2.2017 - 2017-02-01 - Wellbeing (Bulletin de MD : international magazine of design. Möbel Interior Design)  

Public ISBD [n° ou bulletin]  est un bulletin de MD : international magazine of design. Möbel Interior Design Titre : 2.2017 - 2017-02-01 - Wellbeing Type de document : texte imprimé Année de publication : 2017 Langues : Allemand (ger) Catégories : Bureaux -- Aménagement Design Éclairage intérieur Qualité de la vie Salles de spectacle Index. décimale : 7.05 Design industriel En ligne : http://www.md-mag.com/ [n° ou bulletin]  est un bulletin de MD : international magazine of design. Möbel Interior Design 2.2017 - 2017-02-01 - Wellbeing [texte imprimé] . - 2017. Langues : Allemand (ger) Catégories : Bureaux -- Aménagement Design Éclairage intérieur Qualité de la vie Salles de spectacle Index. décimale : 7.05 Design industriel En ligne : http://www.md-mag.com/

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Vol.2017:N°11 - 2017-11-01 - Material und Oberfläche = Materials and Finishes (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)  

Public ISBD [n° ou bulletin]  est un bulletin de Detail : Zeitschrift für Architecktur + Baudetail Titre : Vol.2017:N°11 - 2017-11-01 - Material und Oberfläche = Materials and Finishes Type de document : texte imprimé Année de publication : 2017 Langues : Allemand (ger) Anglais (eng) Catégories : Architecture -- Dessins et plans Architecture -- Matériaux Architecture durable Bâtiments publics -- La Valette (Malte) Béton de résine Constructions -- Extensions Finition (construction) Moura, Eduardo Souto de (1952-....) Musées (constructions) Piano, Renzo (1937-....) Revêtement métallique Salles de spectacle Victoria and Albert museum (Londres) Index. décimale : 72 Architecture Résumé : There is hardly another topic that fascinates architects more than new materials, with their previously unimagined properties and enchanting haptic surfaces. Yet if you look at built reality, these hardly play a role. On the contrary, the international trend continues to move towards natural surfaces made of wood, brick and natural stone. As aesthetically and ecologically meaningful as they may be, this development becomes alarming when buildings and interiors in southern China, Paris or Copenhagen become indistinguishable. The examples in our current issue show, however, that individual solutions are still possible even within a narrow range of materials and colours. Just a few years ago, natural stone and solid wood – building materials used today by the luxury sector – were cheaper than concrete and veneer in countries like Portugal, as the Pritzker Prize winner Eduardo Souto de Moura explains to us in an interview. In his eyes, the design elements of architecture remain the same throughout history, only the materials change. Renzo Piano takes the opposite tack with his parliament building in Valletta. Using the local coralline limestone of the historic city’s fortifications as a starting point, he interprets the erosion forms of the rock in an innovative, high-tech natural stone facade. As a counterpoint to the examples using ­traditional materials, our Technology section examines the production and assembly of the polymer facade at the Museum of Modern Art in San Francisco. This is the largest building envelope to date made using fibreglass ­reinforced polymer (FRP) cladding, a material that was developed decades ago. This project shows how long it takes, especially in the building industry, for new materials to be used on a large scale – and their potential for the development of the built environment. The editorial team wishes you inspired reading. En ligne : https://www.detail-online.com/magazine/materials-and-finishes-31163/ [n° ou bulletin]  est un bulletin de Detail : Zeitschrift für Architecktur + Baudetail Vol.2017:N°11 - 2017-11-01 - Material und Oberfläche = Materials and Finishes [texte imprimé] . - 2017. Langues : Allemand (ger) Anglais (eng) Catégories : Architecture -- Dessins et plans Architecture -- Matériaux Architecture durable Bâtiments publics -- La Valette (Malte) Béton de résine Constructions -- Extensions Finition (construction) Moura, Eduardo Souto de (1952-....) Musées (constructions) Piano, Renzo (1937-....) Revêtement métallique Salles de spectacle Victoria and Albert museum (Londres) Index. décimale : 72 Architecture Résumé : There is hardly another topic that fascinates architects more than new materials, with their previously unimagined properties and enchanting haptic surfaces. Yet if you look at built reality, these hardly play a role. On the contrary, the international trend continues to move towards natural surfaces made of wood, brick and natural stone. As aesthetically and ecologically meaningful as they may be, this development becomes alarming when buildings and interiors in southern China, Paris or Copenhagen become indistinguishable. The examples in our current issue show, however, that individual solutions are still possible even within a narrow range of materials and colours. Just a few years ago, natural stone and solid wood – building materials used today by the luxury sector – were cheaper than concrete and veneer in countries like Portugal, as the Pritzker Prize winner Eduardo Souto de Moura explains to us in an interview. In his eyes, the design elements of architecture remain the same throughout history, only the materials change. Renzo Piano takes the opposite tack with his parliament building in Valletta. Using the local coralline limestone of the historic city’s fortifications as a starting point, he interprets the erosion forms of the rock in an innovative, high-tech natural stone facade. As a counterpoint to the examples using ­traditional materials, our Technology section examines the production and assembly of the polymer facade at the Museum of Modern Art in San Francisco. This is the largest building envelope to date made using fibreglass ­reinforced polymer (FRP) cladding, a material that was developed decades ago. This project shows how long it takes, especially in the building industry, for new materials to be used on a large scale – and their potential for the development of the built environment. The editorial team wishes you inspired reading. En ligne : https://www.detail-online.com/magazine/materials-and-finishes-31163/

