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Catégorie Arts graphiques -- 21e siècle
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[n° ou bulletin]
Titre : 01/02.21 - 2021-01-12 Type de document : texte imprimé Année de publication : 2021 Note générale : LAST ISSUE. Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle
Arts graphiques -- 21e siècle
Bermúdez, Diego (1974-....)
Bubbico, Mauro
Calendriers illustrés -- Italie -- 21e siècle
Communication visuelle -- 21e siècle
Communication visuelle et art -- Pays-Bas -- 21e siècle
Covid-19 -- Aspect économique -- 21e siècle
Espaces publics -- Signalisation -- Allemagne -- 21e siècle
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Résumé : 96 years – that's how long novum has been writing design history. It even survived a World War. In well over 1,000 issues, it has inspired and informed designers around the world. This is a proud legacy. Sadly, now it is time to say goodbye.
In this final issue of novum we once again present to you an exciting selection of designers and creative studios, and in the novum+ section, we explore orientation systems for diverse applications, among them a community centre and BER, Berlin´s long awaited new airport.
Note de contenu : The cover
One of the more remarkable facts about novum is that it has always had an international readership. And so, with this last cover, we say thank you – in all the native tongues of our readers.
For the paper, we choose Pergraphica Infinite Black in 300 gsm from Mondi. This fine paper is not only very pleasant to the touch, it is also behaves very well in print finishing. Hot foil embossing by Gräfe Druckveredelung sets off the motif beautifully; for the coating we chose the brand new shade Mastered Green from the Trend Collection by Kurz.
The content
novum+
L2M3
Moniteurs
David Sudlow Designers
Het Echte Werk
Studio Leh
Studio Blank
Wip Brands
Showroom
Diego Bermudez
Esther Noyons
Mauro Bubbico
This is Pacifica
Joseph & Sebastian
Cover
Design: Luise Marie Raithel
Paperr: Pergraphica, Infinite Black, 300 g/qm von Mondi
Hot foil embossing: Gräfe Druckveredelung
Embossing tools: Hinderer + Mühlich
Hot foil: Kurz
Offset: f&w MedienEn ligne : https://novum.graphics/en/magazine/current-issue/ [n° ou bulletin] 01/02.21 - 2021-01-12 [texte imprimé] . - 2021.
LAST ISSUE.
Langues : Allemand (ger) Anglais (eng)
Catégories : Affiches -- 21e Siècle
Arts graphiques -- 21e siècle
Bermúdez, Diego (1974-....)
Bubbico, Mauro
Calendriers illustrés -- Italie -- 21e siècle
Communication visuelle -- 21e siècle
Communication visuelle et art -- Pays-Bas -- 21e siècle
Covid-19 -- Aspect économique -- 21e siècle
Espaces publics -- Signalisation -- Allemagne -- 21e siècle
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Résumé : 96 years – that's how long novum has been writing design history. It even survived a World War. In well over 1,000 issues, it has inspired and informed designers around the world. This is a proud legacy. Sadly, now it is time to say goodbye.
In this final issue of novum we once again present to you an exciting selection of designers and creative studios, and in the novum+ section, we explore orientation systems for diverse applications, among them a community centre and BER, Berlin´s long awaited new airport.
Note de contenu : The cover
One of the more remarkable facts about novum is that it has always had an international readership. And so, with this last cover, we say thank you – in all the native tongues of our readers.
For the paper, we choose Pergraphica Infinite Black in 300 gsm from Mondi. This fine paper is not only very pleasant to the touch, it is also behaves very well in print finishing. Hot foil embossing by Gräfe Druckveredelung sets off the motif beautifully; for the coating we chose the brand new shade Mastered Green from the Trend Collection by Kurz.
The content
novum+
L2M3
Moniteurs
David Sudlow Designers
Het Echte Werk
Studio Leh
Studio Blank
Wip Brands
Showroom
Diego Bermudez
Esther Noyons
Mauro Bubbico
This is Pacifica
Joseph & Sebastian
Cover
Design: Luise Marie Raithel
Paperr: Pergraphica, Infinite Black, 300 g/qm von Mondi
Hot foil embossing: Gräfe Druckveredelung
Embossing tools: Hinderer + Mühlich
Hot foil: Kurz
Offset: f&w MedienEn ligne : https://novum.graphics/en/magazine/current-issue/ Réservation
Réserver ce document
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Code-barres Cote Support Localisation Section Disponibilité SL 24211 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : 09.18 - 2018-09-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Art et politique
Art numérique
Arts graphiques -- 21e siècle
Arts graphiques -- Étude et enseignement -- 21e siècle
Arts graphiques -- Technique -- Innovations
Collage (art) -- 21e siècle
Communication en politique
Communication visuelle -- 21e siècle
Conditionnement
Designers -- 21e siècle
Mise en page et typographieIndex. décimale : 766 Arts graphiques Note de contenu : What will work be like in the future? How can we influence future developments? Where does our responsibility lie? Will we be living in the city or in the countryside? And are AI and AR a blessing or a curse? On the subject of the future, there are many pressing and interesting questions. We asked those questions for the September issue of novum. The answers are thought-provoking and inspirational.
The cover, too, opens up unusual new insights. The partially open spine reveals the stitching behind, and silk screen printing in silver and neon green adds contrast to the luxurious grey paper.
Today everything happens very quickly, and it has to. Ideas are sought and found instantly – on Instagram. Information comes from Google. But some things are too important to be dealt with quickly. Like, for example, what our future will look like.
In the latest issue of novum we have taken time to talk to creatives and researchers about how they see the future developing. The result is ten extended interviews in which we explore identity, new technologies, the question of how we want to live, work and design in the future, how we will be communicating, and not least the responsibility of the designer in all this. We guarantee you a thought-provoking and inspirational read.
This is not a fast read – but it will be very rewarding. So open up your mind to this unusual issue of novum – and the thought-provoking ideas, inspiration and possibilities contained in it.
When it comes to the future, one thing you can be sure of is that it won’t be like today. So for this issue of novum – focusing on the future – we also opted for another format. Instead of the usual structure of novum+ and Showroom, we bring you a series of thought-provoking interviews about the future. This time the inspiration comes not so much from images, but from ideas and visions.
Many aspects such as singularity, behaviour and artificial intelligence recur as a common thread throughout these interviews. And we have sought to reflect this in the thread-stitched binding. In the 94-year history of novum this is the first issue to have such a binding, and it is quite a special one. We used different neon threads such as are normally found in the textile industry. They give a very special note throughout the magazine and the quality of the binding underlines the high importance of this theme.
The cover
This, too, opens up unusual new insights. The partially open spine reveals the stitching behind, and the neon threads glow against the dark body of the magazine. For the paper we used Conqueror Cartridge in 300 gsm from Antalis which has a particularly fine grey tone.
The paper with its muted colour is intriguingly contrasted by the printing. Screen printing makes the colours stand out strongly and a bright neon green points the way auspiciously into an – admittedly somewhat psychedelic – future. A delicate silver and a spot colour add further accents.
Content
In this issue we feature the following articles:
Kilian Stauss – Quo vadis design?
Threatened Orders – Learning from history. Design: Ditho Design
SyPartners – Design for Humanity
Gesellschaft für Designgeschichte – A world of singularities
Officina Humana – The office of the future
Indeed Innovation – Human centred design
Sebastian Sadowski – Data visualisation
Soderhavet – Branding Sweden
Packaging trends: merz punkt and Clormann Design
Universal Everything – Keep evolving
The cover
Design: Tobias Holzmann
Paper: Conqueror Cartridge in 300 gsm by Antalis
Silk screen printing: Stainer
Stich binding with neon threads and Offset printing: f&w
Photos: Guillaume SinopoliEn ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0918/ [n° ou bulletin] 09.18 - 2018-09-12 [texte imprimé] . - 2018.
Langues : Allemand (ger) Anglais (eng)
Catégories : Art et politique
Art numérique
Arts graphiques -- 21e siècle
Arts graphiques -- Étude et enseignement -- 21e siècle
Arts graphiques -- Technique -- Innovations
Collage (art) -- 21e siècle
Communication en politique
Communication visuelle -- 21e siècle
Conditionnement
Designers -- 21e siècle
Mise en page et typographieIndex. décimale : 766 Arts graphiques Note de contenu : What will work be like in the future? How can we influence future developments? Where does our responsibility lie? Will we be living in the city or in the countryside? And are AI and AR a blessing or a curse? On the subject of the future, there are many pressing and interesting questions. We asked those questions for the September issue of novum. The answers are thought-provoking and inspirational.
The cover, too, opens up unusual new insights. The partially open spine reveals the stitching behind, and silk screen printing in silver and neon green adds contrast to the luxurious grey paper.
Today everything happens very quickly, and it has to. Ideas are sought and found instantly – on Instagram. Information comes from Google. But some things are too important to be dealt with quickly. Like, for example, what our future will look like.
In the latest issue of novum we have taken time to talk to creatives and researchers about how they see the future developing. The result is ten extended interviews in which we explore identity, new technologies, the question of how we want to live, work and design in the future, how we will be communicating, and not least the responsibility of the designer in all this. We guarantee you a thought-provoking and inspirational read.
This is not a fast read – but it will be very rewarding. So open up your mind to this unusual issue of novum – and the thought-provoking ideas, inspiration and possibilities contained in it.
When it comes to the future, one thing you can be sure of is that it won’t be like today. So for this issue of novum – focusing on the future – we also opted for another format. Instead of the usual structure of novum+ and Showroom, we bring you a series of thought-provoking interviews about the future. This time the inspiration comes not so much from images, but from ideas and visions.
Many aspects such as singularity, behaviour and artificial intelligence recur as a common thread throughout these interviews. And we have sought to reflect this in the thread-stitched binding. In the 94-year history of novum this is the first issue to have such a binding, and it is quite a special one. We used different neon threads such as are normally found in the textile industry. They give a very special note throughout the magazine and the quality of the binding underlines the high importance of this theme.
The cover
This, too, opens up unusual new insights. The partially open spine reveals the stitching behind, and the neon threads glow against the dark body of the magazine. For the paper we used Conqueror Cartridge in 300 gsm from Antalis which has a particularly fine grey tone.
The paper with its muted colour is intriguingly contrasted by the printing. Screen printing makes the colours stand out strongly and a bright neon green points the way auspiciously into an – admittedly somewhat psychedelic – future. A delicate silver and a spot colour add further accents.
Content
In this issue we feature the following articles:
Kilian Stauss – Quo vadis design?
Threatened Orders – Learning from history. Design: Ditho Design
SyPartners – Design for Humanity
Gesellschaft für Designgeschichte – A world of singularities
Officina Humana – The office of the future
Indeed Innovation – Human centred design
Sebastian Sadowski – Data visualisation
Soderhavet – Branding Sweden
Packaging trends: merz punkt and Clormann Design
Universal Everything – Keep evolving
The cover
Design: Tobias Holzmann
Paper: Conqueror Cartridge in 300 gsm by Antalis
Silk screen printing: Stainer
Stich binding with neon threads and Offset printing: f&w
Photos: Guillaume SinopoliEn ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0918/ Réservation
Réserver ce document
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Code-barres Cote Support Localisation Section Disponibilité SL 22743 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : 12.18 - 2018-12-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques -- 21e siècle
Bastard, Yann (1991-....)
Danthony, Thomas (1988-....)
Dumbar, Gert (1940-....)
Fengel, Martin (1964-....)
Illustrations, images, etc. -- 21è siècle
Illustratrices -- Suisse -- 21e siècle
Livres illustrés pour enfants
Mise en page et typographie
Rodriguez, Edel (1971-....)
Troxler, Paula (1981-....)
TypographieIndex. décimale : 766 Arts graphiques Résumé : We’ve all seen them – the now legendary Donald Trump covers by Edel Rodriguez. They are an extreme example, but they show very well just how much power editorial illustration can wield. In this issue we not only talk to Edel Rodriguez but present a range of other noteworthy illustrators whose drawings are opening up brand new worlds.
We also talked to Dutch design legend Gert Dumbar and feature numerous great studios from around the world. Plus there´s our annual Christmas draw, with many attractive design prizes to win.
Illustrations can be attractive decoration, but they can also offer a completely different way of interpreting a text, tapping into further aspects and opening up new levels of meaning for the reader. Editorial illustration can do all of that, while also spanning an amazing variety of styles.
In our novum+ section we bring you the delicate artistic touch of Paula Troxler’s work, and the »hidden-object«-like illustrations of Yann Bastard. Mario Wagner demonstrates his skills in creating atmosphere and compressing information in a sober style reminiscent of infographics. In an interview Martin Fengel explains talks about the challenge of coming up with new visual images for a weekly column, Emily Haasch delights with intriguing collages and Simon Landrein walks the line between retro and lowbrow. Bold and mysterious compositions are Simon Landrein’s strength. And, last but not least, we present Edel Rodriguez, who achieved world fame with his cover illustrations of Donald Trump.
After all those powerful illustrations, we turn of course to graphic design. In a conversation with Niels Schrader, Gert Dumbar looks back on his eventful life and reveals what one of Holland´s most influential designers expects from the future. From bases in Paris and Tel Aviv, the Daidt studio combine technology, philosophy and design in an attractive whole and Work in Progress of Oslo impresses with sophisticated CIs. Then, from half way around the world, the multidisciplinary team at Muuaaa shows that creativity is in the air in sunny Puerto Rico.Note de contenu : The cover
Unusually for novum, this cover was produced without any special finishes at all. For the paper we chose Tintoretto Ceylon from Fedrigoni, for its fineness and subtlety combined with a special character. It harmonises perfectly with the motif, created by French designer Thomas Danthony to interpret this month´s focus on editorial illustration and at the same time to demonstrate how illustration can play with different levels of interpretation.
A well chosen paper and a strong motif – sometimes you don´t need much more to create a good cover…
Content
novum+
Paula Troxler (SWI)
Mario Wagner (GER)
Martin Fengel (GER)
Yann Bastard (FRA)
Emily Haasch (USA)
Thomas Danthony (ESP)
Simon Landrein (FRA)
Edel Rodriguez (USA)
Showroom
Gert Dumbar (NLD)
Daitd (FRA, ISR)
Work in Progress (NOR)
MUUAAA (PRI)
Weihnachtsverlosung
The cover
Design: Thomas Danthony, www.thomasdanthony.com
Paper: Tintoretto Ceylon, Zenzero, 250 g/qm, Fedrigoni
Offset printing: f&w
Photos: Tobias Holzmann, Miriam ZimmerEn ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-1218/ [n° ou bulletin] 12.18 - 2018-12-12 [texte imprimé] . - 2018.
Langues : Allemand (ger) Anglais (eng)
Catégories : Arts graphiques -- 21e siècle
Bastard, Yann (1991-....)
Danthony, Thomas (1988-....)
Dumbar, Gert (1940-....)
Fengel, Martin (1964-....)
Illustrations, images, etc. -- 21è siècle
Illustratrices -- Suisse -- 21e siècle
Livres illustrés pour enfants
Mise en page et typographie
Rodriguez, Edel (1971-....)
Troxler, Paula (1981-....)
TypographieIndex. décimale : 766 Arts graphiques Résumé : We’ve all seen them – the now legendary Donald Trump covers by Edel Rodriguez. They are an extreme example, but they show very well just how much power editorial illustration can wield. In this issue we not only talk to Edel Rodriguez but present a range of other noteworthy illustrators whose drawings are opening up brand new worlds.
We also talked to Dutch design legend Gert Dumbar and feature numerous great studios from around the world. Plus there´s our annual Christmas draw, with many attractive design prizes to win.
Illustrations can be attractive decoration, but they can also offer a completely different way of interpreting a text, tapping into further aspects and opening up new levels of meaning for the reader. Editorial illustration can do all of that, while also spanning an amazing variety of styles.
In our novum+ section we bring you the delicate artistic touch of Paula Troxler’s work, and the »hidden-object«-like illustrations of Yann Bastard. Mario Wagner demonstrates his skills in creating atmosphere and compressing information in a sober style reminiscent of infographics. In an interview Martin Fengel explains talks about the challenge of coming up with new visual images for a weekly column, Emily Haasch delights with intriguing collages and Simon Landrein walks the line between retro and lowbrow. Bold and mysterious compositions are Simon Landrein’s strength. And, last but not least, we present Edel Rodriguez, who achieved world fame with his cover illustrations of Donald Trump.
After all those powerful illustrations, we turn of course to graphic design. In a conversation with Niels Schrader, Gert Dumbar looks back on his eventful life and reveals what one of Holland´s most influential designers expects from the future. From bases in Paris and Tel Aviv, the Daidt studio combine technology, philosophy and design in an attractive whole and Work in Progress of Oslo impresses with sophisticated CIs. Then, from half way around the world, the multidisciplinary team at Muuaaa shows that creativity is in the air in sunny Puerto Rico.Note de contenu : The cover
Unusually for novum, this cover was produced without any special finishes at all. For the paper we chose Tintoretto Ceylon from Fedrigoni, for its fineness and subtlety combined with a special character. It harmonises perfectly with the motif, created by French designer Thomas Danthony to interpret this month´s focus on editorial illustration and at the same time to demonstrate how illustration can play with different levels of interpretation.
A well chosen paper and a strong motif – sometimes you don´t need much more to create a good cover…
Content
novum+
Paula Troxler (SWI)
Mario Wagner (GER)
Martin Fengel (GER)
Yann Bastard (FRA)
Emily Haasch (USA)
Thomas Danthony (ESP)
Simon Landrein (FRA)
Edel Rodriguez (USA)
Showroom
Gert Dumbar (NLD)
Daitd (FRA, ISR)
Work in Progress (NOR)
MUUAAA (PRI)
Weihnachtsverlosung
The cover
Design: Thomas Danthony, www.thomasdanthony.com
Paper: Tintoretto Ceylon, Zenzero, 250 g/qm, Fedrigoni
Offset printing: f&w
Photos: Tobias Holzmann, Miriam ZimmerEn ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-1218/ Réservation
Réserver ce document
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Code-barres Cote Support Localisation Section Disponibilité SL 23068 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : 04.19 - 2019-04-12 Type de document : texte imprimé Année de publication : 2019 Langues : Allemand (ger) Catégories : Arts graphiques -- 21e siècle
Communication visuelle -- Typographie
Impression numérique
Livres -- Couvertures
Mariage
NOIR ET BLANC
Traitement d'images -- Techniques numériques
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Résumé : The weddings market is booming, so it was high time for us to turn our gaze on the many highly individual, unusual, sophisticated, graphically charming and sometimes quirky designs for weddings. Presented in this issue are solutions normally reserved for the wedding guests, or ones that your colleagues stash away in the drawer. In the Showroom section, too, we again have a creative world tour for you, with all kinds of exciting designs. Note de contenu :
Creative journey
In our showroom section we whisk you away to nomocreative in Taiwan, where tradition blends beautifully with modern design treatments. Our correspondent Niels Schrader went to visit the great creative Hansje van Halem in Amsterdam, a designer who favours strong typography in combination with almost psychedelic illustrations. Then there´s Perrine Honoré, giving us an insight into her colourful imagery, plus the Studio Eduardo Aires, well known for their visual identity for the city of Porto, but with many other remarkable works in their portfolio. With Murmure, we bring you one of the most exciting studios in France. All in all, a visual world tour with special highlights.
Design for weddings
There can’t be many designers who have not been asked by friends to design the printed materials for their wedding. In novum+ we show some enchanting, opulent, simple, charming, quirky and colourful designs for weddings, none of them “off the peg”. Normally this kind of work never gets included in the portfolio, which is why it is so exciting to take a peek at it now!
The cover
A type of paper with a pleasant feel and in an unusual colour, rich screenprinting in XXX (gold or silver) and a charming interpretation of the novum+ theme of “Designs for weddings” – admittedly, this is more of a creative ménage à trois than a classic marriage … but all the more intriguing because of it.
Sergio Membrillas’ illustrations, which are generally two-dimensional, always raise a smile – in bright, bold colours his images get straight to the core of the message, while also featuring plenty of details to enjoy. For our cover he turned away from the big colour palette and conjured up instead just outlines to capture strong feelings with a smile. The paper is from the Keaykolour range from Antalis, and appropriately the shade is called Rosebud, a highly individual and charming rosewood colour. This range includes 48 colours and so it was a tough choice for our cover, but the 300 gsm Rosebud won it. It was also an excellent base for screenprinting in a rich XXX, with a hint of romance, but not at all kitschy. Sergio Membrillas was more than happy with the combination of haptics and print finish. His outline drawings, by the way, are not a new departure for him – last year this creative published the delightful book »Summer in the city again« (32 pages, black and white, available for €10 from www.summerinthecityagain.bigcartel.com/). And now he has rang out the wedding bells for us, with a fairytale-like romance…
Showroom:
Nomocreative (TWN)
Bauhaus-Serie: Typografie und darüber hinaus
Perine Honoré (FRA)
Studio Eduardo Aires (POR)
Hansje van Halem (NLD)
Murmure (FRA)
novum+:
Bureau Rabensteiner (AUT)
Astrid Prasetianti (FRA)
Tintenfuchs (AUT)
Ansichtssache (GER)
Lockstoff Design (GER)
Heiko Janden (GER)
Dyin Li (TWN)
Adrian Bauer (GER)
Sunda Studio (GER)
Miklos Kiss (HUN)
Hillz Design (CHI)
Sonja Bührke (GER)
Schneeweis/Wittmann (AUT)
Herr & Frau Rio (GER)
Cover:
Art-Work: Sergio Membrillas (ESP)
Siebdruck: Stainer (AUT)
Papier: Keaykolour, Antalis
Fotos: Tobias HolzmannEn ligne : https://novum.graphics/en/magazine/archive/detail/novum-0419/ [n° ou bulletin] 04.19 - 2019-04-12 [texte imprimé] . - 2019.
Langues : Allemand (ger)
Catégories : Arts graphiques -- 21e siècle
Communication visuelle -- Typographie
Impression numérique
Livres -- Couvertures
Mariage
NOIR ET BLANC
Traitement d'images -- Techniques numériques
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Résumé : The weddings market is booming, so it was high time for us to turn our gaze on the many highly individual, unusual, sophisticated, graphically charming and sometimes quirky designs for weddings. Presented in this issue are solutions normally reserved for the wedding guests, or ones that your colleagues stash away in the drawer. In the Showroom section, too, we again have a creative world tour for you, with all kinds of exciting designs. Note de contenu :
Creative journey
In our showroom section we whisk you away to nomocreative in Taiwan, where tradition blends beautifully with modern design treatments. Our correspondent Niels Schrader went to visit the great creative Hansje van Halem in Amsterdam, a designer who favours strong typography in combination with almost psychedelic illustrations. Then there´s Perrine Honoré, giving us an insight into her colourful imagery, plus the Studio Eduardo Aires, well known for their visual identity for the city of Porto, but with many other remarkable works in their portfolio. With Murmure, we bring you one of the most exciting studios in France. All in all, a visual world tour with special highlights.
Design for weddings
There can’t be many designers who have not been asked by friends to design the printed materials for their wedding. In novum+ we show some enchanting, opulent, simple, charming, quirky and colourful designs for weddings, none of them “off the peg”. Normally this kind of work never gets included in the portfolio, which is why it is so exciting to take a peek at it now!
The cover
A type of paper with a pleasant feel and in an unusual colour, rich screenprinting in XXX (gold or silver) and a charming interpretation of the novum+ theme of “Designs for weddings” – admittedly, this is more of a creative ménage à trois than a classic marriage … but all the more intriguing because of it.
Sergio Membrillas’ illustrations, which are generally two-dimensional, always raise a smile – in bright, bold colours his images get straight to the core of the message, while also featuring plenty of details to enjoy. For our cover he turned away from the big colour palette and conjured up instead just outlines to capture strong feelings with a smile. The paper is from the Keaykolour range from Antalis, and appropriately the shade is called Rosebud, a highly individual and charming rosewood colour. This range includes 48 colours and so it was a tough choice for our cover, but the 300 gsm Rosebud won it. It was also an excellent base for screenprinting in a rich XXX, with a hint of romance, but not at all kitschy. Sergio Membrillas was more than happy with the combination of haptics and print finish. His outline drawings, by the way, are not a new departure for him – last year this creative published the delightful book »Summer in the city again« (32 pages, black and white, available for €10 from www.summerinthecityagain.bigcartel.com/). And now he has rang out the wedding bells for us, with a fairytale-like romance…
Showroom:
Nomocreative (TWN)
Bauhaus-Serie: Typografie und darüber hinaus
Perine Honoré (FRA)
Studio Eduardo Aires (POR)
Hansje van Halem (NLD)
Murmure (FRA)
novum+:
Bureau Rabensteiner (AUT)
Astrid Prasetianti (FRA)
Tintenfuchs (AUT)
Ansichtssache (GER)
Lockstoff Design (GER)
Heiko Janden (GER)
Dyin Li (TWN)
Adrian Bauer (GER)
Sunda Studio (GER)
Miklos Kiss (HUN)
Hillz Design (CHI)
Sonja Bührke (GER)
Schneeweis/Wittmann (AUT)
Herr & Frau Rio (GER)
Cover:
Art-Work: Sergio Membrillas (ESP)
Siebdruck: Stainer (AUT)
Papier: Keaykolour, Antalis
Fotos: Tobias HolzmannEn ligne : https://novum.graphics/en/magazine/archive/detail/novum-0419/ Réservation
Réserver ce document
Exemplaires(1)
Code-barres Cote Support Localisation Section Disponibilité SL 23495 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : 08.19 - 2019-08-12 Type de document : texte imprimé Année de publication : 2019 Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : Complex contexts explained through graphic design: novum 08.19 presents studios and designers who specialise in data visualisation and have produced some quite amazing work in this field. For the cover we used a highly pigmented silver ink on a deep-black paper. All this and more awaits you in the new novum! Note de contenu :
Design explains the world
Complex contexts explained through graphic design: novum 08.19 presents studios and designers who specialise in data visualisation and have produced some quite amazing work in this field. In the Showroom we again look over the shoulders of creatives ….
In an interview with our correspondent Susanne Schaller, Farmgroup of Thailand tell us about their philosophy and about the design scene in that country. We also bring you Chris Tille, a truly exceptional photographer and artist who takes us to the stars – his fascinating works are mostly based on scientific data and calculations. And – nomen est omen – the Austrian studio Icarus delights us with their high-flying graphics; clipped wings are not for them! Bureau Collective of Switzerland opens up their amazing portfolio for us and illustrator Frau Isa shows us her charming illustrations. Plus: Belgian designer Davy Dooms treats us to some strong typographic solutions.
novum+: Data visualization
Making complex contexts easy to understand, visualising complexity without oversimplifying the content – data visualisation has always been a highly respected design discipline. We talked to Gert Franke, co-founder of Clever°Franke, one of the leading design studios in this genre. What changes do they think are needed in design education? What drives them to tackle so many complex free projects? And, is there anything that is just too complex to present through the medium of graphic design?
No less exciting was the interview with The New York Times, which each day publishes infographics of the highest quality in their print and web editions. This look behind the scenes will astound you.
With a visit to The Visual Agency we commemorate the 500th anniversary of the death of Leonardo da Vinci: The Codex Atlanticus project uses highly modern means to dip into history. These and other articles give you a chance to delve deep into the broad field of data visualization…
The cover
For our cover this month Clever°Franke let us use a detail from one of their data visualisations – even without a context, this excerpt is an aesthetic delight that you can interpret freely. As a brief, we simply stipulated the colour silver – because we were very keen to use the highly pigmented Suprametal® 510 VMP from the French ink specialist Radior. As a perfect material for this we discovered Real Black (James Cropper, sales: Römerturm), which certainly lived up to its name. This deep-black, carbon-free paper (here in 350 gsm) has a superb feel and a natural-looking surface. The print result has an almost three-dimensional depth, and Vogl printers really drew out the maximum here with paper and ink. For example, the logotype was printed three times in white and the silver part went through the printer twice. More inside this issue on how this cover was produced.
Showroom:
Bauhaus
Frau Isa (GER)
Bureau Collective (SWI)
Chris Tille (GER)
Davy Dooms (BEL)
Farmgroup (THA)
Icarus Creative (AUT)
novum+
Weltkulturatlas
Clever°Franke (NLD)
The visual company (ITA)
Ferdio (DEN)
New York Times (USA)
Market Cafe Magazine (GBR)
Cover: Clever°Franke
Papier: Real Black, James Cropper über Römerturm
Offset-Druck: Druckerei Vogl
Sonderfarbe: Suprametal® 510 VMP, radior
Fotografie: Janina EngelEn ligne : https://novum.graphics/de/magazin/magazin-detailseite/detail/novum-0819/ [n° ou bulletin] 08.19 - 2019-08-12 [texte imprimé] . - 2019.
Langues : Allemand (ger) Anglais (eng)
Catégories : Arts graphiques -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : Complex contexts explained through graphic design: novum 08.19 presents studios and designers who specialise in data visualisation and have produced some quite amazing work in this field. For the cover we used a highly pigmented silver ink on a deep-black paper. All this and more awaits you in the new novum! Note de contenu :
Design explains the world
Complex contexts explained through graphic design: novum 08.19 presents studios and designers who specialise in data visualisation and have produced some quite amazing work in this field. In the Showroom we again look over the shoulders of creatives ….
In an interview with our correspondent Susanne Schaller, Farmgroup of Thailand tell us about their philosophy and about the design scene in that country. We also bring you Chris Tille, a truly exceptional photographer and artist who takes us to the stars – his fascinating works are mostly based on scientific data and calculations. And – nomen est omen – the Austrian studio Icarus delights us with their high-flying graphics; clipped wings are not for them! Bureau Collective of Switzerland opens up their amazing portfolio for us and illustrator Frau Isa shows us her charming illustrations. Plus: Belgian designer Davy Dooms treats us to some strong typographic solutions.
novum+: Data visualization
Making complex contexts easy to understand, visualising complexity without oversimplifying the content – data visualisation has always been a highly respected design discipline. We talked to Gert Franke, co-founder of Clever°Franke, one of the leading design studios in this genre. What changes do they think are needed in design education? What drives them to tackle so many complex free projects? And, is there anything that is just too complex to present through the medium of graphic design?
No less exciting was the interview with The New York Times, which each day publishes infographics of the highest quality in their print and web editions. This look behind the scenes will astound you.
With a visit to The Visual Agency we commemorate the 500th anniversary of the death of Leonardo da Vinci: The Codex Atlanticus project uses highly modern means to dip into history. These and other articles give you a chance to delve deep into the broad field of data visualization…
The cover
For our cover this month Clever°Franke let us use a detail from one of their data visualisations – even without a context, this excerpt is an aesthetic delight that you can interpret freely. As a brief, we simply stipulated the colour silver – because we were very keen to use the highly pigmented Suprametal® 510 VMP from the French ink specialist Radior. As a perfect material for this we discovered Real Black (James Cropper, sales: Römerturm), which certainly lived up to its name. This deep-black, carbon-free paper (here in 350 gsm) has a superb feel and a natural-looking surface. The print result has an almost three-dimensional depth, and Vogl printers really drew out the maximum here with paper and ink. For example, the logotype was printed three times in white and the silver part went through the printer twice. More inside this issue on how this cover was produced.
Showroom:
Bauhaus
Frau Isa (GER)
Bureau Collective (SWI)
Chris Tille (GER)
Davy Dooms (BEL)
Farmgroup (THA)
Icarus Creative (AUT)
novum+
Weltkulturatlas
Clever°Franke (NLD)
The visual company (ITA)
Ferdio (DEN)
New York Times (USA)
Market Cafe Magazine (GBR)
Cover: Clever°Franke
Papier: Real Black, James Cropper über Römerturm
Offset-Druck: Druckerei Vogl
Sonderfarbe: Suprametal® 510 VMP, radior
Fotografie: Janina EngelEn ligne : https://novum.graphics/de/magazin/magazin-detailseite/detail/novum-0819/ Réservation
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