ESA SAINT-LUC LIEGE BIBLIOTHEQUE
ACCES COMPTE LECTEUR :
à la demande via l'adresse mail de la bibliothèque.
Catégories
> Art -- Matériaux -- 20e siècle -- Conservation et restauration
Art -- Matériaux -- 20e siècle -- Conservation et restauration |
Ajouter le résultat dans votre panier Affiner la recherche Interroger des sources externes
A Digital Study of the Morphological and Stability Issues of a Delicate Wax-based Artwork in Studies in conservation, Vol.68 N°3-4(2023; April-May) (2023-04-03)
[article]
Titre : A Digital Study of the Morphological and Stability Issues of a Delicate Wax-based Artwork Type de document : texte imprimé Année de publication : 2023 Article en page(s) : Pages 474-489 Langues : Anglais (eng) Catégories : Art -- Matériaux -- 20e siècle -- Conservation et restauration
Imagerie tridimensionnelle -- Dans l'art
Modélisation tridimensionnelle
Pappas, Yannis (1913-2005)
Sculpture en cire -- 20e siècle -- Conservation et restauration
Sculpture en cire -- 20e siècle -- DéteriorationMots-clés : Xénophanes Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : ABSTRACT
Xenophanes is a figurine made of a waxy mixture and grey plasticine, created by Yannis Pappas at the end of the twentieth century. During its short period of existence, the figurine presented severe plastic deformation, structural, and stability issues, with detached or missing elements. The artwork’s earlier preserved states are documented by an archival photograph of 1994 and two casts dated to 2005. The physical treatment of its deformation is an irreversible intervention that may put the artwork in additional danger. The conservation of complex contemporary artworks comprises a challenging field of work, as the coexistence and aging of different and often pliable materials lead to multiple deformations. Their conservation treatments could be kept to a minimum for the preservation and understanding of the artworks, with the support of three-dimensional (3D) documentation and digital restoration. A digital restoration that simulates the physical treatment of an artwork aims to provide information that could assist with decisions made for its physical care by minimizing the risks. This paper examines the digital restoration of the small figurine Xenophanes following the steps of increased intervention of a probable physical treatment and how each step of this process may affect its stability. 3D documentation of the current condition of the artwork and its two casts was made utilizing optical laser scanning and structure from motion photogrammetry. The resulting 3D models facilitated the digital restoration of the artwork to its earlier states. The comparison and analysis of the 3D models and the digital restoration process provided information that could assist its physical treatment. The digital restoration of the complex plastic deformation of an artwork is a case that, to our knowledge, has not been addressed so far. The complexity of the progress, the ethical dilemmas that arise during the artwork’s restoration, and the reflection on the restoration of a cultural artifact only in the digital environment encourage the rethinking of conservation.
in Studies in conservation > Vol.68 N°3-4(2023; April-May) (2023-04-03) . - Pages 474-489[article] A Digital Study of the Morphological and Stability Issues of a Delicate Wax-based Artwork [texte imprimé] . - 2023 . - Pages 474-489.
Langues : Anglais (eng)
in Studies in conservation > Vol.68 N°3-4(2023; April-May) (2023-04-03) . - Pages 474-489
Catégories : Art -- Matériaux -- 20e siècle -- Conservation et restauration
Imagerie tridimensionnelle -- Dans l'art
Modélisation tridimensionnelle
Pappas, Yannis (1913-2005)
Sculpture en cire -- 20e siècle -- Conservation et restauration
Sculpture en cire -- 20e siècle -- DéteriorationMots-clés : Xénophanes Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : ABSTRACT
Xenophanes is a figurine made of a waxy mixture and grey plasticine, created by Yannis Pappas at the end of the twentieth century. During its short period of existence, the figurine presented severe plastic deformation, structural, and stability issues, with detached or missing elements. The artwork’s earlier preserved states are documented by an archival photograph of 1994 and two casts dated to 2005. The physical treatment of its deformation is an irreversible intervention that may put the artwork in additional danger. The conservation of complex contemporary artworks comprises a challenging field of work, as the coexistence and aging of different and often pliable materials lead to multiple deformations. Their conservation treatments could be kept to a minimum for the preservation and understanding of the artworks, with the support of three-dimensional (3D) documentation and digital restoration. A digital restoration that simulates the physical treatment of an artwork aims to provide information that could assist with decisions made for its physical care by minimizing the risks. This paper examines the digital restoration of the small figurine Xenophanes following the steps of increased intervention of a probable physical treatment and how each step of this process may affect its stability. 3D documentation of the current condition of the artwork and its two casts was made utilizing optical laser scanning and structure from motion photogrammetry. The resulting 3D models facilitated the digital restoration of the artwork to its earlier states. The comparison and analysis of the 3D models and the digital restoration process provided information that could assist its physical treatment. The digital restoration of the complex plastic deformation of an artwork is a case that, to our knowledge, has not been addressed so far. The complexity of the progress, the ethical dilemmas that arise during the artwork’s restoration, and the reflection on the restoration of a cultural artifact only in the digital environment encourage the rethinking of conservation.Problématique d'exposition et de mobilité de murales architecturales monumentales en carreaux de céramique / Anja Raimond
Titre : Problématique d'exposition et de mobilité de murales architecturales monumentales en carreaux de céramique : "l'Alimentation" de Raymond-Henry Chevalier (XXe siècle - La Louvière, Keramis) Type de document : texte manuscrit Auteurs : Anja Raimond, Auteur ; Noémie Drouguet (1976-), Directeur de thèse Editeur : [S.l.] : [chez l'auteur] Année de publication : 2021 Importance : 1 vol. (96 p.) Présentation : ill. en coul. Format : 30 cm Note générale : Mémoire (de première master) -- Conservation restauration des œuvres d'art, option céramique -- ESA Saint Luc Liège, 2021 Langues : Français (fre) Catégories : Art -- Matériaux -- 20e siècle -- Conservation et restauration
Carreaux de céramique -- 20e siècle -- Conservation et restauration
Carreaux de céramique -- Conservation et restauration
Chevallier, Raymond-Henri
Peinture et décoration murale -- Céramique -- 20e siècleIndex. décimale : 7.025 Dommages. Conservation. Protection Problématique d'exposition et de mobilité de murales architecturales monumentales en carreaux de céramique : "l'Alimentation" de Raymond-Henry Chevalier (XXe siècle - La Louvière, Keramis) [texte manuscrit] / Anja Raimond, Auteur ; Noémie Drouguet (1976-), Directeur de thèse . - [S.l.] : [chez l'auteur], 2021 . - 1 vol. (96 p.) : ill. en coul. ; 30 cm.
Mémoire (de première master) -- Conservation restauration des œuvres d'art, option céramique -- ESA Saint Luc Liège, 2021
Langues : Français (fre)
Catégories : Art -- Matériaux -- 20e siècle -- Conservation et restauration
Carreaux de céramique -- 20e siècle -- Conservation et restauration
Carreaux de céramique -- Conservation et restauration
Chevallier, Raymond-Henri
Peinture et décoration murale -- Céramique -- 20e siècleIndex. décimale : 7.025 Dommages. Conservation. Protection Réservation
Réserver ce document
Exemplaires (2)
Code-barres Cote Support Localisation Section Disponibilité SL 27934 TFE CROA 2021 1 RAI Mémoire ESA Saint-Luc Réserve Exclu du prêt SL 27935 TFE CROA 2021 1 RAI Mémoire ESA Saint-Luc Réserve Exclu du prêt