ANDREAS GURSKY / Peter Galassi

Public ISBD Titre : ANDREAS GURSKY Type de document : texte imprimé Auteurs : Peter Galassi, Auteur Editeur : New York : Museum of Modern Art Année de publication : 2001. Importance : 196 ISBN/ISSN/EAN : 0-87070-016-2 Catégories : GURSKY, Andreas (1955-....) Index. décimale : 0 ANDREAS GURSKY [texte imprimé] / Peter Galassi, Auteur . - New York : Museum of Modern Art, 2001. . - 196. ISBN : 0-87070-016-2 Catégories : GURSKY, Andreas (1955-....) Index. décimale : 0

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Century of the child / Juliet Kinchin

Public ISBD Titre : Century of the child : Growing by design, 1900-2000 / Type de document : texte imprimé Auteurs : Juliet Kinchin, Auteur ; Aiden O'Connor, Auteur ; Tanya Harrod, Auteur ; Pablo Helguera, Auteur ; Medea Hoch, Auteur ; Francis Luca, Auteur ; Maria Paola Maino, Auteur ; Amy F. Ogata, Auteur ; David Senior, Auteur ; Sarah Suzuki, Auteur ; Museum of modern art (New York, N.Y.), Editeur scientifique Editeur : New York : Museum of Modern Art Année de publication : 2012 Importance : 263 p. Présentation : ill. en noir et blanc, ill. en coul., couv. ill. en coul. Format : 32 cm ISBN/ISSN/EAN : 978-0-87070-826-8 Langues : Anglais (eng) Catégories : Architecture et enfants -- 20e siècle -- Catalogues d'exposition Jeux éducatifs -- 20e siècle -- Catalogues d'exposition Jouets -- Design -- 20e siècle -- Catalogues d'exposition Index. décimale : 7.05 Design industriel Résumé : Did the twentieth century live up to what Swedish design reformer and social theorist Ellen Key, writing in 1900, envisaged as "the century of the child" ? This book, produced in conjunction with a major exhibition at The Museum of Modern Art, takes both its title and its launching point from Key's landmark book, which presaged the coming century as a period of intensified focus on and progressive thinking about the rights, development, and well-being of children. It tracks the fascinating confluence between the cultures of modern design and childhood, through an introductory essay by Juliet Kinchin, sixty-five short essays, and more than four hundred illustrations. The resulting kaleidoscopic narrative of innovative ideas, practitioners, and artifacts examines individual and collective visions for the material world of children, from utopian dreams for the citizens of the future to the dark realities of political conflict and exploitation. Despite being the focus of intense concern and profound thought, children remain one of the most underrepresented subjects in the historical analysis of modern design. To address this lacuna, this book surveys more than one hundred years of school architecture, playgrounds, toys and games, educational materials, children's hospitals and safety equipment, nurseries, furniture, animation, propaganda, advertising, books, and clothing. The outstanding projects that emerge illuminate how progressive design has enhanced the physical, intellectual, and emotional development of children and, conversely, how models of children's play and pedagogy have informed experimental design thinking. As protean beings and elastic ideological symbols, children help us to mediate between the ideal and real: they propel our thoughts forward. But as we look back, they also reveal important new dimensions of modernism in the twentieth century. Century of the child : Growing by design, 1900-2000 / [texte imprimé] / Juliet Kinchin, Auteur ; Aiden O'Connor, Auteur ; Tanya Harrod, Auteur ; Pablo Helguera, Auteur ; Medea Hoch, Auteur ; Francis Luca, Auteur ; Maria Paola Maino, Auteur ; Amy F. Ogata, Auteur ; David Senior, Auteur ; Sarah Suzuki, Auteur ; Museum of modern art (New York, N.Y.), Editeur scientifique . - New York : Museum of Modern Art, 2012 . - 263 p. : ill. en noir et blanc, ill. en coul., couv. ill. en coul. ; 32 cm. ISBN : 978-0-87070-826-8 Langues : Anglais (eng) Catégories : Architecture et enfants -- 20e siècle -- Catalogues d'exposition Jeux éducatifs -- 20e siècle -- Catalogues d'exposition Jouets -- Design -- 20e siècle -- Catalogues d'exposition Index. décimale : 7.05 Design industriel Résumé : Did the twentieth century live up to what Swedish design reformer and social theorist Ellen Key, writing in 1900, envisaged as "the century of the child" ? This book, produced in conjunction with a major exhibition at The Museum of Modern Art, takes both its title and its launching point from Key's landmark book, which presaged the coming century as a period of intensified focus on and progressive thinking about the rights, development, and well-being of children. It tracks the fascinating confluence between the cultures of modern design and childhood, through an introductory essay by Juliet Kinchin, sixty-five short essays, and more than four hundred illustrations. The resulting kaleidoscopic narrative of innovative ideas, practitioners, and artifacts examines individual and collective visions for the material world of children, from utopian dreams for the citizens of the future to the dark realities of political conflict and exploitation. Despite being the focus of intense concern and profound thought, children remain one of the most underrepresented subjects in the historical analysis of modern design. To address this lacuna, this book surveys more than one hundred years of school architecture, playgrounds, toys and games, educational materials, children's hospitals and safety equipment, nurseries, furniture, animation, propaganda, advertising, books, and clothing. The outstanding projects that emerge illuminate how progressive design has enhanced the physical, intellectual, and emotional development of children and, conversely, how models of children's play and pedagogy have informed experimental design thinking. As protean beings and elastic ideological symbols, children help us to mediate between the ideal and real: they propel our thoughts forward. But as we look back, they also reveal important new dimensions of modernism in the twentieth century.

