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Titre : 02.18 - 2018-02-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques -- 21e siècle
Azambuja, Martín
Cédille, Noémie (1988?-....)
Conditionnement
Couleurs -- Dans l'art -- Illustrations
Graphistes -- 21e siècle
Hewlett, Jamie (1968-....)
Livres -- Couvertures
Livres -- Mise en page
Périodiques -- Couvertures
Typographie -- 21e siècle
White, EdwinaIndex. décimale : 766 Arts graphiques Résumé :
Out of the blue
12.01.2018
»Blue skies, smilin' at me – nothin' but blue skies do I see« – you’d be forgiven for bursting into song at the sight of the sky-blue cover for novum February.
Our focus theme this time is the fascinating world of illustration – thanks to the daily torrent of photos on all channels, illustration is enjoying a real revival. To inspire your own work this year, we bring you 23 pages of very different illustration styles and highly individual creations.
Note de contenu :
The works of French designer Noémie Cédille exude charm and vitality, whether she is illustrating for a new magazine or for packaging. For a contrast we visited Sea Change, a designer duo that pursues its own very individual philosophy and is not afraid to change direction. Last but not least, we also delved into the work of Tata&Friends who are based in both Linz and Madrid – you, too, will be delighted by their portfolio and the new ideas it delivers.
In our legal series this month we gather together all the key facts on founding and winding up a »GmbH« company and Andreas Koop looks at how to visualise the same content from different cultural perspectives.
Two exciting new indie magazines are featured by Herbert Lechner, along with a new volume from Hermann Schmidt publishers called »Buchstaben im Kopf«, a practical and readable compendium for all those involved in designing texts that whet the reader’s appetite.
The cover
The Pop’Set Range offers a real rainbow palette – for our focus theme on illustration, however, our choice was Blue Sky, an elegant canvas that also heralds spring. Not a single cloud masks the smoothness of the paper with its pleasantly high volume. In terms of printing and processing, there are no limits – it can be embossed and finished with film. Here we bring you the full charm of this paper in its essential form, because the expressive line of Uruguayan illustrator Martin Azambuja (whom we featured in novum 04.16) needs no more than expressive colours to achieve maximum effect. As a speciality we also used a Pantone colour which really brings the tree of pencils to life.
novum+
Freistil, Interview mit Raban Rudigkeit
Chester Holme (GBR)
Nate Kitch (USA)
Sebastian Haslauer (GER)
Edwina White (AUS)
Merijn Hos (NLD)
Sarah Maycock (GBR)
Michela Natella (ITA)
Herbarium
Showroom
Tata & Friends (AUT / ESP)
Noémie Cédille (FRA)
Ruben Pater (NLD)
Sea Change (NLZ)
New Talents Berlin: Simone Klimmeck
Das Cover
Design: Martin Azambuja (URY)
Paper: Pop’Set, Antalis
Print: f&w Druck & Mediencenter
Photos: Tobias HolzmannEn ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0218/ [n° ou bulletin] 02.18 - 2018-02-12 [texte imprimé] . - 2018.
Langues : Allemand (ger) Anglais (eng)
Catégories : Arts graphiques -- 21e siècle
Azambuja, Martín
Cédille, Noémie (1988?-....)
Conditionnement
Couleurs -- Dans l'art -- Illustrations
Graphistes -- 21e siècle
Hewlett, Jamie (1968-....)
Livres -- Couvertures
Livres -- Mise en page
Périodiques -- Couvertures
Typographie -- 21e siècle
White, EdwinaIndex. décimale : 766 Arts graphiques Résumé :
Out of the blue
12.01.2018
»Blue skies, smilin' at me – nothin' but blue skies do I see« – you’d be forgiven for bursting into song at the sight of the sky-blue cover for novum February.
Our focus theme this time is the fascinating world of illustration – thanks to the daily torrent of photos on all channels, illustration is enjoying a real revival. To inspire your own work this year, we bring you 23 pages of very different illustration styles and highly individual creations.
Note de contenu :
The works of French designer Noémie Cédille exude charm and vitality, whether she is illustrating for a new magazine or for packaging. For a contrast we visited Sea Change, a designer duo that pursues its own very individual philosophy and is not afraid to change direction. Last but not least, we also delved into the work of Tata&Friends who are based in both Linz and Madrid – you, too, will be delighted by their portfolio and the new ideas it delivers.
