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Titre : [Champignons] Type de document : document graphique à deux dimensions Auteurs : Les Saprophytes (Lille), Auteur ; Peter Wild, Auteur ; [Et al.], Auteur Editeur : [Lille] : Le cagibi Année de publication : 2015 Importance : [16 p.] Présentation : ill. en coul., couv. ill. en coul. Format : 11 cm Note générale : Sérigraphie 2 passages, 10,8 x 15,9 cm, véritable petit pleurote séché cousu sur la couverture. Langues : Français (fre) Catégories : Champignons -- Illustrations
Fanzines -- France
Graphzines -- France
SérigraphieIndex. décimale : 7 Arts et Beaux-Arts [Champignons] [document graphique à deux dimensions] / Les Saprophytes (Lille), Auteur ; Peter Wild, Auteur ; [Et al.], Auteur . - [Lille] : Le cagibi, 2015 . - [16 p.] : ill. en coul., couv. ill. en coul. ; 11 cm.
Sérigraphie 2 passages, 10,8 x 15,9 cm, véritable petit pleurote séché cousu sur la couverture.
Langues : Français (fre)
Catégories : Champignons -- Illustrations
Fanzines -- France
Graphzines -- France
SérigraphieIndex. décimale : 7 Arts et Beaux-Arts Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 19774 FAN SAP Fanzine ESA Saint-Luc Fanzinothèque Disponible A Comparative Study of Bond Strength, Reversibility, and Projected Long-Term Durability of Lining Techniques for the Structural Stabilisation of Canvas Paintings / Nikita Shah in Studies in conservation, Vol.70 N°5-6(2025; July-August) (2025-07-01)
Titre : A Comparative Study of Bond Strength, Reversibility, and Projected Long-Term Durability of Lining Techniques for the Structural Stabilisation of Canvas Paintings Type de document : texte imprimé Auteurs : Nikita Shah (19..-....), Auteur ; [Et al.], Auteur Année de publication : 2025 Article en page(s) : P. 386-403 Langues : Anglais (eng) Catégories : Adhésifs -- Conservation et restauration -- Analyse
Adhésifs -- Conservation et restauration -- Essais
Peinture sur toile -- Conservation et restauration
Support (peinture) -- Conservation et restaurationIndex. décimale : 7.025 Dommages. Conservation. Protection Résumé : ABSTRACT :
Lining techniques for the treatment of structurally damaged canvas paintings have been in use since at least the seventeenth century, with on-going invention, development, and refinement. These systems can be categorised based on their adhesive component – natural or synthetic – or by their application procedure, such as water-based, hot-melt, cold-lining, nap-bond lining, or mist-lining. The choice of lining system is often influenced by geographical practice and individual expertise rather than purely material-technical considerations, as comprehensive data for benchmarking different systems is limited in both literature and practice. This paper aims to address this gap in knowledge by comparing various lining adhesives and their application techniques. The adhesives under examination include glue-paste, wax-resin, BEVA® 371, Plextol® B500, and Dispersion K360:Plextol® D512. Mock-linings were designed to reduce variables and ensure standardisation. Previously reported recipes and descriptions of studio application techniques were used where possible to create the mock-linings. These were subsequently subjected to stress/strain through exposure to cyclic fluctuations in relative humidity (RH) and temperature (T) to simulate mechanical-physical ageing. Both unaged and aged samples underwent lap-shear and T-peel tests according to ASTM standards, as reported in earlier studies. The data presented here can assist conservators and scientists in establishing requirements and making informed decisions tailored to the specific needs of each painting. Results indicate that each lining technique has its own limitations, and the suitability of a given technique will depend on the type of treatment necessary for stabilising individual paintings.
in Studies in conservation > Vol.70 N°5-6(2025; July-August) (2025-07-01) . - P. 386-403[article] A Comparative Study of Bond Strength, Reversibility, and Projected Long-Term Durability of Lining Techniques for the Structural Stabilisation of Canvas Paintings [texte imprimé] / Nikita Shah (19..-....), Auteur ; [Et al.], Auteur . - 2025 . - P. 386-403.
