07.18 - 2018-07-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 07.18 - 2018-07-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Café -- Conditionnement Communication en design Illusions d'optique -- Design Livres -- Couvertures Livres -- Mise en page Lufthansa Marques de commerce Signaux et signalisation Thé -- Conditionnement Twinings (Firm) Typographie Index. décimale : 766 Arts graphiques Résumé : Whatever your preference – espresso or cappuccino, black or green tea – for our July issue we have inspected the entire range and selected some very attractive packaging and visual identities from this market segment for you. But apart from the novum+ on »Tea & Coffee«, we have many more visual delights for you to savour in this month’s novum. Note de contenu : This month our Showroom takes us to the city of Québec in Canada, where Jeremy Hall runs an excellent small studio. Guillermo Flores, alias Orbeh, charms us with his unique illustrations that conjure up brand new worlds. The works of Monica Zec delight in a different way, with intriguing little visual tricks. Then we go to Austria to Seite Zwei, whose portfolio boasts clever and extensive visual identities, and also to Knoed in Poland, where the creations, whether print or digital, are always an experience. A special kind of design collective goes under the name of Bureau Stabil, based in Saarbrücken. And, finally, we present you an extensive »making of« about the major Lufthansa re-design, realised by Martin et Karczinski. Our typography section this time features two new fonts that are quite unusual, and our legal corner continues with part two of an article on the new data-protection regulations – explained expertly and in a way that´s easy to understand. If you missed the first part, you can order a back copy of issue 06.18 here. The mood lightens then in our brand story, which homes in on the long history of Miele with its many charming subjects from various decades. The cover A paper that bursts with summer and enjoyment: Dolcelicious presents titbits such as »Lemon Drizzle«, »Roasted Chestnut« and »Elderflower White«, which combine beautifully into a harmonious colour palette. This is just one of the new additions to the Römerturm range and it came from the recent cooperation with the British manufacturer James Cropper. For our »Coffee & Tea« theme Dolcelicious is of course a perfect fit, and in the nostalgic colours»“Summer Coulis« and »Kiwi Fizz« it conjures up the ice cafés of the 1950s and mouth-watering petit fours. The luxurious surface finishing on this paper is a real eye-catcher, not just when used on covers: it positively gleams (note: also certified for use in direct food contact) in the field of luxury packaging. Whether for a folding carton or a carrier bag, this brand new material (available in eleven colours and grammages up to 330 gsm) inspired our cover designers Mursal Nasr and Patrick Marc Sommer (typoint, www.typoint.com): If you place the two novum variants in pink and green next to each other, you get a whimsical coffee table scene that looks an absolute delight. Dolcelicious can of course be finished quite easily with many different techniques – its great touch & feel, however, in combination with the expressive colours, has turned our cover into a really »hands-on« experience. Grab those cups and enjoy! The content Showroom Orbeh (MEX) Lufthansa Re-Design (Martin et Karczinski, GER) Monica Zec (MKD) Seite Zwei (AUT) Bureau Stabil (GER) Knoed (USA) Studio Figure (CAN) novum+ Collins (USA) Salvita (LIT) Juana Alvarez (ITA) Here Design (GBR) Plenum (RUS) Hugo Aranha (BRA) Futura (MEX) Branded (AUT) Brand Opus (GBR) Coffee Style / Prestel Verlag Cover design: Typoint Paper: Dolcelicious, 330 g/qm, two colours (»Kiwi Fizz«, »Summer Coulis«), Römerturm (distribution), James Cropper (manufacturer) Photos: Guillaume Sinopoli Offset printing: f&w Druck- und Mediencenter En ligne : https://novum.graphics/en/news/all-news/ [n° ou bulletin]  est un bulletin de Novum   07.18 - 2018-07-12 [texte imprimé] . - 2018. Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Café -- Conditionnement Communication en design Illusions d'optique -- Design Livres -- Couvertures Livres -- Mise en page Lufthansa Marques de commerce Signaux et signalisation Thé -- Conditionnement Twinings (Firm) Typographie Index. décimale : 766 Arts graphiques Résumé : Whatever your preference – espresso or cappuccino, black or green tea – for our July issue we have inspected the entire range and selected some very attractive packaging and visual identities from this market segment for you. But apart from the novum+ on »Tea & Coffee«, we have many more visual delights for you to savour in this month’s novum. Note de contenu : This month our Showroom takes us to the city of Québec in Canada, where Jeremy Hall runs an excellent small studio. Guillermo Flores, alias Orbeh, charms us with his unique illustrations that conjure up brand new worlds. The works of Monica Zec delight in a different way, with intriguing little visual tricks. Then we go to Austria to Seite Zwei, whose portfolio boasts clever and extensive visual identities, and also to Knoed in Poland, where the creations, whether print or digital, are always an experience. A special kind of design collective goes under the name of Bureau Stabil, based in Saarbrücken. And, finally, we present you an extensive »making of« about the major Lufthansa re-design, realised by Martin et Karczinski. Our typography section this time features two new fonts that are quite unusual, and our legal corner continues with part two of an article on the new data-protection regulations – explained expertly and in a way that´s easy to understand. If you missed the first part, you can order a back copy of issue 06.18 here. The mood lightens then in our brand story, which homes in on the long history of Miele with its many charming subjects from various decades. The cover A paper that bursts with summer and enjoyment: Dolcelicious presents titbits such as »Lemon Drizzle«, »Roasted Chestnut« and »Elderflower White«, which combine beautifully into a harmonious colour palette. This is just one of the new additions to the Römerturm range and it came from the recent cooperation with the British manufacturer James Cropper. For our »Coffee & Tea« theme Dolcelicious is of course a perfect fit, and in the nostalgic colours»“Summer Coulis« and »Kiwi Fizz« it conjures up the ice cafés of the 1950s and mouth-watering petit fours. The luxurious surface finishing on this paper is a real eye-catcher, not just when used on covers: it positively gleams (note: also certified for use in direct food contact) in the field of luxury packaging. Whether for a folding carton or a carrier bag, this brand new material (available in eleven colours and grammages up to 330 gsm) inspired our cover designers Mursal Nasr and Patrick Marc Sommer (typoint, www.typoint.com): If you place the two novum variants in pink and green next to each other, you get a whimsical coffee table scene that looks an absolute delight. Dolcelicious can of course be finished quite easily with many different techniques – its great touch & feel, however, in combination with the expressive colours, has turned our cover into a really »hands-on« experience. Grab those cups and enjoy! The content Showroom Orbeh (MEX) Lufthansa Re-Design (Martin et Karczinski, GER) Monica Zec (MKD) Seite Zwei (AUT) Bureau Stabil (GER) Knoed (USA) Studio Figure (CAN) novum+ Collins (USA) Salvita (LIT) Juana Alvarez (ITA) Here Design (GBR) Plenum (RUS) Hugo Aranha (BRA) Futura (MEX) Branded (AUT) Brand Opus (GBR) Coffee Style / Prestel Verlag Cover design: Typoint Paper: Dolcelicious, 330 g/qm, two colours (»Kiwi Fizz«, »Summer Coulis«), Römerturm (distribution), James Cropper (manufacturer) Photos: Guillaume Sinopoli Offset printing: f&w Druck- und Mediencenter En ligne : https://novum.graphics/en/news/all-news/

