Microscale Physical and Mechanical Analyses of Distemper Paint : A Case Study of Eidsborg Stave Church, Norway in Studies in conservation, Vol.68 N°1-2(2023; January-February) (2023-01-01)

Public ISBD [article]  inStudies in conservation > Vol.68 N°1-2(2023; January-February) (2023-01-01) . - P. 54-67 Titre : Microscale Physical and Mechanical Analyses of Distemper Paint : A Case Study of Eidsborg Stave Church, Norway Type de document : texte imprimé Année de publication : 2023 Article en page(s) : P. 54-67 Note générale : Article en libre accès (open access). https://www.tandfonline.com/doi/full/10.1080/00393630.2021.1925487 Langues : Anglais (eng) Catégories : Adsorption Analyse quantitative (chimie) Art -- Matériaux -- Conservation et restauration Craie Détrempe (peinture) -- Analyse Maquettes (sculpture) Microtomographie Nanoindentation Pigments -- Analyse Vapeur, Technique de la Mots-clés : Concentration pigmentaire volumique (CPV)  Sorption Dynamique de Vapeur d'eau (DVS) Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : This study focuses on the use of micro-sensitive methods – nanoindentation, dynamic water vapour sorption, and X-ray microtomography – to examine the physical properties of small volumes of artists’ materials. The novel methodology proposed in this paper was tested on laboratory-prepared chalk-based ground samples and subsequently applied to distemper paint samples taken from the polychrome walls of Eidsborg stave church. This article discusses key parameters that can be used to inform macro-sized mock-ups mimicking physical and mechanical behaviour of artistic materials, and highlights limitations of such an approach for highly heterogeneous paint systems. Dynamic water vapour sorption measurements allowed determination of the pigment volume concentration (PVC) of distemper paint from Eidsborg stave church as 95%. To the authors’ knowledge, this represents the first assessment of PVC for historic distemper paint using a non-destructive experimental technique, which can be extended to other hygroscopic samples of known composition. [article] Microscale Physical and Mechanical Analyses of Distemper Paint : A Case Study of Eidsborg Stave Church, Norway [texte imprimé] . - 2023 . - P. 54-67. Article en libre accès (open access). https://www.tandfonline.com/doi/full/10.1080/00393630.2021.1925487 Langues : Anglais (eng) in Studies in conservation > Vol.68 N°1-2(2023; January-February) (2023-01-01) . - P. 54-67 Catégories : Adsorption Analyse quantitative (chimie) Art -- Matériaux -- Conservation et restauration Craie Détrempe (peinture) -- Analyse Maquettes (sculpture) Microtomographie Nanoindentation Pigments -- Analyse Vapeur, Technique de la Mots-clés : Concentration pigmentaire volumique (CPV)  Sorption Dynamique de Vapeur d'eau (DVS) Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : This study focuses on the use of micro-sensitive methods – nanoindentation, dynamic water vapour sorption, and X-ray microtomography – to examine the physical properties of small volumes of artists’ materials. The novel methodology proposed in this paper was tested on laboratory-prepared chalk-based ground samples and subsequently applied to distemper paint samples taken from the polychrome walls of Eidsborg stave church. This article discusses key parameters that can be used to inform macro-sized mock-ups mimicking physical and mechanical behaviour of artistic materials, and highlights limitations of such an approach for highly heterogeneous paint systems. Dynamic water vapour sorption measurements allowed determination of the pigment volume concentration (PVC) of distemper paint from Eidsborg stave church as 95%. To the authors’ knowledge, this represents the first assessment of PVC for historic distemper paint using a non-destructive experimental technique, which can be extended to other hygroscopic samples of known composition.

