| Titre : |
Philippe Vandenberg : Crossing the Circle |
| Type de document : |
texte imprimé |
| Auteurs : |
Jo Applin, Auteur ; Mary Doyle, Auteur ; Drawing Room (Gallery), Auteur |
| Editeur : |
Gand [Belgique] : MER. Paper Kunsthalle |
| Année de publication : |
2016 |
| Importance : |
135 p. |
| Présentation : |
ill. en coul. |
| Format : |
28 cm |
| ISBN/ISSN/EAN : |
978-94-92321-40-4 |
| Langues : |
Anglais (eng) |
| Catégories : |
Peinture -- Belgique -- 1990-....
Vandenberg, Philippe (1952-2009)
|
| Index. décimale : |
7.039(092) Artistes contemporains |
| Résumé : |
Philippe Vandenberg: Crossing The Circle is the catalogue to the exhibition of the same name held in The Drawing Room, London, 2016. The catalog includes a selection of drawings spanning the years 1990-2009.
The works on display presented radical stylistic and thematic shifts in the oeuvre of Vandenberg, including highly personal images about life, sex, death, good and evil, as well as visualized responses to the political and social upheavals the artist perceived to be happening around him.
With a foreword by Mary Doyle (Drawing Room, London) and an essay by Dr. Jo Applin (Courtauld Institute of Art, London). |
Philippe Vandenberg : Crossing the Circle [texte imprimé] / Jo Applin, Auteur ; Mary Doyle, Auteur ; Drawing Room (Gallery), Auteur . - Gand (Belgique) : MER. Paper Kunsthalle, 2016 . - 135 p. : ill. en coul. ; 28 cm. ISBN : 978-94-92321-40-4 Langues : Anglais ( eng)
| Catégories : |
Peinture -- Belgique -- 1990-....
Vandenberg, Philippe (1952-2009)
|
| Index. décimale : |
7.039(092) Artistes contemporains |
| Résumé : |
Philippe Vandenberg: Crossing The Circle is the catalogue to the exhibition of the same name held in The Drawing Room, London, 2016. The catalog includes a selection of drawings spanning the years 1990-2009.
The works on display presented radical stylistic and thematic shifts in the oeuvre of Vandenberg, including highly personal images about life, sex, death, good and evil, as well as visualized responses to the political and social upheavals the artist perceived to be happening around him.
With a foreword by Mary Doyle (Drawing Room, London) and an essay by Dr. Jo Applin (Courtauld Institute of Art, London). |
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