Réservation

Réserver ce document

Exemplaires(1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 22653	Novum	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

02.18 - 2018-02-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 02.18 - 2018-02-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques -- 21e siècle Azambuja, Martín Cédille, Noémie (1988?-....) Conditionnement Couleur (art) -- Illustrations Graphistes -- 21e siècle Hewlett, Jamie (1968-....) Livres -- Couvertures Livres -- Mise en page Périodiques -- Couvertures Typographie -- 21e siècle White, Edwina Index. décimale : 766 Arts graphiques Résumé : Out of the blue 12.01.2018 »Blue skies, smilin' at me – nothin' but blue skies do I see« – you’d be forgiven for bursting into song at the sight of the sky-blue cover for novum February. Our focus theme this time is the fascinating world of illustration – thanks to the daily torrent of photos on all channels, illustration is enjoying a real revival. To inspire your own work this year, we bring you 23 pages of very different illustration styles and highly individual creations. Note de contenu : The works of French designer Noémie Cédille exude charm and vitality, whether she is illustrating for a new magazine or for packaging. For a contrast we visited Sea Change, a designer duo that pursues its own very individual philosophy and is not afraid to change direction. Last but not least, we also delved into the work of Tata&Friends who are based in both Linz and Madrid – you, too, will be delighted by their portfolio and the new ideas it delivers. In our legal series this month we gather together all the key facts on founding and winding up a »GmbH« company and Andreas Koop looks at how to visualise the same content from different cultural perspectives. Two exciting new indie magazines are featured by Herbert Lechner, along with a new volume from Hermann Schmidt publishers called »Buchstaben im Kopf«, a practical and readable compendium for all those involved in designing texts that whet the reader’s appetite. The cover The Pop’Set Range offers a real rainbow palette – for our focus theme on illustration, however, our choice was Blue Sky, an elegant canvas that also heralds spring. Not a single cloud masks the smoothness of the paper with its pleasantly high volume. In terms of printing and processing, there are no limits – it can be embossed and finished with film. Here we bring you the full charm of this paper in its essential form, because the expressive line of Uruguayan illustrator Martin Azambuja (whom we featured in novum 04.16) needs no more than expressive colours to achieve maximum effect. As a speciality we also used a Pantone colour which really brings the tree of pencils to life. novum+ Freistil, Interview mit Raban Rudigkeit Chester Holme (GBR) Nate Kitch (USA) Sebastian Haslauer (GER) Edwina White (AUS) Merijn Hos (NLD) Sarah Maycock (GBR) Michela Natella (ITA) Herbarium Showroom Tata & Friends (AUT / ESP) Noémie Cédille (FRA) Ruben Pater (NLD) Sea Change (NLZ) New Talents Berlin: Simone Klimmeck Das Cover Design: Martin Azambuja (URY) Paper: Pop’Set, Antalis Print: f&w Druck & Mediencenter Photos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0218/ [n° ou bulletin]  est un bulletin de Novum   02.18 - 2018-02-12 [texte imprimé] . - 2018. Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques -- 21e siècle Azambuja, Martín Cédille, Noémie (1988?-....) Conditionnement Couleur (art) -- Illustrations Graphistes -- 21e siècle Hewlett, Jamie (1968-....) Livres -- Couvertures Livres -- Mise en page Périodiques -- Couvertures Typographie -- 21e siècle White, Edwina Index. décimale : 766 Arts graphiques Résumé : Out of the blue 12.01.2018 »Blue skies, smilin' at me – nothin' but blue skies do I see« – you’d be forgiven for bursting into song at the sight of the sky-blue cover for novum February. Our focus theme this time is the fascinating world of illustration – thanks to the daily torrent of photos on all channels, illustration is enjoying a real revival. To inspire your own work this year, we bring you 23 pages of very different illustration styles and highly individual creations. Note de contenu : The works of French designer Noémie Cédille exude charm and vitality, whether she is illustrating for a new magazine or for packaging. For a contrast we visited Sea Change, a designer duo that pursues its own very individual philosophy and is not afraid to change direction. Last but not least, we also delved into the work of Tata&Friends who are based in both Linz and Madrid – you, too, will be delighted by their portfolio and the new ideas it delivers. In our legal series this month we gather together all the key facts on founding and winding up a »GmbH« company and Andreas Koop looks at how to visualise the same content from different cultural perspectives. Two exciting new indie magazines are featured by Herbert Lechner, along with a new volume from Hermann Schmidt publishers called »Buchstaben im Kopf«, a practical and readable compendium for all those involved in designing texts that whet the reader’s appetite. The cover The Pop’Set Range offers a real rainbow palette – for our focus theme on illustration, however, our choice was Blue Sky, an elegant canvas that also heralds spring. Not a single cloud masks the smoothness of the paper with its pleasantly high volume. In terms of printing and processing, there are no limits – it can be embossed and finished with film. Here we bring you the full charm of this paper in its essential form, because the expressive line of Uruguayan illustrator Martin Azambuja (whom we featured in novum 04.16) needs no more than expressive colours to achieve maximum effect. As a speciality we also used a Pantone colour which really brings the tree of pencils to life. novum+ Freistil, Interview mit Raban Rudigkeit Chester Holme (GBR) Nate Kitch (USA) Sebastian Haslauer (GER) Edwina White (AUS) Merijn Hos (NLD) Sarah Maycock (GBR) Michela Natella (ITA) Herbarium Showroom Tata & Friends (AUT / ESP) Noémie Cédille (FRA) Ruben Pater (NLD) Sea Change (NLZ) New Talents Berlin: Simone Klimmeck Das Cover Design: Martin Azambuja (URY) Paper: Pop’Set, Antalis Print: f&w Druck & Mediencenter Photos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0218/

Réservation

Réserver ce document

Exemplaires(1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 22320	Novum	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

01.18 - 2018-01-12 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 01.18 - 2018-01-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches de spectacles -- Munich (Allemagne) Aliments -- Conditionnement Arts graphiques -- 21e siècle Bayerisches Staatsorchester -- Affiches Illustrations des livres -- 21e siècle Livres -- Mise en page Logos (Symboles) Photographie publicitaire Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : In our novum+ section design stars like Paula Scher, Mirko Borsche and Fons Hickmann talked to us about the challenges of designing for small and big theatres and how to guarantee visibility even with a small budget. In our showroom we visited the designers at DN&CO, who enjoy print as much as digital creation. Jess Bonham surprised us with her photographic illustrations and in our new series New Talents Berlin we took a look at Feld studio for digital crafts. Last, but not least we talked to the typo nerds at Afrika, a small, but fine studio located in Switzerland. The cover To correspond with our main focus »theatre« the design of our cover will spark a whole series of emotions. We used the paper Reef by Gruppo Cordenons, a material with a particularly deep shade of black and a rough, almost sandy surface. Silk screen printing allowed for very rich inking and a partial soft-touch varnish offers a surprising contrast to the rough surface of the paper. The design comes from Studio Mut and the designers from northern Italy quite literally managed to put a lot of drama on our cover. Note de contenu : Content novum+ Bureau Borsche (GER) IDNA Group (DEN) Fons Hickmann (GER) Formdusche (GER) KW Neun (GER) Pentagram (USA) TGG Hafen Senn Stieger (SWI) Atelier Malte Martin (FRA) Showroom Afrika (SWI) DN&CO (GBR) Jess Bonham (GBR) New Talents Berlin: Feld studio for digital crafts (GER) Das Cover Design: Studio Mut Papier: Reef black, 330 g/qm von Gruppo Cordenons Siebdruck: Stainer Schriften & Siebdruck Druck Innenteil: f&w Druck & Mediencenter Fotos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0118/ [n° ou bulletin]  est un bulletin de Novum   01.18 - 2018-01-12 [texte imprimé] . - 2018. Langues : Allemand (ger) Anglais (eng) Catégories : Affiches de spectacles -- Munich (Allemagne) Aliments -- Conditionnement Arts graphiques -- 21e siècle Bayerisches Staatsorchester -- Affiches Illustrations des livres -- 21e siècle Livres -- Mise en page Logos (Symboles) Photographie publicitaire Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : In our novum+ section design stars like Paula Scher, Mirko Borsche and Fons Hickmann talked to us about the challenges of designing for small and big theatres and how to guarantee visibility even with a small budget. In our showroom we visited the designers at DN&CO, who enjoy print as much as digital creation. Jess Bonham surprised us with her photographic illustrations and in our new series New Talents Berlin we took a look at Feld studio for digital crafts. Last, but not least we talked to the typo nerds at Afrika, a small, but fine studio located in Switzerland. The cover To correspond with our main focus »theatre« the design of our cover will spark a whole series of emotions. We used the paper Reef by Gruppo Cordenons, a material with a particularly deep shade of black and a rough, almost sandy surface. Silk screen printing allowed for very rich inking and a partial soft-touch varnish offers a surprising contrast to the rough surface of the paper. The design comes from Studio Mut and the designers from northern Italy quite literally managed to put a lot of drama on our cover. Note de contenu : Content novum+ Bureau Borsche (GER) IDNA Group (DEN) Fons Hickmann (GER) Formdusche (GER) KW Neun (GER) Pentagram (USA) TGG Hafen Senn Stieger (SWI) Atelier Malte Martin (FRA) Showroom Afrika (SWI) DN&CO (GBR) Jess Bonham (GBR) New Talents Berlin: Feld studio for digital crafts (GER) Das Cover Design: Studio Mut Papier: Reef black, 330 g/qm von Gruppo Cordenons Siebdruck: Stainer Schriften & Siebdruck Druck Innenteil: f&w Druck & Mediencenter Fotos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0118/

Réservation

Réserver ce document

Exemplaires(1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 22319	Novum	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

no.179(2010:avril) - 2010-04-01 (Bulletin de Étapes)  

Public ISBD [n° ou bulletin]  est un bulletin de Étapes   Titre : no.179(2010:avril) - 2010-04-01 Type de document : texte imprimé Année de publication : 2010 Langues : Français (fre) Catégories : Communication visuelle -- 21e siècle Insectes -- Dans l'art Livres -- Mise en page Petites maisons d'édition Typographie -- Caractères Index. décimale : 766 Arts graphiques En ligne : etapes.com [n° ou bulletin]  est un bulletin de Étapes   no.179(2010:avril) - 2010-04-01 [texte imprimé] . - 2010. Langues : Français (fre) Catégories : Communication visuelle -- 21e siècle Insectes -- Dans l'art Livres -- Mise en page Petites maisons d'édition Typographie -- Caractères Index. décimale : 766 Arts graphiques En ligne : etapes.com

Réservation

Réserver ce document

Exemplaires(1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 22258	Etapes	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

11.17 - 2017-11-13 (Bulletin de Novum)  

Public ISBD [n° ou bulletin]  est un bulletin de Novum   Titre : 11.17 - 2017-11-13 Type de document : texte imprimé Année de publication : 2017 Note générale : Electrifying 12.10.2017 Charles Eames once said: »The details are not the details. They make the design«. And in this month’s novum we are putting those very details centre-stage, as we look at the small components that make a design distinctive and unique. We also feature an interesting interview with the internationally famous creatives from Snask and the fantastic collages by Elisa Vendramin; we glimpse behind the scenes at the British studio Iwant, and peruse the amazing portfolio of konter… Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Architecture -- Dessins et plans Arts graphiques - Couleur Arts graphiques -- 21e siècle Arts graphiques -- Typographie Collage (art) Communication en marketing Communication visuelle -- 21e siècle Détails (art) Halbert, Michael Illustration -- technique Livres -- Mise en page Livres d'artistes Marques de commerce - Marketing Restaurants -- Aménagement Snask (Firm) Travail du papier Typographie - Design Wrigley, William (1861-1932) Index. décimale : 766 Arts graphiques Résumé : Small cause, large effect – that is true not only of the famous »butterfly effect«. It applies also to so many other things in daily life and of course it applies to graphic design. A detail such as bold use of just one impressive colour can make all the difference. We think you´ll agree this technique has certainly produced an eye-catching result on this month´s cover, of which there is not one, but two variants! As regards content, the focus is our novum+ section is exclusively on details: For this we talked to type guru Friedrich Forssmann about the obsessiveness that is essential for any typographer, conducted an interview with designer-craftswoman Katja Knahn and explored the new visual identity of City College in New York. We also had a very productive chat with Carlos Magro, Creative Director at Interbrand Spain, about his unusual CD – called »Mind the Gap« – for an international firm of lawyers. And we feature a jaw-dropping interior design for a restaurant – with walls lined with thousands of bones. Cadena of Mexico tells us how their design came about. In the Showroom this time, we have a diversity of styles and genres: Fantastic collages from Elisa Vendramin await your inspection, along with sophisticated packaging from British studio Iwant. Plus we reveal how design greats Snask with their rock ‘n’ roll discipline made it to the top – and not only with their redesign for North Korea. Beatriz Costo often lets her creativity flow into editorial design projects, and our cover designers – Dortmund-based design studio konter – show us their inspiring portfolio. How do you protect creative titles? This is the question tackled by lawyer Andrijana Kojic; she gives practical advice in her legal column. And Andreas Koop in his column muses on why, even in design commissions for industry, so much trickery and cheating goes on … unreal realities! And – did you know that Wrigley´s now iconic chewing gum was actually not the manufacturer’s own product at all in the early days? From give-away to world fame – find out more about this exciting brand story…. The cover If you want to be subtle, then avoid Electric Blood and Vibrant Arsenic from the Action range of papermakers Gmund. But if you want to make a splash, then you´ll be very, very happy with this material. Electric Blood is a very specific colour – somewhere between red and orange with an almost neon-like effect. A special surface treatment, applied after the paper has been produced, gives it that distinctive shimmer. Vibrant Arsenic, with the same surface, is a resplendent pure neon yellow. We have used both in producing the cover for this month´s novum, but whichever one you have ended up with, there’s no