N°1024(2018:mai) - 2018-05-01 - Land (Bulletin de Domus)  

Public ISBD [n° ou bulletin]  est un bulletin de Domus Titre : N°1024(2018:mai) - 2018-05-01 - Land Type de document : texte imprimé Année de publication : 2018 Langues : Italien (ita) Anglais (eng) Catégories : Archéologie Architecture -- 21e siècle Architecture littorale -- Chili Architecture littorale -- Shenzhen (Chine) Ateliers d'artiste - - Italie Barrada, Yto (1971-....) Castelli, Fabio Châteaux -- Hollenegg (Autriche) – Conservation et restauration Constructions en verre -- New York (N.Y.) Éoliennes -- États-Unis Éthique de l'environnement Imagerie satellitaire Immeubles de grande hauteur -- New York (N.Y.) MAKI, Fumihiko (1928 - ....) Mancuso, Stefano (1971-....) Maquettes (architecture) -- France Mer -- Odeur -- Recherche Musées -- Butera (Sicile, Italie) Nature (esthétique) -- Photographies Nature -- Dans l'art Parfums -- Industrie et commerce Paysage Sculpture sur bois -- Italie -- 21e siècle Sugimoto, Hiroshi (1948-....) Tolaas, Sissel (1965-....) Villes -- Aspect environnemental Index. décimale : 7 Arts et Beaux-Arts Résumé : Hudson Yards, Fumihiko Maki, Elemental, Hiroshi Sugimoto, Sissel Tolaas, Fabio Castelli, Yto Barrada, Arte Sella, Tippet Rise On Domus May 2018 issue, director Michele De Lucchi writes about distance as a key factor in defining projects and their harmonious integration into the landscape. Michele De Lucchi Editorial Note de contenu : Cover illustration: The Blue Chemist Archaeology. Meditation over time The stone eating worm “Between the conception and the creation between the emotion and the response falls the shadow.” Thomas Stearns Eliot, The Hollow Men, 1925. Edited by Adam Lowe & Charlotte Skene Catling Mishka Henner, Meadow Creek Wind, Bonneville County, Idaho, 2017. Archival pigment prints on Dibond, white aluminium frames. 31.6 x 40.6 cm. Courtesy of Galleria Bianconi, Milan Mishka Henner, Turbines Mishka Henner tells how industry has shaped the American landscape Rope Bridge over the Chambo River at Penipe, Ecuador. Engraving. From Vues des cordillières et monumens des peuples indigènes de l’Amérique, by Alexander von Humboldt with Aimé Bonpland, F. Schoell, Paris 1810 Anthropology. Objects & Beheaviour Difficult relationships between maps and the landscape The landscape is everything a map fails to grasp of the world and to express in terms of the separation between subject and object, placing some distance between them. Text by Franco Farinelli Studio visit Mokuchi Woodworking In just a few square metres, Mokuchi has organised the studio around a large central empty space, its only permanent feature being a traditional Japanese carpenter’s workshop. Edited by Andrea Caputo Manifesta 12 Palermo, Palazzo Butera, 2017. Photo by CAVE Institution Manifesta 12, Palazzo Butera. Europe and the Mediterranean. Palermo, Italian Capital of Culture 2018, inaugurates Manifesta 12. Venues include Palazzo Butera, a new institution committed to researching knowledge. Edited by Paola Nicolin Le Cabaret Sauvage, Parc de la Villette, Paris, 1997. Model. Wood, cloth, plastic, aluminium, lead. 10 x 57 x 57 cm Event. An event has to make the maximum impact, exploiting illusion, the careful use of materials and an innovative programme. This makes its collaborations key – e.g. with artists of the calibre of Daniel Buren and Claes Oldenburg. Collection FRAC Centre-Val de Loire. Gift by Patrick Bouchain. Photo François Lauginie Archive A mental landscape The FRAC in Orléans uncovers extracts from its latest acquisition: Patrick Bouchain’s complete archive. Text by Luca Galofaro Plant nation. © Cristiana Favretto Dear Domus This page features readers’ thoughts, ideas, criticism and opinions. Send us your letters, drawings and photos by mail or email. Write to us! Essay Plant nation. Stefano Mancuso, Cristiana Favretto e Antonio Girardi The plant world plays an active part in monitoring and controlling the environment of smart cities “Miracle Pine” was the only tree survived at Takada- Matsubara, Rikuzen-Takata City, Iwate Prefecture, after the great earthquake and tsunami which hit Eastern Japan in 2011. The photograph was published on the poster of the exhibition “The spirit of Tohoku: ‘Clothing’ by Issey Miyake” at 21_21 Design Sight, Tokyo, July 2011 Landscape Landscapes express the history, civilisation, experience and ambitions of a society and its culture Hudson Yards, West Side , New York City, USA. Photo Michael Moran Urban Landscape Hudson Yards, West Side, New York