Langues : Anglais (eng)
in Studies in conservation > Vol.70 N°5-6(2025; July-August) (2025-07-01) . - P. 386-403
Catégories : Adhésifs -- Conservation et restauration -- Analyse
Adhésifs -- Conservation et restauration -- Essais
Peinture sur toile -- Conservation et restauration
Support (peinture) -- Conservation et restaurationIndex. décimale : 7.025 Dommages. Conservation. Protection Résumé : ABSTRACT :
Lining techniques for the treatment of structurally damaged canvas paintings have been in use since at least the seventeenth century, with on-going invention, development, and refinement. These systems can be categorised based on their adhesive component – natural or synthetic – or by their application procedure, such as water-based, hot-melt, cold-lining, nap-bond lining, or mist-lining. The choice of lining system is often influenced by geographical practice and individual expertise rather than purely material-technical considerations, as comprehensive data for benchmarking different systems is limited in both literature and practice. This paper aims to address this gap in knowledge by comparing various lining adhesives and their application techniques. The adhesives under examination include glue-paste, wax-resin, BEVA® 371, Plextol® B500, and Dispersion K360:Plextol® D512. Mock-linings were designed to reduce variables and ensure standardisation. Previously reported recipes and descriptions of studio application techniques were used where possible to create the mock-linings. These were subsequently subjected to stress/strain through exposure to cyclic fluctuations in relative humidity (RH) and temperature (T) to simulate mechanical-physical ageing. Both unaged and aged samples underwent lap-shear and T-peel tests according to ASTM standards, as reported in earlier studies. The data presented here can assist conservators and scientists in establishing requirements and making informed decisions tailored to the specific needs of each painting. Results indicate that each lining technique has its own limitations, and the suitability of a given technique will depend on the type of treatment necessary for stabilising individual paintings.
Titre : Comparison of Color Changes in Paints Based on Ultramarine and Zinc White Resulting from Storage and Thermally Induced Aging Type de document : texte imprimé Auteurs : Irina A. Balakhnina (19..-....), Auteur ; [Et al.], Auteur Année de publication : 2025 Article en page(s) : P. 375-385 Note générale : Fig., tab. Langues : Anglais (eng) Catégories : Colorimétrie -- Essais
Liants -- Analyse
Outremer (couleur)
Oxyde de zinc
Peinture à l'huile -- Conservation et restaurationIndex. décimale : 7.025 Dommages. Conservation. Protection Résumé : ABSTRACT
The paper presents the results of measurements of the L*, a*, and b* color coordinates in the CIEL*a*b*76 (D65/10) space of paint layers of zinc white and ultramarine with several primers and binders. The coordinates are measured for naturally aged reference samples and test samples that underwent two thermal shocks. The color differences of samples obtained using three binders and three primers are quantitatively characterized. It is shown that thermally induced changes in the L* coordinate, as distinct from the a* and b* coordinates, are significantly greater than the changes predicted by the artificial aging protocol. However, during subsequent storage, L* partially relaxes to its original values, and the resulting changes in this coordinate can be considered insignificant. The relaxation effect is also characteristic of the a* and b* coordinates for most samples. Specific results are obtained for paint layers with resin-containing binder on glue–chalk primers. When zinc white is used, such samples have greater L* coordinate and smaller b* coordinate, i.e. appear to be lighter and less yellow in comparison with the remaining samples. When ultramarine is used as a pigment, the resin-containing binder and glue–chalk primers provide the maximum depth of blue color (minimum b* value), which remains almost unchanged with aging. However, the crimson hue characteristic of such samples (greater value of the a* coordinate) is intensified due to heating. The results show that two thermal effects on paint layers separated in time can lead to opposite changes in color coordinates.En ligne : https://www.tandfonline.com/doi/full/10.1080/00393630.2024.2393049
in Studies in conservation > Vol.70 N°5-6(2025; July-August) (2025-07-01) . - P. 375-385[article] Comparison of Color Changes in Paints Based on Ultramarine and Zinc White Resulting from Storage and Thermally Induced Aging [texte imprimé] / Irina A. Balakhnina (19..-....), Auteur ; [Et al.], Auteur . - 2025 . - P. 375-385.
