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[n° ou bulletin]
Titre : 07.18 - 2018-07-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement
Café -- Conditionnement
Communication en design
Illusions d'optique -- Design
Livres -- Couvertures
Livres -- Mise en page
Lufthansa
Marques de commerce
Signaux et signalisation
Thé -- Conditionnement
Twinings (Firm)
TypographieIndex. décimale : 766 Arts graphiques Résumé : Whatever your preference – espresso or cappuccino, black or green tea – for our July issue we have inspected the entire range and selected some very attractive packaging and visual identities from this market segment for you. But apart from the novum+ on »Tea & Coffee«, we have many more visual delights for you to savour in this month’s novum. Note de contenu :
This month our Showroom takes us to the city of Québec in Canada, where Jeremy Hall runs an excellent small studio. Guillermo Flores, alias Orbeh, charms us with his unique illustrations that conjure up brand new worlds. The works of Monica Zec delight in a different way, with intriguing little visual tricks. Then we go to Austria to Seite Zwei, whose portfolio boasts clever and extensive visual identities, and also to Knoed in Poland, where the creations, whether print or digital, are always an experience.
A special kind of design collective goes under the name of Bureau Stabil, based in Saarbrücken. And, finally, we present you an extensive »making of« about the major Lufthansa re-design, realised by Martin et Karczinski.
Our typography section this time features two new fonts that are quite unusual, and our legal corner continues with part two of an article on the new data-protection regulations – explained expertly and in a way that´s easy to understand. If you missed the first part, you can order a back copy of issue 06.18 here.
The mood lightens then in our brand story, which homes in on the long history of Miele with its many charming subjects from various decades.
The cover
A paper that bursts with summer and enjoyment: Dolcelicious presents titbits such as »Lemon Drizzle«, »Roasted Chestnut« and »Elderflower White«, which combine beautifully into a harmonious colour palette. This is just one of the new additions to the Römerturm range and it came from the recent cooperation with the British manufacturer James Cropper.
For our »Coffee & Tea« theme Dolcelicious is of course a perfect fit, and in the nostalgic colours»“Summer Coulis« and »Kiwi Fizz« it conjures up the ice cafés of the 1950s and mouth-watering petit fours. The luxurious surface finishing on this paper is a real eye-catcher, not just when used on covers: it positively gleams (note: also certified for use in direct food contact) in the field of luxury packaging. Whether for a folding carton or a carrier bag, this brand new material (available in eleven colours and grammages up to 330 gsm) inspired our cover designers Mursal Nasr and Patrick Marc Sommer (typoint, www.typoint.com): If you place the two novum variants in pink and green next to each other, you get a whimsical coffee table scene that looks an absolute delight. Dolcelicious can of course be finished quite easily with many different techniques – its great touch & feel, however, in combination with the expressive colours, has turned our cover into a really »hands-on« experience. Grab those cups and enjoy!
The content
Showroom
Orbeh (MEX)
Lufthansa Re-Design (Martin et Karczinski, GER)
Monica Zec (MKD)
Seite Zwei (AUT)
Bureau Stabil (GER)
Knoed (USA)
Studio Figure (CAN)
novum+
Collins (USA)
Salvita (LIT)
Juana Alvarez (ITA)
Here Design (GBR)
Plenum (RUS)
Hugo Aranha (BRA)
Futura (MEX)
Branded (AUT)
Brand Opus (GBR)
Coffee Style / Prestel Verlag
Cover design: Typoint
Paper: Dolcelicious, 330 g/qm, two colours (»Kiwi Fizz«, »Summer Coulis«), Römerturm (distribution), James Cropper (manufacturer)
Photos: Guillaume Sinopoli
Offset printing: f&w Druck- und MediencenterEn ligne : https://novum.graphics/en/news/all-news/ [n° ou bulletin] 07.18 - 2018-07-12 [texte imprimé] . - 2018.
