A Note of Caution on the Use of Calcium Nanoparticle Dispersions as Deacidifying Agents in Studies in conservation, Vol.68 N°1-2(2023; January-February) (2023-01-01)

Public ISBD [article]  inStudies in conservation > Vol.68 N°1-2(2023; January-February) (2023-01-01) . - P. 128-135 Titre : A Note of Caution on the Use of Calcium Nanoparticle Dispersions as Deacidifying Agents Type de document : texte imprimé Année de publication : 2023 Article en page(s) : P. 128-135 Langues : Anglais (eng) Catégories : Acidification -- Lutte contre Chaux Isopropanol Nanoparticules Papier -- Conservation et restauration pH -- Mesure Suspensions (chimie) Toile (Tissu) -- Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : Calcium hydroxide nanoparticles dispersed in ethanol or 2-propanol have been proposed for deacidification treatments of cellulose-based supports and are currently adopted by many paper and paintings conservators. There is however a risk inherent in this treatment: the dispersion would acquire a highly alkaline pH in the presence of moisture, absorbed by the dispersing alcohol solvents or by the cellulose-based support. Consequently, conditions of potential risk would be created for the structural integrity of the cellulosic supports, for some organic film-forming materials and some colouring matter. The simple tests conducted in this study clearly demonstrate that this risk is real, and suggest a cautious attitude in evaluating the suitability of these nano-dispersions for the treatment of some works of art. [article] A Note of Caution on the Use of Calcium Nanoparticle Dispersions as Deacidifying Agents [texte imprimé] . - 2023 . - P. 128-135. Langues : Anglais (eng) in Studies in conservation > Vol.68 N°1-2(2023; January-February) (2023-01-01) . - P. 128-135 Catégories : Acidification -- Lutte contre Chaux Isopropanol Nanoparticules Papier -- Conservation et restauration pH -- Mesure Suspensions (chimie) Toile (Tissu) -- Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : Calcium hydroxide nanoparticles dispersed in ethanol or 2-propanol have been proposed for deacidification treatments of cellulose-based supports and are currently adopted by many paper and paintings conservators. There is however a risk inherent in this treatment: the dispersion would acquire a highly alkaline pH in the presence of moisture, absorbed by the dispersing alcohol solvents or by the cellulose-based support. Consequently, conditions of potential risk would be created for the structural integrity of the cellulosic supports, for some organic film-forming materials and some colouring matter. The simple tests conducted in this study clearly demonstrate that this risk is real, and suggest a cautious attitude in evaluating the suitability of these nano-dispersions for the treatment of some works of art.

Treating Smalt : A Preliminary SEM-EDX Study of the Effects of Aqueous-based Alkaline Conservation Treatments on Smalt in Wall Paintings in Studies in conservation, Vol.68 N°1-2(2023; January-February) (2023-01-01)