In our legal series this month we gather together all the key facts on founding and winding up a »GmbH« company and Andreas Koop looks at how to visualise the same content from different cultural perspectives.
Two exciting new indie magazines are featured by Herbert Lechner, along with a new volume from Hermann Schmidt publishers called »Buchstaben im Kopf«, a practical and readable compendium for all those involved in designing texts that whet the reader’s appetite.
The cover
The Pop’Set Range offers a real rainbow palette – for our focus theme on illustration, however, our choice was Blue Sky, an elegant canvas that also heralds spring. Not a single cloud masks the smoothness of the paper with its pleasantly high volume. In terms of printing and processing, there are no limits – it can be embossed and finished with film. Here we bring you the full charm of this paper in its essential form, because the expressive line of Uruguayan illustrator Martin Azambuja (whom we featured in novum 04.16) needs no more than expressive colours to achieve maximum effect. As a speciality we also used a Pantone colour which really brings the tree of pencils to life.
novum+
Freistil, Interview mit Raban Rudigkeit
Chester Holme (GBR)
Nate Kitch (USA)
Sebastian Haslauer (GER)
Edwina White (AUS)
Merijn Hos (NLD)
Sarah Maycock (GBR)
Michela Natella (ITA)
Herbarium
Showroom
Tata & Friends (AUT / ESP)
Noémie Cédille (FRA)
Ruben Pater (NLD)
Sea Change (NLZ)
New Talents Berlin: Simone Klimmeck
Das Cover
Design: Martin Azambuja (URY)
Paper: Pop’Set, Antalis
Print: f&w Druck & Mediencenter
Photos: Tobias HolzmannEn ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0218/ Réservation
Réserver ce document
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Code-barres Cote Support Localisation Section Disponibilité SL 22320 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : 03.18 - 2018-03-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Aliments -- Conditionnement
Arts graphiques -- 21e siècle
Arts graphiques -- Mise en page et typographie
Arts graphiques -- Tokyo (Japon)
Conditionnement
Ornements typographiques
Produits cosmétiques -- Conditionnement
Reliure -- Dorure -- 21e siècle
Sculpture en papier
Typographie - Design
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Résumé :
This issue really pulls out all the stops! A wrap-around cover resplendent in all the colours of the rainbow, fine gold paper and relief varnishing – no point in choosing gold unless you really go for it!
Gold is not as easy a choice as you might think, however. It can quickly look over the top, which is why many designers only use it sparingly. But who wants to be modest and sensible all the time? In this issue of novum we thought we´d really push the boat out and go all out for gold. It fills the novum+ section and the cover, too, is a gilded delight. A brand new print and finishing technique inspired the designers at Paperlux to this cover. And we think you’ll agree, the results are amazing. Sophisticated printing technology combined with good design – that is real luxury!
novum 03.18 is also available as PDF for only 8,99 Euro
To buy the printed issue, please visit our ShopNote de contenu :
The Midas touch
If you want to make an impression, then you´ve really got to go for it. No half measures. When everybody else is dressed up to the nines, then you don´t want to be the one in jeans and T-shirt. Choosing gold as the theme for this month´s novum+ section was at the same time an obligation – to really shine. With features about great projects and also with the cover – that, too, had to be gold. Not just a little, but a lot!
The creatives at Paperlux were certainly on board with this idea. These Hamburg-based designers pulled off a coup for us once before with the 11/11 novum cover, which you could fold in three dimensions. This time, it as a new technique that inspired this latest cover.
The cover
At the end of 2017 Scodix rolled out its new digital print enhancement press. This enables spot varnishing, unusually high relief varnishes and foil finishes. You can see what´s possible on the new novum cover: It shimmers in all the colours of the rainbow and is a delight to touch. The special thing about this process is that it dispenses with the need for screens or printing plates, it can be printed direct from the computer. In this way you can save costs, proofs are cheaper and designers have more scope. It´s even possible to apply different finishes one after the other, to create brand new effects.
For the paper we chose Splendorlux Mirror Oro in 320 gsm from Fedrigoni. This cast coated board is well suited for a wide range of applications and has an attractive gold tone and a reflecting surface.
The foil used on the cover came from Kurz, a company that developed a new foil specially for use with the Scodix printing process. It is available in all the colours of the rainbow.
In the novum+ section, too, it´s all about gold. Used in the CD for a model agency gold adds sophistication, for a Japanese restaurant, freshness. It turns a six-pack of beer into a wild work of art and adds class to cannabis packaging. These and many other projects show just how diverse the applications are for the colour gold.
