Artists' pigments : a handbook of their history and characteristics. Volume 4 / Barbara H. Berrie, editor

Public ISBD Titre : Artists' pigments : a handbook of their history and characteristics. Volume 4 / Barbara H. Berrie, editor Type de document : texte imprimé Auteurs : Barbara Hepburn. Berrie, Editeur scientifique Editeur : London : Archetype publications Année de publication : c2007. Importance : xiii, 233 p Présentation : ill. Format : 26 cm ISBN/ISSN/EAN : 978-1-904982-23-4 Note générale : Bibliogr. en fin de chapitres. Index Langues : Anglais (eng) Catégories : Artist's materials. Matériel d'artistes PIGMENTS Pigments. Index. décimale : 0 Artists' pigments : a handbook of their history and characteristics. Volume 4 / Barbara H. Berrie, editor [texte imprimé] / Barbara Hepburn. Berrie, Editeur scientifique . - London  : Archetype publications, c2007. . - xiii, 233 p  : ill.  ; 26 cm. ISBN : 978-1-904982-23-4 Bibliogr. en fin de chapitres. Index Langues : Anglais (eng) Catégories : Artist's materials. Matériel d'artistes PIGMENTS Pigments. Index. décimale : 0

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Authenticity in transition / Erma Hermens ; Frances Robertson

Public ISBD Titre : Authenticity in transition : Changing practices in art making and conservation, proceedings of the international conference held at the University of Glasgow, 1-2 December 2014 Type de document : texte imprimé Auteurs : Erma Hermens (1958-....), Directeur de publication, rédacteur en chef ; Frances Robertson (1952-....), Directeur de publication, rédacteur en chef Editeur : London : Archetype publications Année de publication : 2016 Importance : 1 vol. (205 p.) Présentation : ill. en coul., couv. ill. en noir et en coul. Format : 25 cm ISBN/ISSN/EAN : 978-1-909492-36-3 Langues : Anglais (eng) Catégories : Art -- Conservation et restauration -- Innovations -- 21e siècle Art numérique -- Conservation et restauration Conservation et restauration -- Numérisation Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : This volume contains papers from the NeCCAR 2014 conference “Authenticity in Transition”. The papers debate the various ways that changing artistic practices affect our interpretation, conservation, and curation of contemporary art, with a special reference to the shifting concepts of authenticity and artistic intent. The papers examine the topic through many mediums including artists’ viewpoints, the ephemeral nature of materials, historical perspective. The volume especially focuses on the problems caused by a shifting concept of authenticity to the conservation of artworks and conservation ethics. Note de contenu : Sommaire: Preface Acknowledgements Contemporary conservation: keynotes In the wings Jill Sterrett The aesthetics of change: on the relative durations of the impermanent and critical thinking in conservation Hanna Hölling Contemporary conservation: curating and translating art history Reconfiguring contemporary art in the museum Glenn Wharton Moving away from the artist’s sway: changes in the critical reception of Mike Kelley’s Day Is Done Ariane Noël de Tilly The Cybernetic Tower by Nicolas Schöffer: the conservator’s role between continuity and historicity of the production Manon D’haenens Between curator and the artist: a problem of authority Agnieszka Wielocha Stills and touches: merging concepts of authenticity between a paper conservator, artists and curators in a private art gallery Magdalena Grenda-Kurmanow ... Designed to exist in passing time: Robert Rauschenberg’s Black Painting Jennifer Hickey Identifying aesthetic and technological thresholds in the restoration of contemporary art Tiarna Doherty and L.H. (Hugh) Shockey, Jr. The legalities of authenticity and contemporary art Jean E. Brown Contemporary conservation: connecting practices Authenticity and authorship in socially engaged art Rebecca Gordon Connecting practices of preservation: exploring authenticities in collaborative performance-based artworks Hélia Marçal, Andreia Nogueira, Isabel Pires and Rita Macedo Blind spots in contemporary art conservation? Results of an interdisciplinary workshop Julia Giebeler and Gunnar Heydenreich Contemporary conservation: reinventing technologies and media Conservation of contemporary art: from concepts to practice, Cloaca by Wim Delvoye Muriel Verbeeck and Nico Broers In search of the real Suzanne: authenticity and evolving artistic practice in the conservation of a time-based media sculpture by Julian Opie Joanna Shepard Good vibrations: the conservation of Soto’s Grande muro panoramico vibrante Paolo Martore Through the conservator’s lens: from analogue photowork to digital printout. How is authenticity served? Sanneke Stigter Exploring the conservation of net art: a call for authentic alliances Annet Dekker Artist’s experiments with new materials in works of art: how to preserve intent and matter Monika Jadzinska Motors matter: some reflections on the preservation of electro-mechanical devices in contemporary art Laura Calvi, Roberto Dipasquale and Iolanda Ratti Authenticity in transition : Changing practices in art making and conservation, proceedings of the international conference held at the University of Glasgow, 1-2 December 2014 [texte imprimé] / Erma Hermens (1958-....), Directeur de publication, rédacteur en chef ; Frances Robertson (1952-....), Directeur de publication, rédacteur en chef . - London  : Archetype publications, 2016 . - 1 vol. (205 p.) : ill. en coul., couv. ill. en noir et en coul. ; 25 cm. ISBN : 978-1-909492-36-3 Langues : Anglais (eng) Catégories : Art -- Conservation et restauration -- Innovations -- 21e siècle Art numérique -- Conservation et restauration Conservation et restauration -- Numérisation Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : This volume contains papers from the NeCCAR 2014 conference “Authenticity in Transition”. The papers debate the various ways that changing artistic practices affect our interpretation, conservation, and curation of contemporary art, with a special reference to the shifting concepts of authenticity and artistic intent. The papers examine the topic through many mediums including artists’ viewpoints, the ephemeral nature of materials, historical perspective. The volume especially focuses on the problems caused by a shifting concept of authenticity to the conservation of artworks and conservation ethics. Note de contenu : Sommaire: Preface Acknowledgements Contemporary conservation: keynotes In the wings Jill Sterrett The aesthetics of change: on the relative durations of the impermanent and critical thinking in conservation Hanna Hölling Contemporary conservation: curating and translating art history Reconfiguring contemporary art in the museum Glenn Wharton Moving away from the artist’s sway: changes in the critical reception of Mike Kelley’s Day Is Done Ariane Noël de Tilly The Cybernetic Tower by Nicolas Schöffer: the conservator’s role between continuity and historicity of the production Manon D’haenens Between curator and the artist: a problem of authority Agnieszka Wielocha Stills and touches: merging concepts of authenticity between a paper conservator, artists and curators in a private art gallery Magdalena Grenda-Kurmanow ... Designed to exist in passing time: Robert Rauschenberg’s Black Painting Jennifer Hickey Identifying aesthetic and technological thresholds in the restoration of contemporary art Tiarna Doherty and L.H. (Hugh) Shockey, Jr. The legalities of authenticity and contemporary art Jean E. Brown Contemporary conservation: connecting practices Authenticity and authorship in socially engaged art Rebecca Gordon Connecting practices of preservation: exploring authenticities in collaborative performance-based artworks Hélia Marçal, Andreia Nogueira, Isabel Pires and Rita Macedo Blind spots in contemporary art conservation? Results of an interdisciplinary workshop Julia Giebeler and Gunnar Heydenreich Contemporary conservation: reinventing technologies and media Conservation of contemporary art: from concepts to practice, Cloaca by Wim Delvoye Muriel Verbeeck and Nico Broers In search of the real Suzanne: authenticity and evolving artistic practice in the conservation of a time-based media sculpture by Julian Opie Joanna Shepard Good vibrations: the conservation of Soto’s Grande muro panoramico vibrante Paolo Martore Through the conservator’s lens: from analogue photowork to digital printout. How is authenticity served? Sanneke Stigter Exploring the conservation of net art: a call for authentic alliances Annet Dekker Artist’s experiments with new materials in works of art: how to preserve intent and matter Monika Jadzinska Motors matter: some reflections on the preservation of electro-mechanical devices in contemporary art Laura Calvi, Roberto Dipasquale and Iolanda Ratti