Fig., tab.
Langues : Anglais (eng)
in Studies in conservation > Vol.70 N°5-6(2025; July-August) (2025-07-01) . - P. 375-385
Catégories : Colorimétrie -- Essais
Liants -- Analyse
Outremer (couleur)
Oxyde de zinc
Peinture à l'huile -- Conservation et restaurationIndex. décimale : 7.025 Dommages. Conservation. Protection Résumé : ABSTRACT
The paper presents the results of measurements of the L*, a*, and b* color coordinates in the CIEL*a*b*76 (D65/10) space of paint layers of zinc white and ultramarine with several primers and binders. The coordinates are measured for naturally aged reference samples and test samples that underwent two thermal shocks. The color differences of samples obtained using three binders and three primers are quantitatively characterized. It is shown that thermally induced changes in the L* coordinate, as distinct from the a* and b* coordinates, are significantly greater than the changes predicted by the artificial aging protocol. However, during subsequent storage, L* partially relaxes to its original values, and the resulting changes in this coordinate can be considered insignificant. The relaxation effect is also characteristic of the a* and b* coordinates for most samples. Specific results are obtained for paint layers with resin-containing binder on glue–chalk primers. When zinc white is used, such samples have greater L* coordinate and smaller b* coordinate, i.e. appear to be lighter and less yellow in comparison with the remaining samples. When ultramarine is used as a pigment, the resin-containing binder and glue–chalk primers provide the maximum depth of blue color (minimum b* value), which remains almost unchanged with aging. However, the crimson hue characteristic of such samples (greater value of the a* coordinate) is intensified due to heating. The results show that two thermal effects on paint layers separated in time can lead to opposite changes in color coordinates.En ligne : https://www.tandfonline.com/doi/full/10.1080/00393630.2024.2393049
Titre : Consolidating Lime Mortar with Nanolime : The Effect of the Ethanol:Water Ratio Type de document : texte imprimé Auteurs : Eva Busschots (19..-....), Auteur ; [Et al.], Auteur Année de publication : 2025 Article en page(s) : P. 358-366 Note générale : Fig. Langues : Anglais (eng) Catégories : Alcool
Matériaux -- Conservation et restauration -- Recherche -- 21e siècle
Nanociment -- Essais
Peinture et décoration murales -- Conservation et restauration
Résistance des matériaux
Solvants -- EssaisIndex. décimale : 7.025 Dommages. Conservation. Protection Résumé : ABSTRACT
Over the last twenty years, more research has been conducted on the application of nanolime as a consolidant. However, a limitation in consolidation with nanolime is the back-migration of the product to the absorption surface during the drying phase, resulting in insufficient product deposition in depth. In this paper, a solvent composition is adapted to the substrate properties to examine the theory that a nanolime with low kinetic stability should be applied to prevent back-migration to the absorption surface for a substrate with large pore size. The common solvent composition of 100% ethanol has a kinetic stability considered too high. Nanolime dispersions (CaLoSiL® E 20 g/L) with different ethanol:water (100:0, 95:5, 90:10, 80:20) ratios were tested on lime mortar samples. The treated samples were subjected to several test methods to evaluate the effectiveness of the consolidation treatment. After comparing the results, the theoretical propositions were substantiated: a back-migration was noticeable in samples treated with the nanolime containing 100% ethanol, while no back-migration was observed in the other solvent compositions. Samples treated with a nanolime dispersion with the addition of 10% deionised water showed promising results regarding mechanical strength, product deposition over the entire depth profile of the sample, and porosity properties.En ligne : https://www.tandfonline.com/doi/full/10.1080/00393630.2024.2390271?scroll=top&ne [...]
in Studies in conservation > Vol.70 N°5-6(2025; July-August) (2025-07-01) . - P. 358-366[article] Consolidating Lime Mortar with Nanolime : The Effect of the Ethanol:Water Ratio [texte imprimé] / Eva Busschots (19..-....), Auteur ; [Et al.], Auteur . - 2025 . - P. 358-366.
Fig.
Langues : Anglais (eng)
in Studies in conservation > Vol.70 N°5-6(2025; July-August) (2025-07-01) . - P. 358-366
Catégories : Alcool
Matériaux -- Conservation et restauration -- Recherche -- 21e siècle
Nanociment -- Essais
Peinture et décoration murales -- Conservation et restauration
Résistance des matériaux
Solvants -- EssaisIndex. décimale : 7.025 Dommages. Conservation. Protection Résumé : ABSTRACT
Over the last twenty years, more research has been conducted on the application of nanolime as a consolidant. However, a limitation in consolidation with nanolime is the back-migration of the product to the absorption surface during the drying phase, resulting in insufficient product deposition in depth. In this paper, a solvent composition is adapted to the substrate properties to examine the theory that a nanolime with low kinetic stability should be applied to prevent back-migration to the absorption surface for a substrate with large pore size. The common solvent composition of 100% ethanol has a kinetic stability considered too high. Nanolime dispersions (CaLoSiL® E 20 g/L) with different ethanol:water (100:0, 95:5, 90:10, 80:20) ratios were tested on lime mortar samples. The treated samples were subjected to several test methods to evaluate the effectiveness of the consolidation treatment. After comparing the results, the theoretical propositions were substantiated: a back-migration was noticeable in samples treated with the nanolime containing 100% ethanol, while no back-migration was observed in the other solvent compositions. Samples treated with a nanolime dispersion with the addition of 10% deionised water showed promising results regarding mechanical strength, product deposition over the entire depth profile of the sample, and porosity properties.En ligne : https://www.tandfonline.com/doi/full/10.1080/00393630.2024.2390271?scroll=top&ne [...]
Titre : Crac, colle, raccommode Type de document : document graphique à deux dimensions Auteurs : La Zone asbl (Liège), Auteur ; [Et al.], Auteur Editeur : Liège : La zone Année de publication : 2025 Importance : 4 vol. (non paginés) Présentation : ill. en n. et bl. Format : 16x19 cm Note générale : "Fanzine réalisé lors du 13eme Festival du fanzine, de la sérigraphie, et du D.I.Y. de La Zone du lundi 20 au vendredi 24 octobre2025 sur le thème "Crac, Colle, raccommode" grâce à l'animation de Marielle Laveau, et l'expertise de L'Ardente de Lille pour la sérigraphie et la reliure, avec l'aide de la Fédération Wallonie Bruxelles." Langues : Français (fre) Catégories : Do it yourself (mouvement punk) -- Dans les bandes dessinées -- 21e siècle
Fanzines -- Liège (Belgique)
Récupération (déchets, etc.) -- Dans les bandes dessinées -- 21e siècle
Sérigraphie
Travaux artistiques d'étudiants -- Liège (Belgique)Index. décimale : 741.5 Bandes dessinées Crac, colle, raccommode [document graphique à deux dimensions] / La Zone asbl (Liège), Auteur ; [Et al.], Auteur . - Liège : La zone, 2025 . - 4 vol. (non paginés) : ill. en n. et bl. ; 16x19 cm.
"Fanzine réalisé lors du 13eme Festival du fanzine, de la sérigraphie, et du D.I.Y. de La Zone du lundi 20 au vendredi 24 octobre2025 sur le thème "Crac, Colle, raccommode" grâce à l'animation de Marielle Laveau, et l'expertise de L'Ardente de Lille pour la sérigraphie et la reliure, avec l'aide de la Fédération Wallonie Bruxelles."
Langues : Français (fre)Réservation
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Exemplaires(1)
Code-barres Cote Support Localisation Section Disponibilité SL 28399 FAN LAZ Fanzine ESA Saint-Luc Beaux-Arts - Biblio Disponible
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