N°1032(2019:février) - 2019-02-01 - Visioni per salavre il pianeta = Visions to save the planet (Bulletin de Domus)    

Public ISBD [n° ou bulletin]  est un bulletin de Domus Titre : N°1032(2019:février) - 2019-02-01 - Visioni per salavre il pianeta = Visions to save the planet Type de document : texte imprimé Année de publication : 2019 Langues : Italien (ita) Anglais (eng) Catégories : Architecture -- 21e siècle -- Aspect social Architecture -- Aspect environnemental Architecture durable -- Dessins et plans Architecture fantastique Baies -- Chine -- Aménagement Cafés -- Aménagement -- Design -- 21e siècle Climat -- Cartes Construction -- Matériaux -- Aluminium Construction -- Normalisation Coordination modulaire (construction) Design durable Développement durable Écologie Façades -- 21e siècle Gestion des ressources en eau -- Aspect environnemental Hadid, Zaha (1950-2016) Hôtels -- Macao (Chine) Immeubles de grande hauteur Logement collectif Mobilier urbain -- Conception et construction Ponts -- Chine Postes-frontières -- Hong Kong (Chine) Projets d'architecture -- Dessins et plans Projets d'urbanisme -- Dessins et plans Restaurants -- Automatisation -- Berlin (Allemagne) Urbanisme durable Vintage -- Design Mots-clés : gentrification Index. décimale : 7 Arts et Beaux-Arts Note de contenu : In the February issue, guest editor Winy Maas talks about the importance of water and a new generation of designers working on visionary proposals aimed to save the Earth. Read Winy Maas’ editorial Domus 1032 The issue starts with the Discussion section with a contribution from Dutch water ambassador Henk Ovink, which gives a realistic – and dramatic – insight into the water situation in Europe and the world, but concludes with a message of hope: we can still save the planet but have to do it collectively. The Landscape section is dedicated to the speculative work Geostories by Design Earth, composed by the duo Rania Ghosn + E, Hadi Jazairy. Their illustrations are projected into the future and offer new ideas for living in space and the abysses. Also presented is the low-budget urban decoration project for Avenida Carles Buïgas in Tarragona, Spain. In Urbanism we talk about the Greater Bay Area in China, the largest metropolitan area in the world, with ‘creative’ borders and characterized by colossal infrastructural works. The second focus is on the proliferation of hipster aesthetics, defined by a stereotyped imaginary in a gentrified world, which has made cafes all over the world homogeneous. Avenida Carles Buïgas, Salou, Tarragona, Spain. Photo Adrià Goula Avenida Carles Buïgas, Salou, Tarragona, Spain. Photo Adrià Goula The Architecture section is populated by a series of projects designed for a community, from the social housing of LIN Architects in Germany and the projects of EM2N in Zurich, to the urban veranda of Brasil Arquitetura in Recife, Brazil. An article recounts the work of the Belgian collective Rotor, and their radical approach to the concept of reuse in architecture. The chapter on Future city products highlights the sliding shutter systems used for the facade of Herzog & de Meuron’s Meret Oppenheim Hochhaus in Basel, the digitized Data Kitchen in Berlin – the first automatic restaurant in Europe designed around high-quality slow food – and the strategies to safeguard the Coin Street district in London. Discover Domus by Winy Maas in the guest editor special The issue closes with the case of the eviction of ADM, one of the last independent communities in Amsterdam, crushed under real estate speculation. The city loses one of the most representative architectural complexes of a radical and visionary housing approach. The key event covered in this issue is the Super Bowl LIII Atlanta: for the American football final, an ephemeral city works its way into the urban fabric, offering its inhabitants a unique opportunity. This month’s Rassegna is dedicated to thresholds, best represented