In the Showroom section, Düsseldorf agency KittoKatsu lives up to its name and Italian designer Monica Lovati shows us CIs with feeling. At Buenaventura from Granada, they love bright and bold, and know just how to blend cultural elements into their work. In Vorarlberg, too, the designers have a knack for fine design: Atelier Hanselwanter shows how to create fantastic design for small clients too. And, last but not least, we visit Ufomammoot in Berlin for our series on New Talents Berlin. These creatives use the latest technologies and test out the limits of the possible.
Gilt edging
We couldn´t resist and just had to do a gilt edge as well. So ten of the copies of novum 03.18 sport this sophisticated finish. They are randomly distributed among our subscribers and the newsagents, and if you are the lucky recipient of one of them, then you have hit lucky twice: Not only do you have a real collectors´ piece, you also get a free one-day ticket to our Creative Paper Conference 2018!
The content
novum+
Bibliothèque (GBR)
Happycentro (ITA)
Pavement (USA)
Brighhead Studio (RUS)
Knoed (USA)
Mind Design (GBR)
The Bakery (RUS)
Toolbox (CAN)
Paperlux (GER)
Showroom
KittoKatsu (GER)
Monica Lovati (ITA)
Buenaventura (ESP)
Haselwanter Grafik_und Design (AUT)
Ufomammoot (GER)
Das Cover
Design: Paperlux (GER)
Papier: Splendorlux Mirror Oro, 320 g/qm Fedrigoni
Druck & Veredelung Cover: Mediadruckwerk
Folien: Kurz
Fotos: Tobias Holzmann
Goldschnitt: 10 Exemplare wurden zudem von der Firma Steinbrenner mit einem Goldschnitt versehen,
novum 03.18 GoldEn ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0318/ [n° ou bulletin] 03.18 - 2018-03-12 [texte imprimé] . - 2018.
Langues : Allemand (ger) Anglais (eng)
Catégories : Aliments -- Conditionnement
Arts graphiques -- 21e siècle
Arts graphiques -- Mise en page et typographie
Arts graphiques -- Tokyo (Japon)
Conditionnement
Ornements typographiques
Produits cosmétiques -- Conditionnement
Reliure -- Dorure -- 21e siècle
Sculpture en papier
Typographie - Design
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Résumé :
This issue really pulls out all the stops! A wrap-around cover resplendent in all the colours of the rainbow, fine gold paper and relief varnishing – no point in choosing gold unless you really go for it!
Gold is not as easy a choice as you might think, however. It can quickly look over the top, which is why many designers only use it sparingly. But who wants to be modest and sensible all the time? In this issue of novum we thought we´d really push the boat out and go all out for gold. It fills the novum+ section and the cover, too, is a gilded delight. A brand new print and finishing technique inspired the designers at Paperlux to this cover. And we think you’ll agree, the results are amazing. Sophisticated printing technology combined with good design – that is real luxury!
novum 03.18 is also available as PDF for only 8,99 Euro
To buy the printed issue, please visit our ShopNote de contenu :
The Midas touch
If you want to make an impression, then you´ve really got to go for it. No half measures. When everybody else is dressed up to the nines, then you don´t want to be the one in jeans and T-shirt. Choosing gold as the theme for this month´s novum+ section was at the same time an obligation – to really shine. With features about great projects and also with the cover – that, too, had to be gold. Not just a little, but a lot!
The creatives at Paperlux were certainly on board with this idea. These Hamburg-based designers pulled off a coup for us once before with the 11/11 novum cover, which you could fold in three dimensions. This time, it as a new technique that inspired this latest cover.
The cover
At the end of 2017 Scodix rolled out its new digital print enhancement press. This enables spot varnishing, unusually high relief varnishes and foil finishes. You can see what´s possible on the new novum cover: It shimmers in all the colours of the rainbow and is a delight to touch. The special thing about this process is that it dispenses with the need for screens or printing plates, it can be printed direct from the computer. In this way you can save costs, proofs are cheaper and designers have more scope. It´s even possible to apply different finishes one after the other, to create brand new effects.
For the paper we chose Splendorlux Mirror Oro in 320 gsm from Fedrigoni. This cast coated board is well suited for a wide range of applications and has an attractive gold tone and a reflecting surface.
The foil used on the cover came from Kurz, a company that developed a new foil specially for use with the Scodix printing process. It is available in all the colours of the rainbow.
