Phenomenologies of art and vision / Paul Crowther

Public ISBD Titre : Phenomenologies of art and vision : A post-analytic turn Type de document : texte imprimé Auteurs : Paul Crowther (1953-....), Auteur Editeur : London : Bloomington Année de publication : 2013 Importance : 1 vol. (195 p.) Présentation : ill. en noir et blanc, couv. ill. en coul. Format : 24 cm ISBN/ISSN/EAN : 978-1-4411-1973-5 Langues : Anglais (eng) Catégories : Dufrenne, Mikel (1910-1995) -- Esthétique Heidegger, Martin (1889-1976) -- Esthétique Lacan, Jacques (1901-1981) -- Esthétique Merleau-Ponty, Maurice (1908-1961) -- Esthétique Phénoménologie -- Esthétique Wollheim, Richard (1923-2003) -- Esthétique Index. décimale : 7.01 Esthétique, philosophie de l'art Résumé : Contemporary discussions of the image like to emphasize art's societal functions. Few studies come close to answering why pictures and sculptures fascinate and intrigue regardless of any practical functions they might serve. In this original, thought-provoking study, Paul Crowther reveals the intrinsic significance of pictures and sculptures. To address the question of how painting becomes an art, Crowther uses the analytic philosophy of Richard Wollheim as a starting point. To sufficiently answer the question, he makes an important link to a tradition much more successful in giving voice to the deeper ontology of visual art - existential phenomenology. The result is a work that demonstrates the reciprocal relationship between phenomenology and analytic aesthetics. To expand its ontological scope and solve the problem of expression, analytic aesthetics needs phenomenology; while to develop a sustained, critically balanced, and intellectually available ontology, phenomenology needs the discursive force and lucidity of analytic philosophy. This convincing case for a post-analytic phenomenology of art is an important advancement of contemporary discussions of the philosophy of art. Phenomenologies of art and vision : A post-analytic turn [texte imprimé] / Paul Crowther (1953-....), Auteur . - London : Bloomington, 2013 . - 1 vol. (195 p.) : ill. en noir et blanc, couv. ill. en coul. ; 24 cm. ISBN : 978-1-4411-1973-5 Langues : Anglais (eng) Catégories : Dufrenne, Mikel (1910-1995) -- Esthétique Heidegger, Martin (1889-1976) -- Esthétique Lacan, Jacques (1901-1981) -- Esthétique Merleau-Ponty, Maurice (1908-1961) -- Esthétique Phénoménologie -- Esthétique Wollheim, Richard (1923-2003) -- Esthétique Index. décimale : 7.01 Esthétique, philosophie de l'art Résumé : Contemporary discussions of the image like to emphasize art's societal functions. Few studies come close to answering why pictures and sculptures fascinate and intrigue regardless of any practical functions they might serve. In this original, thought-provoking study, Paul Crowther reveals the intrinsic significance of pictures and sculptures. To address the question of how painting becomes an art, Crowther uses the analytic philosophy of Richard Wollheim as a starting point. To sufficiently answer the question, he makes an important link to a tradition much more successful in giving voice to the deeper ontology of visual art - existential phenomenology. The result is a work that demonstrates the reciprocal relationship between phenomenology and analytic aesthetics. To expand its ontological scope and solve the problem of expression, analytic aesthetics needs phenomenology; while to develop a sustained, critically balanced, and intellectually available ontology, phenomenology needs the discursive force and lucidity of analytic philosophy. This convincing case for a post-analytic phenomenology of art is an important advancement of contemporary discussions of the philosophy of art.

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Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 22297	7.01 CROWTHER	Livre	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

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