Alberto Burri / Emily Braun

Public ISBD Titre : Alberto Burri : the trauma of painting Type de document : texte imprimé Auteurs : Emily Braun (1957-....), Editeur scientifique ; Megan M. Fontanella, Editeur scientifique ; Carol Stringari, Editeur scientifique ; Solomon R. Guggenheim museum (New York, N.Y.), Editeur scientifique Editeur : New York : Guggenheim Museum Publications Année de publication : 2015 Importance : 1 vol. (278 p.) Présentation : Ill. en coul., couv. ill. en coul. Format : 25 cm. ISBN/ISSN/EAN : 978-0-89207-523-2 Langues : Anglais (eng) Catégories : Burri, Alberto (1915-1995) -- Catalogues d'exposition Installations (art) -- Italie Peinture -- 1945-.... -- Italie Index. décimale : 75(092) Peintres Résumé : Published to accompany a major retrospective exhibition--the first in the United States in more than 35 years and the most comprehensive ever mounted--this title showcases the pioneering work of Italian artist Alberto Burri (1915-95). Exploring the beauty and complexity of Burri's process-based works, the exhibition positions the artist as a central and singular protagonist of postwar art. Burri is best known for his series of Sacchi (sacks) made of stitched and patched remnants of torn burlap bags, often combined with fragments of discarded clothing. Far less familiar to American audiences are his other series, which this exhibition represents in depth: Catrami (tars), Gobbi (hunchbacks), Muffe (molds), Bianchi (whites), Legni (woods), Ferri (irons), Combustioni plastiche (plastic combustions), Cretti and Cellotex works. Burri's work both demolished and reconfigured the Western pictorial tradition, while reconceptualizing modernist collage. Using unconventional materials, he moved beyond the painted surfaces and markmaking of American Abstract Expressionism and European Art Informel. Burri's unprecedented approaches to manipulating humble substances--and his abject picture-objects--also profoundly influenced Arte Povera, Neo-Dada and Process art. Alberto Burri was born in Italy in 1915. He first garnered attention in the US in the early 1950s when his work was included in the group exhibition Younger European Painters at the Guggenheim Museum and was also shown at the Frumkin Gallery, Chicago, and at the Stable Gallery, New York. In 1977 a retrospective was presented at the University of California's Frederick S. Wight Gallery, Los Angeles, and traveled to the Marion Koogler McNay Art Institute, San Antonio, Texas, and the Guggenheim Museum (1978). He died in Nice, France, in 1995. Alberto Burri : the trauma of painting [texte imprimé] / Emily Braun (1957-....), Editeur scientifique ; Megan M. Fontanella, Editeur scientifique ; Carol Stringari, Editeur scientifique ; Solomon R. Guggenheim museum (New York, N.Y.), Editeur scientifique . - New York : Guggenheim Museum Publications, 2015 . - 1 vol. (278 p.) : Ill. en coul., couv. ill. en coul. ; 25 cm. ISBN : 978-0-89207-523-2 Langues : Anglais (eng) Catégories : Burri, Alberto (1915-1995) -- Catalogues d'exposition Installations (art) -- Italie Peinture -- 1945-.... -- Italie Index. décimale : 75(092) Peintres Résumé : Published to accompany a major retrospective exhibition--the first in the United States in more than 35 years and the most comprehensive ever mounted--this title showcases the pioneering work of Italian artist Alberto Burri (1915-95). Exploring the beauty and complexity of Burri's process-based works, the exhibition positions the artist as a central and singular protagonist of postwar art. Burri is best known for his series of Sacchi (sacks) made of stitched and patched remnants of torn burlap bags, often combined with fragments of discarded clothing. Far less familiar to American audiences are his other series, which this exhibition represents in depth: Catrami (tars), Gobbi (hunchbacks), Muffe (molds), Bianchi (whites), Legni (woods), Ferri (irons), Combustioni plastiche (plastic combustions), Cretti and Cellotex works. Burri's work both demolished and reconfigured the Western pictorial tradition, while reconceptualizing modernist collage. Using unconventional materials, he moved beyond the painted surfaces and markmaking of American Abstract Expressionism and European Art Informel. Burri's unprecedented approaches to manipulating humble substances--and his abject picture-objects--also profoundly influenced Arte Povera, Neo-Dada and Process art. Alberto Burri was born in Italy in 1915. He first garnered attention in the US in the early 1950s when his work was included in the group exhibition Younger European Painters at the Guggenheim Museum and was also shown at the Frumkin Gallery, Chicago, and at the Stable Gallery, New York. In 1977 a retrospective was presented at the University of California's Frederick S. Wight Gallery, Los Angeles, and traveled to the Marion Koogler McNay Art Institute, San Antonio, Texas, and the Guggenheim Museum (1978). He died in Nice, France, in 1995.