In the novum+ section, too, it´s all about gold. Used in the CD for a model agency gold adds sophistication, for a Japanese restaurant, freshness. It turns a six-pack of beer into a wild work of art and adds class to cannabis packaging. These and many other projects show just how diverse the applications are for the colour gold.
In the Showroom section, Düsseldorf agency KittoKatsu lives up to its name and Italian designer Monica Lovati shows us CIs with feeling. At Buenaventura from Granada, they love bright and bold, and know just how to blend cultural elements into their work. In Vorarlberg, too, the designers have a knack for fine design: Atelier Hanselwanter shows how to create fantastic design for small clients too. And, last but not least, we visit Ufomammoot in Berlin for our series on New Talents Berlin. These creatives use the latest technologies and test out the limits of the possible.
Gilt edging
We couldn´t resist and just had to do a gilt edge as well. So ten of the copies of novum 03.18 sport this sophisticated finish. They are randomly distributed among our subscribers and the newsagents, and if you are the lucky recipient of one of them, then you have hit lucky twice: Not only do you have a real collectors´ piece, you also get a free one-day ticket to our Creative Paper Conference 2018!
The content
novum+
Bibliothèque (GBR)
Happycentro (ITA)
Pavement (USA)
Brighhead Studio (RUS)
Knoed (USA)
Mind Design (GBR)
The Bakery (RUS)
Toolbox (CAN)
Paperlux (GER)
Showroom
KittoKatsu (GER)
Monica Lovati (ITA)
Buenaventura (ESP)
Haselwanter Grafik_und Design (AUT)
Ufomammoot (GER)
Das Cover
Design: Paperlux (GER)
Papier: Splendorlux Mirror Oro, 320 g/qm Fedrigoni
Druck & Veredelung Cover: Mediadruckwerk
Folien: Kurz
Fotos: Tobias Holzmann
Goldschnitt: 10 Exemplare wurden zudem von der Firma Steinbrenner mit einem Goldschnitt versehen,
novum 03.18 GoldEn ligne : https://novum.graphics/en/magazine/magazine-detail/detail/novum-0318/ Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 22322 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : 05.16 - 2016-05-12 - Packaging Type de document : texte imprimé Année de publication : 2016 Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques
Conditionnement
PackagingIndex. décimale : 766 Arts graphiques En ligne : http://www.novumnet.de/en/world-of-novum/current-issue/0616/novum-plus/colour.ht [...] [n° ou bulletin] 05.16 - 2016-05-12 - Packaging [texte imprimé] . - 2016.
Langues : Allemand (ger) Anglais (eng)
Catégories : Arts graphiques
Conditionnement
PackagingIndex. décimale : 766 Arts graphiques En ligne : http://www.novumnet.de/en/world-of-novum/current-issue/0616/novum-plus/colour.ht [...] Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 20196 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible
[n° ou bulletin]
Titre : 05.18 - 2018-05-12 Type de document : texte imprimé Année de publication : 2018 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- Design
Affiches de spectacle
Arts graphiques -- Mise en page et typographie
Conditionnement
Dessin de mode
Graphistes -- 21e siècle
Livres -- Mise en page
Marques de commerce
Mode
Photographie de mode
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Résumé :
Graphic haute couture
In our May issue we enter into a sector that thrives on change like perhaps none other: fashion. The designs that are presented in autumn for the following spring are already passé come the fashion shows in January. The points of contact with graphic design are often more sustainable, but no less interesting: How do fashion labels present themselves in terms of graphic design? How do you capture fashion models in drawings? And: What’s the best way to update a traditional brand?Note de contenu :
We went on the trail and discovered some tremendous CIs behind the catwalks, as it were. For example, we have an interview with the gifted fashion illustrator David Downton, whose portfolio contains a string of illustrious names from Chanel to Valentino, and from Harper’s Bazaar to Vogue. He gives us an insider´s view and also passes on some advice to the next generation of fashion illustrators.
In our Showrooms you can look forward to an exciting and international mix of creative talent: Stefano Marro delights with his magical illustrations that rekindle the spirit of Italian futurism. By contrast, the posters and editorial designs of Sven Lindhorst-Emme impress with precision minimalism. A little pop is here, too, in the work of Portuguese designer Marta Veludo, whose creative home is now Amsterdam. We drop in on Manuel Kreuzer who turns out some amazing things from his small studio … with or without a commission. And then there’s Neu – Designbüro – meaning »new«. The innovative approaches seen here confirm the old adage »nomen est omen«.
