and, in cooperation with printers Stainer, we have printed this design in screenprint on a rough machine-grey card from Igepa. And the result is, we think, a wonderful contrast of glowing citron yellow and cool grey. In this way the cover takes up visually the many differences, conflicts even, in themes that we are confronted with daily: proximity and distance, technical progress and a return to nature, tradition and innovation. We hope you enjoy the read – and that this issue will also set some wheels in motion in your own heads! The content novum+ mobility Clever°Franke Bike Space Bratus Mini Living Tom Hegen NASA / Standards Manual Cura Pods Thijs Verbeek Showroom Lex Reitsma Works Services Oilinwater Carlotta Origoni Cover Paper: Machine gray cardboard, 300g/qm (Leipa) Distribution: Igepa (Artikelnummer 704370) Screen printing: Stainer Schriften & Siebdruck Cover design: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/archive/detail/novum-1020/

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09.18 - 2018-09-12 (Bulletin de Novum)    

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 09.18 - 2018-09-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Art et politique Art numérique Arts graphiques -- 21e siècle Arts graphiques -- Étude et enseignement -- 21e siècle Arts graphiques -- Technique -- Innovations Collage (art) -- 21e siècle Communication en politique Communication visuelle -- 21e siècle Conditionnement Designers -- 21e siècle Mise en page et typographie Index. décimale : 766 Arts graphiques Note de contenu : What will work be like in the future? How can we influence future developments? Where does our responsibility lie? Will we be living in the city or in the countryside? And are AI and AR a blessing or a curse? On the subject of the future, there are many pressing and interesting questions. We asked those questions for the September issue of novum. The answers are thought-provoking and inspirational. The cover, too, opens up unusual new insights. The partially open spine reveals the stitching behind, and silk screen printing in silver and neon green adds contrast to the luxurious grey paper. Today everything happens very quickly, and it has to. Ideas are sought and found instantly – on Instagram. Information comes from Google. But some things are too important to be dealt with quickly. Like, for example, what our future will look like. In the latest issue of novum we have taken time to talk to creatives and researchers about how they see the future developing. The result is ten extended interviews in which we explore identity, new technologies, the question of how we want to live, work and design in the future, how we will be communicating, and not least the responsibility of the designer in all this. We guarantee you a thought-provoking and inspirational read. This is not a fast read – but it will be very rewarding. So open up your mind to this unusual issue of novum – and the thought-provoking ideas, inspiration and possibilities contained in it. When it comes to the future, one thing you can be sure of is that it won’t be like today. So for this issue of novum – focusing on the future – we also opted for another format. Instead of the usual structure of novum+ and Showroom, we bring you a series of thought-provoking interviews about the future. This time the inspiration comes not so much from images, but from ideas and visions. Many aspects such as singularity, behaviour and artificial intelligence recur as a common thread throughout these interviews. And we have sought to reflect this in the thread-stitched binding. In the 94-year history of novum this is the first issue to have such a binding, and it is quite a special one. We used different neon threads such as are normally found in the textile industry. They give a very special note throughout the magazine and the quality of the binding underlines the high importance of this theme. The cover This, too, opens up unusual new insights. The partially open spine reveals the stitching behind, and the neon threads glow against the dark body of the magazine. For the paper we used Conqueror Cartridge in 300 gsm from Antalis which has a particularly fine grey tone. The paper with its muted colour is intriguingly contrasted by the printing. Screen printing makes the colours stand out strongly and a bright neon green points the way auspiciously into an – admittedly somewhat psychedelic – future. A delicate silver and a spot colour add further accents. Content In this issue we feature the following articles: Kilian Stauss – Quo vadis design? Threatened Orders – Learning from history. Design: Ditho Design SyPartners – Design for Humanity Gesellschaft für Designgeschichte – A world of singularities Officina Humana – The office of the future Indeed Innovation – Human centred design Sebastian Sadowski – Data visualisation Soderhavet – Branding Sweden Packaging trends: merz punkt and Clormann Design Universal Everything – Keep evolving The cover Design: Tobias Holzmann Paper: Conqueror Cartridge in 300 gsm by Antalis Silk screen printing: Stainer Stich binding with neon threads and Offset printing: f&w Photos: Guillaume Sinopoli En ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0918/ [n° ou bulletin]  est un bulletin de Novum   09.18 - 2018-09-12 [texte imprimé] . - 2018. Langues : Allemand (ger) Anglais (eng) Catégories : Art et politique Art numérique Arts graphiques -- 21e siècle Arts graphiques -- Étude et enseignement -- 21e siècle Arts graphiques -- Technique -- Innovations Collage (art) -- 21e siècle Communication en politique Communication visuelle -- 21e siècle Conditionnement Designers -- 21e siècle Mise en page et typographie Index. décimale : 766 Arts graphiques Note de contenu : What will work be like in the future? How can we influence future developments? Where does our responsibility lie? Will we be living in the city or in the countryside? And are AI and AR a blessing or a curse? On the subject of the future, there are many pressing and interesting questions. We asked those questions for the September issue of novum. The answers are thought-provoking and inspirational. The cover, too, opens up unusual new insights. The partially open spine reveals the stitching behind, and silk screen printing in silver and neon green adds contrast to the luxurious grey paper. Today everything happens very quickly, and it has to. Ideas are sought and found instantly – on Instagram. Information comes from Google. But some things are too important to be dealt with quickly. Like, for example, what our future will look like. In the latest issue of novum we have taken time to talk to creatives and researchers about how they see the future developing. The result is ten extended interviews in which we explore identity, new technologies, the question of how we want to live, work and design in the future, how we will be communicating, and not least the responsibility of the designer in all this. We guarantee you a thought-provoking and inspirational read. This is not a fast read – but it will be very rewarding. So open up your mind to this unusual issue of novum – and the thought-provoking ideas, inspiration and possibilities contained in it. When it comes to the future, one thing you can be sure of is that it won’t be like today. So for this issue of novum – focusing on the future – we also opted for another format. Instead of the usual structure of novum+ and Showroom, we bring you a series of thought-provoking interviews about the future. This time the inspiration comes not so much from images, but from ideas and visions. Many aspects such as singularity, behaviour and artificial intelligence recur as a common thread throughout these interviews. And we have sought to reflect this in the thread-stitched binding. In the 94-year history of novum this is the first issue to have such a binding, and it is quite a special one. We used different neon threads such as are normally found in the textile industry. They give a very special note throughout the magazine and the quality of the binding underlines the high importance of this theme. The cover This, too, opens up unusual new insights. The partially open spine reveals the stitching behind, and the neon threads glow against the dark body of the magazine. For the paper we used Conqueror Cartridge in 300 gsm from Antalis which has a particularly fine grey tone. The paper with its muted colour is intriguingly contrasted by the printing. Screen printing makes the colours stand out strongly and a bright neon green points the way auspiciously into an – admittedly somewhat psychedelic – future. A delicate silver and a spot colour add further accents. Content In this issue we feature the following articles: Kilian Stauss – Quo vadis design? Threatened Orders – Learning from history. Design: Ditho Design SyPartners – Design for Humanity Gesellschaft für Designgeschichte – A world of singularities Officina Humana – The office of the future Indeed Innovation – Human centred design Sebastian Sadowski – Data visualisation Soderhavet – Branding Sweden Packaging trends: merz punkt and Clormann Design Universal Everything – Keep evolving The cover Design: Tobias Holzmann Paper: Conqueror Cartridge in 300 gsm by Antalis Silk screen printing: Stainer Stich binding with neon threads and Offset printing: f&w Photos: Guillaume Sinopoli En ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0918/