Langues : Allemand (ger) Anglais (eng)
Catégories : Aliments -- Conditionnement
Café -- Conditionnement
Communication en design
Illusions d'optique -- Design
Livres -- Couvertures
Livres -- Mise en page
Lufthansa
Marques de commerce
Signaux et signalisation
Thé -- Conditionnement
Twinings (Firm)
TypographieIndex. décimale : 766 Arts graphiques Résumé : Whatever your preference – espresso or cappuccino, black or green tea – for our July issue we have inspected the entire range and selected some very attractive packaging and visual identities from this market segment for you. But apart from the novum+ on »Tea & Coffee«, we have many more visual delights for you to savour in this month’s novum. Note de contenu :
This month our Showroom takes us to the city of Québec in Canada, where Jeremy Hall runs an excellent small studio. Guillermo Flores, alias Orbeh, charms us with his unique illustrations that conjure up brand new worlds. The works of Monica Zec delight in a different way, with intriguing little visual tricks. Then we go to Austria to Seite Zwei, whose portfolio boasts clever and extensive visual identities, and also to Knoed in Poland, where the creations, whether print or digital, are always an experience.
A special kind of design collective goes under the name of Bureau Stabil, based in Saarbrücken. And, finally, we present you an extensive »making of« about the major Lufthansa re-design, realised by Martin et Karczinski.
Our typography section this time features two new fonts that are quite unusual, and our legal corner continues with part two of an article on the new data-protection regulations – explained expertly and in a way that´s easy to understand. If you missed the first part, you can order a back copy of issue 06.18 here.
The mood lightens then in our brand story, which homes in on the long history of Miele with its many charming subjects from various decades.
The cover
A paper that bursts with summer and enjoyment: Dolcelicious presents titbits such as »Lemon Drizzle«, »Roasted Chestnut« and »Elderflower White«, which combine beautifully into a harmonious colour palette. This is just one of the new additions to the Römerturm range and it came from the recent cooperation with the British manufacturer James Cropper.
For our »Coffee & Tea« theme Dolcelicious is of course a perfect fit, and in the nostalgic colours»“Summer Coulis« and »Kiwi Fizz« it conjures up the ice cafés of the 1950s and mouth-watering petit fours. The luxurious surface finishing on this paper is a real eye-catcher, not just when used on covers: it positively gleams (note: also certified for use in direct food contact) in the field of luxury packaging. Whether for a folding carton or a carrier bag, this brand new material (available in eleven colours and grammages up to 330 gsm) inspired our cover designers Mursal Nasr and Patrick Marc Sommer (typoint, www.typoint.com): If you place the two novum variants in pink and green next to each other, you get a whimsical coffee table scene that looks an absolute delight. Dolcelicious can of course be finished quite easily with many different techniques – its great touch & feel, however, in combination with the expressive colours, has turned our cover into a really »hands-on« experience. Grab those cups and enjoy!
The content
Showroom
Orbeh (MEX)
Lufthansa Re-Design (Martin et Karczinski, GER)
Monica Zec (MKD)
Seite Zwei (AUT)
Bureau Stabil (GER)
Knoed (USA)
Studio Figure (CAN)
novum+
Collins (USA)
Salvita (LIT)
Juana Alvarez (ITA)
Here Design (GBR)
Plenum (RUS)
Hugo Aranha (BRA)
Futura (MEX)
Branded (AUT)
Brand Opus (GBR)
Coffee Style / Prestel Verlag
Cover design: Typoint
Paper: Dolcelicious, 330 g/qm, two colours (»Kiwi Fizz«, »Summer Coulis«), Römerturm (distribution), James Cropper (manufacturer)
Photos: Guillaume Sinopoli
Offset printing: f&w Druck- und MediencenterEn ligne : https://novum.graphics/en/news/all-news/ Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 22653 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : 08.15 - 2015-08-12 Type de document : texte imprimé Année de publication : 2015 Langues : Allemand (ger) Anglais (eng) Catégories : Communication en design
Design
Graphisme
Livres d'artistes
Papier - Fabrication
Tourisme
Typographie - DesignIndex. décimale : 766 Arts graphiques Résumé : A tough call – but a necessary one, in a world where too often good ideas, launched to serve society, somehow degenerate into constructs that benefit the few at the expense of the many.