With this month’s brand story, we revel in being a child again – Schuco’s model vehicles still delight boys and girls of all ages. We also have some exciting paper projects of our own for you: Eberl Print treated its customers to a clever construction, surprising them not only with delightfully scented content, but also and above all with the presentation. One other thing we were keen to share with you – the ever-growing area of foil applications in fashion. A particularly beautiful project by Kurz for this year’s MCBW delighted us all. Herbert Lechner is here, too, reporting on his visit to the German offices of Laurence Publishing in Berlin, which offers a very select programme.
The cover
Our search for New Talents Berlin continues this month: This time Felix Wiesner visited Lucas Doerre und Marius Sperlich, who under the name of Vater Lin Miro are experimenting with all the digital and analogue diversity in graphic design in combination with an artistic slant. The cover for this issue of novum, designed by the two creatives, reflects this appetite for different dimensions and design possibilities.
As the plan was to use different finishes, the material had to meet a number of criteria: We finally found the ideal solution in the high-white paper MetsäBoard Prime FBB Bright. This allowed precision embossing and gave a good clean result in hot-foil finishing. This card is also good because of its lightweight design that spells cost-efficiency and sustainability. What you see on the 280 gsm cover is a sculpture created in several embossing stages and then treated to full-page hot-foil finishing – Frank Denninghoff from the Forum Prägefolien Veredelung put all his expertise into this classy creation.
In combination with the mysterious sculpture, the reflective surface (in which the reader can see his/her own reflection) visualises precisely that which fashion is: A seductive envelope. Note the mirror is not homogeneous – its shimmering pattern hints at the transformation that fashion can bring. The two creatives Lucas Doerre and Marius Sperlich opted for »Neon Seamless« from Kurz, that generates fascinating effects. Such transformational properties are indeed comparable with fashion: It, too, can play with colour and contrasts, change surfaces and enliven them, conjure up a new me and create a particular radiance. On top of this, there is of course always a hint of poetry – an art form that seems delicate but is nevertheless powerful…
novum+
Donkey (GER)
Studio Small (GBR)
032c (GER)
Design Unit (DEN)
Lotta Nieminen (USA)
Design Ranch (USA)
David Downton (GBR)
Showroom
Sven Lindhorst-Emme (GER)
Stefano Marra (ITA)
Marta Veludo (NLD)
Neu Designbüro (GER)
Manuel Kreuzer (GER)
New Talents Berlin: Vater Lin Miro (GER)
Cover: Vater Lin Miro (GER)
Paper: MetsäBoard (Prime FBB Bright)
Photos: Tobias Holzmann
Offset-Print: f&w Druck- und Mediencenter
Hot foil: Leonhard Kurz
Foil finishes and embossing: Forum Prägefolien VeredelungEn ligne : https://novum.graphics/en/magazine/current-issue/detail/novum-0518/ [n° ou bulletin] 05.18 - 2018-05-12 [texte imprimé] . - 2018.
Langues : Allemand (ger) Anglais (eng)
Catégories : Affiches -- Design
Affiches de spectacle
Arts graphiques -- Mise en page et typographie
Conditionnement
Dessin de mode
Graphistes -- 21e siècle
Livres -- Mise en page
Marques de commerce
Mode
Photographie de mode
Typographie -- 21e siècleIndex. décimale : 766 Arts graphiques Résumé :
Graphic haute couture
In our May issue we enter into a sector that thrives on change like perhaps none other: fashion. The designs that are presented in autumn for the following spring are already passé come the fashion shows in January. The points of contact with graphic design are often more sustainable, but no less interesting: How do fashion labels present themselves in terms of graphic design? How do you capture fashion models in drawings? And: What’s the best way to update a traditional brand?Note de contenu :
We went on the trail and discovered some tremendous CIs behind the catwalks, as it were. For example, we have an interview with the gifted fashion illustrator David Downton, whose portfolio contains a string of illustrious names from Chanel to Valentino, and from Harper’s Bazaar to Vogue. He gives us an insider´s view and also passes on some advice to the next generation of fashion illustrators.
In our Showrooms you can look forward to an exciting and international mix of creative talent: Stefano Marro delights with his magical illustrations that rekindle the spirit of Italian futurism. By contrast, the posters and editorial designs of Sven Lindhorst-Emme impress with precision minimalism. A little pop is here, too, in the work of Portuguese designer Marta Veludo, whose creative home is now Amsterdam. We drop in on Manuel Kreuzer who turns out some amazing things from his small studio … with or without a commission. And then there’s Neu – Designbüro – meaning »new«. The innovative approaches seen here confirm the old adage »nomen est omen«.