Public ISBD [article]  inStudies in conservation > Vol.68 N°1-2(2023; January-February) (2023-01-01) . - P. 68-83 Titre : Treating Smalt : A Preliminary SEM-EDX Study of the Effects of Aqueous-based Alkaline Conservation Treatments on Smalt in Wall Paintings Type de document : texte imprimé Année de publication : 2023 Article en page(s) : P. 68-83 Note générale : Article en libre accès (open access). https://www.tandfonline.com/doi/full/10.1080/00393630.2021.1940721 Langues : Anglais (eng) Catégories : Baryum -- Composés Lixiviation Microscopie électronique à balayage Peinture et décoration murales de la Renaissance -- Conservation et restauration pH -- Mesure Pigments -- Conservation et restauration -- Effets de l'eau Pigments -- Déterioration -- Méthode comparative Sels d'ammonium Solutions aqueuses (chimie) Spectroscopie des rayons X Mots-clés : Smalt Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : Smalt is a blue cobalt-coloured glass pigment used in European wall paintings from the early Renaissance period that became a popular choice for artists due to its unique tone, availability, and versatility. The pigment has long been considered as stable in an alkaline environment since it was applied with lime-based techniques and generally retained its colour over time. This perceived stability has meant that aqueous-based alkaline treatments, often involving high pH values, substantial quantities of liquid, and long contact times, have been used in conservation treatments. However, studies of the kinetics of glass deterioration in the past few years have demonstrated that glass is highly reactive in contact with water and substances with both high and low pH values. Research into smalt deterioration in canvas paintings has shown that smalt is susceptible to elemental leaching and physical changes in contact with water and low pH values; however, there is little specific information about the conservation implications of these findings on the treatment of smalt in wall paintings. This experimental study explores several aspects of how aqueous-based alkaline conservation treatments affect smalt grains in lime-based wall paintings: the influence of painting technique, exposure of the pictorial layer to water before treatment, and pH values and contact times during treatment. Replicas representing three different painting techniques were created, exposed to liquid water or water vapour, and treated with three substances commonly used in conservation according to accepted practices in terms of preparation and application. Chemical and physical changes in the pigment were then analysed using scanning electron microscopy with energy dispersive X-ray spectroscopy. Results confirmed that aqueous-based alkaline substances provoke chemical changes as well as physical deterioration in smalt applied in lime-based techniques evidenced by leaching, corrosion, and cracking in the pigment grains. Crucial factors found to influence the impact of treatments on smalt included the previous exposure to humidity of the pictorial layer, the pH value of the treatment, and extended contact times. [article] Treating Smalt : A Preliminary SEM-EDX Study of the Effects of Aqueous-based Alkaline Conservation Treatments on Smalt in Wall Paintings [texte imprimé] . - 2023 . - P. 68-83. Article en libre accès (open access). https://www.tandfonline.com/doi/full/10.1080/00393630.2021.1940721 Langues : Anglais (eng) in Studies in conservation > Vol.68 N°1-2(2023; January-February) (2023-01-01) . - P. 68-83 Catégories : Baryum -- Composés Lixiviation Microscopie électronique à balayage Peinture et décoration murales de la Renaissance -- Conservation et restauration pH -- Mesure Pigments -- Conservation et restauration -- Effets de l'eau Pigments -- Déterioration -- Méthode comparative Sels d'ammonium Solutions aqueuses (chimie) Spectroscopie des rayons X Mots-clés : Smalt Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : Smalt is a blue cobalt-coloured glass pigment used in European wall paintings from the early Renaissance period that became a popular choice for artists due to its unique tone, availability, and versatility. The pigment has long been considered as stable in an alkaline environment since it was applied with lime-based techniques and generally retained its colour over time. This perceived stability has meant that aqueous-based alkaline treatments, often involving high pH values, substantial quantities of liquid, and long contact times, have been used in conservation treatments. However, studies of the kinetics of glass deterioration in the past few years have demonstrated that glass is highly reactive in contact with water and substances with both high and low pH values. Research into smalt deterioration in canvas paintings has shown that smalt is susceptible to elemental leaching and physical changes in contact with water and low pH values; however, there is little specific information about the conservation implications of these findings on the treatment of smalt in wall paintings. This experimental study explores several aspects of how aqueous-based alkaline conservation treatments affect smalt grains in lime-based wall paintings: the influence of painting technique, exposure of the pictorial layer to water before treatment, and pH values and contact times during treatment. Replicas representing three different painting techniques were created, exposed to liquid water or water vapour, and treated with three substances commonly used in conservation according to accepted practices in terms of preparation and application. Chemical and physical changes in the pigment were then analysed using scanning electron microscopy with energy dispersive X-ray spectroscopy. Results confirmed that aqueous-based alkaline substances provoke chemical changes as well as physical deterioration in smalt applied in lime-based techniques evidenced by leaching, corrosion, and cracking in the pigment grains. Crucial factors found to influence the impact of treatments on smalt included the previous exposure to humidity of the pictorial layer, the pH value of the treatment, and extended contact times.

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