by the work of dutch designer Petra Blaisse. En ligne : https://www.domusweb.it/en.html [n° ou bulletin]  est un bulletin de Domus N°1032(2019:février) - 2019-02-01 - Visioni per salavre il pianeta = Visions to save the planet [texte imprimé] . - 2019. Langues : Italien (ita) Anglais (eng) Catégories : Architecture -- 21e siècle -- Aspect social Architecture -- Aspect environnemental Architecture durable -- Dessins et plans Architecture fantastique Baies -- Chine -- Aménagement Cafés -- Aménagement -- Design -- 21e siècle Climat -- Cartes Construction -- Matériaux -- Aluminium Construction -- Normalisation Coordination modulaire (construction) Design durable Développement durable Écologie Façades -- 21e siècle Gestion des ressources en eau -- Aspect environnemental Hadid, Zaha (1950-2016) Hôtels -- Macao (Chine) Immeubles de grande hauteur Logement collectif Mobilier urbain -- Conception et construction Ponts -- Chine Postes-frontières -- Hong Kong (Chine) Projets d'architecture -- Dessins et plans Projets d'urbanisme -- Dessins et plans Restaurants -- Automatisation -- Berlin (Allemagne) Urbanisme durable Vintage -- Design Mots-clés : gentrification Index. décimale : 7 Arts et Beaux-Arts Note de contenu : In the February issue, guest editor Winy Maas talks about the importance of water and a new generation of designers working on visionary proposals aimed to save the Earth. Read Winy Maas’ editorial Domus 1032 The issue starts with the Discussion section with a contribution from Dutch water ambassador Henk Ovink, which gives a realistic – and dramatic – insight into the water situation in Europe and the world, but concludes with a message of hope: we can still save the planet but have to do it collectively. The Landscape section is dedicated to the speculative work Geostories by Design Earth, composed by the duo Rania Ghosn + E, Hadi Jazairy. Their illustrations are projected into the future and offer new ideas for living in space and the abysses. Also presented is the low-budget urban decoration project for Avenida Carles Buïgas in Tarragona, Spain. In Urbanism we talk about the Greater Bay Area in China, the largest metropolitan area in the world, with ‘creative’ borders and characterized by colossal infrastructural works. The second focus is on the proliferation of hipster aesthetics, defined by a stereotyped imaginary in a gentrified world, which has made cafes all over the world homogeneous. Avenida Carles Buïgas, Salou, Tarragona, Spain. Photo Adrià Goula Avenida Carles Buïgas, Salou, Tarragona, Spain. Photo Adrià Goula The Architecture section is populated by a series of projects designed for a community, from the social housing of LIN Architects in Germany and the projects of EM2N in Zurich, to the urban veranda of Brasil Arquitetura in Recife, Brazil. An article recounts the work of the Belgian collective Rotor, and their radical approach to the concept of reuse in architecture. The chapter on Future city products highlights the sliding shutter systems used for the facade of Herzog & de Meuron’s Meret Oppenheim Hochhaus in Basel, the digitized Data Kitchen in Berlin – the first automatic restaurant in Europe designed around high-quality slow food – and the strategies to safeguard the Coin Street district in London. Discover Domus by Winy Maas in the guest editor special The issue closes with the case of the eviction of ADM, one of the last independent communities in Amsterdam, crushed under real estate speculation. The city loses one of the most representative architectural complexes of a radical and visionary housing approach. The key event covered in this issue is the Super Bowl LIII Atlanta: for the American football final, an ephemeral city works its way into the urban fabric, offering its inhabitants a unique opportunity. This month’s Rassegna is dedicated to thresholds, best represented by the work of dutch designer Petra Blaisse. En ligne : https://www.domusweb.it/en.html