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12.18 - 2018-12-12 (Bulletin de Novum)    

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 12.18 - 2018-12-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques -- 21e siècle Bastard, Yann (1991-....) Danthony, Thomas (1988-....) Dumbar, Gert (1940-....) Fengel, Martin (1964-....) Illustrations, images, etc. -- 21è siècle Illustratrices -- Suisse -- 21e siècle Livres illustrés pour enfants Mise en page et typographie Rodriguez, Edel (1971-....) Troxler, Paula (1981-....) Typographie Index. décimale : 766 Arts graphiques Résumé : We’ve all seen them – the now legendary Donald Trump covers by Edel Rodriguez. They are an extreme example, but they show very well just how much power editorial illustration can wield. In this issue we not only talk to Edel Rodriguez but present a range of other noteworthy illustrators whose drawings are opening up brand new worlds. We also talked to Dutch design legend Gert Dumbar and feature numerous great studios from around the world. Plus there´s our annual Christmas draw, with many attractive design prizes to win. Illustrations can be attractive decoration, but they can also offer a completely different way of interpreting a text, tapping into further aspects and opening up new levels of meaning for the reader. Editorial illustration can do all of that, while also spanning an amazing variety of styles. In our novum+ section we bring you the delicate artistic touch of Paula Troxler’s work, and the »hidden-object«-like illustrations of Yann Bastard. Mario Wagner demonstrates his skills in creating atmosphere and compressing information in a sober style reminiscent of infographics. In an interview Martin Fengel explains talks about the challenge of coming up with new visual images for a weekly column, Emily Haasch delights with intriguing collages and Simon Landrein walks the line between retro and lowbrow. Bold and mysterious compositions are Simon Landrein’s strength. And, last but not least, we present Edel Rodriguez, who achieved world fame with his cover illustrations of Donald Trump. After all those powerful illustrations, we turn of course to graphic design. In a conversation with Niels Schrader, Gert Dumbar looks back on his eventful life and reveals what one of Holland´s most influential designers expects from the future. From bases in Paris and Tel Aviv, the Daidt studio combine technology, philosophy and design in an attractive whole and Work in Progress of Oslo impresses with sophisticated CIs. Then, from half way around the world, the multidisciplinary team at Muuaaa shows that creativity is in the air in sunny Puerto Rico. Note de contenu : The cover Unusually for novum, this cover was produced without any special finishes at all. For the paper we chose Tintoretto Ceylon from Fedrigoni, for its fineness and subtlety combined with a special character. It harmonises perfectly with the motif, created by French designer Thomas Danthony to interpret this month´s focus on editorial illustration and at the same time to demonstrate how illustration can play with different levels of interpretation. A well chosen paper and a strong motif – sometimes you don´t need much more to create a good cover… Content novum+ Paula Troxler (SWI) Mario Wagner (GER) Martin Fengel (GER) Yann Bastard (FRA) Emily Haasch (USA) Thomas Danthony (ESP) Simon Landrein (FRA) Edel Rodriguez (USA) Showroom Gert Dumbar (NLD) Daitd (FRA, ISR) Work in Progress (NOR) MUUAAA (PRI) Weihnachtsverlosung The cover Design: Thomas Danthony, www.thomasdanthony.com Paper: Tintoretto Ceylon, Zenzero, 250 g/qm, Fedrigoni Offset printing: f&w Photos: Tobias Holzmann, Miriam Zimmer En ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-1218/ [n° ou bulletin]  est un bulletin de Novum   12.18 - 2018-12-12 [texte imprimé] . - 2018. Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques -- 21e siècle Bastard, Yann (1991-....) Danthony, Thomas (1988-....) Dumbar, Gert (1940-....) Fengel, Martin (1964-....) Illustrations, images, etc. -- 21è siècle Illustratrices -- Suisse -- 21e siècle Livres illustrés pour enfants Mise en page et typographie Rodriguez, Edel (1971-....) Troxler, Paula (1981-....) Typographie Index. décimale : 766 Arts graphiques Résumé : We’ve all seen them – the now legendary Donald Trump covers by Edel Rodriguez. They are an extreme example, but they show very well just how much power editorial illustration can wield. In this issue we not only talk to Edel Rodriguez but present a range of other noteworthy illustrators whose drawings are opening up brand new worlds. We also talked to Dutch design legend Gert Dumbar and feature numerous great studios from around the world. Plus there´s our annual Christmas draw, with many attractive design prizes to win. Illustrations can be attractive decoration, but they can also offer a completely different way of interpreting a text, tapping into further aspects and opening up new levels of meaning for the reader. Editorial illustration can do all of that, while also spanning an amazing variety of styles. In our novum+ section we bring you the delicate artistic touch of Paula Troxler’s work, and the »hidden-object«-like illustrations of Yann Bastard. Mario Wagner demonstrates his skills in creating atmosphere and compressing information in a sober style reminiscent of infographics. In an interview Martin Fengel explains talks about the challenge of coming up with new visual images for a weekly column, Emily Haasch delights with intriguing collages and Simon Landrein walks the line between retro and lowbrow. Bold and mysterious compositions are Simon Landrein’s strength. And, last but not least, we present Edel Rodriguez, who achieved world fame with his cover illustrations of Donald Trump. After all those powerful illustrations, we turn of course to graphic design. In a conversation with Niels Schrader, Gert Dumbar looks back on his eventful life and reveals what one of Holland´s most influential designers expects from the future. From bases in Paris and Tel Aviv, the Daidt studio combine technology, philosophy and design in an attractive whole and Work in Progress of Oslo impresses with sophisticated CIs. Then, from half way around the world, the multidisciplinary team at Muuaaa shows that creativity is in the air in sunny Puerto Rico. Note de contenu : The cover Unusually for novum, this cover was produced without any special finishes at all. For the paper we chose Tintoretto Ceylon from Fedrigoni, for its fineness and subtlety combined with a special character. It harmonises perfectly with the motif, created by French designer Thomas Danthony to interpret this month´s focus on editorial illustration and at the same time to demonstrate how illustration can play with different levels of interpretation. A well chosen paper and a strong motif – sometimes you don´t need much more to create a good cover… Content novum+ Paula Troxler (SWI) Mario Wagner (GER) Martin Fengel (GER) Yann Bastard (FRA) Emily Haasch (USA) Thomas Danthony (ESP) Simon Landrein (FRA) Edel Rodriguez (USA) Showroom Gert Dumbar (NLD) Daitd (FRA, ISR) Work in Progress (NOR) MUUAAA (PRI) Weihnachtsverlosung The cover Design: Thomas Danthony, www.thomasdanthony.com Paper: Tintoretto Ceylon, Zenzero, 250 g/qm, Fedrigoni Offset printing: f&w Photos: Tobias Holzmann, Miriam Zimmer En ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-1218/