chance of losing it on your shelves. All the ten expressive colours in Gmund Action – available from Papyrus – keep their promise: Go to Hell Black, Alpine Sparkling Water, Crystal Vanilla Sorbet, Nuclear Acid, Clear Sky Blue, Pastel Heart Attack, Night Offshore Blue, Dark Silver Cloud and of course also Vibrant Arsenic und Electric Blood. Whether you use them for packaging or envelopes, this colour range really grabs the attention. Available in 300 to 430 gsm, any application is guaranteed to get noticed. So, for communication that really stands out, choose a muted colour for the letter and put it in one of these Gmund Action envelopes. The finish Any complicated processing of these visually prominent materials would almost be one detail too far, so the designers at konter studio limited themselves to the contrast-rich progression in one special colour (Pantone 286 C) and a fine embossing carefully finished with hot foil. Thus finished, their artwork uniquely interprets the focus theme this month in a unique way: »Complexity, yes. Sometimes simple but hidden, allows playfulness« … to be discovered on the back cover of this issue. »We love the details. Very often it´s not the overall picture that we delight in, but the tiny, hidden, special aspects, that sometimes can be implemented without an enormous budget. And things really get rewarding when have the opportunity to spend time on such details. So what we produced here is a motif that at first sight is just a burst of colour, but on closer inspection you see the delicate embossing and the hidden content,« say Michelle Flunger and Sascha Schilling of konter – Studio für Gestaltung. The foil embossing was done by the Forum Prägefolien Veredelung, a society of finishing experts and specialists offering advice and services in the different types of hot foil stamping, from micro-embossing to structure, relief and blind blocking. www.look-and-feel.net novum+ Cadena (MEX) Michael Halbert (USA) Campbell Hay (GBR) Friedrich Forssman (GER) Katja Knahn (GER) Interbrand (ESP) Menos Es Más (ESP) Showroom Snask (SWE) Iwant Design (GBR) Beatriz Costo (ESP) Konter (GER) Elisa Vendramin (ITA) Neue Typgraphie, Teil VI Paper: Gmund Action, Papyrus, www.papyrus.com Offset printing: f&w Druck- und Mediencenter Embossing and hot foil: Forum Prägefolien Veredelung, www.look-and-feel.net Cover design: konter, www.studiokonter.de Special colour: Pantone 286 C Photos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/current-issue/detail/novum-1117/ [n° ou bulletin]  est un bulletin de Novum   11.17 - 2017-11-13 [texte imprimé] . - 2017. Electrifying 12.10.2017 Charles Eames once said: »The details are not the details. They make the design«. And in this month’s novum we are putting those very details centre-stage, as we look at the small components that make a design distinctive and unique. We also feature an interesting interview with the internationally famous creatives from Snask and the fantastic collages by Elisa Vendramin; we glimpse behind the scenes at the British studio Iwant, and peruse the amazing portfolio of konter… Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement Architecture -- Dessins et plans Arts graphiques - Couleur Arts graphiques -- 21e siècle Arts graphiques -- Typographie Collage (art) Communication en marketing Communication visuelle -- 21e siècle Détails (art) Halbert, Michael Illustration -- technique Livres -- Mise en page Livres d'artistes Marques de commerce - Marketing Restaurants -- Aménagement Snask (Firm) Travail du papier Typographie - Design Wrigley, William (1861-1932) Index. décimale : 766 Arts graphiques Résumé : Small cause, large effect – that is true not only of the famous »butterfly effect«. It applies also to so many other things in daily life and of course it applies to graphic design. A detail such as bold use of just one impressive colour can make all the difference. We think you´ll agree this technique has certainly produced an eye-catching result on this month´s cover, of which there is not one, but two variants! As regards content, the focus is our novum+ section is exclusively on details: For this we talked to type guru Friedrich Forssmann about the obsessiveness that is essential for any typographer, conducted an interview with designer-craftswoman Katja Knahn and explored the new visual identity of City College in New York. We also had a very productive chat with Carlos Magro, Creative Director at Interbrand Spain, about his unusual CD – called »Mind the Gap« – for an international firm of lawyers. And we feature a jaw-dropping interior design for a restaurant – with walls lined with thousands of bones. Cadena of Mexico tells us how their design came about. In the Showroom this time, we have a diversity of styles and genres: Fantastic collages from Elisa Vendramin await