City The most impressive real estate redevelopment in US history consists in the transformation of 11 hectares of working railway yards into a completely different landscape Maki and Associates, Sea World Culture and Arts Center Shenzhen, China, 2017. Photos Maki and Associates Museum Landscape Maki and Associates. Sea World Culture and Arts Center, Shenzhen Combining a museum and shopping centre, Sea World Culture and Arts Center is a dynamic composition of strictly white architectural volumes set in a seafront park. Photos by Maki and Associates Domestic Landscape Elemental, Ochoquebradas house, Los Vilos, Chile A completely unexpected authorial work by Studio Elemental, recognised for its social commitment. Photos by Olga Surogina, Alejandro Aravena Hiroshi Sugimoto, Enoura Observatory, Giappone/Japan. Copyright Hiroshi Sugimoto Architecture Hiroshi Sugimoto, Enoura Observatory, Japan The Japanese artist has built a large complex wholly out of ancient recovered building materials, to preserve and disseminate his country’s rich cultural tradition Sissel Toolas, The smell of the oceans. © SSSL Immaterial Landscape Sissel Toolas in conversation with Formafantasma. The smell of the oceans With Ocean SmellScape, the artist and researcher Sissel Tolaas collects samples of smell molecules from oceans, because the world is never what we see Yona Friedman, Sculpting the void, sketches Family landscape Schloss Hollenegg. The living legacy A project that begins from a family’s archives, acts upon the landscape of the castle and restores an object, intended to last over time. Text by Annalisa Rosso Sculptural landscape Fabio Castelli, Small tales carved in wood. Castelli sculpts landscapes in wood to recount the tales he chooses not to write. Photos by Bea De Giacomo The Cinémathèque de Tanger, created in 2007 on the initiative of Yto Barrada Cultural landscape Agadir, for example In conversation with Jean-Louis Cohen, the artist Yto Barrada discusses Morocco’s sociopolitical landscape. Photos Giovanna Silva Arte Sella. Cultivating art. Photo Giacomo Bianchi. © Arte Sella Natural landscape Arte Sella. Cultivating art Taking care of a place is a courageous and revolutionary act. In Val di Sella, contemporary art creates a way of living together with nature and, by extension, with the world. Text by Emanuele Montibeller Inverted Portal, 2016, by Ensamble Studio. Tippet Rise Art Center. Photo James Florio Natural landscape Tippet Rise Art Centre. Boundless landscape Scattered around 10,000 acres of ranch land, eight artworks create a synthesis between architectural, cosmic and musical order. Text by Francesca Cigola Photos of the set of the original Netflix series Godless. Photo Ursula Coyote/Netflix TV Series A mining town the Wild West where women rule the roost A village in the New Mexico desert provides the backdrop for seven episodes of Godless and is the largest Western film-set ever built. Edited by Keren Cytter Still frame from Tacita Dean’s film Antigone, 2018 Cinema What landscape will live on, after us? Antigone is Tacita Dean’s latest experimental film, a reflection on the natural and cultural landscape. Edited by Piero Golia Gianni Bonini. lllustration Vincenzo De Cecco On the couch “The Mediterranean”, argues Bonini, “remains the sole bulwark against the aggressive lifestyles of the new oil theocracies”. Edited by Walter Mariotti Meteorology How climate concerns are forging new bonds between architecture and philosophy The climate is driving a new dialogue between architecture and the human sciences. Edited by Philippe Rahm Travel A secret agent in Bangkok Six wooden huts stand in the heart of the Thai capital. Tracked down in the 1950s and 1960s by Jim Thompson on his travels, they were dismantled and reconstructed to try and preserve what was being lost. Text and photos by Cecilia Fumagalli, Emilio Mossa How to design lightscapes. Photo Gwel Photography Rassegna How to design lightscapes Can light transform a space into a place? We asked Elettra Bordonaro, the lighting designer who led the three-year research programme Social Lightscapes Workshop Series. Edited by Giulia Guzzini Frank Lloyd Wright, Chevrom casement windows from the Darwin D. Martin House, Buffalo, New York. © Courtesy of Sotheby’s Auction In her book Schermi di luce (Rizzoli), Julie Sloan writes that Frank Lloyd Wright designed more than 4,000 windows for approximately 150 of his buildings. No one better than he could transform leaded glass into architecture En ligne : https://www.domusweb.it/en/news/2018/05/07/domus-1024-on-newsstands.html [n° ou bulletin]  est un bulletin de Domus N°1024(2018:mai) - 2018-05-01 - Land [texte imprimé] . - 2018. Langues : Italien (ita) Anglais (eng) Catégories : Archéologie Architecture -- 21e siècle Architecture littorale -- Chili Architecture littorale -- Shenzhen (Chine) Ateliers d'artiste - - Italie Barrada, Yto (1971-....) Castelli, Fabio Châteaux -- Hollenegg (Autriche) – Conservation et restauration Constructions en verre -- New York (N.Y.) Éoliennes -- États-Unis Éthique de l'environnement Imagerie satellitaire Immeubles de grande hauteur -- New York (N.Y.) MAKI, Fumihiko (1928 - ....) Mancuso, Stefano (1971-....) Maquettes (architecture) -- France Mer -- Odeur -- Recherche Musées -- Butera (Sicile, Italie) Nature (esthétique) -- Photographies Nature -- Dans l'art Parfums -- Industrie et commerce Paysage Sculpture sur bois -- Italie -- 21e siècle Sugimoto, Hiroshi (1948-....) Tolaas, Sissel (1965-....) Villes -- Aspect environnemental Index. décimale : 7 Arts et Beaux-Arts Résumé : Hudson Yards, Fumihiko Maki, Elemental, Hiroshi Sugimoto, Sissel Tolaas, Fabio Castelli, Yto Barrada, Arte Sella, Tippet Rise On Domus May 2018 issue, director Michele De Lucchi writes about distance as a key factor in defining projects and their harmonious integration into the landscape. Michele De Lucchi Editorial Note de contenu : Cover illustration: The Blue Chemist Archaeology. Meditation over time The stone eating worm “Between the conception and the creation between the emotion and the response falls the shadow.” Thomas Stearns Eliot, The Hollow Men, 1925. Edited by Adam Lowe & Charlotte Skene Catling Mishka Henner, Meadow Creek Wind, Bonneville County, Idaho, 2017. Archival pigment prints on Dibond, white aluminium frames. 31.6 x 40.6 cm. Courtesy of Galleria Bianconi, Milan Mishka Henner, Turbines Mishka Henner tells how industry has shaped the American landscape Rope Bridge over the Chambo River at Penipe, Ecuador. Engraving. From Vues des cordillières et monumens des peuples indigènes de l’Amérique, by Alexander von Humboldt with Aimé Bonpland, F. Schoell, Paris 1810 Anthropology. Objects & Beheaviour Difficult relationships between maps and the landscape The landscape is everything a map fails to grasp of the world and to express in terms of the separation between subject and object, placing some distance between them. Text by Franco Farinelli Studio visit Mokuchi Woodworking In just a few square metres, Mokuchi has organised the studio around a large central empty space, its only permanent feature being a traditional Japanese carpenter’s workshop. Edited by Andrea Caputo Manifesta 12 Palermo, Palazzo Butera, 2017. Photo by CAVE Institution Manifesta 12, Palazzo Butera. Europe and the Mediterranean. Palermo, Italian Capital of Culture 2018, inaugurates Manifesta 12. Venues include Palazzo Butera, a new institution committed to researching knowledge. Edited by Paola Nicolin Le Cabaret Sauvage, Parc de la Villette, Paris, 1997. Model. Wood, cloth, plastic, aluminium, lead. 10 x 57 x 57 cm Event. An event has to make the maximum impact, exploiting illusion, the careful use of materials and an innovative programme. This makes its collaborations key – e.g. with artists of the calibre of Daniel Buren and Claes Oldenburg. Collection FRAC Centre-Val de Loire. Gift by Patrick Bouchain. Photo François Lauginie Archive A mental landscape The FRAC in Orléans uncovers extracts from its latest acquisition: Patrick Bouchain’s complete archive. Text by Luca Galofaro Plant nation. © Cristiana Favretto Dear Domus This page features readers’ thoughts, ideas, criticism and opinions. Send us your letters, drawings and photos by mail or email. Write to us! Essay Plant nation. Stefano Mancuso, Cristiana Favretto e Antonio Girardi The plant world plays an active part in monitoring and controlling the environment of smart cities “Miracle Pine” was the only tree survived at Takada- Matsubara, Rikuzen-Takata City, Iwate Prefecture, after the great earthquake and tsunami which hit Eastern Japan in 2011. The photograph was published on the poster of the exhibition “The spirit of Tohoku: ‘Clothing’ by Issey Miyake” at 21_21 Design Sight, Tokyo, July 2011 Landscape Landscapes express the history, civilisation, experience and ambitions of a society and its culture Hudson Yards, West Side , New York City, USA. Photo Michael Moran Urban Landscape Hudson Yards, West Side, New York City The most impressive real estate redevelopment in US