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Conservation in the nineteenth century / Isabelle Brajer

Public ISBD Titre : Conservation in the nineteenth century Type de document : texte imprimé Auteurs : Isabelle Brajer, Editeur scientifique Editeur : London : Archetype publications Année de publication : 2013 Importance : 1 vol. (XI-232 p.) Présentation : ill. en noir et en coul., couv. ill. Format : 31 cm ISBN/ISSN/EAN : 978-1-904982-91-3 Note générale : Contributions à la conférence "Conservation in the nineteenth century", Copenhague, mai 2013 Catégories : Art -- Conservation et restauration -- Europe -- 19e siècle -- Actes de congrès Musées -- Méthodes de conservation -- Europe -- 19e siècle -- Actes de congrès Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : The papers in this volume, presented at the conference Conservation in the Nineteenth Century, suggest that we should not think of the nineteenth century as a time solely marked by conservation activities that should be criticised, but as an interesting confluence of various attitudes out of which modern conservation trends emerged. The conservation profession has its roots in the intellectual movements of the first half of the 19th century, following the Enlightenment. Scholarly study of objects made available by important archeological excavations and discoveries gave birth to the first debates on theoretical issues of preservation. Also the political events which disrupted Europe in the first decades of the 19th century played a significant role in conservation practice. In particular, Napoleon’s appropriation of works of art. As much as early conservation treatments can create many problems for conservators today, in some cases, they did prolong the life of an object that might not exist today. In some of these treatments we can see the interest in scientific methods that comprise the foundation of current conservation treatments. Nineteenth century technical inventions brought about by the industrial revolution led to the mass production of many materials. These have had both a positive and negative influence on conservation. Conservation in the nineteenth century [texte imprimé] / Isabelle Brajer, Editeur scientifique . - London  : Archetype publications, 2013 . - 1 vol. (XI-232 p.) : ill. en noir et en coul., couv. ill. ; 31 cm. ISBN : 978-1-904982-91-3 Contributions à la conférence "Conservation in the nineteenth century", Copenhague, mai 2013 Catégories : Art -- Conservation et restauration -- Europe -- 19e siècle -- Actes de congrès Musées -- Méthodes de conservation -- Europe -- 19e siècle -- Actes de congrès Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : The papers in this volume, presented at the conference Conservation in the Nineteenth Century, suggest that we should not think of the nineteenth century as a time solely marked by conservation activities that should be criticised, but as an interesting confluence of various attitudes out of which modern conservation trends emerged. The conservation profession has its roots in the intellectual movements of the first half of the 19th century, following the Enlightenment. Scholarly study of objects made available by important archeological excavations and discoveries gave birth to the first debates on theoretical issues of preservation. Also the political events which disrupted Europe in the first decades of the 19th century played a significant role in conservation practice. In particular, Napoleon’s appropriation of works of art. As much as early conservation treatments can create many problems for conservators today, in some cases, they did prolong the life of an object that might not exist today. In some of these treatments we can see the interest in scientific methods that comprise the foundation of current conservation treatments. Nineteenth century technical inventions brought about by the industrial revolution led to the mass production of many materials. These have had both a positive and negative influence on conservation.