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SL 23068	Novum	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

04.19 - 2019-04-12 (Bulletin de Novum)    

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 04.19 - 2019-04-12 Type de document : texte imprimé Année de publication : 2019 Langues : Allemand (ger) Catégories : Arts graphiques -- 21e siècle Communication visuelle -- Typographie Impression numérique Livres -- Couvertures Mariage NOIR ET BLANC Traitement d'images -- Techniques numériques Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : The weddings market is booming, so it was high time for us to turn our gaze on the many highly individual, unusual, sophisticated, graphically charming and sometimes quirky designs for weddings. Presented in this issue are solutions normally reserved for the wedding guests, or ones that your colleagues stash away in the drawer. In the Showroom section, too, we again have a creative world tour for you, with all kinds of exciting designs. Note de contenu : Creative journey In our showroom section we whisk you away to nomocreative in Taiwan, where tradition blends beautifully with modern design treatments. Our correspondent Niels Schrader went to visit the great creative Hansje van Halem in Amsterdam, a designer who favours strong typography in combination with almost psychedelic illustrations. Then there´s Perrine Honoré, giving us an insight into her colourful imagery, plus the Studio Eduardo Aires, well known for their visual identity for the city of Porto, but with many other remarkable works in their portfolio. With Murmure, we bring you one of the most exciting studios in France. All in all, a visual world tour with special highlights. Design for weddings There can’t be many designers who have not been asked by friends to design the printed materials for their wedding. In novum+ we show some enchanting, opulent, simple, charming, quirky and colourful designs for weddings, none of them “off the peg”. Normally this kind of work never gets included in the portfolio, which is why it is so exciting to take a peek at it now! The cover A type of paper with a pleasant feel and in an unusual colour, rich screenprinting in XXX (gold or silver) and a charming interpretation of the novum+ theme of “Designs for weddings” – admittedly, this is more of a creative ménage à trois than a classic marriage … but all the more intriguing because of it. Sergio Membrillas’ illustrations, which are generally two-dimensional, always raise a smile – in bright, bold colours his images get straight to the core of the message, while also featuring plenty of details to enjoy. For our cover he turned away from the big colour palette and conjured up instead just outlines to capture strong feelings with a smile. The paper is from the Keaykolour range from Antalis, and appropriately the shade is called Rosebud, a highly individual and charming rosewood colour. This range includes 48 colours and so it was a tough choice for our cover, but the 300 gsm Rosebud won it. It was also an excellent base for screenprinting in a rich XXX, with a hint of romance, but not at all kitschy. Sergio Membrillas was more than happy with the combination of haptics and print finish. His outline drawings, by the way, are not a new departure for him – last year this creative published the delightful book »Summer in the city again« (32 pages, black and white, available for €10 from www.summerinthecityagain.bigcartel.com/). And now he has rang out the wedding bells for us, with a fairytale-like romance… Showroom: Nomocreative (TWN) Bauhaus-Serie: Typografie und darüber hinaus Perine Honoré (FRA) Studio Eduardo Aires (POR) Hansje van Halem (NLD) Murmure (FRA) novum+: Bureau Rabensteiner (AUT) Astrid Prasetianti (FRA) Tintenfuchs (AUT) Ansichtssache (GER) Lockstoff Design (GER) Heiko Janden (GER) Dyin Li (TWN) Adrian Bauer (GER) Sunda Studio (GER) Miklos Kiss (HUN) Hillz Design (CHI) Sonja Bührke (GER) Schneeweis/Wittmann (AUT) Herr & Frau Rio (GER) Cover: Art-Work: Sergio Membrillas (ESP) Siebdruck: Stainer (AUT) Papier: Keaykolour, Antalis Fotos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/archive/detail/novum-0419/ [n° ou