Réservation

Réserver ce document

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 23312	DOMUS	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

N°1036(2019:juin) - 2019-06-01 - Tradizione istantanea = Instant heritage (Bulletin de Domus)  

Public ISBD [n° ou bulletin]  est un bulletin de Domus Titre : N°1036(2019:juin) - 2019-06-01 - Tradizione istantanea = Instant heritage Type de document : texte imprimé Année de publication : 2019 Importance : xii p. et 712 p. Présentation : ill. en coul. Format : 32 cm Langues : Italien (ita) Anglais (eng) Catégories : Architecture -- Dessins et plans Architecture du paysage -- Japon -- Dessins et plans Art public Design urbain Embourgeoisement (urbanisme) -- Dans l'art Graffiti Haussmann, Georges Eugène (1809-1891) Impression 3D -- Dans l'art Jardins botaniques -- Japon -- Dessins et plans Patrimoine culturel -- Conservation et restauration Projets d'urbanisme -- Dessins et plans Rotterdam (Pays-Bas) Urbanisation -- Aspect de l'environnement Urbanisme durable Venise (Italie) Index. décimale : 7 Arts et Beaux-Arts Note de contenu : This issue of Domus is entitled "Instant heritage". Winy Maas starts his editorial talking about urbanism, that "is all about thinking about the future and imagining how the present might be improved”, underlining the importance of our heritage, seen not as something to be demolished but something we should take care of. The cover of the issue shows Matter Design and CEMEX Global R&D project, Walking Assembly, made of concrete using 3D printing. We talk about digital innovation, the impact of networks in the production of objects and architectures, and we present five projects that, with digital innovation, can promote a return to the pre-modern ethos of community sharing. Urban planning. In Baku, the past becomes a resource: the oil capital of Azerbaijan changes its shape through the construction of new buildings and the renovation of Soviet-era buildings, becoming the "Paris of the Caspian” once again. Europe, on the other hand, is the protagonist of Ilja Leonard Pfeiffer's novel, Grand Hotel Europa, which describes a continent that lives with the weight of the past and with tourism as the only revenue model. The future city is presented in "Frictionless urbanism", with five visions for urban aerial mobility. Architecture: ZUS, the Rotterdam-based architecture and urban planning studio, recounts its "city of permanent temporariness", a place in constant transformation and always incomplete. It tells the story of the construction of the Colón Towers in Madrid from 1969, which at the time was striking for the technical innovation of their construction process, and the landscape scale design of Vector Architects in China, which dialogues with the natural territory and industrial heritage. In Belgium, the historic Sint-Jozef building, set in the campus of the already famous Melle psychiatric centre, has a continuous debate in the design process involving patients, staff and architects. In Niger, a market designed by Mariam Kamara (Atelier Masomi) with simple coloured metal structures strengthens the sense of community. "Artificial landscape poetry" talks about the beauty of projected nature, with a focus on Art Biotop Botanical Garden, a park rich in water designed by Junya Ishigami in Tochigi, Japan. Working with local communities, the Cape Town International Public Art Festival uses graffiti as a tool against gentrification, while in London the next Serpentine Pavilion by Junya Ishigami is eagerly awaited. In this issue of Domus, a cataloguing of all the pavilions located in Hyde Park since 2000. The photo of the month has as protagonist the urbanization in a peripheral area in Namibia taken by the Australian photographer Leah Kennedy. En ligne : https://www.edidomus.it/en/brand/domus.html [n° ou bulletin]  est un bulletin de Domus N°1036(2019:juin) - 2019-06-01 - Tradizione istantanea = Instant heritage [texte imprimé] . - 2019 . - xii p. et 712 p. : ill. en coul. ; 32 cm. Langues : Italien (ita) Anglais (eng) Catégories : Architecture -- Dessins et plans Architecture du paysage -- Japon -- Dessins et plans Art public Design urbain Embourgeoisement (urbanisme) -- Dans l'art Graffiti Haussmann, Georges Eugène (1809-1891) Impression 3D -- Dans l'art Jardins botaniques -- Japon -- Dessins et plans Patrimoine culturel -- Conservation et restauration Projets d'urbanisme -- Dessins et plans Rotterdam (Pays-Bas) Urbanisation -- Aspect de l'environnement Urbanisme durable Venise (Italie) Index. décimale : 7 Arts et Beaux-Arts Note de contenu : This issue of Domus is entitled "Instant heritage". Winy Maas starts his editorial talking about urbanism, that "is all about thinking about the future and imagining how the present might be improved”, underlining the importance of our heritage, seen not as something to be demolished but something we should take care of. The cover of the issue shows Matter Design and CEMEX Global R&D project, Walking Assembly, made of concrete using 3D printing. We talk about digital innovation, the impact of networks in the production of objects and architectures, and we present five projects that, with digital innovation, can promote a return to the pre-modern ethos of community sharing. Urban planning. In Baku, the past becomes a resource: the oil capital of Azerbaijan changes its shape through the construction of new buildings and the renovation of Soviet-era buildings, becoming the "Paris of the Caspian” once again. Europe, on the other hand, is the protagonist of Ilja Leonard Pfeiffer's novel, Grand Hotel Europa, which describes a continent that lives with the weight of the past and with tourism as the only revenue model. The future city is presented in "Frictionless urbanism", with five visions for urban aerial mobility. Architecture: ZUS, the Rotterdam-based architecture and urban planning studio, recounts its "city of permanent temporariness", a place in constant transformation and always incomplete. It tells the story of the construction of the Colón Towers in Madrid from 1969, which at the time was striking for the technical innovation of their construction process, and the landscape scale design of Vector Architects in China, which dialogues with the natural territory and industrial heritage. In Belgium, the historic Sint-Jozef building, set in the campus of the already famous Melle psychiatric centre, has a continuous debate in the design process involving patients, staff and architects. In Niger, a market designed by Mariam Kamara (Atelier Masomi) with simple coloured metal structures strengthens the sense of community. "Artificial landscape poetry" talks about the beauty of projected nature, with a focus on Art Biotop Botanical Garden, a park rich in water designed by Junya Ishigami in Tochigi, Japan. Working with local communities, the Cape Town International Public Art Festival uses graffiti as a tool against gentrification, while in London the next Serpentine Pavilion by Junya Ishigami is eagerly awaited. In this issue of Domus, a cataloguing of all the pavilions located in Hyde Park since 2000. The photo of the month has as protagonist the urbanization in a peripheral area in Namibia taken by the Australian photographer Leah Kennedy. En ligne : https://www.edidomus.it/en/brand/domus.html

