08.16 - 2016-08-12 (Bulletin de Novum)

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 08.16 - 2016-08-12 Type de document : texte imprimé Année de publication : 2016 Langues : Anglais (eng) Catégories : Arts graphiques Design Index. décimale : 766 Arts graphiques [n° ou bulletin]  est un bulletin de Novum   08.16 - 2016-08-12 [texte imprimé] . - 2016. Langues : Anglais (eng) Catégories : Arts graphiques Design Index. décimale : 766 Arts graphiques

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12.19 - 2019-12-12 (Bulletin de Novum)    

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 12.19 - 2019-12-12 Type de document : texte imprimé Année de publication : 2019 Langues : Allemand (ger) Anglais (eng) Catégories : Accessibilité aux handicapés Aveugles -- Systèmes d'écriture et d'impression Backaert, Roel (1978-....) Broer, Guido de (1988-....) Calendriers illustrés Composition (imprimerie) Lisibilité (imprimerie) Papier décoratif Photographie d'architecture Typographie -- 21e siècle Typographie -- Moyen-Orient Index. décimale : 766 Arts graphiques Résumé : Admittedly, we do have a tendency to push the boat out with our covers. Why have just one special finish, when you can have five? Why use beige paper, when you can go for gold? Yet sometimes it is good to concentrate on the essentials only, because the things you see at second glance often stay in the memory longer. In the novum+ section this month, it´s all about “accessibility”, about designing things so that they can also be accessed by those with a handicap, better still, which work well for all. This can be achieved by paring the design right down to the fundamentals, by communicating clearly and leaving aside all unnecessary, decorative accessories. And making it work for all people, with or without handicap. Note de contenu : Love at second glance We have tried to transfer this principle to the cover design for this December issue: At first sight it looks very plain and simple, with a white paper, smooth surface and a black-and-white printed image. But on closer inspection, you uncover its charms: the new Zeta paper with extra-smooth surface excites the sense of touch, and delivers a very rich finish for the image. The chosen motif for this issue cleverly challenges our senses. The Dutch calligraphic artist Guido de Boer loves to play with perception and push the boundaries between image and text. Not being able to understand something immediately can be a burden for people with a handicap. Good design can help make life easier for them. Our cover, too, is something you have to look twice at to work out, but we hope it arouses your curiosity. The paper Zeta is an all-round genius and can be used in a variety of ways, from business stationery to image brochures or packaging. The special appeal of the material lies in its diversity, because it is not only available in six white to light shades, also different surfaces are available. From micro to hammer and linen can be found for every application the right thing, brand new in the range are the surfaces extra smooth and ribbed and the colors diamond, mother of pearl and cream. In addition, individual watermarks are available for the FSC-certified paper, and Zeta is well-suited for all common printing and finishing processes. For this edition we used Zeta extra smooth in the color diamond in the grammage 300 gsm. Content Showroom Roel Backaert (NLD) Tarek Atrissi (SPA/NLD) Stitch Design (USA) Dana Dijkgraaf (NLD) 100 Jahre Bauhaus novum+ Grauwert (GER) Tactiles (HUN) Sabina Sieghart (GER) The Dot Watch (KOR) Helping Hands (GER) Aravit (ISR) Ami Medical App (GBR) Schweizergestaltung (GER) Cover Paper: Zeta (Reflex Paper), Diamant extra glatt, 300 g/qm Print: F&W Druck- und Mediencenter Design: Guido de Boer (NLD) Photography: Janina Engel En ligne : https://novum.graphics/de/magazin/aktuelle-ausgabe/ [n° ou bulletin]  est un bulletin de Novum   12.19 - 2019-12-12 [texte imprimé] . - 2019. Langues : Allemand (ger) Anglais (eng) Catégories : Accessibilité aux handicapés Aveugles -- Systèmes d'écriture et d'impression Backaert, Roel (1978-....) Broer, Guido de (1988-....) Calendriers illustrés Composition (imprimerie) Lisibilité (imprimerie) Papier décoratif Photographie d'architecture Typographie -- 21e siècle Typographie -- Moyen-Orient Index. décimale : 766 Arts graphiques Résumé : Admittedly, we do have a tendency to push the boat out with our covers. Why have just one special finish, when you can have five? Why use beige paper, when you can go for gold? Yet sometimes it is good to concentrate on the essentials only, because the things you see at second glance often stay in the memory longer. In the novum+ section this month, it´s all about “accessibility”, about designing things so that they can also be accessed by those with a handicap, better still, which work well for all. This can be achieved by paring the design right down to the fundamentals, by communicating clearly and leaving aside all unnecessary, decorative accessories. And making it work for all people, with or without handicap. Note de contenu : Love at second glance We have tried to transfer this principle to the cover design for this December issue: At first sight it looks very plain and simple, with a white paper, smooth surface and a black-and-white printed image. But on closer inspection, you uncover its charms: the new Zeta paper with extra-smooth surface excites the sense of touch, and delivers a very rich finish for the image. The chosen motif for this issue cleverly challenges our senses. The Dutch calligraphic artist Guido de Boer loves to play with perception and push the boundaries between image and text. Not being able to understand something immediately can be a burden for people with a handicap. Good design can help make life easier for them. Our cover, too, is something you have to look twice at to work out, but we hope it arouses your curiosity. The paper Zeta is an all-round genius and can be used in a variety of ways, from business stationery to image brochures or packaging. The special appeal of the material lies in its diversity, because it is not only available in six white to light shades, also different surfaces are available. From micro to hammer and linen can be found for every application the right thing, brand new in the range are the surfaces extra smooth and ribbed and the colors diamond, mother of pearl and cream. In addition, individual watermarks are available for the FSC-certified paper, and Zeta is well-suited for all common printing and finishing processes. For this edition we used Zeta extra smooth in the color diamond in the grammage 300 gsm. Content Showroom Roel Backaert (NLD) Tarek Atrissi (SPA/NLD) Stitch Design (USA) Dana Dijkgraaf (NLD) 100 Jahre Bauhaus novum+ Grauwert (GER) Tactiles (HUN) Sabina Sieghart (GER) The Dot Watch (KOR) Helping Hands (GER) Aravit (ISR) Ami Medical App (GBR) Schweizergestaltung (GER) Cover Paper: Zeta (Reflex Paper), Diamant extra glatt, 300 g/qm Print: F&W Druck- und Mediencenter Design: Guido de Boer (NLD) Photography: Janina Engel En ligne : https://novum.graphics/de/magazin/aktuelle-ausgabe/