The Technical Analysis and Conservation of John La Farge’s Newport Congregational Church Mural Decorations (1880) in Newport, Rhode Island in Studies in conservation, Vol.68 N°1-2(2023; January-February) (2023-01-01)

Public ISBD [article]  inStudies in conservation > Vol.68 N°1-2(2023; January-February) (2023-01-01) . - P. 193-209 Titre : The Technical Analysis and Conservation of John La Farge’s Newport Congregational Church Mural Decorations (1880) in Newport, Rhode Island Type de document : texte imprimé Année de publication : 2023 Article en page(s) : P. 193-209 Langues : Anglais (eng) Catégories : Chromatographie en phase gazeuse Cire d'abeille -- Dans l'art -- 19e siècle -- Analyse Décoration intérieure -- Matériaux -- 19e siècle -- Analyse Décoration intérieure -- Matériaux -- 19e siècle -- Formules et recettes Détrempe (peinture) -- Analyse Église -- Newport (R.I., États-Unis) -- 19e siècle -- Conservation et restauration Fourier, Spectroscopie infrarouge à transformée de La Farge, John (1835-1910) Microscopie électronique à balayage Peinture et décoration murales -- Newport (R.I., États-Unis) -- 19e siècle -- Conservation et restauration Pigments -- 19e siècle -- Analyse Résines fossiles -- Dans l'art -- 19e siècle -- Analyse Spectrométrie de masse Spectroscopie des rayons X Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : John La Farge (1835–1910) is regarded as an innovator of American interior decoration. His materials and techniques successfully created unique and eye-catching effects across the interior surfaces of monumental buildings. The recent conservation treatment of the Newport Congregational Church in Newport, Rhode Island afforded the opportunity to perform the first comprehensive analysis of one such painted interior. Materials analyses of the media and pigments were carried out using Fourier transform infrared spectroscopy (FTIR), gas chromatography-mass spectrometry (GC-MS), and scanning electron microscopy with energy dispersive X-ray spectroscopy (SEM-EDX). In addition, reconstructions of La Farge’s medium were prepared based on a number of available archival paint recipes in order to further inform the analysis and to help develop a better understanding of the materials La Farge likely used for specific passages and colors. The results of the project suggest that La Farge primarily achieved his varied surfaces with two mediums: distemper-bound passages juxtaposed with areas bound in a mixture of beeswax and larch balsam diluted with solvents. Analysis, archival research, and reconstructions were ultimately used to illustrate the vulnerabilities of La Farge’s surfaces but also to reveal the artist’s original intent and technique. [article] The Technical Analysis and Conservation of John La Farge’s Newport Congregational Church Mural Decorations (1880) in Newport, Rhode Island [texte imprimé] . - 2023 . - P. 193-209. Langues : Anglais (eng) in Studies in conservation > Vol.68 N°1-2(2023; January-February) (2023-01-01) . - P. 193-209 Catégories : Chromatographie en phase gazeuse Cire d'abeille -- Dans l'art -- 19e siècle -- Analyse Décoration intérieure -- Matériaux -- 19e siècle -- Analyse Décoration intérieure -- Matériaux -- 19e siècle -- Formules et recettes Détrempe (peinture) -- Analyse Église -- Newport (R.I., États-Unis) -- 19e siècle -- Conservation et restauration Fourier, Spectroscopie infrarouge à transformée de La Farge, John (1835-1910) Microscopie électronique à balayage Peinture et décoration murales -- Newport (R.I., États-Unis) -- 19e siècle -- Conservation et restauration Pigments -- 19e siècle -- Analyse Résines fossiles -- Dans l'art -- 19e siècle -- Analyse Spectrométrie de masse Spectroscopie des rayons X Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : John La Farge (1835–1910) is regarded as an innovator of American interior decoration. His materials and techniques successfully created unique and eye-catching effects across the interior surfaces of monumental buildings. The recent conservation treatment of the Newport Congregational Church in Newport, Rhode Island afforded the opportunity to perform the first comprehensive analysis of one such painted interior. Materials analyses of the media and pigments were carried out using Fourier transform infrared spectroscopy (FTIR), gas chromatography-mass spectrometry (GC-MS), and scanning electron microscopy with energy dispersive X-ray spectroscopy (SEM-EDX). In addition, reconstructions of La Farge’s medium were prepared based on a number of available archival paint recipes in order to further inform the analysis and to help develop a better understanding of the materials La Farge likely used for specific passages and colors. The results of the project suggest that La Farge primarily achieved his varied surfaces with two mediums: distemper-bound passages juxtaposed with areas bound in a mixture of beeswax and larch balsam diluted with solvents. Analysis, archival research, and reconstructions were ultimately used to illustrate the vulnerabilities of La Farge’s surfaces but also to reveal the artist’s original intent and technique.

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