What started out innocently as »couch surfing« – not just a cheap form of accommodation for low-budget travellers, but also a real opportunity to experience local life, away from the standardised international hotels – turned into Airbnb. That in itself is not reprehensible – why shouldn’t someone who sets up a functioning platform also pursue his own commercial ends? So far, so good: a win-win situation for both sides. But, living space being famously in short supply in the top destinations, some locals have no qualms about offering even cellar rooms for maximum profit. So, what better than to go for this kind of practical rental arrangement: Why let out a 30 m2 apartment in Munich for only 800 euros a month, when you can get 50 euros per day from passing travellers? The inevitable result: even less affordable accommodation available to locals. That’s got as much to do with social cohesion as subsidising coal at the same time as switching over to clean energy. But this too is a natural reflex: Many complain about rising rents and how long it takes to find a flat, but when looking to save a few euros on the next city break, they book on Airbnb while at the same time calling indignantly for a cap on rent rises.
The hype surrounding sharing platforms on the web is also fascinating. At first sight it seems very sensible from an economic and ecological point of view: Nobody needs to buy all that stuff. When it comes to small items it all works very well – like when neighbours share a lawnmower they got together to buy. Now, as we know, humankind has never managed to get a truly »social« society to work – history tells us that much. It just doesn’t seem to be in our DNA. So, with these sharesites, too, there’s an unequal balance: The idealism of one group is sadly often torpedoed by the self-serving actions of a few. The feeling of freedom on the part of those who don’t want to »burden themselves« with material things, i.e. don’t have any possessions (or don’t want to pay for them), is supported by the goodwill of those who do invest in these things and then share them. A truly sharing system only works when everyone makes a contribution to it, and not, as some do, tries to live out their own personal philosophy of life on the backs of others, all the time accusing those others of wasting resources. Ergo: If you criticise your friends for owning a car in a city (how unnecessary!), then don’t ask those friends for a lift the next time they are going to Ikea …
A truly responsible lifestyle in today’s world should in my eyes go beyond just ecological and economic aspects:
It needs the added dimension of community spirit. It’s not enough to live out one’s own personal sustainability program, ignoring the consequences for other people: That way lies only egoism, even though this may not have been the original intention.
I hope you are having a wonderful summer,
Bettina SchulzEn ligne : http://www.novumnet.de/en/world-of-novum/current-issue/082015/first/editorial.ht [...] [n° ou bulletin] 08.15 - 2015-08-12 [texte imprimé] . - 2015.
Langues : Allemand (ger) Anglais (eng)
Catégories : Communication en design
Design
Graphisme
Livres d'artistes
Papier - Fabrication
Tourisme
Typographie - DesignIndex. décimale : 766 Arts graphiques Résumé : A tough call – but a necessary one, in a world where too often good ideas, launched to serve society, somehow degenerate into constructs that benefit the few at the expense of the many.
What started out innocently as »couch surfing« – not just a cheap form of accommodation for low-budget travellers, but also a real opportunity to experience local life, away from the standardised international hotels – turned into Airbnb. That in itself is not reprehensible – why shouldn’t someone who sets up a functioning platform also pursue his own commercial ends? So far, so good: a win-win situation for both sides. But, living space being famously in short supply in the top destinations, some locals have no qualms about offering even cellar rooms for maximum profit. So, what better than to go for this kind of practical rental arrangement: Why let out a 30 m2 apartment in Munich for only 800 euros a month, when you can get 50 euros per day from passing travellers? The inevitable result: even less affordable accommodation available to locals. That’s got as much to do with social cohesion as subsidising coal at the same time as switching over to clean energy. But this too is a natural reflex: Many complain about rising rents and how long it takes to find a flat, but when looking to save a few euros on the next city break, they book on Airbnb while at the same time calling indignantly for a cap on rent rises.
The hype surrounding sharing platforms on the web is also fascinating. At first sight it seems very sensible from an economic and ecological point of view: Nobody needs to buy all that stuff. When it comes to small items it all works very well – like when neighbours share a lawnmower they got together to buy. Now, as we know, humankind has never managed to get a truly »social« society to work – history tells us that much. It just doesn’t seem to be in our DNA. So, with these sharesites, too, there’s an unequal balance: The idealism of one group is sadly often torpedoed by the self-serving actions of a few. The feeling of freedom on the part of those who don’t want to »burden themselves« with material things, i.e. don’t have any possessions (or don’t want to pay for them), is supported by the goodwill of those who do invest in these things and then share them. A truly sharing system only works when everyone makes a contribution to it, and not, as some do, tries to live out their own personal philosophy of life on the backs of others, all the time accusing those others of wasting resources. Ergo: If you criticise your friends for owning a car in a city (how unnecessary!), then don’t ask those friends for a lift the next time they are going to Ikea …
A truly responsible lifestyle in today’s world should in my eyes go beyond just ecological and economic aspects:
It needs the added dimension of community spirit. It’s not enough to live out one’s own personal sustainability program, ignoring the consequences for other people: That way lies only egoism, even though this may not have been the original intention.
I hope you are having a wonderful summer,
Bettina SchulzEn ligne : http://www.novumnet.de/en/world-of-novum/current-issue/082015/first/editorial.ht [...] Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 19442 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible Design et communication visuelle / Bruno Munari
Titre : Design et communication visuelle Type de document : texte imprimé Auteurs : Bruno Munari (1907-1998), Auteur ; Audrey Favre, Editeur : Paris : Pyramyd Année de publication : 2014 Importance : 371 p. Présentation : ill. en n. et b. Format : 18 cm. ISBN/ISSN/EAN : 978-2-35017-316-0 Prix : 16,50 EUR Langues : Français (fre) Langues originales : Italien (ita) Catégories : Communication en design
Motifs (arts décoratifs)
Munari, Bruno (1907-1998)
STRUCTURES
Structures spatialesIndex. décimale : 7.05 Design industriel Résumé :
Cet ouvrage est un témoignage inédit de l'expérience de Bruno Munari en tant que professeur. Le grand designer italien, célèbre pour ses oeuvres inventives et libres, ses ouvrages pour adultes et enfants, et sa défense d'une création épurée et en mouvement, a en effet donné en 1967 un cours de communication visuelle à Harvard. La première partie de ce livre reproduit les lettres qu'il écrivait durant cette période à un quotidien milanais, y racontant avec humour son expérience d'"expatrié " et avec pédagogie son quotidien de professeur.
La seconde partie reproduit ce qui servit de base au cours dispensé par Munari : des notes, des exemples, des schémas, etc. D'une incroyable modernité, l'oeuvre professorale de Munari mérite d'être découverte pour sa simplicité, sa plume alerte et les points de vue qu'elle défend. L'auteur y prône une vision pragmatique de l'enseignement, qui refuse toute prétention ou conceptualisation vaniteuse pour se tourner vers des réflexions sensées et utiles à la pratique future des designers et créateurs graphiques.Design et communication visuelle [texte imprimé] / Bruno Munari (1907-1998), Auteur ; Audrey Favre, . - Paris : Pyramyd, 2014 . - 371 p. : ill. en n. et b. ; 18 cm.
ISBN : 978-2-35017-316-0 : 16,50 EUR
Langues : Français (fre) Langues originales : Italien (ita)
Catégories : Communication en design
Motifs (arts décoratifs)
Munari, Bruno (1907-1998)
STRUCTURES
Structures spatialesIndex. décimale : 7.05 Design industriel Résumé :
Cet ouvrage est un témoignage inédit de l'expérience de Bruno Munari en tant que professeur. Le grand designer italien, célèbre pour ses oeuvres inventives et libres, ses ouvrages pour adultes et enfants, et sa défense d'une création épurée et en mouvement, a en effet donné en 1967 un cours de communication visuelle à Harvard. La première partie de ce livre reproduit les lettres qu'il écrivait durant cette période à un quotidien milanais, y racontant avec humour son expérience d'"expatrié " et avec pédagogie son quotidien de professeur.
La seconde partie reproduit ce qui servit de base au cours dispensé par Munari : des notes, des exemples, des schémas, etc. D'une incroyable modernité, l'oeuvre professorale de Munari mérite d'être découverte pour sa simplicité, sa plume alerte et les points de vue qu'elle défend. L'auteur y prône une vision pragmatique de l'enseignement, qui refuse toute prétention ou conceptualisation vaniteuse pour se tourner vers des réflexions sensées et utiles à la pratique future des designers et créateurs graphiques.Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 22937 7.05 MUN Livre ESA Saint-Luc Beaux-Arts - Biblio Disponible Le design : Essai sur des théories et des pratiques / Sous la direction de Brigitte Flamand / Brigitte Flamand
Titre : Le design : Essai sur des théories et des pratiques / Sous la direction de Brigitte Flamand Type de document : texte imprimé Auteurs : Brigitte Flamand, Auteur Editeur : Paris : editions de l'Institut français de la mode; editions du Regard Année de publication : 2006. Importance : 361 p ISBN/ISSN/EAN : 2-914863-12-8 Langues : Français (fre) Catégories : Communication en design
DESIGN - ESTHETIQUE
Design -- 20e siècle
Design -- Conception et construction
Design -- Histoire
Philosophie et artIndex. décimale : 0 Le design : Essai sur des théories et des pratiques / Sous la direction de Brigitte Flamand [texte imprimé] / Brigitte Flamand, Auteur . - Paris : editions de l'Institut français de la mode; editions du Regard, 2006. . - 361 p.
ISBN : 2-914863-12-8
Langues : Français (fre)
Catégories : Communication en design
DESIGN - ESTHETIQUE
Design -- 20e siècle
Design -- Conception et construction
Design -- Histoire
Philosophie et artIndex. décimale : 0 Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 15264 7.05 Livre ESA Saint-Luc Beaux-Arts - Biblio Disponible Le design : Essai sur des théories et des pratiques / Sous la direction de Brigitte Flamand / Brigitte Flamand
Titre : Le design : Essai sur des théories et des pratiques / Sous la direction de Brigitte Flamand Type de document : texte imprimé Auteurs : Brigitte Flamand, Auteur Editeur : Paris : editions de l'Institut français de la mode; editions du Regard Année de publication : 2006. Importance : 361 p ISBN/ISSN/EAN : 2-914863-12-8 Langues : Français (fre) Catégories : Communication en design
DESIGN - ESTHETIQUE
Design -- 20e siècle
Design -- Conception et construction
Design -- Histoire
Philosophie et artIndex. décimale : 0 Le design : Essai sur des théories et des pratiques / Sous la direction de Brigitte Flamand [texte imprimé] / Brigitte Flamand, Auteur . - Paris : editions de l'Institut français de la mode; editions du Regard, 2006. . - 361 p.
ISBN : 2-914863-12-8
Langues : Français (fre)
Catégories : Communication en design
DESIGN - ESTHETIQUE
Design -- 20e siècle
Design -- Conception et construction
Design -- Histoire
Philosophie et artIndex. décimale : 0 Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 15706 7.05 Livre ESA Saint-Luc Beaux-Arts - Biblio Disponible L'Homme comme un " être d'habitude " / Rabah Bousbaci
Permalinkno241(2018:janv.-fév.) - 2018-01-01 - Congrès AGI Paris : Frontières. Swiss design Awards. Copenhage. Eddy Terki (Bulletin de Étapes)
Permalinkno244(2018:juillet/août) - 2018-07-01 - Prendre soin. Identité de la Mayenne. Exposition Cieslewicz. Anna Glover, Pomo. Zagrab, D&AD (Bulletin de Étapes)
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