history consists in the transformation of 11 hectares of working railway yards into a completely different landscape Maki and Associates, Sea World Culture and Arts Center Shenzhen, China, 2017. Photos Maki and Associates Museum Landscape Maki and Associates. Sea World Culture and Arts Center, Shenzhen Combining a museum and shopping centre, Sea World Culture and Arts Center is a dynamic composition of strictly white architectural volumes set in a seafront park. Photos by Maki and Associates Domestic Landscape Elemental, Ochoquebradas house, Los Vilos, Chile A completely unexpected authorial work by Studio Elemental, recognised for its social commitment. Photos by Olga Surogina, Alejandro Aravena Hiroshi Sugimoto, Enoura Observatory, Giappone/Japan. Copyright Hiroshi Sugimoto Architecture Hiroshi Sugimoto, Enoura Observatory, Japan The Japanese artist has built a large complex wholly out of ancient recovered building materials, to preserve and disseminate his country’s rich cultural tradition Sissel Toolas, The smell of the oceans. © SSSL Immaterial Landscape Sissel Toolas in conversation with Formafantasma. The smell of the oceans With Ocean SmellScape, the artist and researcher Sissel Tolaas collects samples of smell molecules from oceans, because the world is never what we see Yona Friedman, Sculpting the void, sketches Family landscape Schloss Hollenegg. The living legacy A project that begins from a family’s archives, acts upon the landscape of the castle and restores an object, intended to last over time. Text by Annalisa Rosso Sculptural landscape Fabio Castelli, Small tales carved in wood. Castelli sculpts landscapes in wood to recount the tales he chooses not to write. Photos by Bea De Giacomo The Cinémathèque de Tanger, created in 2007 on the initiative of Yto Barrada Cultural landscape Agadir, for example In conversation with Jean-Louis Cohen, the artist Yto Barrada discusses Morocco’s sociopolitical landscape. Photos Giovanna Silva Arte Sella. Cultivating art. Photo Giacomo Bianchi. © Arte Sella Natural landscape Arte Sella. Cultivating art Taking care of a place is a courageous and revolutionary act. In Val di Sella, contemporary art creates a way of living together with nature and, by extension, with the world. Text by Emanuele Montibeller Inverted Portal, 2016, by Ensamble Studio. Tippet Rise Art Center. Photo James Florio Natural landscape Tippet Rise Art Centre. Boundless landscape Scattered around 10,000 acres of ranch land, eight artworks create a synthesis between architectural, cosmic and musical order. Text by Francesca Cigola Photos of the set of the original Netflix series Godless. Photo Ursula Coyote/Netflix TV Series A mining town the Wild West where women rule the roost A village in the New Mexico desert provides the backdrop for seven episodes of Godless and is the largest Western film-set ever built. Edited by Keren Cytter Still frame from Tacita Dean’s film Antigone, 2018 Cinema What landscape will live on, after us? Antigone is Tacita Dean’s latest experimental film, a reflection on the natural and cultural landscape. Edited by Piero Golia Gianni Bonini. lllustration Vincenzo De Cecco On the couch “The Mediterranean”, argues Bonini, “remains the sole bulwark against the aggressive lifestyles of the new oil theocracies”. Edited by Walter Mariotti Meteorology How climate concerns are forging new bonds between architecture and philosophy The climate is driving a new dialogue between architecture and the human sciences. Edited by Philippe Rahm Travel A secret agent in Bangkok Six wooden huts stand in the heart of the Thai capital. Tracked down in the 1950s and 1960s by Jim Thompson on his travels, they were dismantled and reconstructed to try and preserve what was being lost. Text and photos by Cecilia Fumagalli, Emilio Mossa How to design lightscapes. Photo Gwel Photography Rassegna How to design lightscapes Can light transform a space into a place? We asked Elettra Bordonaro, the lighting designer who led the three-year research programme Social Lightscapes Workshop Series. Edited by Giulia Guzzini Frank Lloyd Wright, Chevrom casement windows from the Darwin D. Martin House, Buffalo, New York. © Courtesy of Sotheby’s Auction In her book Schermi di luce (Rizzoli), Julie Sloan writes that Frank Lloyd Wright designed more than 4,000 windows for approximately 150 of his buildings. No one better than he could transform leaded glass into architecture En ligne : https://www.domusweb.it/en/news/2018/05/07/domus-1024-on-newsstands.html

