Favoriser la communication entre les personnes sur les places publiques urbaines / Pauline Jacques

Public ISBD Titre : Favoriser la communication entre les personnes sur les places publiques urbaines Type de document : texte manuscrit Auteurs : Pauline Jacques, Auteur ; François Vanberg, Directeur de thèse Editeur : [S.l. : [chez l'auteur] Année de publication : 2019 Importance : 128 p. Présentation : ill. en n. et b. Format : 30 cm Note générale : Mémoire (de deuxième master) -- Architecture d'intérieur, option scénographie -- Ecole supérieure des Arts Saint-Luc Liège, 2019 Langues : Français (fre) Catégories : Communication en architecture Espaces publics Places -- Conception et construction Urbanisme -- Aspect social Index. décimale : 747 Architecture d'intérieur Favoriser la communication entre les personnes sur les places publiques urbaines [texte manuscrit] / Pauline Jacques, Auteur ; François Vanberg, Directeur de thèse . - [S.l. : [chez l'auteur], 2019 . - 128 p. : ill. en n. et b. ; 30 cm. Mémoire (de deuxième master) -- Architecture d'intérieur, option scénographie -- Ecole supérieure des Arts Saint-Luc Liège, 2019 Langues : Français (fre) Catégories : Communication en architecture Espaces publics Places -- Conception et construction Urbanisme -- Aspect social Index. décimale : 747 Architecture d'intérieur

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N°1033(2019:mars) - 2019-03-01 - Le infrastrutture del potere = The infrastructure of power (Bulletin de Domus)    