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Code-barres	Cote	Support	Localisation	Section	Disponibilité
Sl 20083	75(092) BURRI	Livre	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

Maurizio Cattelan / Nancy Spector 

Public ISBD Titre : Maurizio Cattelan : all ; [exhibition, New York, Solomon R. Guggenheim museum, November 4, 2011 - January 22, 2012] Type de document : texte imprimé Auteurs : Nancy Spector, Editeur scientifique ; Solomon R. Guggenheim museum (New York, N.Y.), Collectivité éditrice ; Richard Armstrong (1949-....), Préfacier, etc. ; Katherine Brinson, Auteur ; Diana Kamin, Auteur ; William S. Smith, Auteur Mention d'édition : Revised edition Editeur : New York, N.Y. : Guggenheim Museum Année de publication : 2016 Importance : 1 vol. (259 p.) Présentation : ill. en noir et blanc, ill. en coul., couv. ill. Format : 25 cm ISBN/ISSN/EAN : 978-0-89207-531-7 Langues : Anglais (eng) Catégories : Art -- Italie -- 1990-2020 Cattelan, Maurizio (1960 - ...) Index. décimale : 7.039(092) Artistes contemporains Résumé : The Guggenheim Museum's sold-out publication Maurizio Cattelan : All is returning to print. Hailed as a provocateur, prankster and tragic poet of our times, Maurizio Cattelan (born 1960, Padua, Italy) has created some of the most unforgettable images in contemporary art most notoriously The Ninth Hour (1999), a sculpture of Pope John Paul II struck by a meteorite. Derived from popular culture, history and organized religion, Cattelan s subjects range widely, and his work, while bold and irreverent, is deadly serious in its scathing cultural critiques. The second edition of All updates the catalogue that accompanied the Solomon R. Guggenheim Museum's 2011 12 retrospective survey of the artist. For this exhibition, Cattelan sidestepped the totalizing effect of a retrospective by devising a site-specific installation in which his entire oeuvre was suspended from the oculus of the museum s iconic rotunda. This book offers an equally unique response to the conventions of the catalogue. It is a faux-leather-bound hardcover with gold stamping and thin paper that is designed to resemble an old textbook or bible. The volume details almost every work of Cattelan s from the late 1980s to the present within a double-column page format, featuring full-colour reproductions and accompanying entries. The revised edition describes the artist s return to art making after a five-year retirement with a special, ongoing project opening at the Guggenheim in May 2016. It also features a redesigned cover and installation images of the exhibition All. Nancy Spector has augmented her critical overview of Cattelan which documents not only his artistic output but also his ongoing activities as a curator, editor and publisher with a new coda. Since its original publication, All has become the Cattelan bible, and this revised edition exploring the latest chapter of the artist s influential career ensures it will remain the definitive source on his work for years to come. Maurizio Cattelan : all ; [exhibition, New York, Solomon R. Guggenheim museum, November 4, 2011 - January 22, 2012] [texte imprimé] / Nancy Spector, Editeur scientifique ; Solomon R. Guggenheim museum (New York, N.Y.), Collectivité éditrice ; Richard Armstrong (1949-....), Préfacier, etc. ; Katherine Brinson, Auteur ; Diana Kamin, Auteur ; William S. Smith, Auteur  . -  Revised edition . - New York, N.Y. : Guggenheim Museum, 2016 . - 1 vol. (259 p.) : ill. en noir et blanc, ill. en coul., couv. ill. ; 25 cm. ISBN : 978-0-89207-531-7 Langues : Anglais (eng) Catégories : Art -- Italie -- 1990-2020 Cattelan, Maurizio (1960 - ...) Index. décimale : 7.039(092) Artistes contemporains Résumé : The Guggenheim Museum's sold-out publication Maurizio Cattelan : All is returning to print. Hailed as a provocateur, prankster and tragic poet of our times, Maurizio Cattelan (born 1960, Padua, Italy) has created some of the most unforgettable images in contemporary art most notoriously The Ninth Hour (1999), a sculpture of Pope John Paul II struck by a meteorite. Derived from popular culture, history and organized religion, Cattelan s subjects range widely, and his work, while bold and irreverent, is deadly serious in its scathing cultural critiques. The second edition of All updates the catalogue that accompanied the Solomon R. Guggenheim Museum's 2011 12 retrospective survey of the artist. For this exhibition, Cattelan sidestepped the totalizing effect of a retrospective by devising a site-specific installation in which his entire oeuvre was suspended from the oculus of the museum s iconic rotunda. This book offers an equally unique response to the conventions of the catalogue. It is a faux-leather-bound hardcover with gold stamping and thin paper that is designed to resemble an old textbook or bible. The volume details almost every work of Cattelan s from the late 1980s to the present within a double-column page format, featuring full-colour reproductions and accompanying entries. The revised edition describes the artist s return to art making after a five-year retirement with a special, ongoing project opening at the Guggenheim in May 2016. It also features a redesigned cover and installation images of the exhibition All. Nancy Spector has augmented her critical overview of Cattelan which documents not only his artistic output but also his ongoing activities as a curator, editor and publisher with a new coda. Since its original publication, All has become the Cattelan bible, and this revised edition exploring the latest chapter of the artist s influential career ensures it will remain the definitive source on his work for years to come.

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Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 25799	7.039(092) CATTELAN	Livre	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

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