Réservation

Réserver ce document

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 23686	DOMUS	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

N°1039(2019:octobre) - 2019-10-01 - Solo noi possiamo fare le città = Only we can make the new cities (Bulletin de Domus)    

Public ISBD [n° ou bulletin]  est un bulletin de Domus Titre : N°1039(2019:octobre) - 2019-10-01 - Solo noi possiamo fare le città = Only we can make the new cities Type de document : texte imprimé Année de publication : 2019 Langues : Italien (ita) Anglais (eng) Catégories : Aménagement du territoire -- Shanghai (Chine) -- 21e siècle Anastassiades, Michael (1967-....) Architecture -- Chine -- Dessins et plans -- 21e siècle Architecture -- Dessins et plans Architecture durable Art -- Aspect social -- 21e siècle Art dans la rue -- 21e siècle Cartographie -- Informatique Constructions -- 21e siècle Constructions en verre Croissance urbaine -- Inde -- Aspect environnemental Data visualisation -- Cartographie Design -- 21e siècle Design durable Design industriel -- 21e siècle -- Dessins et plans Designers -- 21e siècle Écoconception Escaliers extérieurs JR (1983 - ....) Matières plastiques -- Déchets -- 21e siècle Matières plastiques -- Industrie et commerce -- 21e siècle Mobilité spatiale -- 21e siècle -- Cartes Musées -- Shanghai (Chine) Rives -- Aménagement -- Huangpu (Chine ; cours d'eau) Urbanisme -- 21e siècle Urbanisme -- Aspect économique Urbanisme -- Aspect social Urbanisme -- Istanbul (Turquie) Urbanisme -- Medellín (Colombie) Urbanisme durable Villes -- Aspect environnemental Index. décimale : 7 Arts et Beaux-Arts Note de contenu : Many people maybe think that cities are made of concrete, stone, and brick – and fixed by ‘others’: politicians, bureaucrats and developers. But the city is made of people; concrete, stone, and brick is only needed to let them live in such close proximity. Few artists who show this ethos better than JR. His style of “graffiti” – in which he pastes enlarged photographs, usually of people, onto buildings and around the city – literally humanizes our urban environments. In this way, JR reminds us who makes the city. In this issue we see how an enlightened initiative in Medellín has turned areas around the city’s water storage tanks into beautiful ( and much-needed) open spaces and facilities for public use. Thanks to Medellín’s topography, many of these spaces offer astonishing views over the city. Another way a city can change for the benefit of its citizens is by improving transport. Good mobility allows people to access equal opportunities and to make sustainable choices. But how should a city approach this? In each city the challenges and opportunities are different. Mobility In Chain introduces us to four very different cities (in North America, Europe, and Africa) which have each taken a different approach to mobility with interesting results. Many people maybe think that cities are made of concrete, stone, and brick – and fixed by ‘others’: politicians, bureaucrats and developers. But the city is made of people; concrete, stone, and brick is only needed to let them live in such close proximity Those are ways that people have received better urban environments thanks to those with power. But not all of those in power are so generous. Fortunately, some people are occasionally lucky enough to replace those people. In this issue we feature an interview with Ekrem İmamoğlu, whom the people of Istanbul elected as their new mayor this summer. It is the first time in 15 years that Istanbul’s mayor has not been a representative of Recep Tayyip Erdogan’s AK party – a “celebration of democracy”, as İmamoğlu called it when he took office. In the interview he tells us of his plans for the city, many of which centre on the citizens: social housing, pedestrian spaces, and open, transparent competitions to redesign public spaces. Taking control of the city is not always simple. Sometimes people have to fight for transparency in new developments, and for spaces that put their concerns first. An interesting example is the Quayside district in Toronto, being produced by Sidewalk Labs (a sister company of Google). Google sees the Quayside District as a “human-centred” plan with smart technological solutions to improve