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N°1037(2019:juillet/août) - 2019-07-01 - Funziona! = Yes, it works! (Bulletin de Domus)    

Public ISBD [n° ou bulletin]  est un bulletin de Domus Titre : N°1037(2019:juillet/août) - 2019-07-01 - Funziona! = Yes, it works! Type de document : texte imprimé Année de publication : 2019 Langues : Anglais (eng) Italien (ita) Catégories : Aménagement du territoire -- Aspect environnemental Architecture -- Aspect environnemental Architecture -- Dessins et plans Architecture durable Biennale de Venise (58 ; 2019) Design -- Afrique -- 21e siècle Design durable Développement durable Espaces publics Jardins en milieu urbain La Mecque (Arabie saoudite) -- Mosquée al-Haram Moscou (Russie) Panama, Canal de (Panama) Projets d'architecture -- Dessins et plans Projets d'urbanisme -- Dessins et plans Shanghai (Chine) Suez, Canal de (Égypte) Toits-terrasses Urbanisme -- Dessins et plans Urbanisme durable. Villes -- Aspect environnemental Index. décimale : 7 Arts et Beaux-Arts Résumé : Architects who have used green facades or rooftop gardens have been criticised for greenwashing. There was quite a bit of negative energy drected at the Milan’s Bosco Verticale by Stefano Boeri Architetti upon its completion, but people overlooked that the actual completion date of a vertical forest can only be after the forest has had a chance to grow. It is fair to add another five years as a “growth period” after the construction phase, and to celebrate another opening once the forest has matured – see how wonderful the Bosco Verticale looks right now. Adding plants does not replace sustainable technology, but in this issue an article about the Green Dip shows that this approach still works and how it still has a positive impact on the city. We show that it also works on an urban level with the landscape design of Moscow’s inner ring road. From hostile concrete and tarmac environments, in this way the city can become friendly for its inhabitants and a joy to experience. Even if a city has little space left to become greener or refurbish its streets, a real difference can be made. In São Paulo, the transformation of a former office building into a public building with a stunning rooftop pool is touching in its simplicity and effectiveness. I always like to see humans and architecture interact in photography because we create architecture for use and interaction, and it’s amazing how often there are no images with people in them. But the building by Paulo Mendes da Rocha and MMBB is always fully used and the images are already a monument to its success. It is a truly public building in Brazil. Even if a city has little space left to become greener or refurbish its streets, a real difference can be made We also analyse the massive infrastructure needed to safely organise the annual Hajj pilgrimage. Saudi Arabia has massively remodelled the city of Mecca; the sheer scale is most remarkable. Once a year the vast pedestrian bridges and mosques turn bright white because of the white tunics worn by the millions of pilgrims. Looking back at earlier issues of Domus, I have to voice regret and share an observation. My regret is that the Mayor of Madrid Manuela Carmena, whom we featured in May, won the recent elections but was not re-elected, and that the new right-wing city government has announced the cancellation of her coura- geous plan to pedestrianise the centre of Madrid, despite measurable ecological and economic benefits. These are ideological politics that help no one, especially not the citizens of Madrid. Now my observation: in the April issue of Domus we discussed the rise of German “birdcage” architecture, a tendency which the author Klaus Englert cautiously connected to the architecture of the Third Reich. In Germany there is currently a vivid debate in magazines and newspapers discussing the revival of fascism in architecture. We brought this to you just before the debate started in Germany. En ligne : https://www.domusweb.it/en.html [n° ou bulletin]  est un bulletin de Domus N°1037(2019:juillet/août) - 2019-07-01 - Funziona! = Yes, it works! [texte imprimé] . - 2019. Langues : Anglais (eng) Italien (ita) Catégories : Aménagement du territoire -- Aspect environnemental Architecture -- Aspect environnemental Architecture -- Dessins et plans Architecture durable Biennale de Venise (58 ; 2019) Design -- Afrique -- 21e siècle Design durable Développement durable Espaces publics Jardins en milieu urbain La Mecque (Arabie saoudite) -- Mosquée al-Haram Moscou (Russie) Panama, Canal de (Panama) Projets d'architecture -- Dessins et plans Projets d'urbanisme -- Dessins et plans Shanghai (Chine) Suez, Canal de (Égypte) Toits-terrasses Urbanisme -- Dessins et plans Urbanisme durable. Villes -- Aspect environnemental Index. décimale : 7 Arts et Beaux-Arts Résumé : Architects who have used green facades or rooftop gardens have been criticised for greenwashing. There was quite a bit of negative energy drected at the Milan’s Bosco Verticale by Stefano Boeri Architetti upon its completion, but people overlooked that the actual completion date of a vertical forest can only be after the forest has had a chance to grow. It is fair to add another five years as a “growth period” after the construction phase, and to celebrate another opening once the forest has matured – see how wonderful the Bosco Verticale looks right now. Adding plants does not replace sustainable technology, but in this issue an article about the Green Dip shows that this approach still works and how it still has a positive impact on the city. We show that it also works on an urban level with the landscape design of Moscow’s inner ring road. From hostile concrete and tarmac environments, in this way the city can become friendly for its inhabitants and a joy to experience. Even if a city has little space left to become greener or refurbish its streets, a real difference can be made. In São Paulo, the transformation of a former office building into a public building with a stunning rooftop pool is touching in its simplicity and effectiveness. I always like to see humans and architecture interact in photography because we create architecture for use and interaction, and it’s amazing how often there are no images with people in them. But the building by Paulo Mendes da Rocha and MMBB is always fully used and the images are already a monument to its success. It is a truly public building in Brazil. Even if a city has little space left to become greener or refurbish its streets, a real difference can be made We also analyse the massive infrastructure needed to safely organise the annual Hajj pilgrimage. Saudi Arabia has massively remodelled the city of Mecca; the sheer scale is most remarkable. Once a year the vast pedestrian bridges and mosques turn bright white because of the white tunics worn by the millions of pilgrims. Looking back at earlier issues of Domus, I have to voice regret and share an observation. My regret is that the Mayor of Madrid Manuela Carmena, whom we featured in May, won the recent elections but was not re-elected, and that the new right-wing city government has announced the cancellation of her coura- geous plan to pedestrianise the centre of Madrid, despite measurable ecological and economic benefits. These are ideological politics that help no one, especially not the citizens of Madrid. Now my observation: in the April issue of Domus we discussed the rise of German “birdcage” architecture, a tendency which the author Klaus Englert cautiously connected to the architecture of the Third Reich. In Germany there is currently a vivid debate in magazines and newspapers discussing the revival of fascism in architecture. We brought this to you just before the debate started in Germany. En ligne : https://www.domusweb.it/en.html