Public ISBD [n° ou bulletin]  est un bulletin de Domus Titre : N°1033(2019:mars) - 2019-03-01 - Le infrastrutture del potere = The infrastructure of power Type de document : texte imprimé Année de publication : 2019 Langues : Italien (ita) Anglais (eng) Catégories : Aménagement du territoire -- Aspect économique Aménagement du territoire -- Aspect environnemental Aménagement du territoire -- Aspect social Architecture -- Dessins et plans Architecture durable -- Buenos Aires (Argentine) Art public -- Nantes (France) -- 21e siècle Brexit Cartes statistiques Constructions commerciales -- Croissance -- Italie Croissance urbaine -- Allahabad (Inde) Développement économique -- Chine Économie sociale et solidaire Infrastructure (économie politique) Kim, Jong-un (1984-....) Libéralisme économique Littoraux -- Aménagement -- Lagos (Nigeria) Logement collectif -- Berlin (Allemagne) -- Dessins et plans Marché international des professionnels de l'immobilier Mendini, Alessandro (1931-2019) Mines (sites d'extraction) -- Aspect environnemental Musées nationaux -- Qatar Nouvel, Jean (1945 - ....) Pays de l'Union européenne -- Politique et gouvernement Planification stratégique Politique sociale Projets d'urbanisme -- Dessins et plans Réseaux (aménagement du territoire) -- Chine Sennett, Richard (1943-....) Sociologie urbaine Stades -- Corée (République populaire démocratique) Urbanisme -- Aspect social Urbanisme temporaire -- Allahabad (Inde) Villes -- Effets des innovations World economic forum Index. décimale : 7 Arts et Beaux-Arts Résumé : Infrastructures and power, the future of Europe, mines and landscape, African megalopolises (imaginary or real), an interview with Richard Sennett. Browse the gallery to discover the features included in the March issue. Note de contenu : In the March issue guest editor Winy Maas discusses about a new world map. Climate change, poverty, social tensions and conflicts are the problems that we face and need to solve not forgetting to create beauty in places. Domus remembers Alessandro Mendini, that passed away in February. He was editor in chief for two “very different seasons”, as editorial editor Walter Mariotti defines them: from 1979 to 1986 and from 2010 to 2011. Interview. Winy Maas meets the American sociologist Richard Sennett for a semi-formal discussion about the neoliberal city, open planning systems and more. The occasion is the Dutch publication of Sennett’s last book Building and Dwelling. Photo Ed Jones/Afp/Getty Images Urbanism. The cover story of this month is about the new Silk Road, the Belt and Road initiative, that will link Beijing to Madrid. With it, the Chinese economic expansion plan takes the form of a constellation of relationships that goes well beyond the infrastructure. Meanwhile, Europe is still shaken by Brexit: we propose two future scenarios about the European identity and role in the world, as a larger continent of shared values, or as an artificial democracy dominated by the machines. In Africa the cultural, social and ecological setup of the coastal area of Lagos, one of the world’s largest megacities, are threatened by development plans and land speculation. Cinema. From Nigeria to Marvel’s fictional Wakanda, home kingdom of the African superhero Black Panther, that in some way reminds of the promotional brochures presented by real-estate developers to promote new towns in Africa. Birnin Zana, from Black Panther (2018) Landscape. Mines destroy the land, but will continue to expand as long as there’s money to be made. We present a global mineral extraction map and the most relevant data, that outline the leading role of China in the production of rare earth metals – but also of coal. Architecture. Esselunga opened its first supermarket in 1957 in Milan. Since then, the company growth has been entwined with the work of famous architects and graphic designers. The story through the pictures that depict the most relevant of 158 “big boxes” that Esselunga has built all over Italy. In Buenos Aires, the Bonpland 2169 building by Adamo Faiden was conceveid as a flexible infrastructure that welcomes diversity, and represents “a programmatically unstable but spatially specific environment”. Oliver Wainwright, the architecture and design critic of The Guardian, picks up the Rungrado May Day Stadium, the biggest in the world, as the symbol of Kim Jong-un’s international outward-looking ambitions. Charles Xelot, Nenets family, Navy Port, Yamal Peninsula, Russia, 2016. Cities. In Berlin, 194.000 new apartments are needed until 2030. 