your inspection, along with sophisticated packaging from British studio Iwant. Plus we reveal how design greats Snask with their rock ‘n’ roll discipline made it to the top – and not only with their redesign for North Korea. Beatriz Costo often lets her creativity flow into editorial design projects, and our cover designers – Dortmund-based design studio konter – show us their inspiring portfolio. How do you protect creative titles? This is the question tackled by lawyer Andrijana Kojic; she gives practical advice in her legal column. And Andreas Koop in his column muses on why, even in design commissions for industry, so much trickery and cheating goes on … unreal realities! And – did you know that Wrigley´s now iconic chewing gum was actually not the manufacturer’s own product at all in the early days? From give-away to world fame – find out more about this exciting brand story…. The cover If you want to be subtle, then avoid Electric Blood and Vibrant Arsenic from the Action range of papermakers Gmund. But if you want to make a splash, then you´ll be very, very happy with this material. Electric Blood is a very specific colour – somewhere between red and orange with an almost neon-like effect. A special surface treatment, applied after the paper has been produced, gives it that distinctive shimmer. Vibrant Arsenic, with the same surface, is a resplendent pure neon yellow. We have used both in producing the cover for this month´s novum, but whichever one you have ended up with, there’s no chance of losing it on your shelves. All the ten expressive colours in Gmund Action – available from Papyrus – keep their promise: Go to Hell Black, Alpine Sparkling Water, Crystal Vanilla Sorbet, Nuclear Acid, Clear Sky Blue, Pastel Heart Attack, Night Offshore Blue, Dark Silver Cloud and of course also Vibrant Arsenic und Electric Blood. Whether you use them for packaging or envelopes, this colour range really grabs the attention. Available in 300 to 430 gsm, any application is guaranteed to get noticed. So, for communication that really stands out, choose a muted colour for the letter and put it in one of these Gmund Action envelopes. The finish Any complicated processing of these visually prominent materials would almost be one detail too far, so the designers at konter studio limited themselves to the contrast-rich progression in one special colour (Pantone 286 C) and a fine embossing carefully finished with hot foil. Thus finished, their artwork uniquely interprets the focus theme this month in a unique way: »Complexity, yes. Sometimes simple but hidden, allows playfulness« … to be discovered on the back cover of this issue. »We love the details. Very often it´s not the overall picture that we delight in, but the tiny, hidden, special aspects, that sometimes can be implemented without an enormous budget. And things really get rewarding when have the opportunity to spend time on such details. So what we produced here is a motif that at first sight is just a burst of colour, but on closer inspection you see the delicate embossing and the hidden content,« say Michelle Flunger and Sascha Schilling of konter – Studio für Gestaltung. The foil embossing was done by the Forum Prägefolien Veredelung, a society of finishing experts and specialists offering advice and services in the different types of hot foil stamping, from micro-embossing to structure, relief and blind blocking. www.look-and-feel.net novum+ Cadena (MEX) Michael Halbert (USA) Campbell Hay (GBR) Friedrich Forssman (GER) Katja Knahn (GER) Interbrand (ESP) Menos Es Más (ESP) Showroom Snask (SWE) Iwant Design (GBR) Beatriz Costo (ESP) Konter (GER) Elisa Vendramin (ITA) Neue Typgraphie, Teil VI Paper: Gmund Action, Papyrus, www.papyrus.com Offset printing: f&w Druck- und Mediencenter Embossing and hot foil: Forum Prägefolien Veredelung, www.look-and-feel.net Cover design: konter, www.studiokonter.de Special colour: Pantone 286 C Photos: Tobias Holzmann En ligne : https://novum.graphics/en/magazine/current-issue/detail/novum-1117/

Réservation

Réserver ce document

Exemplaires(1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 21847	Novum	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

10.17 - 2017-10-12 (Bulletin de Novum)  

Permalink

09.17 - 2017-09-12 (Bulletin de Novum)  

Permalink

08.17 - 2017-08-12 (Bulletin de Novum)  

Permalink

11.16 - 2016-11-12 (Bulletin de Novum)  

Permalink

05.18 - 2018-05-12 (Bulletin de Novum)  

Permalink

11.18 - 2018-11-12 (Bulletin de Novum)    

Permalink

BOOK DESIGN 2 / Martin B. (éditeur) Pedersen  

Permalink

no268(2022:juillet) - 2022-07-01 - Design immersif (Bulletin de Étapes)    

Permalink

Le dessin et les mots / Bunpei Yorifuji 

Permalink

Le livre / Stéphane DARRICAU / Stéphane Darricau

Permalink

---

1 2 (1 - 15 / 21) Par page : 25 50 100 200