[n° ou bulletin]
| Titre : |
N°1006(2016:octobre) - 2016-10-01 |
| Type de document : |
texte imprimé |
| Année de publication : |
2016 |
| Langues : |
Anglais (eng) Italien (ita) |
| Catégories : |
Architecture
Art des jardins -- Belgique -- Bruxelles (Belgique) -- 21e siècle
Bruxelles (Belgique)
|
| Index. décimale : |
72 Architecture |
| Résumé : |
List of Contents
Domus 1006
Cover: graphic interpretation of a study by Marco Zanuso for the African-Italian institute Finafrica in Milan, 1971. © Mendrisio, Archivio del Moderno, Fondo Marco Zanuso
Editorial: Reconstruction is an exquisitely cultural issue
Once the tragic events that struck Italy in August, spreading death and destruction, once again drew worldwide attention, dramatically and violently, to the beauty and to the extreme vulnerability of our land.
Nicola Di Battista
Domus 1000. Domus has surpassed issue 1000
Carlo Olmo
CONFETTI
Orlando Furioso 500 years
Taking his cue from the courses on the Renaissance held by Manfredo Tafuri in Venice, Guido Beltramini introduces us to the celebrations for the 500th anniversary of the publication of Orlando Furioso, the opera-world of the Italian Renaissance. The Ferrara exhibition, which we preview, looks at that which Ariosto saw while he wrote the work, examining, in a kind of archaeology of the imagination, that magical moment in which culture brought Italy out of a crisis.
Guido Beltramini
The flan and the knitting needle
In a conference held recently at the School of Architecture of the University of Texas in Austin, Alberto Campo Baeza examined and highlighted, with his usual authentic passion, the moments in which the intellectual pleasures generated by architecture are at their strongest.
Alberto Campo Baeza
Piero Portaluppi. Bourgeois epic
The fortuitous discovery of a trove of 16-millimetre films shot and mounted by Piero Portaluppi over the course of his lifetime allows us to view how a 20th-century protagonist of Milanese architecture wielded the new technique of cinematography to portray the world around him. Taking this material as a base and integrating it with current footage of his buildings in Milan, the director Maria Mauti made the film L’Amatore presented here.
Roberto Dulio
L’Amatore
Maria Mauti
Delicate revolution
The important exhibition that the MUDAC of Lausanne has dedicated to Constance Giusset allows the young French designer to present her work, creating actual domestic spaces, as though they were ideal settings for her objects and furnishings.
Jennifer Thiault
Show apartment
Susanne Hilpert Stuber
Transforming a testimony into universal heritage
The story of the inclusion of Le Corbusier’s work in UNESCO’s lists begins in the 1960s when the architect himself requested their safeguarding. After various attempts, the happy ending finally came with the classification of 17 of his designs as World Heritage Sites.
Susanna Caccia Gherardini
Mouraria Square and mosque, Lisbon
In the centre of the Portuguese capital, the architectural work of Inês Lobo creates a new urban area which is a place of worship, a place of study, and a plaza. By opening a gap in a continuous facade, she has created a public space between two streets – the large urban high street rua Palma and rua Benformoso which lies behind – which were previously separated.
Inês Lobo
The 16th Art Quadriennale in Rome
Along with the Venice Biennale and the regenerated Milan Triennale, the Rome Quadriennale is being roused from its slumber. On the eve of the opening of its 16th event, we asked its president, Franco Bernabè, to air his views on what role Italy’s cultural institutions might play in the country’s growth, and to tell us more about the new Quadriennale scheduled to open on this month.
Franco Bernabè
PROJECTS
The Hill of the Buddha, Takino Cemetery, Sapporo
An unusual request – a more harmonious inclusion within its natural surroundings of a monumental Buddha statue in a cemetery near Sapporo –
prompted the Japanese master and his assistants to produce a project on landscape scale that adopts a few refined architectural features to celebrate the solemnity and spirituality of the subject and its location.
