02/16 - 2016-11-20 (Bulletin de Detail structure)  

Public ISBD [n° ou bulletin]  est un bulletin de Detail structure Titre : 02/16 - 2016-11-20 Type de document : texte imprimé Année de publication : 2016 Langues : Allemand (ger) Anglais (eng) Catégories : Architecture - Structures Architecture et arts Constructions Lumiere en architecture Ponts -- Conception et construction Index. décimale : 72 Architecture Résumé : This edition of DETAIL structure describes ­international projects to which structural ­engineers have made significant contributions. For the access bridge to a new island in ­Nijmegen, Ney-Poulissen engineers designed a highly sculptural, integral, prestressed ­post-tensioned reinforced concrete bridge. With the extension to the European Southern Observatory in Garching, the engineers at Mayr Ludescher Partner ensured the light, floating effect of the cantilevering building was achieved by providing an efficient loadbearing structure. In the elegant, bright, naturally lit interior of the Factory Hall in Landsberg am Lech by ­Ackermann Architekten and Christoph Ackermann Ingenieure, a clearly defined, carefully detailed structure fabricated from standard rolled sections adds to the high quality of the architecture and the working environment. The background article about ArtEngineering shows that the engineer’s skills are also appreciated in this special field of work. This group of structural engineers operates at the interface of construction and art, often undertaking the complete realisation of art objects. In the interview, Herwig Bretis explains their close involvement from the initial concept and how they strive to implement the essence of the design. En ligne : https://issuu.com/detail-magazine/docs/bk_det_2016_structure_2_e25f3ecfff09b9 [n° ou bulletin]  est un bulletin de Detail structure 02/16 - 2016-11-20 [texte imprimé] . - 2016. Langues : Allemand (ger) Anglais (eng) Catégories : Architecture - Structures Architecture et arts Constructions Lumiere en architecture Ponts -- Conception et construction Index. décimale : 72 Architecture Résumé : This edition of DETAIL structure describes ­international projects to which structural ­engineers have made significant contributions. For the access bridge to a new island in ­Nijmegen, Ney-Poulissen engineers designed a highly sculptural, integral, prestressed ­post-tensioned reinforced concrete bridge. With the extension to the European Southern Observatory in Garching, the engineers at Mayr Ludescher Partner ensured the light, floating effect of the cantilevering building was achieved by providing an efficient loadbearing structure. In the elegant, bright, naturally lit interior of the Factory Hall in Landsberg am Lech by ­Ackermann Architekten and Christoph Ackermann Ingenieure, a clearly defined, carefully detailed structure fabricated from standard rolled sections adds to the high quality of the architecture and the working environment. The background article about ArtEngineering shows that the engineer’s skills are also appreciated in this special field of work. This group of structural engineers operates at the interface of construction and art, often undertaking the complete realisation of art objects. In the interview, Herwig Bretis explains their close involvement from the initial concept and how they strive to implement the essence of the design. En ligne : https://issuu.com/detail-magazine/docs/bk_det_2016_structure_2_e25f3ecfff09b9

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50 espèces d'espaces : oeuvres du Centre Georges Pompidou, Musée national d'art moderne / Centre Georges Pompidou

Public ISBD Titre : 50 espèces d'espaces : oeuvres du Centre Georges Pompidou, Musée national d'art moderne Type de document : texte imprimé Auteurs : Centre Georges Pompidou, Auteur ; Réunion des musées nationaux (France), Auteur ; Musées de Marseille (France), Auteur Editeur : Paris : Centre Georges Pompidou Année de publication : impr. 1998 Importance : 143 p. Présentation : ill. en n. et bl. et en coul., couv. ill. en coul. Format : 28 cm ISBN/ISSN/EAN : 978-2-85850-704-7 Prix : 190 F Note générale : Publié à l'occasion de "50 espèces d'espaces oeuvres du Centre Georges Pompidou, Musée national d'art moderne", exposition présentée au Centre de la Vieille Charité et MAC, Marseille, du 28 nov. au 30 mai 1999 Langues : Français (fre) Catégories : Architecture et arts Art -- 1945-1990 Espace (art) -- 1990 - .... -- Catalogues d'exposition Installations (art) Index. décimale : 7.039 Art contemporain Résumé : "50 espèces d'espace" offre au public un ensemble d'une cinquantaine d'œuvres historiques et contemporaines, en majorité des installations, qui souligne la richesse de la collection du Musée national d'art moderne, conjugué à un choix d'œuvres issues des collections des Musées de Marseille et de collections particulières. Depuis les précurseurs de la modernité comme Tatline et Malévitch dans les années 1920-30 qui, en introduisant l'architecture dans les pratiques artistiques, ouvrirent la voie à d'autres procédures aujourd'hui reconnues, en passant par les approches nouvelles de l'espace dans les années 1960-70 par des artistes tels Manzoni, Fontana ou Klein, jusqu'aux œuvres contemporaines qui utilisent le son ou la vidéo, le travail in situ et l'installation sous toutes ses formes, l'exposition met en espace des œuvres qui jouent sur les ambiguïtés des catégories classiques de l'art. Cet ouvrage présente les œuvres consignées par ordre chronologique, avec, en ouverture, un ensemble historique majeur qui introduit au parcours moderne et contemporain. Une étude historique par Véronique Goudinoux et un entretien de Benjamin Buchloh et Corinne Diserens mettent en perspective l'ensemble présenté,tandis que l'analyse spécifique des œuvres resitue chacune dans le parcours de l'artiste. Pour une approche plus vivante des œuvres, citations et nombreux documents photographiques complètent l'ensemble. 50 espèces d'espaces : oeuvres du Centre Georges Pompidou, Musée national d'art moderne [texte imprimé] / Centre Georges Pompidou, Auteur ; Réunion des musées nationaux (France), Auteur ; Musées de Marseille (France), Auteur . - Paris  : Centre Georges Pompidou, impr. 1998 . - 143 p. : ill. en n. et bl. et en coul., couv. ill. en coul. ; 28 cm. ISBN : 978-2-85850-704-7 : 190 F Publié à l'occasion de "50 espèces d'espaces oeuvres du Centre Georges Pompidou, Musée national d'art moderne", exposition présentée au Centre de la Vieille Charité et MAC, Marseille, du 28 nov. au 30 mai 1999 Langues : Français (fre) Catégories : Architecture et arts Art -- 1945-1990 Espace (art) -- 1990 - .... -- Catalogues d'exposition Installations (art) Index. décimale : 7.039 Art contemporain Résumé : "50 espèces d'espace" offre au public un ensemble d'une cinquantaine d'œuvres historiques et contemporaines, en majorité des installations, qui souligne la richesse de la collection du Musée national d'art moderne, conjugué à un choix d'œuvres issues des collections des Musées de Marseille et de collections particulières. Depuis les précurseurs de la modernité comme Tatline et Malévitch dans les années 1920-30 qui, en introduisant l'architecture dans les pratiques artistiques, ouvrirent la voie à d'autres procédures aujourd'hui reconnues, en passant par les approches nouvelles de l'espace dans les années 1960-70 par des artistes tels Manzoni, Fontana ou Klein, jusqu'aux œuvres contemporaines qui utilisent le son ou la vidéo, le travail in situ et l'installation sous toutes ses formes, l'exposition met en espace des œuvres qui jouent sur les ambiguïtés des catégories classiques de l'art. Cet ouvrage présente les œuvres consignées par ordre chronologique, avec, en ouverture, un ensemble historique majeur qui introduit au parcours moderne et contemporain. Une étude historique par Véronique Goudinoux et un entretien de Benjamin Buchloh et Corinne Diserens mettent en perspective l'ensemble présenté,tandis que l'analyse spécifique des œuvres resitue chacune dans le parcours de l'artiste. Pour une approche plus vivante des œuvres, citations et nombreux documents photographiques complètent l'ensemble.

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N°1027(2018:septembre) - 2018-09-01 - Hybrid (Bulletin de Domus)    

Public ISBD [n° ou bulletin]  est un bulletin de Domus Titre : N°1027(2018:septembre) - 2018-09-01 - Hybrid Type de document : texte imprimé Année de publication : 2018 Langues : Italien (ita) Anglais (eng) Catégories : Architecture -- 21e siècle -- Aspect social Architecture -- Dessins et plans Architecture et arts Architecture et sciences Art -- Philosophie Art et design Ateliers d'artiste Bibliothèques (constructions) -- Inde -- 21e siècle Centres d'art -- Moscou (Russie) -- 21e siècle Chalets -- Grisons (Suisse) -- 21e siècle Coccia, Emanuele Construction en bois -- Grisons (Suisse) -- 21e siècle Constructions en bois -- Grisons (Suisse) -- 21e siècle Design durable -- 21e siècle Design industriel -- Innovations technologiques Designers -- 21e siècle Évolution (philosophie) Fassbinder, Rainer Werner (1945-1982). Welt am Draht (film) Fukasawa, Naoto (1956-....) Holl, Steven (1947-....) Hybridation Luminaires - Design Matériaux - Innovations Matériaux -- Design MAURER, Ingo (1932 - ....) Musique et architecture Natalini, Adolfo (1941-....) Parcs -- Milan (Italie) -- 21e siècle Peinture à l'aquarelle PIANO, Renzo (1937 - ....) Urbanisme durable. Yokohama international port terminal -- Dessins et plans Index. décimale : 7 Arts et Beaux-Arts Résumé : Caruso St John, Naoto Fukasawa, Sameep Padora, Renzo Piano, Steven Holl, Olafur Eliasson, Ingo Maurer, Martin Huberman, Attilio Stocchi, Studio Swine Note de contenu : Domus 1027 Cover illustration: The Blue Chemist Archeology. Detail of the map by al-Idrisi, held in the Bodleian Libraries in Oxford Archaeology Penetrating horizons and imagining worlds “To put a city in a book,to put the world on one sheet of paper – maps are the most condensed humanised spaces of all...” Robert Harbison, Eccentric Spaces, 1997. Presented by Adam Lowe & Charlotte Skene Catling Portfolio. Adolfo Natalini, watercolour for Muzenplein – De Resident, The Hague, the Netherlands, September 2000. 70 x 50 cm Portfolio Adolfo Natalini, Dutch allegories “I wanted to be a painter, but then I became an avant-garde architect with Superstudio. Later, I tried to make buildings, more down to earth, in Italy, Germany and the Netherland.” Anthropology. Aros, by the Palma studio, is one of the winning projects of the Urban Toys contest (2018) Anthropology What is a city for? The think tank called Laboratorio para la Ciudad in Mexico City explores new participatory ways of inhabiting urban spaces. Text Gabriella Gómez-Mont Studio Visit. kLo Kwangho Lee. Photo Andrea Caputo Studio visit kLo – Kwangho Lee Kwangho Lee has a small but totalitarian workspace in Seoul where he designs, assembles, experiments and produces, exploring new mono-material furnishing types. Presented by Andrea Caputo Institution. View of the display design for the exhibition “Sol Calero. Tente en el aire”, Kunsthalle Lissabon, Lisbon Institution A hybrid institution Can an art institution suggests alternatives to both gentrification and a country’s focus on financial assets? Presented by Paola Nicolin Archive. Foreign Office Architects, Details of ramp 07 for Yokohama International Port Terminal, March 2000. Diazotype Economy The radical dissemination of the gift The future of a hyper-connected global society is only conceivable in the perspective of the gift, which establishes a circuit of networks in which to give without the limits of reciprocity. Text by Ivo Stefano Germano Archive. Foreign Office Architects, Details of ramp 07 for Yokohama International Port Terminal, March 2000. Diazotype Archive Hybridisation Tales of formal and technological singularity: the Yokohama International Port Terminal by Foreign Office Architects Presented by the Canadian Centre for Architecture Cara Domus. Emilio Mossa Cara Domus Emilio Mossa Dear Michele, through Domus you are accustoming us to considering objects for their symbolic meaning, objects which awakens and influences our architectural imagination. Essay. Maria Sibylla Merian, Metamorphosis Insectorum Surinamensium ofte Verandering der Surinaamsche insecten, Amsterdam Essay Emanuele Coccia: The world as a permanent migration We are not only human, since our genetic code is the trace of all the forms of life that we have passed through in history before becoming human Contamination. Edoardo Tresoldi, Etherea, 2018. Photo Roberto Conte Contamination Michele De Lucchi, Hybridisation In nature, the constant process of osmosis ensures everything is subjected to hybridisation, which generates life and development Architecture. Caruso St John Architects, House in the mountains, Tschiertschen, Switzerland, 2017. Photo Hélène Binet Architecture Caruso St John Architects, House in the mountains, Tschiertschen, Switzerland With their well-known discretion, the two British architects have adopted a contemporary style to reinterpret the essence of the Swiss chalet’s traditional iconography. Text Rowan Moore, photos Hélène Binet Architecture. Naoto Fukasawa, Issey Miyake Kyoto, Japan, 2018. Photo Masaya Yoshimura, © Isley Miyake Inc. Architecture Naoto Fukasawa, Issey Miyake Kyoto, Japan A combined shop and gallery, Issey Miyake’s new space is a hybrid that blends old and new, modern demands and the tradition of machiya. Text by Naoto Fukasawa Architecture. Sameep Padora and Associates, Sharda school library,Kopergaon, Maharashtra, India, 2018. Photo Edmund Sumner Architecture Sameep Padora and Associates,Sharda school library, Kopergaon, India In a striking landscape overlooked by a dramatic forest of electricity pylons, an example of structural brilliance offers the school’s students a new experience of space. Text by Mustansir Dalvi, photos by Edmund Sumner Architecture. Renzo Piano Building Workshop, GES-2, V-A-C Foundation, Moscow, sketch Architecture Renzo Piano Building Workshop, GES-2, V-A-C Foundation, Moscow The institution devoted to contemporary Russian art has commissioned the Renzo Piano Building Workshop to convert a two-hectare urban site into a cultural centre For and against. Steven Holl, Reciprocal Relation – New York City / Milan, 1986. Project for Porta Vittoria, Milan, Italy. Watercolor and pencil on paper, 12,7 x 17,7 cm For and against Steven Holl, Let’s start from music Architecture, like music, surrounds and engulfs us: it’s an immersive, engrossing experience. A conversation between Steven Holl and Michele De Lucchi Design and art. Olafur Eliasson’s studio in Berlin, photographed by Armin Linke, 2018 Design. Art Olafur Eliasson. Green means: “Go for your life” Olafur Eliasson in conversation with Patrizia Moroso. Presented by Paola Nicolin, photos Armin Linke Design. Ingo Maurer, Broken Egg auditorium at the Inhotim park, Brazil Design Into Maurer: Design is for storytelling Every project conceals a tension between extraordinary and ordinary, daily life and theatre. A conversation between Ingo Maurer and Michele De Lucchi Design. Martin Huberman, Bancada Prototipo in the Los Andes Park in Buenos Aires, 2013 Design Martin Huberman, profession: designer, militant and activist Martin Huberman displays traits of an activist and professional militant. He constantly attempts to build bridges to connect ideas, participants and viewers. Text Maria Sanchez Art and Design. Attilio Stocchi, the wooden model of the new hill of Hermes superimposed on the map of the canals of Mars (1888) Architecture. Landscape Attilio Stocchi: Greenhouse fragments The Hill of Hermes, a wing-shaped garden, is a project with mythological and astronomical allusions that restores to Milan the green spaces of the renewed Palazzo Citterio, the last phase of the Grande Brera project Studio Swine. Azusa Murakami and Alexander Groves inside Infinity Blue, during the assembly phase. Photo Alexander Coggin Art. Design Studio Swine: A primordial pre-human earth Infinity Blue, the biggest ceramic sculpture ever made, is devoted to the cyanobacteria that, 3 billion years ago, formed our planets breathable atmosphere and paved the way for the evolution of complex life forms. Text Studio Swine, photos Petr Krejčí Best of. Herb Greene, Prairie House. Photo courtesy of OU School of Architecture Best of Hybridisation “A cyborg is a cybernetic organism, a hybrid of machine and organism, a creature of social reality as well as a creature of fiction. Social reality is lived social relations, our most important political construction, a world-changing fiction.” Donna J. Haraway, A Cyborg Manifesto, Routledge, London 1991 Cinema. A scene from Rainer Werner Fassbinder’s science-fiction film World on a Wire, 1973 Cinema Mixing the virtual and the real, reality and fiction, the need for rules and fertilisation Fassbinder’s film World on a Wire contains the hybrid, fertile and perverse concept that order is a required condition of evolution. Presented by Piero Golia On the Couch. Corrado Passera On the couch Interview (over an informal lunch) with Corrado Passera. Among the topics on the table, the hybridisation of knowledge and the economy, hence of society. Presented by Walter Mariotti Meteorology. Solar stimulation is perceived in humans, animals and plants in different wavelengths Meteorology Why architecture now plays its part in the natural sciences Once abstract and inorganic, in recent decades light has gained biological and medical implications, prompting a rethink of its design by architects and urban planners. Presented by Philippe Rahm Travel. Cinemas that have now been closed along Lalehzar, once a luxury shopping street modelled after the Champs- Élysées in Paris with 16 cinemas and 6 theatres, commissioned in 1980 by Nasser al-Din Shah Qajar. Photo Giovanna Silva Travel Tehran behind the screen Confiscated or tangled in legal disputes, the old cinemas and theatres of Iran’s capital risk disappearing or being turned into museums. Text Mahan Moalemi, photos Giovanna Silva Rassegna. Materials tinkering with micelio, Master thesis in Product Design by S. Parisi, 2015 Rassegna The sensory dimension of materials The transmutation of the characteristics and properties of one material to another is one of the most fertile aspects of contemporaneity. But what do materials communicate about their nature? We asked Valentina Rognoli who has been addressing this theme for some years. Edited by Giulia Guzzini Auction Piero Fornasetti, La Stanza Metafisica, 1958. Images courtesy of Phillips Auction La Stanza Metafisica sums up the thought of Piero Fornasetti (1913-1988), a prolific painter and illustrator, and his passion for the potential of screens and theatre sets in the organisation of interiors. En ligne : https://www.domusweb.it/en/issues.html [n° ou bulletin]  est un bulletin de Domus N°1027(2018:septembre) - 2018-09-01 - Hybrid [texte imprimé] . - 2018. Langues : Italien (ita) Anglais (eng) Catégories : Architecture -- 21e siècle -- Aspect social Architecture -- Dessins et plans Architecture et arts Architecture et sciences Art -- Philosophie Art et design Ateliers d'artiste Bibliothèques (constructions) -- Inde -- 21e siècle Centres d'art -- Moscou (Russie) -- 21e siècle Chalets -- Grisons (Suisse) -- 21e siècle Coccia, Emanuele Construction en bois -- Grisons (Suisse) -- 21e siècle Constructions en bois -- Grisons (Suisse) -- 21e siècle Design durable -- 21e siècle Design industriel -- Innovations technologiques Designers -- 21e siècle Évolution (philosophie) Fassbinder, Rainer Werner (1945-1982). Welt am Draht (film) Fukasawa, Naoto (1956-....) Holl, Steven (1947-....) Hybridation Luminaires - Design Matériaux - Innovations Matériaux -- Design MAURER, Ingo (1932 - ....) Musique et architecture Natalini, Adolfo (1941-....) Parcs -- Milan (Italie) -- 21e siècle Peinture à l'aquarelle PIANO, Renzo (1937 - ....) Urbanisme durable. Yokohama international port terminal -- Dessins et plans Index. décimale : 7 Arts et Beaux-Arts Résumé : Caruso St John, Naoto Fukasawa, Sameep Padora, Renzo Piano, Steven Holl, Olafur Eliasson, Ingo Maurer, Martin Huberman, Attilio Stocchi, Studio Swine Note de contenu : Domus 1027 Cover illustration: The Blue Chemist Archeology. Detail of the map by al-Idrisi, held in the Bodleian Libraries in Oxford Archaeology Penetrating horizons and imagining worlds “To put a city in a book,to put the world on one sheet of paper – maps are the most condensed humanised spaces of all...” Robert Harbison, Eccentric Spaces, 1997. Presented by Adam Lowe & Charlotte Skene Catling Portfolio. Adolfo Natalini, watercolour for Muzenplein – De Resident, The Hague, the Netherlands, September 2000. 70 x 50 cm Portfolio Adolfo Natalini, Dutch allegories “I wanted to be a painter, but then I became an avant-garde architect with Superstudio. Later, I tried to make buildings, more down to earth, in Italy, Germany and the Netherland.” Anthropology. Aros, by the Palma studio, is one of the winning projects of the Urban Toys contest (2018) Anthropology What is a city for? The think tank called Laboratorio para la Ciudad in Mexico City explores new participatory ways of inhabiting urban spaces. Text Gabriella Gómez-Mont Studio Visit. kLo Kwangho Lee. Photo Andrea Caputo Studio visit kLo – Kwangho Lee Kwangho Lee has a small but totalitarian workspace in Seoul where he designs, assembles, experiments and produces, exploring new mono-material furnishing types. Presented by Andrea Caputo Institution. View of the display design for the exhibition “Sol Calero. Tente en el aire”, Kunsthalle Lissabon, Lisbon Institution A hybrid institution Can an art institution suggests alternatives to both gentrification and a country’s focus on financial assets? Presented by Paola Nicolin Archive. Foreign Office Architects, Details of ramp 07 for Yokohama International Port Terminal, March 2000. Diazotype Economy The radical dissemination of the gift The future of a hyper-connected global society is only conceivable in the perspective of the gift, which establishes a circuit of networks in which to give without the limits of reciprocity. Text by Ivo Stefano Germano Archive. Foreign Office Architects, Details of ramp 07 for Yokohama International Port Terminal, March 2000. Diazotype Archive Hybridisation Tales of formal and technological singularity: the Yokohama International Port Terminal by Foreign Office Architects Presented by the Canadian Centre for Architecture Cara Domus. Emilio Mossa Cara Domus Emilio Mossa Dear Michele, through Domus you are accustoming us to considering objects for their symbolic meaning, objects which awakens and influences our architectural imagination. Essay. Maria Sibylla Merian, Metamorphosis Insectorum Surinamensium ofte Verandering der Surinaamsche insecten, Amsterdam Essay Emanuele Coccia: The world as a permanent migration We are not only human, since our genetic code is the trace of all the forms of life that we have passed through in history before becoming human Contamination. Edoardo Tresoldi, Etherea, 2018. Photo Roberto Conte Contamination Michele De Lucchi, Hybridisation In nature, the constant process of osmosis ensures everything is subjected to hybridisation, which generates life and development Architecture. Caruso St John Architects, House in the mountains, Tschiertschen, Switzerland, 2017. Photo Hélène Binet Architecture Caruso St John Architects, House in the mountains, Tschiertschen, Switzerland With their well-known discretion, the two British architects have adopted a contemporary style to reinterpret the essence of the Swiss chalet’s traditional iconography. Text Rowan Moore, photos Hélène Binet Architecture. Naoto Fukasawa, Issey Miyake Kyoto, Japan, 2018. Photo Masaya Yoshimura, © Isley Miyake Inc. Architecture Naoto Fukasawa, Issey Miyake Kyoto, Japan A combined shop and gallery, Issey Miyake’s new space is a hybrid that blends old and new, modern demands and the tradition of machiya. Text by Naoto Fukasawa Architecture. Sameep Padora and Associates, Sharda school library,Kopergaon, Maharashtra, India, 2018. Photo Edmund Sumner Architecture Sameep Padora and Associates,Sharda school library, Kopergaon, India In a striking landscape overlooked by a dramatic forest of electricity pylons, an example of structural brilliance offers the school’s students a new experience of space. Text by Mustansir Dalvi, photos by Edmund Sumner Architecture. Renzo Piano Building Workshop, GES-2, V-A-C Foundation, Moscow, sketch Architecture Renzo Piano Building Workshop, GES-2, V-A-C Foundation, Moscow The institution devoted to contemporary Russian art has commissioned the Renzo Piano Building Workshop to convert a two-hectare urban site into a cultural centre For and against. Steven Holl, Reciprocal Relation – New York City / Milan, 1986. Project for Porta Vittoria, Milan, Italy. Watercolor and pencil on paper, 12,7 x 17,7 cm For and against Steven Holl, Let’s start from music Architecture, like music, surrounds and engulfs us: it’s an immersive, engrossing experience. A conversation between Steven Holl and Michele De Lucchi Design and art. Olafur Eliasson’s studio in Berlin, photographed by Armin Linke, 2018 Design. Art Olafur Eliasson. Green means: “Go for your life” Olafur Eliasson in conversation with Patrizia Moroso. Presented by Paola Nicolin, photos Armin Linke Design. Ingo Maurer, Broken Egg auditorium at the Inhotim park, Brazil Design Into Maurer: Design is for storytelling Every project conceals a tension between extraordinary and ordinary, daily life and theatre. A conversation between Ingo Maurer and Michele De Lucchi Design. Martin Huberman, Bancada Prototipo in the Los Andes Park in Buenos Aires, 2013 Design Martin Huberman, profession: designer, militant and activist Martin Huberman displays traits of an activist and professional militant. He constantly attempts to build bridges to connect ideas, participants and viewers. Text Maria Sanchez Art and Design. Attilio Stocchi, the wooden model of the new hill of Hermes superimposed on the map of the canals of Mars (1888) Architecture. Landscape Attilio Stocchi: Greenhouse fragments The Hill of Hermes, a wing-shaped garden, is a project with mythological and astronomical allusions that restores to Milan the green spaces of the renewed Palazzo Citterio, the last phase of the Grande Brera project Studio Swine. Azusa Murakami and Alexander Groves inside Infinity Blue, during the assembly phase. Photo Alexander Coggin Art. Design Studio Swine: A primordial pre-human earth Infinity Blue, the biggest ceramic sculpture ever made, is devoted to the cyanobacteria that, 3 billion years ago, formed our planets breathable atmosphere and paved the way for the evolution of complex life forms. Text Studio Swine, photos Petr Krejčí Best of. Herb Greene, Prairie House. Photo courtesy of OU School of Architecture Best of Hybridisation “A cyborg is a cybernetic organism, a hybrid of machine and organism, a creature of social reality as well as a creature of fiction. Social reality is lived social relations, our most important political construction, a world-changing fiction.” Donna J. Haraway, A Cyborg Manifesto, Routledge, London 1991 Cinema. A scene from Rainer Werner Fassbinder’s science-fiction film World on a Wire, 1973 Cinema Mixing the virtual and the real, reality and fiction, the need for rules and fertilisation Fassbinder’s film World on a Wire contains the hybrid, fertile and perverse concept that order is a required condition of evolution. Presented by Piero Golia On the Couch. Corrado Passera On the couch Interview (over an informal lunch) with Corrado Passera. Among the topics on the table, the hybridisation of knowledge and the economy, hence of society. Presented by Walter Mariotti Meteorology. Solar stimulation is perceived in humans, animals and plants in different wavelengths Meteorology Why architecture now plays its part in the natural sciences Once abstract and inorganic, in recent decades light has gained biological and medical implications, prompting a rethink of its design by architects and urban planners. Presented by Philippe Rahm Travel. Cinemas that have now been closed along Lalehzar, once a luxury shopping street modelled after the Champs- Élysées in Paris with 16 cinemas and 6 theatres, commissioned in 1980 by Nasser al-Din Shah Qajar. Photo Giovanna Silva Travel Tehran behind the screen Confiscated or tangled in legal disputes, the old cinemas and theatres of Iran’s capital risk disappearing or being turned into museums. Text Mahan Moalemi, photos Giovanna Silva Rassegna. Materials tinkering with micelio, Master thesis in Product Design by S. Parisi, 2015 Rassegna The sensory dimension of materials The transmutation of the characteristics and properties of one material to another is one of the most fertile aspects of contemporaneity. But what do materials communicate about their nature? We asked Valentina Rognoli who has been addressing this theme for some years. Edited by Giulia Guzzini Auction Piero Fornasetti, La Stanza Metafisica, 1958. Images courtesy of Phillips Auction La Stanza Metafisica sums up the thought of Piero Fornasetti (1913-1988), a prolific painter and illustrator, and his passion for the potential of screens and theatre sets in the organisation of interiors. En ligne : https://www.domusweb.it/en/issues.html

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• Supplément 1027 - 2018-09-10 - EcoWorld : design for a healthy planet (Bulletin de Domus)

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N°470(octobre 2019) - 2019-10-01 (Bulletin de Artpress) 

Public ISBD [n° ou bulletin]  est un bulletin de Artpress Titre : N°470(octobre 2019) - 2019-10-01 Type de document : texte imprimé Année de publication : 2019 Langues : Français (fre) Anglais (eng) Catégories : Ambiance visuelle -- Dans l'opéra -- 21e siècle Architecture et arts Art brut -- Musées -- Lille (France) -- Histoire et critique Barba, Eugenio (1936-....) Bock, Katinka (1976-....) Cogitore, Clément (1983-....) Décors d'opéra -- 21e siècle Décors d'opéra -- Histoire et critique Dumont, Bruno (1958-....) Expositions artistiques -- 21e siècle Hapax -- Dans l'art -- 21e siècle Immigrés clandestins -- Sénégal -- 21e siècle -- Au cinéma Jeanne d'Arc (1412-1431 ; sainte) -- Au cinéma -- 21e siècle L'Aracine (France) -- Collections d'art Larcher, Claudia (1979-....) Photocollage Photographie d'architecture -- 20e siècle Pop'art -- Paris (France) -- Expositions Réalisatrices de cinéma -- Sénégal -- 21e siècle Salons artistiques -- Aspect économique -- 21e siècle Salons artistiques -- Paris -- France -- 21e siècle Saül, Peter (1934-....) Uberisation -- Dans l'art Wall, Jeff (1946-....) -- Critique et interprétation Note de contenu : Édito 05 Les foires et comment en parler = Fairs and how to write about them Aurélie Cavanna Chroniques / Columns 08 Hapax photographiques = Photographic Hapax Étienne Hatt 12 À Delphes, voyage dans la constellation Barba = In Delphi, A Journey to the Barba Constellation Georges Banu Introducing 16 Claudia Larcher Călin Stegerean Actualités/Spotlight 20 L’Aracine vingt ans après = The Aracine Collection Twenty Years On Claire Margat 23 L’Atlantique de Mati Diop = Atlantique by Mati Diop Félix Rehm 26 Katinka Bock. Équilibre sous tension = Katinka Bock. Balance Under Pressure Sarah Ihler-Meyer 30 Peter Saul. Pop, Funk, Bad Painting and More Richard Leydier Dossiers 32 GRANDE INTERVIEW Clément Cogitore. Enchanter et sidérer = Clément Cogitore. Enchanting and Arresting Interview par Jean-Charles Vergne 40 Artistes sur scène = Artists on Stage Denise Wendel-Poray 48 DES FOIRES EN MUTATION = Mutating Fairs 49 Expansions internationales = International Expansions Nathalie Moureau 55 Constellations parisiennes = Parisian constellations Aurélie Cavanna 62 Bruno Dumont Jeanne Jacques Aumont 67 expositions / reviews Aichi Triennale 2019 Simone Fattal Art et presse : libres échanges Panorama 21. Les revenants Gregory Forstner Dominique Renson Ruth Ewan Alberto Giacometti. Histoire de corps Nous les Arbres La peur d’aimer. Orsay vu par Tracey Emin 82 agenda 85 livres Olivier Rolin Hélène Gaudy Didier Arnaudet Laure Limongi Miroslav Krleža Mircea Cărtărescu Josef Winkler Sergueï Lebedev Adrien Maeght Unretouched Women, anticaricatures Centenaire du Bauhaus 97 Comptes rendus 98 Le feuilleton de Jacques Henric Yann Moix. Levez la main droite et dites… + 2e cahier New Settings [n° ou bulletin]  est un bulletin de Artpress N°470(octobre 2019) - 2019-10-01 [texte imprimé] . - 2019. Langues : Français (fre) Anglais (eng) Catégories : Ambiance visuelle -- Dans l'opéra -- 21e siècle Architecture et arts Art brut -- Musées -- Lille (France) -- Histoire et critique Barba, Eugenio (1936-....) Bock, Katinka (1976-....) Cogitore, Clément (1983-....) Décors d'opéra -- 21e siècle Décors d'opéra -- Histoire et critique Dumont, Bruno (1958-....) Expositions artistiques -- 21e siècle Hapax -- Dans l'art -- 21e siècle Immigrés clandestins -- Sénégal -- 21e siècle -- Au cinéma Jeanne d'Arc (1412-1431 ; sainte) -- Au cinéma -- 21e siècle L'Aracine (France) -- Collections d'art Larcher, Claudia (1979-....) Photocollage Photographie d'architecture -- 20e siècle Pop'art -- Paris (France) -- Expositions Réalisatrices de cinéma -- Sénégal -- 21e siècle Salons artistiques -- Aspect économique -- 21e siècle Salons artistiques -- Paris -- France -- 21e siècle Saül, Peter (1934-....) Uberisation -- Dans l'art Wall, Jeff (1946-....) -- Critique et interprétation Note de contenu : Édito 05 Les foires et comment en parler = Fairs and how to write about them Aurélie Cavanna Chroniques / Columns 08 Hapax photographiques = Photographic Hapax Étienne Hatt 12 À Delphes, voyage dans la constellation Barba = In Delphi, A Journey to the Barba Constellation Georges Banu Introducing 16 Claudia Larcher Călin Stegerean Actualités/Spotlight 20 L’Aracine vingt ans après = The Aracine Collection Twenty Years On Claire Margat 23 L’Atlantique de Mati Diop = Atlantique by Mati Diop Félix Rehm 26 Katinka Bock. Équilibre sous tension = Katinka Bock. Balance Under Pressure Sarah Ihler-Meyer 30 Peter Saul. Pop, Funk, Bad Painting and More Richard Leydier Dossiers 32 GRANDE INTERVIEW Clément Cogitore. Enchanter et sidérer = Clément Cogitore. Enchanting and Arresting Interview par Jean-Charles Vergne 40 Artistes sur scène = Artists on Stage Denise Wendel-Poray 48 DES FOIRES EN MUTATION = Mutating Fairs 49 Expansions internationales = International Expansions Nathalie Moureau 55 Constellations parisiennes = Parisian constellations Aurélie Cavanna 62 Bruno Dumont Jeanne Jacques Aumont 67 expositions / reviews Aichi Triennale 2019 Simone Fattal Art et presse : libres échanges Panorama 21. Les revenants Gregory Forstner Dominique Renson Ruth Ewan Alberto Giacometti. Histoire de corps Nous les Arbres La peur d’aimer. Orsay vu par Tracey Emin 82 agenda 85 livres Olivier Rolin Hélène Gaudy Didier Arnaudet Laure Limongi Miroslav Krleža Mircea Cărtărescu Josef Winkler Sergueï Lebedev Adrien Maeght Unretouched Women, anticaricatures Centenaire du Bauhaus 97 Comptes rendus 98 Le feuilleton de Jacques Henric Yann Moix. Levez la main droite et dites… + 2e cahier New Settings

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no248(2019:mars) - 2019-03-01 - Scénariser l'espace. Hannah Waldron. Degrau. Ugo Gattoni. Melbourne (Bulletin de Etapes)  

Public ISBD [n° ou bulletin]  est un bulletin de Etapes Titre : no248(2019:mars) - 2019-03-01 - Scénariser l'espace. Hannah Waldron. Degrau. Ugo Gattoni. Melbourne Type de document : texte imprimé Année de publication : 2019 Langues : Français (fre) Catégories : Affiches de spectacle Ambiance visuelle Appareils électroniques -- Design Architecture et arts Art et design Art textile -- 21e siècle Arts du spectacle -- Production et mise en scène Arts du spectacle et technologie Arts graphiques -- 21e siècle Arts graphiques -- Mise en page et typographie -- Recherche Arts graphiques -- Prix et récompenses -- Suisse -- 21e siècle Communication visuelle -- 21e siècle Communication visuelle -- Typographie Composition (imprimerie) Conditionnement Duchamp, Marcel (1887-1968) -- Oeuvres -- Arts graphiques – Expositions -- Le Havre (Seine-Maritime) Espace (art) Espaces publics -- Systèmes de communication -- Londres (GB) Folon, Jean-Michel (1934-2005) -- Oeuvres -- Illustration de périodiques Gattoni, Ugo Graphistes -- 21e siècle Henry, Maurice (1907-1984) -- Oeuvres -- Illustration de périodiques Hermès (Firme) Illustrateurs -- Paris (France) -- 21e siècle Illustration des périodiques -- 20e siècle -- Histoire et critique Impression 3D Magasins -- Aménagement Mosaïque Musées -- Signalisation Pochettes de disques Scénographie -- 21e siècle Scénographie d'exposition -- 21e siècle Terrains de jeux -- Scénographie Textiles et tissus -- Dans l'art Topor, Roland (1938-1997) -- Oeuvres -- Illustration de périodiques Vitrines (magasins) -- Aménagement Index. décimale : 766 Arts graphiques En ligne : https://etapes.com/ [n° ou bulletin]  est un bulletin de Etapes no248(2019:mars) - 2019-03-01 - Scénariser l'espace. Hannah Waldron. Degrau. Ugo Gattoni. Melbourne [texte imprimé] . - 2019. Langues : Français (fre) Catégories : Affiches de spectacle Ambiance visuelle Appareils électroniques -- Design Architecture et arts Art et design Art textile -- 21e siècle Arts du spectacle -- Production et mise en scène Arts du spectacle et technologie Arts graphiques -- 21e siècle Arts graphiques -- Mise en page et typographie -- Recherche Arts graphiques -- Prix et récompenses -- Suisse -- 21e siècle Communication visuelle -- 21e siècle Communication visuelle -- Typographie Composition (imprimerie) Conditionnement Duchamp, Marcel (1887-1968) -- Oeuvres -- Arts graphiques – Expositions -- Le Havre (Seine-Maritime) Espace (art) Espaces publics -- Systèmes de communication -- Londres (GB) Folon, Jean-Michel (1934-2005) -- Oeuvres -- Illustration de périodiques Gattoni, Ugo Graphistes -- 21e siècle Henry, Maurice (1907-1984) -- Oeuvres -- Illustration de périodiques Hermès (Firme) Illustrateurs -- Paris (France) -- 21e siècle Illustration des périodiques -- 20e siècle -- Histoire et critique Impression 3D Magasins -- Aménagement Mosaïque Musées -- Signalisation Pochettes de disques Scénographie -- 21e siècle Scénographie d'exposition -- 21e siècle Terrains de jeux -- Scénographie Textiles et tissus -- Dans l'art Topor, Roland (1938-1997) -- Oeuvres -- Illustration de périodiques Vitrines (magasins) -- Aménagement Index. décimale : 766 Arts graphiques En ligne : https://etapes.com/

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Process of transformation : Lucy Orta

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