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12.20 - 2020-12-12 (Bulletin de Novum)    

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 12.20 - 2020-12-12 Type de document : texte imprimé Année de publication : 2020 Langues : Allemand (ger) Anglais (eng) Catégories : Art textile -- 21e siècle Calendriers illustrés Cardia, Gringo (1957-....) Films d'animation -- Italie -- 21e siècle Illustrateurs -- Entretiens Illustrations, images, etc. -- 21è siècle Livres illustrés pour enfants Logotypes -- Design Mise en page et typographie Mosebach, Stefan Netflix -- Design Noy, Noam Sokolova, Anna (1975-....) Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Note de contenu : We believe illustration is a wonderfully adaptable form of expression – it can handle complexity, communicate humour and change minds. »We love the fact that illustration can transcend any theme, style and field,« enthused the London-based creative duo Le.Blue in an interview with them on our novum+ theme. A broad spectrum In this new issue we present a broad spectrum of talented illustrators – some stand out for their use of colour or unusual forms, others for the special techniques or materials they employ. Delight in the charming figures and imagery in children´s books, and discover the story behind how Aiga Rasch came to create the illustrations for the German edition of the 1960s classic »The Three Investigators«. London-based studio Le.Blue contributed some striking black-and-white designs from pop culture and music to this issue. What else awaits? Together with award-winning illustrator Anna Sokolova, we pay a visit to the feudal Netflix headquarters; with Israeli textile designer Noam Noy, we explore three-dimensionality in illustration, and Hamburg-based illustrator Stefan Mosebach answers our questions on life and work – his drawing »Spinning Pencil« was chosen to adorn our cover. Our world tour of graphic design, in the Showroom section, stops off this month in Brazil (Gringo Cardia), the Netherlands (Mieke Gerritzen) and France and Germany (Freilinger & Feldmann, who have a base in both). And we look in on the jury of the Red Dot Awards. Not forgetting of course our grand prize draw, a firm feature of the December issue. The cover Our cover illustrator Stefan Mosebach sees the »Spinning Pencil« as a metaphor for creative brainstorming. He explains: »A pencil stands for writing and sketching. The looping stands for fun, agility, and the fact that it´s often good to look at a thing from different perspectives.« This striking and highly appropriate motif fits perfectly to our theme of illustration this month. Once again it shows how a truly successful illustration needs no words or lengthy explanation. For the paper we chose Design Offset in 300 gsm in cream, which is ideal for corporate publishing projects. The range, available from Igepa, includes seven grammages and four colours, and all products are FSC certified. A strong image on beautiful paper – what more does an attractive magazine cover need? The content novum+ Anna Sokolova Die drei ??? & Aiga Rasch Le.Blue Noam Noy Stefan Mosebach The 6th Kinderbücher Showroom Freilinger & Feldmann Gringo Cardia Mieke Gerritzen Red Dot Weihnachtsverlosung En ligne : https://novum.graphics/en/magazine/current-issue/detail/novum-1219/ [n° ou bulletin]  est un bulletin de Novum   12.20 - 2020-12-12 [texte imprimé] . - 2020. Langues : Allemand (ger) Anglais (eng) Catégories : Art textile -- 21e siècle Calendriers illustrés Cardia, Gringo (1957-....) Films d'animation -- Italie -- 21e siècle Illustrateurs -- Entretiens Illustrations, images, etc. -- 21è siècle Livres illustrés pour enfants Logotypes -- Design Mise en page et typographie Mosebach, Stefan Netflix -- Design Noy, Noam Sokolova, Anna (1975-....) Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Note de contenu : We believe illustration is a wonderfully adaptable form of expression – it can handle complexity, communicate humour and change minds. »We love the fact that illustration can transcend any theme, style and field,« enthused the London-based creative duo Le.Blue in an interview with them on our novum+ theme. A broad spectrum In this new issue we present a broad spectrum of talented illustrators – some stand out for their use of colour or unusual forms, others for the special techniques or materials they employ. Delight in the charming figures and imagery in children´s books, and discover the story behind how Aiga Rasch came to create the illustrations for the German edition of the 1960s classic »The Three Investigators«. London-based studio Le.Blue contributed some striking black-and-white designs from pop culture and music to this issue. What else awaits? Together with award-winning illustrator Anna Sokolova, we pay a visit to the feudal Netflix headquarters; with Israeli textile designer Noam Noy, we explore three-dimensionality in illustration, and Hamburg-based illustrator Stefan Mosebach answers our questions on life and work – his drawing »Spinning Pencil« was chosen to adorn our cover. Our world tour of graphic design, in the Showroom section, stops off this month in Brazil (Gringo Cardia), the Netherlands (Mieke Gerritzen) and France and Germany (Freilinger & Feldmann, who have a base in both). And we look in on the jury of the Red Dot Awards. Not forgetting of course our grand prize draw, a firm feature of the December issue. The cover Our cover illustrator Stefan Mosebach sees the »Spinning Pencil« as a metaphor for creative brainstorming. He explains: »A pencil stands for writing and sketching. The looping stands for fun, agility, and the fact that it´s often good to look at a thing from different perspectives.« This striking and highly appropriate motif fits perfectly to our theme of illustration this month. Once again it shows how a truly successful illustration needs no words or lengthy explanation. For the paper we chose Design Offset in 300 gsm in cream, which is ideal for corporate publishing projects. The range, available from Igepa, includes seven grammages and four colours, and all products are FSC certified. A strong image on beautiful paper – what more does an attractive magazine cover need? The content novum+ Anna Sokolova Die drei ??? & Aiga Rasch Le.Blue Noam Noy Stefan Mosebach The 6th Kinderbücher Showroom Freilinger & Feldmann Gringo Cardia Mieke Gerritzen Red Dot Weihnachtsverlosung En ligne : https://novum.graphics/en/magazine/current-issue/detail/novum-1219/

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03.20 - 2020-03-12 (Bulletin de Novum)    