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Vol.2018:N°3 - 2018-03-01 - Bühnenbauten = Theatre Structures (Bulletin de Detail : Zeitschrift für Architecktur + Baudetail)  

Public ISBD [n° ou bulletin]  est un bulletin de Detail : Zeitschrift für Architecktur + Baudetail Titre : Vol.2018:N°3 - 2018-03-01 - Bühnenbauten = Theatre Structures Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Acoustique architecturale Architecture -- Dessins et plans Auditoriums CHIPPERFIELD, David (1953 - ....) Construction en béton Constructions circulaires Constructions en verre Couleur en architecture Éclairage architectural et décoratif Foster associates (Londres) Louvre-Abu Dhabi -- Dessins et plans Luminaires - Design Musées (constructions) Museum Würth (Künzelsau, Allemagne) Opéras (constructions) Plein air Salles de spectacle Théâtres - Conception et construction Théâtres en rond Index. décimale : 72 Architecture Résumé : Approximately one year ago, the Elbphilharmonie in Hamburg opened its doors for the first time. With the advent of this new landmark on the River Elbe in North Germany, one registers an increase in the general esteem for stage structures. Nowadays their cultural significance is no longer called in question; it is appreciated instead. In the public perception, buildings of this kind everywhere have assumed a status that was formerly reserved for museums. In the March issue of Detail, we present concepts for auditoriums and open-air theatres, congress centres and large opera houses. The one thing they all have in common, of course, is a stage – sometimes larger, sometimes smaller and sometimes even variable in size. The examples we include here, from Swabia to North Jutland, from Canada and China, allow a comparison of typological aspects; for example, questions of access and circulation and the layout of the individual halls. In the two longer “Process” contributions, which describe the Music Forum in Bochum and the Auditorium and Congress Centre in Plasencia, Spain, we investigate concrete issues involving the acoustics and planning. Stage structures are public places where people gather and feel at home. In Bochum, Bez+Kock Architects have succeeded in reactivating a 19th-century neo-Gothic church for this purpose. And in the Extremadura in Spain, a new auditorium by José Selgas and Lucía Cano has caught the attention of the public for the first time in this context in a remote location where such an audience did not previously exist. These, too, are aspects with which we have been keenly concerned in the editorial team. Note de contenu : Magazin Reports Louvre in Abu Dhabi – Symbol der Toleranz? = Louvre in Abu Dhabi – Symbol of Tolerance? Apple für Besucher = Apple Park Visitor Centre Regeln, Normen und Paragraphen = Rules, Norms and Paragraphs Bücher = Books DETAIL research Origami aus Beton = Concrete Origami Architektur im Dialog = Architecture in Dialogue Produkte = Products Light + Building Special Innenausbau = Interior Construction Essay Der Auftritt vor dem Auftritt = The Show before the Show Frank Kaltenbach Typologie = Typology Carmen Würth Forum bei Heilbronn (DE)= Carmen Würth Forum near Heilbronn (DE) David Chipperfield Architects Berlin Oper in Harbin (CN)= Opera House in Harbin (CN) MAD Architects Freilufttheater in Québec (CA)= Open-Air Theatre in Québec (CA) Atelier Paul Laurendeau Vendsyssel-Theater in Hjørring (DK) = Vendsyssl Theatre in Hjørring (DK) Schmidt Hammer Lassen Architects Theaterturm auf dem Julierpass (CH) = Theatre Tower on the Julier Pass (CH) Giovanni Netzer, Walter Bieler Barenboim-Said Akademie in Berlin (DE)= Barenboim-Said Academy in Berlin (DE) Gehry Partners, HG Merz, rw Prozess = Process Auditorium und Kongresszentrum in der Extremadura = Auditorium and Congress Centre in the Extremadura selgascano Musikforum in Bochum = Music Forum in Bochum Bez + Kock En ligne : https://www.detail-online.com/fileadmin/uploads/hogeweyk/DETAIL-3-2018-Inhalt.pd [...] [n° ou bulletin]  est un bulletin de Detail : Zeitschrift für Architecktur + Baudetail Vol.2018:N°3 - 2018-03-01 - Bühnenbauten = Theatre Structures [texte imprimé] . - 2018. Langues : Allemand (ger) Anglais (eng) Catégories : Acoustique architecturale Architecture -- Dessins et plans Auditoriums CHIPPERFIELD, David (1953 - ....) Construction en béton Constructions circulaires Constructions en verre Couleur en architecture Éclairage architectural et décoratif Foster associates (Londres) Louvre-Abu Dhabi -- Dessins et plans Luminaires - Design Musées (constructions) Museum Würth (Künzelsau, Allemagne) Opéras (constructions) Plein air Salles de spectacle Théâtres - Conception et construction Théâtres en rond Index. décimale : 72 Architecture Résumé : Approximately one year ago, the Elbphilharmonie in Hamburg opened its doors for the first time. With the advent of this new landmark on the River Elbe in North Germany, one registers an increase in the general esteem for stage structures. Nowadays their cultural significance is no longer called in question; it is appreciated instead. In the public perception, buildings of this kind everywhere have assumed a status that was formerly reserved for museums. In the March issue of Detail, we present concepts for auditoriums and open-air theatres, congress centres and large opera houses. The one thing they all have in common, of course, is a stage – sometimes larger, sometimes smaller and sometimes even variable in size. The examples we include here, from Swabia to North Jutland, from Canada and China, allow a comparison of typological aspects; for example, questions of access and circulation and the layout of the individual halls. In the two longer “Process” contributions, which describe the Music Forum in Bochum and the Auditorium and Congress Centre in Plasencia, Spain, we investigate concrete issues involving the acoustics and planning. Stage structures are public places where people gather and feel at home. In Bochum, Bez+Kock Architects have succeeded in reactivating a 19th-century neo-Gothic church for this purpose. And in the Extremadura in Spain, a new auditorium by José Selgas and Lucía Cano has caught the attention of the public for the first time in this context in a remote location where such an audience did not previously exist. These, too, are aspects with which we have been keenly concerned in the editorial team. Note de contenu : Magazin Reports Louvre in Abu Dhabi – Symbol der Toleranz? = Louvre in Abu Dhabi – Symbol of Tolerance? Apple für Besucher = Apple Park Visitor Centre Regeln, Normen und Paragraphen = Rules, Norms and Paragraphs Bücher = Books DETAIL research Origami aus Beton = Concrete Origami Architektur im Dialog = Architecture in Dialogue Produkte = Products Light + Building Special Innenausbau = Interior Construction Essay Der Auftritt vor dem Auftritt = The Show before the Show Frank Kaltenbach Typologie = Typology Carmen Würth Forum bei Heilbronn (DE)= Carmen Würth Forum near Heilbronn (DE) David Chipperfield Architects Berlin Oper in Harbin (CN)= Opera House in Harbin (CN) MAD Architects Freilufttheater in Québec (CA)= Open-Air Theatre in Québec (CA) Atelier Paul Laurendeau Vendsyssel-Theater in Hjørring (DK) = Vendsyssl Theatre in Hjørring (DK) Schmidt Hammer Lassen Architects Theaterturm auf dem Julierpass (CH) = Theatre Tower on the Julier Pass (CH) Giovanni Netzer, Walter Bieler Barenboim-Said Akademie in Berlin (DE)= Barenboim-Said Academy in Berlin (DE) Gehry Partners, HG Merz, rw Prozess = Process Auditorium und Kongresszentrum in der Extremadura = Auditorium and Congress Centre in the Extremadura selgascano Musikforum in Bochum = Music Forum in Bochum Bez + Kock En ligne : https://www.detail-online.com/fileadmin/uploads/hogeweyk/DETAIL-3-2018-Inhalt.pd [...]

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