the public realm. But the community has been worried by a lack of transparency, a lack of community consultation and privacy issues. They have maintained an impressive resistance – showing there is an important difference between being told that something is good for you, and getting to decide what is good for yourself. The effects of a fire in the rainforest of Mandacaru, state of Mato Grosso, Brazil, September 2019. Photo Victor Moiyama/The New York Times/Redux/Contrasto Domus 1039 is entitled “Only we can make the cities”. In his editorial Winy Maas reminds us that cities are made of people and not of concrete, stone and brick, only needed to let people live in proximity. He introduces the work by JR, the artist who pastes huge photographs of people onto buildings and around urban environments, reminding who makes the city. The requalification of the periphery of Medellín, in Colombia, led by the Articulated Life Units, is a social urban planning at the service of the community, and the regeneration plan for the Huangpu riverside makes Shanghai the new cultural metropolis of Asia. The interview with Ekrem İmamoğlu, the new mayor of Istanbul, deals with the sustainability of the city, the traffic congestion and the shortage of affordable housing. In “How should we move?” urban mobilty systems have been compared, showing the maps of transports of Dar es Salaam, Zurich, Los Angeles and Silicon Valley. The challenge of design and architecture professionals: how to employ eco-friendlier materials reducing waste production in the design process, for a world without disposable plastic? The issue of white architecture is discussed in “Worldwhite?”: the different connotations of this architecture from the Partenon to the buildings designed by Le Corbusier, Oscar Niemeyer or Álvaro Siza; the projects by Aires Mateus for the Architecture Faculty in Belgium, and by Alberto Campo Baeza for Casa Cala in Spain. The last page is dedicated to photography: Harpur Hill, from Project Cleansweep, taken by Dara McGrath, represents the quarry, one of many UK sites were chemical weapons were manufactured, tested or stored between WWI and the Cold War. With the magazine, the supplement Atelier interiors. Places of creativity. En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/10/03/do [...] [n° ou bulletin]  est un bulletin de Domus N°1039(2019:octobre) - 2019-10-01 - Solo noi possiamo fare le città = Only we can make the new cities [texte imprimé] . - 2019. Langues : Italien (ita) Anglais (eng) Catégories : Aménagement du territoire -- Shanghai (Chine) -- 21e siècle Anastassiades, Michael (1967-....) Architecture -- Chine -- Dessins et plans -- 21e siècle Architecture -- Dessins et plans Architecture durable Art -- Aspect social -- 21e siècle Art dans la rue -- 21e siècle Cartographie -- Informatique Constructions -- 21e siècle Constructions en verre Croissance urbaine -- Inde -- Aspect environnemental Data visualisation -- Cartographie Design -- 21e siècle Design durable Design industriel -- 21e siècle -- Dessins et plans Designers -- 21e siècle Écoconception Escaliers extérieurs JR (1983 - ....) Matières plastiques -- Déchets -- 21e siècle Matières plastiques -- Industrie et commerce -- 21e siècle Mobilité spatiale -- 21e siècle -- Cartes Musées -- Shanghai (Chine) Rives -- Aménagement -- Huangpu (Chine ; cours d'eau) Urbanisme -- 21e siècle Urbanisme -- Aspect économique Urbanisme -- Aspect social Urbanisme -- Istanbul (Turquie) Urbanisme -- Medellín (Colombie) Urbanisme durable Villes -- Aspect environnemental Index. décimale : 7 Arts et Beaux-Arts Note de contenu : Many people maybe think that cities are made of concrete, stone, and brick – and fixed by ‘others’: politicians, bureaucrats and developers. But the city is made of people; concrete, stone, and brick is only needed to let them live in such close proximity. Few artists who show this ethos better than JR. His style of “graffiti” – in which he pastes enlarged photographs, usually of people, onto buildings and around the city – literally humanizes our urban environments. In this way, JR reminds us who makes the city. In this issue we see how an enlightened initiative in Medellín has turned areas around the city’s water storage tanks into beautiful ( and much-needed) open