Design Tadao Ando Architect & Associates. Photo Shigeo Ogawa
Archivio di Stato, Gand, Belgio
In a mixed urban fabric where fine buildings of historical value coexist with anonymous housing from the 1960s, the new project by this Belgian office is a harmonious addition, thanks to its refined formal identity
Design Robbrecht en Daem architecten. Photo Filip Dujardin
Structure and gardens, Brussels
A single, rigorous architectural element placed on a residual site within a dense urban fabric manages to give definition to the place and create a respectable, safe space for neighbourhood social activities
Design BAUKUNST. Photo Maxime Delvaux
Highgate House, London
Seeking resonance with the elements of local craftsmanship that characterise the eclectic architecture of the suburban context, this London office has built a house with a strong tectonic character and a high-quality spatial conformation.
Design Carmody Groarke. Photo Hélène Binet
Marco Zanuso. The centenary 1916–2016. Architecture lessons
A close look at the buildings designed by this Milanese maestro allows us to read the character of his work and the timeliness of its message, where the relation between architecture and industrial design is as fluid as ever.
Text Massimo Curzi. Photo Andrea Martiradonna
Marco Zanuso. A not very milanese architect
Text Manolo De Giorgi
Design? A programmed error
With the sharpness of a scalpel and the rigour of a philosopher, the most acclaimed French designer ever speaks passionately and generously to Domus about his job and the seminal changes forced on it by our times. Starting from the ambitious Generic project for Kartell which sees him involved in a new adventure with major ethical implications, Starck sets new objectives for today’s designers that place creativity at the service of all mankind.
Text Philippe Starck. Portrait Sam Tinson
Marco de Michelis’s Venice
Text Marco de Michelis
Elzeviro: “Proviamo?”
La nostra casetta trae la sua vitalità dalla nostra condizione affettiva condivisa. È un posto per valutare un mondo in transizione. I filoni della fantascienza si fanno realtà domestiche in maniera sommessamente infettiva.
Bruce Sterling
Rassegna: Finishes |
| En ligne : |
http://www.domusweb.it/en/issues/2016/1006.html |
[n° ou bulletin]
N°1006(2016:octobre) - 2016-10-01 [texte imprimé] . - 2016. Langues : Anglais ( eng) Italien ( ita)
| Catégories : |
Architecture
Art des jardins -- Belgique -- Bruxelles (Belgique) -- 21e siècle
Bruxelles (Belgique)
|
| Index. décimale : |
72 Architecture |
| Résumé : |
List of Contents
Domus 1006
Cover: graphic interpretation of a study by Marco Zanuso for the African-Italian institute Finafrica in Milan, 1971. © Mendrisio, Archivio del Moderno, Fondo Marco Zanuso
Editorial: Reconstruction is an exquisitely cultural issue
Once the tragic events that struck Italy in August, spreading death and destruction, once again drew worldwide attention, dramatically and violently, to the beauty and to the extreme vulnerability of our land.
Nicola Di Battista
Domus 1000. Domus has surpassed issue 1000
Carlo Olmo
CONFETTI
Orlando Furioso 500 years
Taking his cue from the courses on the Renaissance held by Manfredo Tafuri in Venice, Guido Beltramini introduces us to the celebrations for the 500th anniversary of the publication of Orlando Furioso, the opera-world of the Italian Renaissance. The Ferrara exhibition, which we preview, looks at that which Ariosto saw while he wrote the work, examining, in a kind of archaeology of the imagination, that magical moment in which culture brought Italy out of a crisis.
Guido Beltramini
The flan and the knitting needle
In a conference held recently at the School of Architecture of the University of Texas in Austin, Alberto Campo Baeza examined and highlighted, with his usual authentic passion, the moments in which the intellectual pleasures generated by architecture are at their strongest.
Alberto Campo Baeza
Piero Portaluppi. Bourgeois epic
The fortuitous discovery of a trove of 16-millimetre films shot and mounted by Piero Portaluppi over the course of his lifetime allows us to view how a 20th-century protagonist of Milanese architecture wielded the new technique of cinematography to portray the world around him. Taking this material as a base and integrating it with current footage of his buildings in Milan, the director Maria Mauti made the film L’Amatore presented here.