28 students explored ways in which the future can become increasingly co-operative, with shared spaces and services. We present a series of five case studies analyzed in the capital city of Germany. Kumbh Mela is the world’s largest ephemeral metropolis, with 120 millions of pilgrims attending this Hindu religious festival, and a good example of elastic urban design. It’s erected in only three months. We analyze it as a part of our series on events, after Davos and Atlanta. One photo at a time this month features Charles Xelot’s Nenets Family, shot in the Yamal Peninsula, where the exploitation of the natural gas fields may be a double-edged sword for its inhabitants. En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/03/04/do [...] [n° ou bulletin]  est un bulletin de Domus N°1033(2019:mars) - 2019-03-01 - Le infrastrutture del potere = The infrastructure of power [texte imprimé] . - 2019. Langues : Italien (ita) Anglais (eng) Catégories : Aménagement du territoire -- Aspect économique Aménagement du territoire -- Aspect environnemental Aménagement du territoire -- Aspect social Architecture -- Dessins et plans Architecture durable -- Buenos Aires (Argentine) Art public -- Nantes (France) -- 21e siècle Brexit Cartes statistiques Constructions commerciales -- Croissance -- Italie Croissance urbaine -- Allahabad (Inde) Développement économique -- Chine Économie sociale et solidaire Infrastructure (économie politique) Kim, Jong-un (1984-....) Libéralisme économique Littoraux -- Aménagement -- Lagos (Nigeria) Logement collectif -- Berlin (Allemagne) -- Dessins et plans Marché international des professionnels de l'immobilier Mendini, Alessandro (1931-2019) Mines (sites d'extraction) -- Aspect environnemental Musées nationaux -- Qatar Nouvel, Jean (1945 - ....) Pays de l'Union européenne -- Politique et gouvernement Planification stratégique Politique sociale Projets d'urbanisme -- Dessins et plans Réseaux (aménagement du territoire) -- Chine Sennett, Richard (1943-....) Sociologie urbaine Stades -- Corée (République populaire démocratique) Urbanisme -- Aspect social Urbanisme temporaire -- Allahabad (Inde) Villes -- Effets des innovations World economic forum Index. décimale : 7 Arts et Beaux-Arts Résumé : Infrastructures and power, the future of Europe, mines and landscape, African megalopolises (imaginary or real), an interview with Richard Sennett. Browse the gallery to discover the features included in the March issue. Note de contenu : In the March issue guest editor Winy Maas discusses about a new world map. Climate change, poverty, social tensions and conflicts are the problems that we face and need to solve not forgetting to create beauty in places. Domus remembers Alessandro Mendini, that passed away in February. He was editor in chief for two “very different seasons”, as editorial editor Walter Mariotti defines them: from 1979 to 1986 and from 2010 to 2011. Interview. Winy Maas meets the American sociologist Richard Sennett for a semi-formal discussion about the neoliberal city, open planning systems and more. The occasion is the Dutch publication of Sennett’s last book Building and Dwelling. Photo Ed Jones/Afp/Getty Images Urbanism. The cover story of this month is about the new Silk Road, the Belt and Road initiative, that will link Beijing to Madrid. With it, the Chinese economic expansion plan takes the form of a constellation of relationships that goes well beyond the infrastructure. Meanwhile, Europe is still shaken by Brexit: we propose two future scenarios about the European identity and role in the world, as a larger continent of shared values, or as an artificial democracy dominated by the machines. In Africa the cultural, social and ecological setup of the coastal area of Lagos, one of the world’s largest megacities, are threatened by development plans and land speculation. Cinema. From Nigeria to Marvel’s fictional Wakanda, home kingdom of the African superhero Black Panther, that in some way reminds of the promotional brochures presented by real-estate developers to promote new towns in Africa. Birnin Zana, from Black Panther (2018) Landscape. Mines destroy the land, but will continue to expand as long as there’s money to be made. We present a global mineral extraction map and the most relevant data, that outline the leading role of China in the production of rare earth metals – but also of coal. Architecture. Esselunga opened its first supermarket in 1957 in Milan. Since then, the company growth has been entwined with the work of famous architects and graphic designers. The story through the pictures that depict the most relevant of 158 “big boxes” that Esselunga has built all over Italy. In Buenos Aires, the Bonpland 2169 building by Adamo Faiden was conceveid as a flexible infrastructure that welcomes diversity, and represents “a programmatically unstable but spatially specific environment”. Oliver Wainwright, the architecture and design critic of The Guardian, picks up the Rungrado May Day Stadium, the biggest in the world, as the symbol of Kim Jong-un’s international outward-looking ambitions. Charles Xelot, Nenets family, Navy Port, Yamal Peninsula, Russia, 2016. Cities. In Berlin, 194.000 new apartments are needed until 2030. 28 students explored ways in which the future can become increasingly co-operative, with shared spaces and services. We present a series of five case studies analyzed in the capital city of Germany. Kumbh Mela is the world’s largest ephemeral metropolis, with 120 millions of pilgrims attending this Hindu religious festival, and a good example of elastic urban design. It’s erected in only three months. We analyze it as a part of our series on events, after Davos and Atlanta. One photo at a time this month features Charles Xelot’s Nenets Family, shot in the Yamal Peninsula, where the exploitation of the natural gas fields may be a double-edged sword for its inhabitants. En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/03/04/do [...]