spaces and facilities for public use. Thanks to Medellín’s topography, many of these spaces offer astonishing views over the city. Another way a city can change for the benefit of its citizens is by improving transport. Good mobility allows people to access equal opportunities and to make sustainable choices. But how should a city approach this? In each city the challenges and opportunities are different. Mobility In Chain introduces us to four very different cities (in North America, Europe, and Africa) which have each taken a different approach to mobility with interesting results. Many people maybe think that cities are made of concrete, stone, and brick – and fixed by ‘others’: politicians, bureaucrats and developers. But the city is made of people; concrete, stone, and brick is only needed to let them live in such close proximity Those are ways that people have received better urban environments thanks to those with power. But not all of those in power are so generous. Fortunately, some people are occasionally lucky enough to replace those people. In this issue we feature an interview with Ekrem İmamoğlu, whom the people of Istanbul elected as their new mayor this summer. It is the first time in 15 years that Istanbul’s mayor has not been a representative of Recep Tayyip Erdogan’s AK party – a “celebration of democracy”, as İmamoğlu called it when he took office. In the interview he tells us of his plans for the city, many of which centre on the citizens: social housing, pedestrian spaces, and open, transparent competitions to redesign public spaces. Taking control of the city is not always simple. Sometimes people have to fight for transparency in new developments, and for spaces that put their concerns first. An interesting example is the Quayside district in Toronto, being produced by Sidewalk Labs (a sister company of Google). Google sees the Quayside District as a “human-centred” plan with smart technological solutions to improve the public realm. But the community has been worried by a lack of transparency, a lack of community consultation and privacy issues. They have maintained an impressive resistance – showing there is an important difference between being told that something is good for you, and getting to decide what is good for yourself. The effects of a fire in the rainforest of Mandacaru, state of Mato Grosso, Brazil, September 2019. Photo Victor Moiyama/The New York Times/Redux/Contrasto Domus 1039 is entitled “Only we can make the cities”. In his editorial Winy Maas reminds us that cities are made of people and not of concrete, stone and brick, only needed to let people live in proximity. He introduces the work by JR, the artist who pastes huge photographs of people onto buildings and around urban environments, reminding who makes the city. The requalification of the periphery of Medellín, in Colombia, led by the Articulated Life Units, is a social urban planning at the service of the community, and the regeneration plan for the Huangpu riverside makes Shanghai the new cultural metropolis of Asia. The interview with Ekrem İmamoğlu, the new mayor of Istanbul, deals with the sustainability of the city, the traffic congestion and the shortage of affordable housing. In “How should we move?” urban mobilty systems have been compared, showing the maps of transports of Dar es Salaam, Zurich, Los Angeles and Silicon Valley. The challenge of design and architecture professionals: how to employ eco-friendlier materials reducing waste production in the design process, for a world without disposable plastic? The issue of white architecture is discussed in “Worldwhite?”: the different connotations of this architecture from the Partenon to the buildings designed by Le Corbusier, Oscar Niemeyer or Álvaro Siza; the projects by Aires Mateus for the Architecture Faculty in Belgium, and by Alberto Campo Baeza for Casa Cala in Spain. The last page is dedicated to photography: Harpur Hill, from Project Cleansweep, taken by Dara McGrath, represents the quarry, one of many UK sites were chemical weapons were manufactured, tested or stored between WWI and the Cold War. With the magazine, the supplement Atelier interiors. Places of creativity. En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/10/03/do [...]