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N°1039(2019:octobre) - 2019-10-01 - Solo noi possiamo fare le città = Only we can make the new cities (Bulletin de Domus)    

Public ISBD [n° ou bulletin]  est un bulletin de Domus Titre : N°1039(2019:octobre) - 2019-10-01 - Solo noi possiamo fare le città = Only we can make the new cities Type de document : texte imprimé Année de publication : 2019 Langues : Italien (ita) Anglais (eng) Catégories : Aménagement du territoire -- Shanghai (Chine) -- 21e siècle Anastassiades, Michael (1967-....) Architecture -- Chine -- Dessins et plans -- 21e siècle Architecture -- Dessins et plans Architecture durable Art -- Aspect social -- 21e siècle Art dans la rue -- 21e siècle Cartographie -- Informatique Constructions -- 21e siècle Constructions en verre Croissance urbaine -- Inde -- Aspect environnemental Data visualisation -- Cartographie Design -- 21e siècle Design durable Design industriel -- 21e siècle -- Dessins et plans Designers -- 21e siècle Écoconception Escaliers extérieurs JR (1983 - ....) Matières plastiques -- Déchets -- 21e siècle Matières plastiques -- Industrie et commerce -- 21e siècle Mobilité spatiale -- 21e siècle -- Cartes Musées -- Shanghai (Chine) Rives -- Aménagement -- Huangpu (Chine ; cours d'eau) Urbanisme -- 21e siècle Urbanisme -- Aspect économique Urbanisme -- Aspect social Urbanisme -- Istanbul (Turquie) Urbanisme -- Medellín (Colombie) Urbanisme durable Villes -- Aspect environnemental Index. décimale : 7 Arts et Beaux-Arts Note de contenu : Many people maybe think that cities are made of concrete, stone, and brick – and fixed by ‘others’: politicians, bureaucrats and developers. But the city is made of people; concrete, stone, and brick is only needed to let them live in such close proximity. Few artists who show this ethos better than JR. His style of “graffiti” – in which he pastes enlarged photographs, usually of people, onto buildings and around the city – literally humanizes our urban environments. In this way, JR reminds us who makes the city. In this issue we see how an enlightened initiative in Medellín has turned areas around the city’s water storage tanks into beautiful ( and much-needed) open spaces and facilities for public use. Thanks to Medellín’s topography, many of these spaces offer astonishing views over the city. Another way a city can change for the benefit of its citizens is by improving transport. Good mobility allows people to access equal opportunities and to make sustainable choices. But how should a city approach this? In each city the challenges and opportunities are different. Mobility In Chain introduces us to four very different cities (in North America, Europe, and Africa) which have each taken a different approach to mobility with interesting results. Many people maybe think that cities are made of concrete, stone, and brick – and fixed by ‘others’: politicians, bureaucrats and developers. But the city is made of people; concrete, stone, and brick is only needed to let them live in such close proximity Those are ways that people have received better urban environments thanks to those with power. But not all of those in power are so generous. Fortunately, some people are occasionally lucky enough to replace those people. In this issue we feature an interview with Ekrem İmamoğlu, whom the people of Istanbul elected as their new mayor this summer. It is the first time in 15 years that Istanbul’s mayor has not been a representative of Recep Tayyip Erdogan’s AK party – a “celebration of democracy”, as İmamoğlu called it when he took office. In the interview he tells us of his plans for the city, many of which centre on the citizens: social housing, pedestrian spaces, and open, transparent competitions to redesign public spaces. Taking control of the city is not always simple. Sometimes people have to fight for transparency in new developments, and for spaces that put their concerns first. An interesting example is the Quayside district in Toronto, being produced by Sidewalk Labs (a sister company of Google). Google sees the Quayside District as a “human-centred” plan with smart technological solutions to improve the public realm. But the community has been worried by a lack of transparency, a lack of community consultation and privacy issues. They have maintained an impressive resistance – showing there is an important difference between being told that something is good for you, and getting to decide what is good for yourself. The effects of a fire in the rainforest of Mandacaru, state of Mato Grosso, Brazil, September 2019. Photo Victor Moiyama/The New York Times/Redux/Contrasto Domus 1039 is entitled “Only we can make the cities”. In his editorial Winy Maas reminds us that cities are made of people and not of concrete, stone and brick, only needed to let people live in proximity. He introduces the work by JR, the artist who pastes huge photographs of people onto buildings and around urban environments, reminding who makes the city. The requalification of the periphery of Medellín, in Colombia, led by the Articulated Life Units, is a social urban planning at the service of the community, and the regeneration plan for the Huangpu riverside makes Shanghai the new cultural metropolis of Asia. The interview with Ekrem İmamoğlu, the new mayor of Istanbul, deals with the sustainability of the city, the traffic congestion and the shortage of affordable housing. In “How should we move?” urban mobilty systems have been compared, showing the maps of transports of Dar es Salaam, Zurich, Los Angeles and Silicon Valley. The challenge of design and architecture professionals: how to employ eco-friendlier materials reducing waste production in the design process, for a world without disposable plastic? The issue of white architecture is discussed in “Worldwhite?”: the different connotations of this architecture from the Partenon to the buildings designed by Le Corbusier, Oscar Niemeyer or Álvaro Siza; the projects by Aires Mateus for the Architecture Faculty in Belgium, and by Alberto Campo Baeza for Casa Cala in Spain. The last page is dedicated to photography: Harpur Hill, from Project Cleansweep, taken by Dara McGrath, represents the quarry, one of many UK sites were chemical weapons were manufactured, tested or stored between WWI and the Cold War. With the magazine, the supplement