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N°1039(2019:octobre) - 2019-10-01 - Solo noi possiamo fare le città = Only we can make the new cities (Bulletin de Domus)    

Public ISBD [n° ou bulletin]  est un bulletin de Domus Titre : N°1039(2019:octobre) - 2019-10-01 - Solo noi possiamo fare le città = Only we can make the new cities Type de document : texte imprimé Année de publication : 2019 Langues : Italien (ita) Anglais (eng) Catégories : Aménagement du territoire -- Shanghai (Chine) -- 21e siècle Anastassiades, Michael (1967-....) Architecture -- Chine -- Dessins et plans -- 21e siècle Architecture -- Dessins et plans Architecture durable Art -- Aspect social -- 21e siècle Art dans la rue -- 21e siècle Cartographie -- Informatique Constructions -- 21e siècle Constructions en verre Croissance urbaine -- Inde -- Aspect environnemental Data visualisation -- Cartographie Design -- 21e siècle Design durable Design industriel -- 21e siècle -- Dessins et plans Designers -- 21e siècle Écoconception Escaliers extérieurs JR (1983 - ....) Matières plastiques -- Déchets -- 21e siècle Matières plastiques -- Industrie et commerce -- 21e siècle Mobilité spatiale -- 21e siècle -- Cartes Musées -- Shanghai (Chine) Rives -- Aménagement -- Huangpu (Chine ; cours d'eau) Urbanisme -- 21e siècle Urbanisme -- Aspect économique Urbanisme -- Aspect social Urbanisme -- Istanbul (Turquie) Urbanisme -- Medellín (Colombie) Urbanisme durable Villes -- Aspect environnemental Index. décimale : 7 Arts et Beaux-Arts Note de contenu : Many people maybe think that cities are made of concrete, stone, and brick – and fixed by ‘others’: politicians, bureaucrats and developers. But the city is made of people; concrete, stone, and brick is only needed to let them live in such close proximity. Few artists who show this ethos better than JR. His style of “graffiti” – in which he pastes enlarged photographs, usually of people, onto buildings and around the city – literally humanizes our urban environments. In this way, JR reminds us who makes the city. In this issue we see how an enlightened initiative in Medellín has turned areas around the city’s water storage tanks into beautiful ( and much-needed) open spaces and facilities for public use. Thanks to Medellín’s topography, many of these spaces offer astonishing views over the city. Another way a city can change for the benefit of its citizens is by improving transport. Good mobility allows people to access equal opportunities and to make sustainable choices. But how should a city approach this? In each city the challenges and opportunities are different. Mobility In Chain introduces us to four very different cities (in North America, Europe, and Africa) which have each taken a different approach to mobility with interesting results. Many people maybe think that cities are made of concrete, stone, and brick – and fixed by ‘others’: politicians, bureaucrats and developers. But the city is made of people; concrete, stone, and brick is only needed to let them live in such close proximity Those are ways that people have received better urban environments thanks to those with power. But not all of those in power are so generous. Fortunately, some people are occasionally lucky enough to replace those people. In this issue we feature an interview with Ekrem İmamoğlu, whom the people of Istanbul elected as their new mayor this summer. It is the first time in 15 years that Istanbul’s mayor has not been a representative of Recep Tayyip Erdogan’s AK party – a “celebration of democracy”, as İmamoğlu called it when he took office. In the interview he tells us of his plans for the city, many of which centre on the citizens: social housing, pedestrian spaces, and open, transparent competitions to redesign public spaces. Taking control of the city is not always simple. Sometimes people have to fight for transparency in new developments, and for spaces that put their concerns first. An interesting example is the Quayside district in Toronto, being produced by Sidewalk Labs (a sister company of Google). Google sees the Quayside District as a “human-centred” plan with smart technological solutions to improve the public realm. But the community has been worried by a lack of transparency, a lack of community consultation and privacy issues. They have maintained an impressive resistance – showing there is an important difference between being told that something is good for you, and getting to decide what is good for yourself. The effects of a fire in the rainforest of Mandacaru, state of Mato Grosso, Brazil, September 2019. Photo Victor Moiyama/The New York Times/Redux/Contrasto Domus 1039 is entitled “Only we can make the cities”. In his editorial Winy Maas reminds us that cities are made of people and not of concrete, stone and brick, only needed to let people live in proximity. He introduces the work by JR, the artist who pastes huge photographs of people onto buildings and around urban environments, reminding who makes the city. The requalification of the periphery of Medellín, in Colombia, led by the Articulated Life Units, is a social urban planning at the service of the community, and the regeneration plan for the Huangpu riverside makes Shanghai the new cultural metropolis of Asia. The interview with Ekrem İmamoğlu, the new mayor of Istanbul, deals with the sustainability of the city, the traffic congestion and the shortage of affordable housing. In “How should we move?” urban mobilty systems have been compared, showing the maps of transports of Dar es Salaam, Zurich, Los Angeles and Silicon Valley. The challenge of design and architecture professionals: how to employ eco-friendlier materials reducing waste production in the design process, for a world without disposable plastic? The issue of white architecture is discussed in “Worldwhite?”: the different connotations of this architecture from the Partenon to the buildings designed by Le Corbusier, Oscar Niemeyer or Álvaro Siza; the projects by Aires Mateus for the Architecture Faculty in Belgium, and by Alberto Campo Baeza for Casa Cala in Spain. The last page is dedicated to photography: Harpur Hill, from Project Cleansweep, taken by Dara McGrath, represents the quarry, one of many UK sites were chemical weapons were manufactured, tested or stored between WWI and the Cold War. With the magazine, the supplement