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ITALY : ACHIEVEMENTS AND PROBLEMS OF ITALIAN DESIGN / Emilio Ambasz

Public ISBD Titre : ITALY : ACHIEVEMENTS AND PROBLEMS OF ITALIAN DESIGN Type de document : texte imprimé Auteurs : Emilio Ambasz (1943 - ...), Auteur Editeur : New York : Museum of Modern Art Année de publication : 1972. Catégories : DESIGN - ITALIE - 1945-1970 Index. décimale : 0 ITALY : ACHIEVEMENTS AND PROBLEMS OF ITALIAN DESIGN [texte imprimé] / Emilio Ambasz (1943 - ...), Auteur . - New York : Museum of Modern Art, 1972. Catégories : DESIGN - ITALIE - 1945-1970 Index. décimale : 0

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The DESIGN COLLECTION / Arthur Drexler

Public ISBD Titre : The DESIGN COLLECTION Type de document : texte imprimé Auteurs : Arthur Drexler, Auteur Editeur : New York : Museum of Modern Art Catégories : DESIGN - 1945-1970 DESIGN - NEW YORK M.A.M Index. décimale : 0 The DESIGN COLLECTION [texte imprimé] / Arthur Drexler, Auteur . - New York : Museum of Modern Art, [s.d.]. Catégories : DESIGN - 1945-1970 DESIGN - NEW YORK M.A.M Index. décimale : 0

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William Eggleston's guide / John Szarkowski 

Public ISBD Titre : William Eggleston's guide Type de document : texte imprimé Auteurs : John Szarkowski (1925-2007), Auteur ; William Eggleston (1939-....), Photographe ; Museum of modern art (New York, N.Y.), Auteur Mention d'édition : 2nd edition Editeur : New York : Museum of Modern Art Année de publication : 2002 Importance : 1 vol. (110 p.) Présentation : photographies en noir et blanc, photographies en coul., couv. ill. en coul. Format : 24 cm ISBN/ISSN/EAN : 978-0-87070-378-2 Langues : Anglais (eng) Catégories : Eggleston, William (1939-....) Eggleston, William (1939-....) -- Catalogues d'exposition Résumé : "William Eggleston's Guide" was the first one-man show of color photographs ever presented at The Museum of Modern Art, New York, and the Museum's first publication of color photography. The reception was divided and passionate. The book and show unabashedly forced the art world to deal with color photography, a medium scarcely taken seriously at the time, and with the vernacular content of a body of photographs that could have been but definitely weren't some average American's Instamatic pictures from the family album. These photographs heralded a new mastery of the use of color as an integral element of photographic composition. Bound in a textured cover inset with a photograph of a tricycle and stamped with yearbook-style gold lettering, the "Guide" contained 48 images edited down from 375 shot between 1969 and 1971 and displayed a deceptively casual, actually super-refined look at the surrounding world. Here are people, landscapes, and odd little moments in and around Eggleston's hometown of Memphis--an anonymous woman in a loudly patterned dress and cat's eye glasses sitting, left leg slightly raised, on an equally loud outdoor sofa; a coal-fired barbecue shooting up flames, framed by a shiny silver tricycle, the curves of a gleaming black car fender, and someone's torso; a tiny, gray-haired lady in a faded, flowered housecoat, standing expectant, and dwarfed in the huge dark doorway of a mint-green room whose only visible furniture is a shaded lamp on an end table. For this edition of "William Eggleston's Guide," The Museum of Modern Art has made new color separations from the original 35 mm slides, producing a facsimile edition in which the color will be freshly responsive tothe photographer's intentions. William Eggleston's guide [texte imprimé] / John Szarkowski (1925-2007), Auteur ; William Eggleston (1939-....), Photographe ; Museum of modern art (New York, N.Y.), Auteur  . -  2nd edition . - New York : Museum of Modern Art, 2002 . - 1 vol. (110 p.) : photographies en noir et blanc, photographies en coul., couv. ill. en coul. ; 24 cm. ISBN : 978-0-87070-378-2 Langues : Anglais (eng) Catégories : Eggleston, William (1939-....) Eggleston, William (1939-....) -- Catalogues d'exposition Résumé : "William Eggleston's Guide" was the first one-man show of color photographs ever presented at The Museum of Modern Art, New York, and the Museum's first publication of color photography. The reception was divided and passionate. The book and show unabashedly forced the art world to deal with color photography, a medium scarcely taken seriously at the time, and with the vernacular content of a body of photographs that could have been but definitely weren't some average American's Instamatic pictures from the family album. These photographs heralded a new mastery of the use of color as an integral element of photographic composition. Bound in a textured cover inset with a photograph of a tricycle and stamped with yearbook-style gold lettering, the "Guide" contained 48 images edited down from 375 shot between 1969 and 1971 and displayed a deceptively casual, actually super-refined look at the surrounding world. Here are people, landscapes, and odd little moments in and around Eggleston's hometown of Memphis--an anonymous woman in a loudly patterned dress and cat's eye glasses sitting, left leg slightly raised, on an equally loud outdoor sofa; a coal-fired barbecue shooting up flames, framed by a shiny silver tricycle, the curves of a gleaming black car fender, and someone's torso; a tiny, gray-haired lady in a faded, flowered housecoat, standing expectant, and dwarfed in the huge dark doorway of a mint-green room whose only visible furniture is a shaded lamp on an end table. For this edition of "William Eggleston's Guide," The Museum of Modern Art has made new color separations from the original 35 mm slides, producing a facsimile edition in which the color will be freshly responsive tothe photographer's intentions.

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