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 03.20 - 2020-03-12 Type de document : texte imprimé Année de publication : 2020 Langues : Allemand (ger) Anglais (eng) Catégories : Articles pour enfants -- Design -- 21e siècle Arts et enfants -- 21e siècle Billets de banque Livres illustrés pour enfants -- 21e siècle Livres illustrés pour enfants -- Pologne -- Histoire Meubles pour enfants -- Design -- 21e siècle Mise en page et typographie Signaux et signalisation Index. décimale : 766 Arts graphiques Note de contenu : oy stores around the world are full of examples of poor design for children. But it doesn’t have to be like this. In this new issue, we have taken a look at the whole subject of designing for children and found some very impressive projects. From graphic-design murals for sports facilities and orientation systems for schools, to wonderful children´s book illustrations, educational materials and visual identities – all of the very highest quality, and ready for you to explore in the new novum+. The cover of the March issue also interprets this theme in a non-stereotypical way – a bright yellow paper and a collage invite you to look at »design for kids« through very different eyes. En ligne : https://novum.graphics/en/magazine/shop-subscribe/detail/novum-0320/ [n° ou bulletin]  est un bulletin de Novum   03.20 - 2020-03-12 [texte imprimé] . - 2020. Langues : Allemand (ger) Anglais (eng) Catégories : Articles pour enfants -- Design -- 21e siècle Arts et enfants -- 21e siècle Billets de banque Livres illustrés pour enfants -- 21e siècle Livres illustrés pour enfants -- Pologne -- Histoire Meubles pour enfants -- Design -- 21e siècle Mise en page et typographie Signaux et signalisation Index. décimale : 766 Arts graphiques Note de contenu : oy stores around the world are full of examples of poor design for children. But it doesn’t have to be like this. In this new issue, we have taken a look at the whole subject of designing for children and found some very impressive projects. From graphic-design murals for sports facilities and orientation systems for schools, to wonderful children´s book illustrations, educational materials and visual identities – all of the very highest quality, and ready for you to explore in the new novum+. The cover of the March issue also interprets this theme in a non-stereotypical way – a bright yellow paper and a collage invite you to look at »design for kids« through very different eyes. En ligne : https://novum.graphics/en/magazine/shop-subscribe/detail/novum-0320/

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04.20 - 2020-04-12 (Bulletin de Novum)    

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 04.20 - 2020-04-12 Type de document : texte imprimé Année de publication : 2020 Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques -- Aspect social Design industriel -- Innovations technologiques Impression numérique Innovations technologiques -- Aspect social -- 21e siècle Typographie Index. décimale : 766 Arts graphiques Note de contenu : Are computer programs replacing designers? Well, not yet at least. But designers can write their own programs and, using these self-made tools, open up new possibilities in design. The cover of our April issue is the result of a fascinating cooperation – it combines moving type with sophisticated printing technology. The design, from Studio Mut, draws on hardware and software, providing one example of what the future might hold. What does the future hold for typographic design? Our April issue ventures a few answers. In the novum+ section, we present classic type design and also feature a range of projects that show how typography can address political and social problems. The cover, too, puts forward one vision of how typography could develop in the future. The motif came about in a cooperation with Studio Mut and other creatives: Think Work Observe made available the typeface Kunst Grotesk as a pre-release, and Kiel Danger Mutschelknaus developed a program that can be used to generate moving type. Using these components Studio Mut created a motif that draws on software and hardware – digitally generated type skilfully combined with sophisticated print technology. En ligne : https://novum.graphics/en/magazine/archive/detail/novum-0420/ [n° ou bulletin]  est un bulletin de Novum   04.20 - 2020-04-12 [texte imprimé] . - 2020. Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques -- Aspect social Design industriel -- Innovations technologiques Impression numérique Innovations technologiques -- Aspect social -- 21e siècle Typographie Index. décimale : 766 Arts graphiques Note de contenu : Are computer programs replacing designers? Well, not yet at least. But designers can write their own programs and, using these self-made tools, open up new possibilities in design. The cover of our April issue is the result of a fascinating cooperation – it combines moving type with sophisticated printing technology. The design, from Studio Mut, draws on hardware and software, providing one example of what the future might hold. What does the future hold for typographic design? Our April issue ventures a few answers. In the novum+ section, we present classic type design and also feature a range of projects that show how typography can address political and social problems. The cover, too, puts forward one vision of how typography could develop in the future. The motif came about in a cooperation with Studio Mut and other creatives: Think Work Observe made available the typeface Kunst Grotesk as a pre-release, and Kiel Danger Mutschelknaus developed a program that can be used to generate moving type. Using these components Studio Mut created a motif that draws on software and hardware – digitally generated type skilfully combined with sophisticated print technology. En ligne : https://novum.graphics/en/magazine/archive/detail/novum-0420/

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05.20 - 2020-05-12 (Bulletin de Novum)    

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