Atelier interiors. Places of creativity. En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/10/03/do [...] [n° ou bulletin]  est un bulletin de Domus N°1039(2019:octobre) - 2019-10-01 - Solo noi possiamo fare le città = Only we can make the new cities [texte imprimé] . - 2019. Langues : Italien (ita) Anglais (eng) Catégories : Aménagement du territoire -- Shanghai (Chine) -- 21e siècle Anastassiades, Michael (1967-....) Architecture -- Chine -- Dessins et plans -- 21e siècle Architecture -- Dessins et plans Architecture durable Art -- Aspect social -- 21e siècle Art dans la rue -- 21e siècle Cartographie -- Informatique Constructions -- 21e siècle Constructions en verre Croissance urbaine -- Inde -- Aspect environnemental Data visualisation -- Cartographie Design -- 21e siècle Design durable Design industriel -- 21e siècle -- Dessins et plans Designers -- 21e siècle Écoconception Escaliers extérieurs JR (1983 - ....) Matières plastiques -- Déchets -- 21e siècle Matières plastiques -- Industrie et commerce -- 21e siècle Mobilité spatiale -- 21e siècle -- Cartes Musées -- Shanghai (Chine) Rives -- Aménagement -- Huangpu (Chine ; cours d'eau) Urbanisme -- 21e siècle Urbanisme -- Aspect économique Urbanisme -- Aspect social Urbanisme -- Istanbul (Turquie) Urbanisme -- Medellín (Colombie) Urbanisme durable Villes -- Aspect environnemental Index. décimale : 7 Arts et Beaux-Arts Note de contenu : Many people maybe think that cities are made of concrete, stone, and brick – and fixed by ‘others’: politicians, bureaucrats and developers. But the city is made of people; concrete, stone, and brick is only needed to let them live in such close proximity. Few artists who show this ethos better than JR. His style of “graffiti” – in which he pastes enlarged photographs, usually of people, onto buildings and around the city – literally humanizes our urban environments. In this way, JR reminds us who makes the city. In this issue we see how an enlightened initiative in Medellín has turned areas around the city’s water storage tanks into beautiful ( and much-needed) open spaces and facilities for public use. Thanks to Medellín’s topography, many of these spaces offer astonishing views over the city. Another way a city can change for the benefit of its citizens is by improving transport. Good mobility allows people to access equal opportunities and to make sustainable choices. But how should a city approach this? In each city the challenges and opportunities are different. Mobility In Chain introduces us to four very different cities (in North America, Europe, and Africa) which have each taken a different approach to mobility with interesting results. Many people maybe think that cities are made of concrete, stone, and brick – and fixed by ‘others’: politicians, bureaucrats and developers. But the city is made of people; concrete, stone, and brick is only needed to let them live in such close proximity Those are ways that people have received better urban environments thanks to those with power. But not all of those in power are so generous. Fortunately, some people are occasionally lucky enough to replace those people. In this issue we feature an interview with Ekrem İmamoğlu, whom the people of Istanbul elected as their new mayor this summer. It is the first time in 15 years that Istanbul’s mayor has not been a representative of Recep Tayyip Erdogan’s AK party – a “celebration of democracy”, as İmamoğlu called it when he took office. In the interview he tells us of his plans for the city, many of which centre on the citizens: social housing, pedestrian spaces, and open, transparent competitions to redesign public spaces. Taking control of the city is not always simple. Sometimes people have to fight for transparency in new developments, and for spaces that put their concerns first. An interesting example is the Quayside district in Toronto, being produced by Sidewalk Labs (a sister company of Google). Google sees the Quayside District as a “human-centred” plan with smart technological solutions to improve the public realm. But the community has been worried by a lack of transparency, a lack of community consultation and privacy issues. They have maintained an impressive resistance – showing there is an important difference between being told that something is good for you, and getting to decide what is good for yourself. The effects of a fire in the rainforest of Mandacaru, state of Mato Grosso, Brazil, September 2019. Photo Victor Moiyama/The New York Times/Redux/Contrasto Domus 1039 is entitled “Only we can make the cities”. In his editorial Winy Maas reminds us that cities are made of people and not of concrete, stone and brick, only needed to let people live in proximity. He introduces the work by JR, the artist who pastes huge photographs of people onto buildings and around urban environments, reminding who makes the city. The requalification of the periphery of Medellín, in Colombia, led by the Articulated Life Units, is a social urban planning at the service of the community, and the regeneration plan for the Huangpu riverside makes Shanghai the new cultural metropolis of Asia. The interview with Ekrem İmamoğlu, the new mayor of Istanbul, deals with the sustainability of the city, the traffic congestion and the shortage of affordable housing. In “How should we move?” urban mobilty systems have been compared, showing the maps of transports of Dar es Salaam, Zurich, Los Angeles and Silicon Valley. The challenge of design and architecture professionals: how to employ eco-friendlier materials reducing waste production in the design process, for a world without disposable plastic? The issue of white architecture is discussed in “Worldwhite?”: the different connotations of this architecture from the Partenon to the buildings designed by Le Corbusier, Oscar Niemeyer or Álvaro Siza; the projects by Aires Mateus for the Architecture Faculty in Belgium, and by Alberto Campo Baeza for Casa Cala in Spain. The last page is dedicated to photography: Harpur Hill, from Project Cleansweep, taken by Dara McGrath, represents the quarry, one of many UK sites were chemical weapons were manufactured, tested or stored between WWI and the Cold War. With the magazine, the supplement Atelier interiors. Places of creativity. En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/10/03/do [...]