With this month’s brand story, we revel in being a child again – Schuco’s model vehicles still delight boys and girls of all ages. We also have some exciting paper projects of our own for you: Eberl Print treated its customers to a clever construction, surprising them not only with delightfully scented content, but also and above all with the presentation. One other thing we were keen to share with you – the ever-growing area of foil applications in fashion. A particularly beautiful project by Kurz for this year’s MCBW delighted us all. Herbert Lechner is here, too, reporting on his visit to the German offices of Laurence Publishing in Berlin, which offers a very select programme.
The cover
Our search for New Talents Berlin continues this month: This time Felix Wiesner visited Lucas Doerre und Marius Sperlich, who under the name of Vater Lin Miro are experimenting with all the digital and analogue diversity in graphic design in combination with an artistic slant. The cover for this issue of novum, designed by the two creatives, reflects this appetite for different dimensions and design possibilities.
As the plan was to use different finishes, the material had to meet a number of criteria: We finally found the ideal solution in the high-white paper MetsäBoard Prime FBB Bright. This allowed precision embossing and gave a good clean result in hot-foil finishing. This card is also good because of its lightweight design that spells cost-efficiency and sustainability. What you see on the 280 gsm cover is a sculpture created in several embossing stages and then treated to full-page hot-foil finishing – Frank Denninghoff from the Forum Prägefolien Veredelung put all his expertise into this classy creation.
In combination with the mysterious sculpture, the reflective surface (in which the reader can see his/her own reflection) visualises precisely that which fashion is: A seductive envelope. Note the mirror is not homogeneous – its shimmering pattern hints at the transformation that fashion can bring. The two creatives Lucas Doerre and Marius Sperlich opted for »Neon Seamless« from Kurz, that generates fascinating effects. Such transformational properties are indeed comparable with fashion: It, too, can play with colour and contrasts, change surfaces and enliven them, conjure up a new me and create a particular radiance. On top of this, there is of course always a hint of poetry – an art form that seems delicate but is nevertheless powerful…
novum+
Donkey (GER)
Studio Small (GBR)
032c (GER)
Design Unit (DEN)
Lotta Nieminen (USA)
Design Ranch (USA)
David Downton (GBR)
Showroom
Sven Lindhorst-Emme (GER)
Stefano Marra (ITA)
Marta Veludo (NLD)
Neu Designbüro (GER)
Manuel Kreuzer (GER)
New Talents Berlin: Vater Lin Miro (GER)
Cover: Vater Lin Miro (GER)
Paper: MetsäBoard (Prime FBB Bright)
Photos: Tobias Holzmann
Offset-Print: f&w Druck- und Mediencenter
Hot foil: Leonhard Kurz
Foil finishes and embossing: Forum Prägefolien VeredelungEn ligne : https://novum.graphics/en/magazine/current-issue/detail/novum-0518/ Réservation
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Code-barres Cote Support Localisation Section Disponibilité SL 22400 Novum Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible 05.19 - 2019-05-12 - Packaging (Bulletin de Novum)
[n° ou bulletin]
Titre : 05.19 - 2019-05-12 - Packaging Type de document : texte imprimé Année de publication : 2019 Importance : 82 p. Présentation : ill. en coul. Langues : Allemand (ger) Catégories : Cartonnages
Conditionnement
CONDITIONNEMENT EN PAPIER - CARTON
EMBALLAGES EN PAPIERIndex. décimale : 766 Arts graphiques [n° ou bulletin] 05.19 - 2019-05-12 - Packaging [texte imprimé] . - 2019 . - 82 p. : ill. en coul.
Langues : Allemand (ger)
Catégories : Cartonnages
Conditionnement
CONDITIONNEMENT EN PAPIER - CARTON
EMBALLAGES EN PAPIERIndex. décimale : 766 Arts graphiques BulletinsRéservation
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Code-barres Cote Support Localisation Section Disponibilité SL 23513 NOVUM Fascicule ESA Saint-Luc Beaux-Arts - Biblio Disponible PermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkPermalinkCOMMENT EMBALLER CINQ OEUFS / Shoji (av-Prop.) Sato
PermalinkEUROPEAN PACKAGING DESIGNERS 2 (1) / Christian Siegmund
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