Atelier interiors. Places of creativity. En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/10/03/do [...] [n° ou bulletin]  est un bulletin de Domus N°1039(2019:octobre) - 2019-10-01 - Solo noi possiamo fare le città = Only we can make the new cities [texte imprimé] . - 2019. Langues : Italien (ita) Anglais (eng) Catégories : Aménagement du territoire -- Shanghai (Chine) -- 21e siècle Anastassiades, Michael (1967-....) Architecture -- Chine -- Dessins et plans -- 21e siècle Architecture -- Dessins et plans Architecture durable Art -- Aspect social -- 21e siècle Art dans la rue -- 21e siècle Cartographie -- Informatique Constructions -- 21e siècle Constructions en verre Croissance urbaine -- Inde -- Aspect environnemental Data visualisation -- Cartographie Design -- 21e siècle Design durable Design industriel -- 21e siècle -- Dessins et plans Designers -- 21e siècle Écoconception Escaliers extérieurs JR (1983 - ....) Matières plastiques -- Déchets -- 21e siècle Matières plastiques -- Industrie et commerce -- 21e siècle Mobilité spatiale -- 21e siècle -- Cartes Musées -- Shanghai (Chine) Rives -- Aménagement -- Huangpu (Chine ; cours d'eau) Urbanisme -- 21e siècle Urbanisme -- Aspect économique Urbanisme -- Aspect social Urbanisme -- Istanbul (Turquie) Urbanisme -- Medellín (Colombie) Urbanisme durable Villes -- Aspect environnemental Index. décimale : 7 Arts et Beaux-Arts Note de contenu : Many people maybe think that cities are made of concrete, stone, and brick – and fixed by ‘others’: politicians, bureaucrats and developers. But the city is made of people; concrete, stone, and brick is only needed to let them live in such close proximity. Few artists who show this ethos better than JR. His style of “graffiti” – in which he pastes enlarged photographs, usually of people, onto buildings and around the city – literally humanizes our urban environments. In this way, JR reminds us who makes the city. In this issue we see how an enlightened initiative in Medellín has turned areas around the city’s water storage tanks into beautiful ( and much-needed) open spaces and facilities for public use. Thanks to Medellín’s topography, many of these spaces offer astonishing views over the city. Another way a city can change for the benefit of its citizens is by improving transport. Good mobility allows people to access equal opportunities and to make sustainable choices. But how should a city approach this? In each city the challenges and opportunities are different. Mobility In Chain introduces us to four very different cities (in North America, Europe, and Africa) which have each taken a different approach to mobility with interesting results. Many people maybe think that cities are made of concrete, stone, and brick – and fixed by ‘others’: politicians, bureaucrats and developers. But the city is made of people; concrete, stone, and brick is only needed to let them live in such close proximity Those are ways that people have received better urban environments thanks to those with power. But not all of those in power are so generous. Fortunately, some people are occasionally lucky enough to replace those people. In this issue we feature an interview with Ekrem İmamoğlu, whom the people of Istanbul elected as their new mayor this summer. It is the first time in 15 years that Istanbul’s mayor has not been a representative of Recep Tayyip Erdogan’s AK party – a “celebration of democracy”, as İmamoğlu called it when he took office. In the interview he tells us of his plans for the city, many of which centre on the citizens: social housing, pedestrian spaces, and open, transparent competitions to redesign public spaces. Taking control of the city is not always simple. Sometimes people have to fight for transparency in new developments, and for spaces that put their concerns first. An interesting example is the Quayside district in Toronto, being produced by Sidewalk Labs (a sister company of Google). Google sees the Quayside District as a “human-centred” plan with smart technological solutions to improve the public realm. But the community has been worried by a lack of transparency, a lack of community consultation and privacy issues. They have maintained an impressive resistance – showing there is an important difference between being told that something is good for you, and getting to decide what is good for yourself. The effects of a fire in the rainforest of Mandacaru, state of Mato Grosso, Brazil, September 2019. Photo Victor Moiyama/The New York Times/Redux/Contrasto Domus 1039 is entitled “Only we can make the cities”. In his editorial Winy Maas reminds us that cities are made of people and not of concrete, stone and brick, only needed to let people live in proximity. He introduces the work by JR, the artist who pastes huge photographs of people onto buildings and around urban environments, reminding who makes the city. The requalification of the periphery of Medellín, in Colombia, led by the Articulated Life Units, is a social urban planning at the service of the community, and the regeneration plan for the Huangpu riverside makes Shanghai the new cultural metropolis of Asia. The interview with Ekrem İmamoğlu, the new mayor of Istanbul, deals with the sustainability of the city, the traffic congestion and the shortage of affordable housing. In “How should we move?” urban mobilty systems have been compared, showing the maps of transports of Dar es Salaam, Zurich, Los Angeles and Silicon Valley. The challenge of design and architecture professionals: how to employ eco-friendlier materials reducing waste production in the design process, for a world without disposable plastic? The issue of white architecture is discussed in “Worldwhite?”: the different connotations of this architecture from the Partenon to the buildings designed by Le Corbusier, Oscar Niemeyer or Álvaro Siza; the projects by Aires Mateus for the Architecture Faculty in Belgium, and by Alberto Campo Baeza for Casa Cala in Spain. The last page is dedicated to photography: Harpur Hill, from Project Cleansweep, taken by Dara McGrath, represents the quarry, one of many UK sites were chemical weapons were manufactured, tested or stored between WWI and the Cold War. With the magazine, the supplement Atelier interiors. Places of creativity. En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/10/03/do [...]

Est accompagné de

• Supplément 1039 - 2019-10-01 - Interni d'autore : i luoghi della creatività = Ateliers interiors : placec of creativity (Bulletin de Domus)
• Supplément 1039 - 2019-10-01 - Naturality : the italian stone theatre : 2019 (Bulletin de Domus)

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Nature urbaine / Amélie Molinario

Public ISBD Titre : Nature urbaine : vers un nouvel équilibre Type de document : texte manuscrit Auteurs : Amélie Molinario, Auteur ; Jean-François Lavis, Directeur de thèse Editeur : [S.l. : [chez l'auteur] Année de publication : 2016 Importance : 93 f. Présentation : ill. en n. et b. Format : 30 cm Note générale : Mémoire de deuxième master -- Design industriel -- Ecole supérieure des Arts Saint-Luc Liège, 2016 Langues : Français (fre) Catégories : Écologie urbaine. Espaces verts Jardins en milieu urbain Murs végétalisés Toits végétalisés Villes -- Aspect environnemental Index. décimale : 7.05 Design industriel Nature urbaine : vers un nouvel équilibre [texte manuscrit] / Amélie Molinario, Auteur ; Jean-François Lavis, Directeur de thèse . - [S.l. : [chez l'auteur], 2016 . - 93 f. : ill. en n. et b. ; 30 cm. Mémoire de deuxième master -- Design industriel -- Ecole supérieure des Arts Saint-Luc Liège, 2016 Langues : Français (fre) Catégories : Écologie urbaine. Espaces verts Jardins en milieu urbain Murs végétalisés Toits végétalisés Villes -- Aspect environnemental Index. décimale : 7.05 Design industriel

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Sensibiliser aux problématiques de l'eau en milieu urbain / Walter Wathieu

Public ISBD Titre : Sensibiliser aux problématiques de l'eau en milieu urbain Type de document : texte manuscrit Auteurs : Walter Wathieu, Auteur ; Charlotte Derclaye, Directeur de thèse Editeur : [S.l. : [chez l'auteur] Année de publication : 2016 Importance : 83 f. Présentation : ill. en n. et b. Format : 30 cm Note générale : Mémoire de master -- Design industriel -- Ecole supérieure des Arts Saint-Luc Liège, 2016 Langues : Français (fre) Catégories : Eau -- aspect environnemental Écologie urbaine. Gestion des ressources en eau -- Aspect environnemental Villes -- Aspect environnemental Index. décimale : 7.05 Design industriel Sensibiliser aux problématiques de l'eau en milieu urbain [texte manuscrit] / Walter Wathieu, Auteur ; Charlotte Derclaye, Directeur de thèse . - [S.l. : [chez l'auteur], 2016 . - 83 f. : ill. en n. et b. ; 30 cm. Mémoire de master -- Design industriel -- Ecole supérieure des Arts Saint-Luc Liège, 2016 Langues : Français (fre) Catégories : Eau -- aspect environnemental Écologie urbaine. Gestion des ressources en eau -- Aspect environnemental Villes -- Aspect environnemental Index. décimale : 7.05 Design industriel

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Socialisation de la nature / Philippe Saint Marc

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Supplément 1030 - 2018-12-01 - Winy Maas : everything is urbanism (Bulletin de Domus)    

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Des villes durables pour une petite planète / Richard Rogers

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