Est accompagné de

• Supplément 1039 - 2019-10-01 - Interni d'autore : i luoghi della creatività = Ateliers interiors : placec of creativity (Bulletin de Domus)
• Supplément 1039 - 2019-10-01 - Naturality : the italian stone theatre : 2019 (Bulletin de Domus)

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N°1040(2019:novembre) - 2019-11-01 - Ora tocca a voi = It's up to you (Bulletin de Domus)    

Public ISBD [n° ou bulletin]  est un bulletin de Domus Titre : N°1040(2019:novembre) - 2019-11-01 - Ora tocca a voi = It's up to you Type de document : texte imprimé Année de publication : 2019 Langues : Italien (ita) Anglais (eng) Catégories : Architecture et arts -- 21e siècle Comportement alimentaire -- Dans l'art -- 21e siècle Constructions en bois -- Innovations technologiques Design -- 21e siècle Design -- Philosophie Design durable -- 21e siècle Immeubles de grande hauteur -- Innovations technologiques Murs végétalisés Paysage urbain -- 21e siècle Perspective temporelle Photocollage Projets d'urbanisme -- Illustrations, images, etc. Société numérique Toits végétalisés Urbanisme -- Aspect social Urbanisme -- Philosophie Urbanisme -- Recherche Urbanisme durable -- 21e siècle Index. décimale : 7 Arts et Beaux-Arts Résumé : Domus 1040 is entitled “It’s up to you”. In his last editorial, Winy Maas touches climate issues and how we could face them reminding that a better future is possible “only if everybody take responsibility for it”. The final issue of Domus guest-directed by Winy Maas shows some visions of the future, including the revalutation of food and closer ties between city and countryside: our bodies, homes, cities and landscapes are all shaped by food, and only learning to value it and harnessing its power, we can create a fair, healthy and resilient society. “Wood is coming” introduces the development of timber structures for tall buildings as a measure to reduce the environmental impact of the construction industry. In fact, 36% of global energy consumption is attributed to construction and building use in 2017. The building industry is responsible for over a third of the total carbon emissions in the developed countries of the EU and the United States, and produces a third of the waste worldwide. In his article – accompanied by illustrations by (ab)Normal studio – Barry Bergdoll, professor of art history in the Department of Art History and Archaeology at Columbia University, talks about the need for architectural research, expertise and design imagination considering the crisis situation we are living today. Winy Maas interviews Mayor Ahmed Aboutaleb of Rotterdam, thinking about how the city can be made denser and friendlier. The mayor says that the diversity and many nationalities of the city are a “capital” and a “wealth”. Among the topics, the population growth in Rotterdam and thousands of housing units to be added to improve the city. With the magazine, the supplement Contract. The Production scene, “outlines the limits and ambits of a word – contract – that is losing its clarity and focus”, as editorial director Walter Mariotti explains in his editorial. The issue explores what it is like to work in the field of contract supplies today, including an analysis of five sectors – furniture, offices, lighting, textiles and bathrooms – made by five companies: Artemide, Cappellini, Duravit, Kvadrat and UniFor. En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/11/05/do [...] [n° ou bulletin]  est un bulletin de Domus N°1040(2019:novembre) - 2019-11-01 - Ora tocca a voi = It's up to you [texte imprimé] . - 2019. Langues : Italien (ita) Anglais (eng) Catégories : Architecture et arts -- 21e siècle Comportement alimentaire -- Dans l'art -- 21e siècle Constructions en bois -- Innovations technologiques Design -- 21e siècle Design -- Philosophie Design durable -- 21e siècle Immeubles de grande hauteur -- Innovations technologiques Murs végétalisés Paysage urbain -- 21e siècle Perspective temporelle Photocollage Projets d'urbanisme -- Illustrations, images, etc. Société numérique Toits végétalisés Urbanisme -- Aspect social Urbanisme -- Philosophie Urbanisme -- Recherche Urbanisme durable -- 21e siècle Index. décimale : 7 Arts et Beaux-Arts Résumé : Domus 1040 is entitled “It’s up to you”. In his last editorial, Winy Maas touches climate issues and how we could face them reminding that a better future is possible “only if everybody take responsibility for it”. The final issue of Domus guest-directed by Winy Maas shows some visions of the future, including the revalutation of food and closer ties between city and countryside: our bodies, homes, cities and landscapes are all shaped by food, and only learning to value it and harnessing its power, we can create a fair, healthy and resilient society. “Wood is coming” introduces the development of timber structures for tall buildings as a measure to reduce the environmental impact of the construction industry. In fact, 36% of global energy consumption is attributed to construction and building use in 2017. The building industry is responsible for over a third of the total carbon emissions in the developed countries of the EU and the United States, and produces a third of the waste worldwide. In his article – accompanied by illustrations by (ab)Normal studio – Barry Bergdoll, professor of art history in the Department of Art History and Archaeology at Columbia University, talks about the need for architectural research, expertise and design imagination considering the crisis situation we are living today. Winy Maas interviews Mayor Ahmed Aboutaleb of Rotterdam, thinking about how the city can be made denser and friendlier. The mayor says that the diversity and many nationalities of the city are a “capital” and a “wealth”. Among the topics, the population growth in Rotterdam and thousands of housing units to be added to improve the city. With the magazine, the supplement Contract. The Production scene, “outlines the limits and ambits of a word – contract – that is losing its clarity and focus”, as editorial director Walter Mariotti explains in his editorial. The issue explores what it is like to work in the field of contract supplies today, including an analysis of five sectors – furniture, offices, lighting, textiles and bathrooms – made by five companies: Artemide, Cappellini, Duravit, Kvadrat and UniFor. En ligne : https://www.domusweb.it/en/speciali/guest-editor/winy-maas/gallery/2019/11/05/do [...]

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SL 23934	DOMUS	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

Villes en déclins / Noémie Paps

Public ISBD Titre : Villes en déclins : Réinvestir la ville par la scénographie Type de document : texte manuscrit Auteurs : Noémie Paps, Auteur ; François Marchal (1978-....), Directeur de thèse Editeur : [S.l.] : [chez l'auteur] Année de publication : 2019 Importance : 128 p. Présentation : ill. en noir et blanc, couv. ill. en noir et blanc Format : 30 cm Note générale : Mémoire (de master) -- Architecture d'intérieur, option scénographie -- ESA Saint Luc, 2019 Langues : Français (fre) Catégories : Exode urbain Urbanisme -- Aspect social Index. décimale : 747 Architecture d'intérieur Villes en déclins : Réinvestir la ville par la scénographie [texte manuscrit] / Noémie Paps, Auteur ; François Marchal (1978-....), Directeur de thèse . - [S.l.] : [chez l'auteur], 2019 . - 128 p. : ill. en noir et blanc, couv. ill. en noir et blanc ; 30 cm. Mémoire (de master) -- Architecture d'intérieur, option scénographie -- ESA Saint Luc, 2019 Langues : Français (fre) Catégories : Exode urbain Urbanisme -- Aspect social Index. décimale : 747 Architecture d'intérieur

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 24071	TFE AI 2019 3 PAP	Mémoire	ESA Saint-Luc	Beaux-Arts - Biblio	Exclu du prêt

Des villes durables pour une petite planète / Richard Rogers

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Vol.2018:N°7/8 - 2018-07-01 - Urbane Räume = Urabn Spaces (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)  

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