bulletin]  est un bulletin de Novum   04.19 - 2019-04-12 [texte imprimé] . - 2019. Langues : Allemand (ger) Catégories : Arts graphiques -- 21e siècle Communication visuelle -- Typographie Impression numérique Livres -- Couvertures Mariage NOIR ET BLANC Traitement d'images -- Techniques numériques Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : The weddings market is booming, so it was high time for us to turn our gaze on the many highly individual, unusual, sophisticated, graphically charming and sometimes quirky designs for weddings. Presented in this issue are solutions normally reserved for the wedding guests, or ones that your colleagues stash away in the drawer. In the Showroom section, too, we again have a creative world tour for you, with all kinds of exciting designs. Note de contenu : Creative journey In our showroom section we whisk you away to nomocreative in Taiwan, where tradition blends beautifully with modern design treatments. Our correspondent Niels Schrader went to visit the great creative Hansje van Halem in Amsterdam, a designer who favours strong typography in combination with almost psychedelic illustrations. Then there´s Perrine Honoré, giving us an insight into her colourful imagery, plus the Studio Eduardo Aires, well known for their visual identity for the city of Porto, but with many other remarkable works in their portfolio. With Murmure, we bring you one of the most exciting studios in France. All in all, a visual world tour with special highlights. Design for weddings There can’t be many designers who have not been asked by friends to design the printed materials for their wedding. In novum+ we show some enchanting, opulent, simple, charming, quirky and colourful designs for weddings, none of them “off the peg”. Normally this kind of work never gets included in the portfolio, which is why it is so exciting to take a peek at it now! The cover A type of paper with a pleasant feel and in an unusual colour, rich screenprinting in XXX (gold or silver) and a charming interpretation of the novum+ theme of “Designs for weddings” – admittedly, this is more of a creative ménage à trois than a classic marriage … but all the more intriguing because of it. Sergio Membrillas’ illustrations, which are generally two-dimensional, always raise a smile – in bright, bold colours his images get straight to the core of the message, while also featuring plenty of details to enjoy. For our cover he turned away from the big colour palette and conjured up instead just outlines to capture strong feelings with a smile. The paper is from the Keaykolour range from Antalis, and appropriately the shade is called Rosebud, a highly individual and charming rosewood colour. This range includes 48 colours and so it was a tough choice for our cover, but the 300 gsm Rosebud won it. It was also an excellent base for screenprinting in a rich XXX, with a hint of romance, but not at all kitschy. Sergio Membrillas was more than happy with the combination of haptics and print finish. His outline drawings, by the way, are not a new departure for him – last year this creative published the delightful book »Summer in the city again« (32 pages, black and white, available for €10 from www.summerinthecityagain.bigcartel.com/). And now he has rang out the wedding bells for us, with a fairytale-like romance… Showroom: Nomocreative (TWN) Bauhaus-Serie: Typografie und darüber hinaus Perine Honoré (FRA) Studio Eduardo Aires (POR) Hansje van Halem (NLD) Murmure (FRA) novum+: Bureau Rabensteiner (AUT) Astrid Prasetianti (FRA) Tintenfuchs (AUT) Ansichtssache (GER) Lockstoff Design (GER) Heiko Janden (GER) Dyin Li (TWN) Adrian Bauer (GER) Sunda Studio (GER) Miklos Kiss (HUN) Hillz Design (CHI) Sonja Bührke (GER) Schneeweis/Wittmann (AUT) Herr & Frau Rio (GER) Cover: Art-Work: Sergio Membrillas (ESP) Siebdruck: Stainer (AUT) Papier: Keaykolour, Antalis Fotos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/archive/detail/novum-0419/

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Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 23495	Novum	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

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