Est accompagné de

• Supplément 1039 - 2019-10-01 - Interni d'autore : i luoghi della creatività = Ateliers interiors : placec of creativity (Bulletin de Domus)
• Supplément 1039 - 2019-10-01 - Naturality : the italian stone theatre : 2019 (Bulletin de Domus)

Réservation

Réserver ce document

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 23899	DOMUS	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

Supplément 1038 - 2019-09-02 - EcoWorld : the UN global goals in practise (Bulletin de Domus)    

Public ISBD [n° ou bulletin]  est un bulletin de Domus Accompagne N°1038(2019:septembre) - 2019-09-01 - La moda è urbanistica = Fashion is urbanisme (Bulletin de Domus) Titre : Supplément 1038 - 2019-09-02 - EcoWorld : the UN global goals in practise Type de document : texte imprimé Année de publication : 2019 Langues : Italien (ita) Anglais (eng) Catégories : Architecture -- Dessins et plans Architecture durable Architecture vernaculaire -- 21e siècle -- Aspect social Centre des études olympiques (Lausanne, Suisse) Climat -- Cartes Construction -- Matériaux -- Aspect environnemental Design durable Développement durable Éco-matériaux Maquettes (architecture) Murs végétalisés Nations unies -- Politique de l'environnement Toits végétalisés Urbanisme durable Index. décimale : 7 Arts et Beaux-Arts Résumé : EcoWorld: how to face the climate change. The supplement to Domus 1038 In the supplement to the new issue of the magazine, the global goals and project responses to the ecological emergency. The 17 objectives of the Agenda 2030 as a selection filter to read urbanism, architecture and design. En ligne : https://www.domusweb.it/en/news/gallery/2019/09/03/ecoworld-how-to-face-the-clim [...] [n° ou bulletin]  est un bulletin de Domus Accompagne N°1038(2019:septembre) - 2019-09-01 - La moda è urbanistica = Fashion is urbanisme (Bulletin de Domus) Supplément 1038 - 2019-09-02 - EcoWorld : the UN global goals in practise [texte imprimé] . - 2019. Langues : Italien (ita) Anglais (eng) Catégories : Architecture -- Dessins et plans Architecture durable Architecture vernaculaire -- 21e siècle -- Aspect social Centre des études olympiques (Lausanne, Suisse) Climat -- Cartes Construction -- Matériaux -- Aspect environnemental Design durable Développement durable Éco-matériaux Maquettes (architecture) Murs végétalisés Nations unies -- Politique de l'environnement Toits végétalisés Urbanisme durable Index. décimale : 7 Arts et Beaux-Arts Résumé : EcoWorld: how to face the climate change. The supplement to Domus 1038 In the supplement to the new issue of the magazine, the global goals and project responses to the ecological emergency. The 17 objectives of the Agenda 2030 as a selection filter to read urbanism, architecture and design. En ligne : https://www.domusweb.it/en/news/gallery/2019/09/03/ecoworld-how-to-face-the-clim [...]

