ESA SAINT-LUC LIEGE BIBLIOTHEQUE
ACCES COMPTE LECTEUR :
à la demande via l'adresse mail de la bibliothèque.
Détail de l'éditeur
Getty Conservation Institute
localisé à :
Los Angeles
Collections rattachées :
|
Documents disponibles chez cet éditeur
Ajouter le résultat dans votre panier Affiner la recherche Interroger des sources externes
Analysis of modern paints / Tom Learner
Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 19268 7.025 LEA Livre ESA Saint-Luc Beaux-Arts - Biblio Sorti jusqu'au 16/12/2024 Conserving contemporary art / Oscar Chiantore
Titre : Conserving contemporary art : issues, methods, materials, and research / Type de document : texte imprimé Auteurs : Oscar Chiantore, Auteur ; Antonio Rava, Auteur Editeur : Los Angeles : Getty Conservation Institute Année de publication : 2012 Importance : 327 pages Présentation : ill en coul. Format : 25 cm ISBN/ISSN/EAN : 978-1-60606-104-6 Langues : Anglais (eng) Catégories : Art -- 20e siècle -- Conservation et restauration
Art -- 21e siècle -- Conservation et restauration
Matériaux -- Conservation et restauration
Matériel d'artistes -- 20e siècle -- Conservation et restaurationIndex. décimale : 7.025 Dommages. Conservation. Protection Résumé : "Since the advent of the avant-garde in the early twentieth century, visual artists have adopted new techniques and materials, some of whose characteristics of aging and wear are still largely unknown today. The conservator's intervention has become increasingly delicate, problematic, and experimental and requires not only technical knowledge of materials but also a greater awareness of the artist's intellectual universe. Translated from Italian to reach a wider audience, Conserving Contemporary Art: Issues, Methods, Materials, and Research is one of the first books to give a comprehensive overview of the many considerations faced by the conservator of modern and contemporary art. The book takes into account both the material and ethical aspects of contemporary art, focusing on the enormous variety of techniques and materials used by contemporary artists, and their deterioration. It also emphasizes the need to understand the meaning of these works when devising an appropriate conservation strategy. A number of chapters are dedicated to specific conservation treatments, such as cleaning and reintegration, while the many issues introduced are illustrated with a number of examples from painting, photography, sculpture, installation art, video, and web-based art. All in all, the text acts as an introduction to many of the issues with which the field is currently grappling."-- Provided by publisher. Conserving contemporary art : issues, methods, materials, and research / [texte imprimé] / Oscar Chiantore, Auteur ; Antonio Rava, Auteur . - Los Angeles : Getty Conservation Institute, 2012 . - 327 pages : ill en coul. ; 25 cm.
ISBN : 978-1-60606-104-6
Langues : Anglais (eng)
Catégories : Art -- 20e siècle -- Conservation et restauration
Art -- 21e siècle -- Conservation et restauration
Matériaux -- Conservation et restauration
Matériel d'artistes -- 20e siècle -- Conservation et restaurationIndex. décimale : 7.025 Dommages. Conservation. Protection Résumé : "Since the advent of the avant-garde in the early twentieth century, visual artists have adopted new techniques and materials, some of whose characteristics of aging and wear are still largely unknown today. The conservator's intervention has become increasingly delicate, problematic, and experimental and requires not only technical knowledge of materials but also a greater awareness of the artist's intellectual universe. Translated from Italian to reach a wider audience, Conserving Contemporary Art: Issues, Methods, Materials, and Research is one of the first books to give a comprehensive overview of the many considerations faced by the conservator of modern and contemporary art. The book takes into account both the material and ethical aspects of contemporary art, focusing on the enormous variety of techniques and materials used by contemporary artists, and their deterioration. It also emphasizes the need to understand the meaning of these works when devising an appropriate conservation strategy. A number of chapters are dedicated to specific conservation treatments, such as cleaning and reintegration, while the many issues introduced are illustrated with a number of examples from painting, photography, sculpture, installation art, video, and web-based art. All in all, the text acts as an introduction to many of the issues with which the field is currently grappling."-- Provided by publisher. Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 19269 7.025 CHI Livre ESA Saint-Luc Beaux-Arts - Biblio Disponible Conserving outdoor sculpture / Brian B. Considine
Titre : Conserving outdoor sculpture : The Stark collection at the Getty Center Type de document : texte imprimé Auteurs : Brian B. Considine, Auteur ; Julie Wolfe, Auteur ; Katrina Posner, Auteur ; Michel Bouchard, Auteur Editeur : Los Angeles : Getty Conservation Institute Année de publication : 2010 Importance : xxii, 266 p. Présentation : ill. en noir et blanc, ill. en coul., couv. ill. en coul. Format : 27 cm ISBN/ISSN/EAN : 978-1-60606-010-0 Langues : Anglais (eng) Catégories : J. Paul Getty museum (Los Angeles, Californie) -- Catalogues
Sculpture -- 20e siècle -- Europe -- Catalogues
Sculpture en plein air -- Conservation et restauration -- États-Unis -- Los Angeles (Calif.) -- Catalogues
Stark, Fran -- Collections d'art -- Catalogues
Stark, Ray (1914-2004) -- Collections d'art -- CataloguesIndex. décimale : 7.025 Dommages. Conservation. Protection Résumé :
When the J. Paul Getty Museum received twenty-eight sculptures created by a who's who of twentieth-century artists, it took on the responsibility for their preservation, interpretation, and long-term stewardship. Donated from the private collection of the late film producer Ray Stark and his wife, Fran, the sculptures thrust the Getty into the evolving field of outdoor sculpture conservation.
To honor its responsibility, the Museum embarked on new research into the collection's materials—bronze, lead, ceramic, and painted metal—and construction techniques.
This book presents the conservators' comprehensive account of the process.
Chapters are organized around phases of the project rather than individual sculptures and address key issues facing anyone charged with caring for works of art displayed outdoors, including: organization and planning; installation and grounds management; scientific analyses; collaborating with artists; structural issues; mounts, paint, coatings, and patinas; and long-term maintenance.Conserving outdoor sculpture : The Stark collection at the Getty Center [texte imprimé] / Brian B. Considine, Auteur ; Julie Wolfe, Auteur ; Katrina Posner, Auteur ; Michel Bouchard, Auteur . - