08.15 - 2015-08-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 08.15 - 2015-08-12 Type de document : texte imprimé Année de publication : 2015 Langues : Allemand (ger) Anglais (eng) Catégories : Communication en design Design Graphisme Livres d'artistes Papier - Fabrication Tourisme Typographie - Design Index. décimale : 766 Arts graphiques Résumé : A tough call – but a necessary one, in a world where too often good ideas, launched to serve society, somehow degenerate into constructs that benefit the few at the expense of the many. What started out innocently as »couch surfing« – not just a cheap form of accommodation for low-budget travellers, but also a real opportunity to experience local life, away from the standardised international hotels – turned into Airbnb. That in itself is not reprehensible – why shouldn’t someone who sets up a functioning platform also pursue his own commercial ends? So far, so good: a win-win situation for both sides. But, living space being famously in short supply in the top destinations, some locals have no qualms about offering even cellar rooms for maximum profit. So, what better than to go for this kind of practical rental arrangement: Why let out a 30 m2 apartment in Munich for only 800 euros a month, when you can get 50 euros per day from passing travellers? The inevitable result: even less affordable accommodation available to locals. That’s got as much to do with social cohesion as subsidising coal at the same time as switching over to clean energy. But this too is a natural reflex: Many complain about rising rents and how long it takes to find a flat, but when looking to save a few euros on the next city break, they book on Airbnb while at the same time calling indignantly for a cap on rent rises. The hype surrounding sharing platforms on the web is also fascinating. At first sight it seems very sensible from an economic and ecological point of view: Nobody needs to buy all that stuff. When it comes to small items it all works very well – like when neighbours share a lawnmower they got together to buy. Now, as we know, humankind has never managed to get a truly »social« society to work – history tells us that much. It just doesn’t seem to be in our DNA. So, with these sharesites, too, there’s an unequal balance: The idealism of one group is sadly often torpedoed by the self-serving actions of a few. The feeling of freedom on the part of those who don’t want to »burden themselves« with material things, i.e. don’t have any possessions (or don’t want to pay for them), is supported by the goodwill of those who do invest in these things and then share them. A truly sharing system only works when everyone makes a contribution to it, and not, as some do, tries to live out their own personal philosophy of life on the backs of others, all the time accusing those others of wasting resources. Ergo: If you criticise your friends for owning a car in a city (how unnecessary!), then don’t ask those friends for a lift the next time they are going to Ikea … A truly responsible lifestyle in today’s world should in my eyes go beyond just ecological and economic aspects: It needs the added dimension of community spirit. It’s not enough to live out one’s own personal sustainability program, ignoring the consequences for other people: That way lies only egoism, even though this may not have been the original intention. I hope you are having a wonderful summer, Bettina Schulz En ligne : http://www.novumnet.de/en/world-of-novum/current-issue/082015/first/editorial.ht [...] [n° ou bulletin]  est un bulletin de Novum 08.15 - 2015-08-12 [texte imprimé] . - 2015. Langues : Allemand (ger) Anglais (eng) Catégories : Communication en design Design Graphisme Livres d'artistes Papier - Fabrication Tourisme Typographie - Design Index. décimale : 766 Arts graphiques Résumé : A tough call – but a necessary one, in a world where too often good ideas, launched to serve society, somehow degenerate into constructs that benefit the few at the expense of the many. What started out innocently as »couch surfing« – not just a cheap form of accommodation for low-budget travellers, but also a real opportunity to experience local life, away from the standardised international hotels – turned into Airbnb. That in itself is not reprehensible – why shouldn’t someone who sets up a functioning platform also pursue his own commercial ends? So far, so good: a win-win situation for both sides. But, living space being famously in short supply in the top destinations, some locals have no qualms about offering even cellar rooms for maximum profit. So, what better than to go for this kind of practical rental arrangement: Why let out a 30 m2 apartment in Munich for only 800 euros a month, when you can get 50 euros per day from passing travellers? The inevitable result: even less affordable accommodation available to locals. That’s got as much to do with social cohesion as subsidising coal at the same time as switching over to clean energy. But this too is a natural reflex: Many complain about rising rents and how long it takes to find a flat, but when looking to save a few euros on the next city break, they book on Airbnb while at the same time calling indignantly for a cap on rent rises. The hype surrounding sharing platforms on the web is also fascinating. At first sight it seems very sensible from an economic and ecological point of view: Nobody needs to buy all that stuff. When it comes to small items it all works very well – like when neighbours share a lawnmower they got together to buy. Now, as we know, humankind has never managed to get a truly »social« society to work – history tells us that much. It just doesn’t seem to be in our DNA. So, with these sharesites, too, there’s an unequal balance: The idealism of one group is sadly often torpedoed by the self-serving actions of a few. The feeling of freedom on the part of those who don’t want to »burden themselves« with material things, i.e. don’t have any possessions (or don’t want to pay for them), is supported by the goodwill of those who do invest in these things and then share them. A truly sharing system only works when everyone makes a contribution to it, and not, as some do, tries to live out their own personal philosophy of life on the backs of others, all the time accusing those others of wasting resources. Ergo: If you criticise your friends for owning a car in a city (how unnecessary!), then don’t ask those friends for a lift the next time they are going to Ikea … A truly responsible lifestyle in today’s world should in my eyes go beyond just ecological and economic aspects: It needs the added dimension of community spirit. It’s not enough to live out one’s own personal sustainability program, ignoring the consequences for other people: That way lies only egoism, even though this may not have been the original intention. I hope you are having a wonderful summer, Bettina Schulz En ligne : http://www.novumnet.de/en/world-of-novum/current-issue/082015/first/editorial.ht [...]

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09.17 - 2017-09-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 09.17 - 2017-09-12 Type de document : texte imprimé Année de publication : 2017 Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Art -- Édition -- Allemagne -- 21e siècle Arts graphiques -- 21e siècle Livres -- Mise en page Livres d'artistes Livres de poche -- Édition -- Allemagne Mise en page et typographie Phaidon Publicité -- Mise en pages et typographie Travail du papier Index. décimale : 766 Arts graphiques Résumé : In »Leder« gebunden 17.08.2017 Das brandneue Material Gmund Leather veredelt mit einer metallischen Sonderfarbe stimmt sowohl optisch als auch haptisch auf unser Schwerpunktthema Buchgestaltung ein – wir werfen einen Blick hinter die Kulissen spannender Verlage und stellen bemerkenswerte Buchprojekte vor. Und auch der Showroom steckt einmal wieder voller Überraschungen und präsentiert vom Leitsystem bis hin zu charmanten Illustrationen feinstes Grafikdesign aus aller Welt. In Verbindung mit unserem novum+ zum Thema Buchdesign muss man schon zweimal hinsehen, um zu erkennen, dass Leder durchaus auch aus Papier bestehen kann. Eine verblüffend authentisch wirkende Struktur sowie die griffige Haptik täuschen hier geschickt die Sinne … Gmund Leather (Römerturm) ist ein Material, das man einfach in den Händen halten muss, um tatsächlich zu sehen, was Papier leisten kann. Aber natürlich belassen wir es nicht bei der Haptik, um tief in das Schwerpunktthema Buchdesign einzutauchen: Wir sprachen mit dem Global Publishing Director von Taschen über die Herstellung von XL-Bücher, mit der Herausgeberin Emilia Terragni (Phaidon) über die Herausforderung, Titel zu publizieren, die zeitlos sind, aber dennoch den Zeitgeist einfangen und auch mit Astrid Vorstermans, die mit ihrem Verlag Valiz eine kreative Klientel mit ungewöhnlichen Titeln überrascht. Zudem werfen wir einen Blick auf die erfolgsgekrönten Moormann-Kataloge, stellen Ihnen das spannende Buchprojekt »Lokalhelden« sowie das Grafstudio A Practise for Everyday Life vor und präsentieren eine Dokumentation, die sich bildgewaltig mit dem Durchbruch der Taschenbücher befasst. Und auch der Showroom bietet eine faszinierende Mischung – Nadja König realisiert unter dem Label Stift Schere Papier feine, freche Illustrationen, der italienische Kreative Michel Galluzzo ist gefragter Experte für Designgeschichte und gestaltet diese mit eigenen Umsetzungen gleichzeitig tatkräftig mit. Wir werfen auch einen Blick hinter die Kulissen des serbischen Studios Metaklinika und sprachen mit dem international erfolgreichen Stockholm Design Lab. Last, but not least begeisterte uns die Kooperation zwischen dem P-06 Atelier und dem Architekturbüro Risco – das Ergebnis ist die Cidade do Futebol, die grafische Highlights beherbergt. Eine besondere Art mit Papier umzugehen, hat Sylvia Lerch in ihrer Kolumne zum Thema gemacht – technischer Fortschritt kann ungemein kreativen Output erzeugen! Und Andreas Koop widmet sich in seinem Text den »unwirklichen Wirklichkeiten«, die uns immer mehr umgeben! Das Cover Der Wunsch, für unser Schwerpunktthema Buchdesign eine Leder-Anmutung zu erzielen, lag nahe – um die typische »Krokostruktur« wirkungsvoll einzusetzen, wollten wir aber natürlich kein Tier häuten müssen. Durch eine glückliche Fügung kam die Einführung der Papiersorte Gmund Leather gerade rechtzeitig während unsere Planungen (ein Interview über die Entwicklung dieser Sorte ist ebenfalls in der Ausgabe zu finden): Erhältlich in zwölf Farben – einige in edlen Naturtönen, einige in sehr ausstrucksstarken, leuchtenden Varianten –, ist dieses Material auf den ersten Blick kaum von echtem Leder zu unterscheiden. Von 240 bis 350 g/qm erhältlich, kann mit diesem »Lederimitat« aus FSC-zertifiziertem Zellstoff für verschiedenste Anwendungen und Veredelungen geplant werden: Ob Prägung oder Heißfolie, für Umschläge, Verpackungen oder Einladungen, nahezu alle Spielarten sind bei dieser Papiersorte denkbar. Unser Art Director Tobias Holzmann wählte hingegen eine Sonderfarbe, um seinen Entwurf zu realisieren: »Das Cover zeigt deshalb jene Elemente, die dem Leser normalerweise verborgen bleiben. Vergrößert, verkleinert, gedreht und überlagert – die verschiedenen Ebenen verschmelzen zu einem abstrakten Bild und stehen hier ausnahmsweise im Vordergrund.« Note de contenu : Das finden Sie im Heft: novum+ A Practice For Everyday Life (GBR) Valiz (NLD) Moormann (GER) Phaidon (GBR) Reihenweise (GER) Morphoria (GER) Taschen (GER) showroom Stockholm Design Lab (SWE) P-06 Atelier (POR) Michele Galluzzo (ITA) Nadja König (GER) Neue Typographie, Teil 4: Die nationale Offensive – »Ring«-Zentren in Deutschland Papier: Gmund Leather, Römerturm Offset-Druck: f&w Druck- und Mediencenter Cover Design: Tobias Holzmann Sonderfarbe: Pantone 877 Fotos: Tobias Holzmann En ligne : http://novum.graphics/magazin/aktuelle-ausgabe/ [n° ou bulletin]  est un bulletin de Novum 09.17 - 2017-09-12 [texte imprimé] . - 2017. Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Art -- Édition -- Allemagne -- 21e siècle Arts graphiques -- 21e siècle Livres -- Mise en page Livres d'artistes Livres de poche -- Édition -- Allemagne Mise en page et typographie Phaidon Publicité -- Mise en pages et typographie Travail du papier Index. décimale : 766 Arts graphiques Résumé : In »Leder« gebunden 17.08.2017 Das brandneue Material Gmund Leather veredelt mit einer metallischen Sonderfarbe stimmt sowohl optisch als auch haptisch auf unser Schwerpunktthema Buchgestaltung ein – wir werfen einen Blick hinter die Kulissen spannender Verlage und stellen bemerkenswerte Buchprojekte vor. Und auch der Showroom steckt einmal wieder voller Überraschungen und präsentiert vom Leitsystem bis hin zu charmanten Illustrationen feinstes Grafikdesign aus aller Welt. In Verbindung mit unserem novum+ zum Thema Buchdesign muss man schon zweimal hinsehen, um zu erkennen, dass Leder durchaus auch aus Papier bestehen kann. Eine verblüffend authentisch wirkende Struktur sowie die griffige Haptik täuschen hier geschickt die Sinne … Gmund Leather (Römerturm) ist ein Material, das man einfach in den Händen halten muss, um tatsächlich zu sehen, was Papier leisten kann. Aber natürlich belassen wir es nicht bei der Haptik, um tief in das Schwerpunktthema Buchdesign einzutauchen: Wir sprachen mit dem Global Publishing Director von Taschen über die Herstellung von XL-Bücher, mit der Herausgeberin Emilia Terragni (Phaidon) über die Herausforderung, Titel zu publizieren, die zeitlos sind, aber dennoch den Zeitgeist einfangen und auch mit Astrid Vorstermans, die mit ihrem Verlag Valiz eine kreative Klientel mit ungewöhnlichen Titeln überrascht. Zudem werfen wir einen Blick auf die erfolgsgekrönten Moormann-Kataloge, stellen Ihnen das spannende Buchprojekt »Lokalhelden« sowie das Grafstudio A Practise for Everyday Life vor und präsentieren eine Dokumentation, die sich bildgewaltig mit dem Durchbruch der Taschenbücher befasst. Und auch der Showroom bietet eine faszinierende Mischung – Nadja König realisiert unter dem Label Stift Schere Papier feine, freche Illustrationen, der italienische Kreative Michel Galluzzo ist gefragter Experte für Designgeschichte und gestaltet diese mit eigenen Umsetzungen gleichzeitig tatkräftig mit. Wir werfen auch einen Blick hinter die Kulissen des serbischen Studios Metaklinika und sprachen mit dem international erfolgreichen Stockholm Design Lab. Last, but not least begeisterte uns die Kooperation zwischen dem P-06 Atelier und dem Architekturbüro Risco – das Ergebnis ist die Cidade do Futebol, die grafische Highlights beherbergt. Eine besondere Art mit Papier umzugehen, hat Sylvia Lerch in ihrer Kolumne zum Thema gemacht – technischer Fortschritt kann ungemein kreativen Output erzeugen! Und Andreas Koop widmet sich in seinem Text den »unwirklichen Wirklichkeiten«, die uns immer mehr umgeben! Das Cover Der Wunsch, für unser Schwerpunktthema Buchdesign eine Leder-Anmutung zu erzielen, lag nahe – um die typische »Krokostruktur« wirkungsvoll einzusetzen, wollten wir aber natürlich kein Tier häuten müssen. Durch eine glückliche Fügung kam die Einführung der Papiersorte Gmund Leather gerade rechtzeitig während unsere Planungen (ein Interview über die Entwicklung dieser Sorte ist ebenfalls in der Ausgabe zu finden): Erhältlich in zwölf Farben – einige in edlen Naturtönen, einige in sehr ausstrucksstarken, leuchtenden Varianten –, ist dieses Material auf den ersten Blick kaum von echtem Leder zu unterscheiden. Von 240 bis 350 g/qm erhältlich, kann mit diesem »Lederimitat« aus FSC-zertifiziertem Zellstoff für verschiedenste Anwendungen und Veredelungen geplant werden: Ob Prägung oder Heißfolie, für Umschläge, Verpackungen oder Einladungen, nahezu alle Spielarten sind bei dieser Papiersorte denkbar. Unser Art Director Tobias Holzmann wählte hingegen eine Sonderfarbe, um seinen Entwurf zu realisieren: »Das Cover zeigt deshalb jene Elemente, die dem Leser normalerweise verborgen bleiben. Vergrößert, verkleinert, gedreht und überlagert – die verschiedenen Ebenen verschmelzen zu einem abstrakten Bild und stehen hier ausnahmsweise im Vordergrund.« Note de contenu : Das finden Sie im Heft: novum+ A Practice For Everyday Life (GBR) Valiz (NLD) Moormann (GER) Phaidon (GBR) Reihenweise (GER) Morphoria (GER) Taschen (GER) showroom Stockholm Design Lab (SWE) P-06 Atelier (POR) Michele Galluzzo (ITA) Nadja König (GER) Neue Typographie, Teil 4: Die nationale Offensive – »Ring«-Zentren in Deutschland Papier: Gmund Leather, Römerturm Offset-Druck: f&w Druck- und Mediencenter Cover Design: Tobias Holzmann Sonderfarbe: Pantone 877 Fotos: Tobias Holzmann En ligne : http://novum.graphics/magazin/aktuelle-ausgabe/

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10.19 - 2019-10-14 (Bulletin de Novum)    