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Gels in the conservation of art / Lora V. Angelova 

Public ISBD Titre : Gels in the conservation of art Type de document : texte imprimé Auteurs : Lora V. Angelova, Editeur scientifique ; Bronwyn Ormsby, Editeur scientifique ; Joyce H. Townsend, Editeur scientifique ; Richard Wolbers (1949-....), Editeur scientifique Editeur : London : Archetype publications Année de publication : 2017 Importance : 1 vol. (xi, 400 p.) Présentation : ill. en noir et blanc, ill. en coul., couv. ill. Format : 30 cm ISBN/ISSN/EAN : 978-1-909492-50-9 Langues : Anglais (eng) Catégories : Art -- Conservation et restauration -- Congrès et conférences Colloïdes -- Congrès et conférences Décapants -- Congrès et conférences Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : The texts in this volume represent the current theory, research and practice on the use of gel materials for treatment processes in the conservation of objects of art and surfaces in the built environment. The range of gels featured includes those drawn from the biological, cosmetic and food industries, as well as emerging products created specifically for conservation purposes. Gels in the conservation of art [texte imprimé] / Lora V. Angelova, Editeur scientifique ; Bronwyn Ormsby, Editeur scientifique ; Joyce H. Townsend, Editeur scientifique ; Richard Wolbers (1949-....), Editeur scientifique . - London  : Archetype publications, 2017 . - 1 vol. (xi, 400 p.) : ill. en noir et blanc, ill. en coul., couv. ill. ; 30 cm. ISBN : 978-1-909492-50-9 Langues : Anglais (eng) Catégories : Art -- Conservation et restauration -- Congrès et conférences Colloïdes -- Congrès et conférences Décapants -- Congrès et conférences Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : The texts in this volume represent the current theory, research and practice on the use of gel materials for treatment processes in the conservation of objects of art and surfaces in the built environment. The range of gels featured includes those drawn from the biological, cosmetic and food industries, as well as emerging products created specifically for conservation purposes.

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On the Ethics of Cultural Heritage Conservation / Salvador Muñoz Viñas 

Public ISBD Titre : On the Ethics of Cultural Heritage Conservation Type de document : texte imprimé Auteurs : Salvador Muñoz Viñas, Auteur Editeur : London : Archetype publications Année de publication : 2020 Importance : 1 vol. (123 p.) Présentation : ill. en noir et blanc, ill. en coul. Format : 24 cm ISBN/ISSN/EAN : 978-1-909492-70-7 Langues : Anglais (eng) Catégories : Art -- Conservation et restauration Conservation et restauration -- Aspect moral Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : On the Ethics of Cultural Heritage Conservation is a collection of previously published papers, original texts based on lectures delivered by the author and several pieces written solely for this publication. Each one of them analyses one of the core notions that shape the traditional conservation discourse (minmal intervention, artist's intent etc.). These reflections aim at providing a deeper understanding of this fascinating activity, an understanding that may perhaps foster a more open, efficient and future-proof approach to cultural heritage conservation. On the Ethics of Cultural Heritage Conservation [texte imprimé] / Salvador Muñoz Viñas, Auteur . - London  : Archetype publications, 2020 . - 1 vol. (123 p.) : ill. en noir et blanc, ill. en coul. ; 24 cm. ISBN : 978-1-909492-70-7 Langues : Anglais (eng) Catégories : Art -- Conservation et restauration Conservation et restauration -- Aspect moral Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : On the Ethics of Cultural Heritage Conservation is a collection of previously published papers, original texts based on lectures delivered by the author and several pieces written solely for this publication. Each one of them analyses one of the core notions that shape the traditional conservation discourse (minmal intervention, artist's intent etc.). These reflections aim at providing a deeper understanding of this fascinating activity, an understanding that may perhaps foster a more open, efficient and future-proof approach to cultural heritage conservation.

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Paintings in the laboratory / Karin Groen

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The future of the 20th century : Research centre for textile conservation and textile studies. AHRC / Research Centre For Textile...ahrc

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The public face of conservation / Emily Williams

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