Réservation

Réserver ce document

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 23779	DOMUS	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

Des villes durables pour une petite planète / Richard Rogers

Public ISBD Titre : Des villes durables pour une petite planète Type de document : texte imprimé Auteurs : Richard Rogers (1933 - ....), Auteur ; Philip Gumuchdjian (1958-....), Auteur ; Claudine Gilbert, Traducteur ; Jean Duriau, Traducteur Editeur : Paris : Moniteur Année de publication : 2008 Importance : 213 p. Présentation : ill. en noir et blanc Format : 18 cm ISBN/ISSN/EAN : 978-2-281-19414-2 Note générale : Bibliogr. p. 211. Index Titre de l'éd. de 2000: Des villes pour une petite planète Langues : Français (fre) Langues originales : Anglais (eng) Catégories : Développement durable Rogers, Richard (1933 - ....) Urbanisme -- Aspect social Urbanisme durable Villes -- Aspect environnemental Villes -- Effets des innovations Index. décimale : 747 + 7.05 (092) Architectes d'intérieur et designers Résumé : D'ici 2025, les trois quarts de la population mondiale vivront dans les villes. Aujourd'hui, la moitié y vit déjà. Or, la ville moderne - sous les coups de boutoir d'un secteur privé cherchant le profit financier et d'un secteur public souvent motivé par un opportunisme à court terme - est un facteur de pollution, d'aliénation et de fracture sociale. Ce constat a poussé l'architecte Richard Rogers à concevoir un plan révolutionnaire pour le futur des villes qu'il développe dans ce livre. Il y stigmatise l'influence de l'architecture et de l'urbanisme sur notre vie de tous les jours et met en garde contre l'impact désastreux des villes modernes sur l'environnement. Il soutient que seule une planification durable peut protéger l'écosystème de notre planète et nous permettre d'assumer nos responsabilités envers les générations futures. L'urbanisme durable est un principe fondamentalement démocratique qui Implique les citoyens dans la prise de décision, à tous les niveaux. C'est une approche holistique, associant préoccupations sociales et environnementales : l'architecture qui enrichit le domaine public, le transport public qui protège la vie dans les rues, les systèmes énergétiques qui réduisent notre dépendance aux ressources naturelles limitées. L'urbanisme durable est notre seule chance de créer des villes dynamiques idéales qui respectent à la fois la personne et l'environnement. Des villes durables pour une petite planète [texte imprimé] / Richard Rogers (1933 - ....), Auteur ; Philip Gumuchdjian (1958-....), Auteur ; Claudine Gilbert, Traducteur ; Jean Duriau, Traducteur . - Paris  : Moniteur, 2008 . - 213 p. : ill. en noir et blanc ; 18 cm. ISBN : 978-2-281-19414-2 Bibliogr. p. 211. Index Titre de l'éd. de 2000: Des villes pour une petite planète Langues : Français (fre) Langues originales : Anglais (eng) Catégories : Développement durable Rogers, Richard (1933 - ....) Urbanisme -- Aspect social Urbanisme durable Villes -- Aspect environnemental Villes -- Effets des innovations Index. décimale : 747 + 7.05 (092) Architectes d'intérieur et designers Résumé : D'ici 2025, les trois quarts de la population mondiale vivront dans les villes. Aujourd'hui, la moitié y vit déjà. Or, la ville moderne - sous les coups de boutoir d'un secteur privé cherchant le profit financier et d'un secteur public souvent motivé par un opportunisme à court terme - est un facteur de pollution, d'aliénation et de fracture sociale. Ce constat a poussé l'architecte Richard Rogers à concevoir un plan révolutionnaire pour le futur des villes qu'il développe dans ce livre. Il y stigmatise l'influence de l'architecture et de l'urbanisme sur notre vie de tous les jours et met en garde contre l'impact désastreux des villes modernes sur l'environnement. Il soutient que seule une planification durable peut protéger l'écosystème de notre planète et nous permettre d'assumer nos responsabilités envers les générations futures. L'urbanisme durable est un principe fondamentalement démocratique qui Implique les citoyens dans la prise de décision, à tous les niveaux. C'est une approche holistique, associant préoccupations sociales et environnementales : l'architecture qui enrichit le domaine public, le transport public qui protège la vie dans les rues, les systèmes énergétiques qui réduisent notre dépendance aux ressources naturelles limitées. L'urbanisme durable est notre seule chance de créer des villes dynamiques idéales qui respectent à la fois la personne et l'environnement.

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 15275	747+7.05 (092) ROGERS	Livre	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

---

1 (1 - 5 / 5)