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 10.19 - 2019-10-14 Type de document : texte imprimé Année de publication : 2019 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle Aliments -- Conditionnement Arts graphiques -- 21e siècle Arts graphiques -- Design Arts graphiques -- Mise en page et typographie Arts graphiques -- Norvège -- 21e siècle Bauhaus Bauhaus -- Publicité -- Europe Gaufrage Impression numérique Impression sérigraphique Impression sur étoffes -- Design Livres -- Couvertures Livres d'artistes Papier -- Dans l'art Périodiques -- Couvertures Publicité -- Mise en page et typographie -- 20e siècle Réalité augmentée Scheinberger, Felix (1969-....) Textiles et tissus -- Design Vieux papiers -- Recyclage Index. décimale : 766 Arts graphiques Résumé : The Oktoberfest in Munich is not normally relevant to the design world, but in this issue of novum it serves as a wonderful source of inspiration for the cover, which is quite literally an all-round delight. On a standard recycling card we used different hot-foil stampings, adding micro-embossing for stylish accent. A total of four different colour variants was produced, finished with two foils in silver and gold and a gold spot colour – the wrap-around motif comes from the Munich design agency Milch+Honig. Other great projects that exploit the possibilities of paper, print and finishing can be found in our novum+ and Showroom sections. There you can enjoy first-class design from France, Hungary, Norway and the Netherlands, as well as eight pages of prize-winning posters from Germany, Austria and Switzerland. Note de contenu : Paper & Print Multisensorics is a big theme at the moment in marketing and communication. After all, we human beings don´t just see, we can also feel, hear and smell. Things that appeal to us on several levels are therefore perceived more intensively, we feel them to be more positive and we remember them for longer. Unusually designed print products can achieve this sustained effect. In the novum+ section this month we bring you lots of exciting examples, such as intelligently conceived packaging, illustrations with hand-made charm and campaigns that attract attention through high-quality finishes. Also there´s lots to discover about recycling papers, beautiful books and sophisticated CIs. In the Showroom section Dutch designer Gilles de Brock explains how coding can boost creativity. Treize Grammes from France takes an opposite line, building charming settings by hand, and Kind from Norway impresses with visual identities that combine emotions with Nordic minimalism. Patrick Rössler presents graphic design treasures from the Bauhaus era, the Hungarian design agency Classmate shows how designers collaborate across different countries and still manage to maintain a coherent line in terms of design. Last, but not least, we interviewed Anette Lenz, jury member of the competition »100 Best Posters — Germany, Austria, Switzerland«, about trends and the meaning of posters today. The cover Why just one cover, when you can have a variety? Embracing this idea, the October issue of novum appears in four different colours and was embossed with two different hot foils and a gold spot colour. For the first time we also used micro-embossing, a technique that enables very fine details to be worked into the embossing die. Often this technique is used in protection against forgery, but as you see from our cover, it is also a great way to create intriguing optical accents. On the wrap-around cover we used five embossing dies in different sizes, made by MSP Prägetechnik. As both larger areas and also fine details were embossed, it was necessary to do extensive testing to produce the best results with foils (Kurz) and paper (RecyCard from Papyrus Deutschland). The embossing itself also required great skill and sensitivity and that was delivered superbly by August Conzelmann AG. The design on the cover comes from Milch+Honig, and, as a design bureau based in Munich, for the October issue the subject foremost in many people´s minds here is the Oktoberfest. As the designers at Milch+Honig have extensive experience with high-end print products, the finishing technique, the paper and the design were all expertly coordinated to produce a beautiful and successful result. And, as masters of all that, Milch+Honig went one step further: with micro-embossing to integrate hidden messages. Working with the motion agency Paul Bewegt, they also concealed one or two things in the cover of novum – digitally, you understand. Using augmented reality parts of the cover can be brought to life – you can see this via an app on your smartphone or tablet. Inhalt Showroom Gilles de Brock Classmate Kind Treize grammes 100 Beste Plakate Bauhaus novum+ Clormann Design WRK Recycling Papiere Anna Niestroj Luminous Editions Non Standard Commission Anagrama Cover design: Milch+Honig Paper: Papyrus Deutschland Hot foil & micro embossing: August Conzelmann GmbH Stamping die: MSP Prägetechnik Foils: Kurz Offset: f&w Medien Augmented Reality: Paul Bewegt Photography: Janina Engel, Tobias Holzmann En ligne : https://novum.graphics/en/magazine/archive/detail/novum-1019/ [n° ou bulletin]  est un bulletin de Novum 10.19 - 2019-10-14 [texte imprimé] . - 2019. Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle Aliments -- Conditionnement Arts graphiques -- 21e siècle Arts graphiques -- Design Arts graphiques -- Mise en page et typographie Arts graphiques -- Norvège -- 21e siècle Bauhaus Bauhaus -- Publicité -- Europe Gaufrage Impression numérique Impression sérigraphique Impression sur étoffes -- Design Livres -- Couvertures Livres d'artistes Papier -- Dans l'art Périodiques -- Couvertures Publicité -- Mise en page et typographie -- 20e siècle Réalité augmentée Scheinberger, Felix (1969-....) Textiles et tissus -- Design Vieux papiers -- Recyclage Index. décimale : 766 Arts graphiques Résumé : The Oktoberfest in Munich is not normally relevant to the design world, but in this issue of novum it serves as a wonderful source of inspiration for the cover, which is quite literally an all-round delight. On a standard recycling card we used different hot-foil stampings, adding micro-embossing for stylish accent. A total of four different colour variants was produced, finished with two foils in silver and gold and a gold spot colour – the wrap-around motif comes from the Munich design agency Milch+Honig. Other great projects that exploit the possibilities of paper, print and finishing can be found in our novum+ and Showroom sections. There you can enjoy first-class design from France, Hungary, Norway and the Netherlands, as well as eight pages of prize-winning posters from Germany, Austria and Switzerland. Note de contenu : Paper & Print Multisensorics is a big theme at the moment in marketing and communication. After all, we human beings don´t just see, we can also feel, hear and smell. Things that appeal to us on several levels are therefore perceived more intensively, we feel them to be more positive and we remember them for longer. Unusually designed print products can achieve this sustained effect. In the novum+ section this month we bring you lots of exciting examples, such as intelligently conceived packaging, illustrations with hand-made charm and campaigns that attract attention through high-quality finishes. Also there´s lots to discover about recycling papers, beautiful books and sophisticated CIs. In the Showroom section Dutch designer Gilles de Brock explains how coding can boost creativity. Treize Grammes from France takes an opposite line, building charming settings by hand, and Kind from Norway impresses with visual identities that combine emotions with Nordic minimalism. Patrick Rössler presents graphic design treasures from the Bauhaus era, the Hungarian design agency Classmate shows how designers collaborate across different countries and still manage to maintain a coherent line in terms of design. Last, but not least, we interviewed Anette Lenz, jury member of the competition »100 Best Posters — Germany, Austria, Switzerland«, about trends and the meaning of posters today. The cover Why just one cover, when you can have a variety? Embracing this idea, the October issue of novum appears in four different colours and was embossed with two different hot foils and a gold spot colour. For the first time we also used micro-embossing, a technique that enables very fine details to be worked into the embossing die. Often this technique is used in protection against forgery, but as you see from our cover, it is also a great way to create intriguing optical accents. On the wrap-around cover we used five embossing dies in different sizes, made by MSP Prägetechnik. As both larger areas and also fine details were embossed, it was necessary to do extensive testing to produce the best results with foils (Kurz) and paper (RecyCard from Papyrus Deutschland). The embossing itself also required great skill and sensitivity and that was delivered superbly by August Conzelmann AG. The design on the cover comes from Milch+Honig, and, as a design bureau based in Munich, for the October issue the subject foremost in many people´s minds here is the Oktoberfest. As the designers at Milch+Honig have extensive experience with high-end print products, the finishing technique, the paper and the design were all expertly coordinated to produce a beautiful and successful result. And, as masters of all that, Milch+Honig went one step further: with micro-embossing to integrate hidden messages. Working with the motion agency Paul Bewegt, they also concealed one or two things in the cover of novum – digitally, you understand. Using augmented reality parts of the cover can be brought to life – you can see this via an app on your smartphone or tablet. Inhalt Showroom Gilles de Brock Classmate Kind Treize grammes 100 Beste Plakate Bauhaus novum+ Clormann Design WRK Recycling Papiere Anna Niestroj Luminous Editions Non Standard Commission Anagrama Cover design: Milch+Honig Paper: Papyrus Deutschland Hot foil & micro embossing: August Conzelmann GmbH Stamping die: MSP Prägetechnik Foils: Kurz Offset: f&w Medien Augmented Reality: Paul Bewegt Photography: Janina Engel, Tobias Holzmann En ligne : https://novum.graphics/en/magazine/archive/detail/novum-1019/

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11.17 - 2017-11-13 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 11.17 - 2017-11-13 Type de document : texte imprimé Année de publication : 2017 Note générale : Electrifying 12.10.2017 Charles Eames once said: »The details are not the details. They make the design«. And in this month’s novum we are putting those very details centre-stage, as we look at the small components that make a design distinctive and unique. We also feature an interesting interview with the internationally famous creatives from Snask and the fantastic collages by Elisa Vendramin; we glimpse behind the scenes at the British studio Iwant, and peruse the amazing portfolio of konter… Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Architecture -- Dessins et plans Arts graphiques - Couleur Arts graphiques -- 21e siècle Arts graphiques -- Typographie Collage (art) Communication en marketing Communication visuelle -- 21e siècle Détails (art) Halbert, Michael Illustration -- technique Livres -- Mise en page Livres d'artistes Marques de commerce - Marketing Restaurants -- Aménagement Snask (Firm) Travail du papier Typographie - Design Wrigley, William (1861-1932) Index. décimale : 766 Arts graphiques Résumé : Small cause, large effect – that is true not only of the famous »butterfly effect«. It applies also to so many other things in daily life and of course it applies to graphic design. A detail such as bold use of just one impressive colour can make all the difference. We think you´ll agree this technique has certainly produced an eye-catching result on this month´s cover, of which there is not one, but two variants! As regards content, the focus is our novum+ section is exclusively on details: For this we talked to type guru Friedrich Forssmann about the obsessiveness that is essential for any typographer, conducted an interview with designer-craftswoman Katja Knahn and explored the new visual identity of City College in New York. We also had a very productive chat with Carlos Magro, Creative Director at Interbrand Spain, about his unusual CD – called »Mind the Gap« – for an international firm of lawyers. And we feature a jaw-dropping interior design for a restaurant – with walls lined with thousands of bones. Cadena of Mexico tells us how their design came about. In the Showroom this time, we have a diversity of styles and genres: Fantastic collages from Elisa Vendramin await your inspection, along with sophisticated packaging from British studio Iwant. Plus we reveal how design greats Snask with their rock ‘n’ roll discipline made it to the top – and not only with their redesign for North Korea. Beatriz Costo often lets her creativity flow into editorial design projects, and our cover designers – Dortmund-based design studio konter – show us their inspiring portfolio. How do you protect creative titles? This is the question tackled by lawyer Andrijana Kojic; she gives practical advice in her legal column. And Andreas Koop in his column muses on why, even in design commissions for industry, so much trickery and cheating goes on … unreal realities! And – did you know that Wrigley´s now iconic chewing gum was actually not the manufacturer’s own product at all in the early days? From give-away to world fame – find out more about this exciting brand story…. The cover If you want to be subtle, then avoid Electric Blood and Vibrant Arsenic from the Action range of papermakers Gmund. But if you want to make a splash, then you´ll be very, very happy with this material. Electric Blood is a very specific colour – somewhere between red and orange with an almost neon-like effect. A special surface treatment, applied after the paper has been produced, gives it that distinctive shimmer. Vibrant Arsenic, with the same surface, is a resplendent pure neon yellow. We have used both in producing the cover for this month´s novum, but whichever one you have ended up with, there’s no chance of losing it on your shelves. All the ten expressive colours in Gmund Action – available from Papyrus – keep their promise: Go to Hell Black, Alpine Sparkling Water, Crystal Vanilla Sorbet, Nuclear Acid, Clear Sky Blue, Pastel Heart Attack, Night Offshore Blue, Dark Silver Cloud and of course also Vibrant Arsenic und Electric Blood. Whether you use them for packaging or envelopes, this colour range really grabs the attention. Available in 300 to 430 gsm, any application is guaranteed to get noticed. So, for communication that really stands out, choose a muted colour for the letter and put it in one of these Gmund Action envelopes. The finish Any complicated processing of these visually prominent materials would almost be one detail too far, so the designers at konter studio limited themselves to the contrast-rich progression in one special colour (Pantone 286 C) and a fine embossing carefully finished with hot foil. Thus finished, their artwork uniquely interprets the focus theme this month in a unique way: »Complexity, yes. Sometimes simple but hidden, allows playfulness« … to be discovered on the back cover of this issue. »We love the details. Very often it´s not the overall picture that we delight in, but the tiny, hidden, special aspects, that sometimes can be implemented without an enormous budget. And things really get rewarding when have the opportunity to spend time on such details. So what we produced here is a motif that at first sight is just a burst of colour, but on closer inspection you see the delicate embossing and the hidden content,« say Michelle Flunger and Sascha Schilling of konter – Studio für Gestaltung. The foil embossing was done by the Forum Prägefolien Veredelung, a society of finishing experts and specialists offering advice and services in the different types of hot foil stamping, from micro-embossing to structure, relief and blind blocking. www.look-and-feel.net novum+ Cadena (MEX) Michael Halbert (USA) Campbell Hay (GBR) Friedrich Forssman (GER) Katja Knahn (GER) Interbrand (ESP) Menos Es Más (ESP) Showroom Snask (SWE) Iwant Design (GBR) Beatriz Costo (ESP) Konter (GER) Elisa Vendramin (ITA) Neue Typgraphie, Teil VI Paper: Gmund Action, Papyrus, www.papyrus.com Offset printing: f&w Druck- und Mediencenter Embossing and hot foil: Forum Prägefolien Veredelung, www.look-and-feel.net Cover design: konter, www.studiokonter.de Special colour: Pantone 286 C Photos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/current-issue/detail/novum-1117/ [n° ou bulletin]  est un bulletin de Novum 11.17 - 2017-11-13 [texte imprimé] . - 2017. Electrifying 12.10.2017 Charles Eames once said: »The details are not the details. They make the design«. And in this month’s novum we are putting those very details centre-stage, as we look at the small components that make a design distinctive and unique. We also feature an interesting interview with the internationally famous creatives from Snask and the fantastic collages by Elisa Vendramin; we glimpse behind the scenes at the British studio Iwant, and peruse the amazing portfolio of konter… Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Architecture -- Dessins et plans Arts graphiques - Couleur Arts graphiques -- 21e siècle Arts graphiques -- Typographie Collage (art) Communication en marketing Communication visuelle -- 21e siècle Détails (art) Halbert, Michael Illustration -- technique Livres -- Mise en page Livres d'artistes Marques de commerce - Marketing Restaurants -- Aménagement Snask (Firm) Travail du papier Typographie - Design Wrigley, William (1861-1932) Index. décimale : 766 Arts graphiques Résumé : Small cause, large effect – that is true not only of the famous »butterfly effect«. It applies also to so many other things in daily life and of course it applies to graphic design. A detail such as bold use of just one impressive colour can make all the difference. We think you´ll agree this technique has certainly produced an eye-catching result on this month´s cover, of which there is not one, but two variants! As regards content, the focus is our novum+ section is exclusively on details: For this we talked to type guru Friedrich Forssmann about the obsessiveness that is essential for any typographer, conducted an interview with designer-craftswoman Katja Knahn and explored the new visual identity of City College in New York. We also had a very productive chat with Carlos Magro, Creative Director at Interbrand Spain, about his unusual CD – called »Mind the Gap« – for an international firm of lawyers. And we feature a jaw-dropping interior design for a restaurant – with walls lined with thousands of bones. Cadena of Mexico tells us how their design came about. In the Showroom this time, we have a diversity of styles and genres: Fantastic collages from Elisa Vendramin await your inspection, along with sophisticated packaging from British studio Iwant. Plus we reveal how design greats Snask with their rock ‘n’ roll discipline made it to the top – and not only with their redesign for North Korea. Beatriz Costo often lets her creativity flow into editorial design projects, and our cover designers – Dortmund-based design studio konter – show us their inspiring portfolio. How do you protect creative titles? This is the question tackled by lawyer Andrijana Kojic; she gives practical advice in her legal column. And Andreas Koop in his column muses on why, even in design commissions for industry, so much trickery and cheating goes on … unreal realities! And – did you know that Wrigley´s now iconic chewing gum was actually not the manufacturer’s own product at all in the early days? From give-away to world fame – find out more about this exciting brand story…. The cover If you want to be subtle, then avoid Electric Blood and Vibrant Arsenic from the Action range of papermakers Gmund. But if you want to make a splash, then you´ll be very, very happy with this material. Electric Blood is a very specific colour – somewhere between red and orange with an almost neon-like effect. A special surface treatment, applied after the paper has been produced, gives it that distinctive shimmer. Vibrant Arsenic, with the same surface, is a resplendent pure neon yellow. We have used both in producing the cover for this month´s novum, but whichever one you have ended up with, there’s no chance of losing it on your shelves. All the ten expressive colours in Gmund Action – available from Papyrus – keep their promise: Go to Hell Black, Alpine Sparkling Water, Crystal Vanilla Sorbet, Nuclear Acid, Clear Sky Blue, Pastel Heart Attack, Night Offshore Blue, Dark Silver Cloud and of course also Vibrant Arsenic und Electric Blood. Whether you use them for packaging or envelopes, this colour range really grabs the attention. Available in 300 to 430 gsm, any application is guaranteed to get noticed. So, for communication that really stands out, choose a muted colour for the letter and put it in one of these Gmund Action envelopes. The finish Any complicated processing of these visually prominent materials would almost be one detail too far, so the designers at konter studio limited themselves to the contrast-rich progression in one special colour (Pantone 286 C) and a fine embossing carefully finished with hot foil. Thus finished, their artwork uniquely interprets the focus theme this month in a unique way: »Complexity, yes. Sometimes simple but hidden, allows playfulness« … to be discovered on the back cover of this issue. »We love the details. Very often it´s not the overall picture that we delight in, but the tiny, hidden, special aspects, that sometimes can be implemented without an enormous budget. And things really get rewarding when have the opportunity to spend time on such details. So what we produced here is a motif that at first sight is just a burst of colour, but on closer inspection you see the delicate embossing and the hidden content,« say Michelle Flunger and Sascha Schilling of konter – Studio für Gestaltung. The foil embossing was done by the Forum Prägefolien Veredelung, a society of finishing experts and specialists offering advice and services in the different types of hot foil stamping, from micro-embossing to structure, relief and blind blocking. www.look-and-feel.net novum+ Cadena (MEX) Michael Halbert (USA) Campbell Hay (GBR) Friedrich Forssman (GER) Katja Knahn (GER) Interbrand (ESP) Menos Es Más (ESP) Showroom Snask (SWE) Iwant Design (GBR) Beatriz Costo (ESP) Konter (GER) Elisa Vendramin (ITA) Neue Typgraphie, Teil VI Paper: Gmund Action, Papyrus, www.papyrus.com Offset printing: f&w Druck- und Mediencenter Embossing and hot foil: Forum Prägefolien Veredelung, www.look-and-feel.net Cover design: konter, www.studiokonter.de Special colour: Pantone 286 C Photos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/current-issue/detail/novum-1117/

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12.17 - 2017-12-12 (Bulletin de Novum)

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 12.17 - 2017-12-12 Type de document : texte imprimé Année de publication : 2017 Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Arts graphiques -- 21e siècle Livres d'artistes Pop-up (travail du papier) Travail du papier Typographie -- Caractères Index. décimale : 766 Arts graphiques [n° ou bulletin]  est un bulletin de Novum 12.17 - 2017-12-12 [texte imprimé] . - 2017. Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Arts graphiques -- 21e siècle Livres d'artistes Pop-up (travail du papier) Travail du papier Typographie -- Caractères Index. décimale : 766 Arts graphiques

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Un coup de dés jamais n'abolira le hasard : sculpture / Michalis Pichler

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Dans la nuit noire / Bruno Munari 

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Hans-Peter Feldmann / Catherine Mayeur in Dits : petites pièces traitant d'un sujet familier ou d'actualité, v.5:no.8/9(2007) (2007-12-21)

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N°26 (2007) - 2007-01-01 - L'art vivant et ses institutions (Bulletin de Art & fact : revue des historiens de l'art, des archéologues et des musicologues de l'Université de Liège.)  

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no245(2018:septembre-octobre) - 2018-09-01 - Art contemporain. Palais de Justice. Une saison graphique, ED Awards, The Rodina, Plaid, Montréal (Bulletin de Étapes)    

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no269(2022:septembre-octobre) - 2022-09-01 - Usages typographiques (Bulletin de Étapes)  

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Playing with books / Jason Thompson

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