Roberto Dulio
L’Amatore
Maria Mauti
Delicate revolution
The important exhibition that the MUDAC of Lausanne has dedicated to Constance Giusset allows the young French designer to present her work, creating actual domestic spaces, as though they were ideal settings for her objects and furnishings.
Jennifer Thiault
Show apartment
Susanne Hilpert Stuber
Transforming a testimony into universal heritage
The story of the inclusion of Le Corbusier’s work in UNESCO’s lists begins in the 1960s when the architect himself requested their safeguarding. After various attempts, the happy ending finally came with the classification of 17 of his designs as World Heritage Sites.
Susanna Caccia Gherardini
Mouraria Square and mosque, Lisbon
In the centre of the Portuguese capital, the architectural work of Inês Lobo creates a new urban area which is a place of worship, a place of study, and a plaza. By opening a gap in a continuous facade, she has created a public space between two streets – the large urban high street rua Palma and rua Benformoso which lies behind – which were previously separated.
Inês Lobo
The 16th Art Quadriennale in Rome
Along with the Venice Biennale and the regenerated Milan Triennale, the Rome Quadriennale is being roused from its slumber. On the eve of the opening of its 16th event, we asked its president, Franco Bernabè, to air his views on what role Italy’s cultural institutions might play in the country’s growth, and to tell us more about the new Quadriennale scheduled to open on this month.
Franco Bernabè
PROJECTS
The Hill of the Buddha, Takino Cemetery, Sapporo
An unusual request – a more harmonious inclusion within its natural surroundings of a monumental Buddha statue in a cemetery near Sapporo –
prompted the Japanese master and his assistants to produce a project on landscape scale that adopts a few refined architectural features to celebrate the solemnity and spirituality of the subject and its location.
Design Tadao Ando Architect & Associates. Photo Shigeo Ogawa
Archivio di Stato, Gand, Belgio
In a mixed urban fabric where fine buildings of historical value coexist with anonymous housing from the 1960s, the new project by this Belgian office is a harmonious addition, thanks to its refined formal identity
Design Robbrecht en Daem architecten. Photo Filip Dujardin
Structure and gardens, Brussels
A single, rigorous architectural element placed on a residual site within a dense urban fabric manages to give definition to the place and create a respectable, safe space for neighbourhood social activities
Design BAUKUNST. Photo Maxime Delvaux
Highgate House, London
Seeking resonance with the elements of local craftsmanship that characterise the eclectic architecture of the suburban context, this London office has built a house with a strong tectonic character and a high-quality spatial conformation.
Design Carmody Groarke. Photo Hélène Binet
Marco Zanuso. The centenary 1916–2016. Architecture lessons
A close look at the buildings designed by this Milanese maestro allows us to read the character of his work and the timeliness of its message, where the relation between architecture and industrial design is as fluid as ever.
Text Massimo Curzi. Photo Andrea Martiradonna
Marco Zanuso. A not very milanese architect
Text Manolo De Giorgi
Design? A programmed error
With the sharpness of a scalpel and the rigour of a philosopher, the most acclaimed French designer ever speaks passionately and generously to Domus about his job and the seminal changes forced on it by our times. Starting from the ambitious Generic project for Kartell which sees him involved in a new adventure with major ethical implications, Starck sets new objectives for today’s designers that place creativity at the service of all mankind.
Text Philippe Starck. Portrait Sam Tinson
Marco de Michelis’s Venice
Text Marco de Michelis
Elzeviro: “Proviamo?”
La nostra casetta trae la sua vitalità dalla nostra condizione affettiva condivisa. È un posto per valutare un mondo in transizione. I filoni della fantascienza si fanno realtà domestiche in maniera sommessamente infettiva.
Bruce Sterling
Rassegna: Finishes |
| En ligne : |
http://www.domusweb.it/en/issues/2016/1006.html |
|
Ouvert du lundi au vendredi de 9h à 12h30 et de 13h30 à 17h.
Supplément 1006 - 2016-10-24 - The Italian Stone Theatre : catalogue (Bulletin de Domus)
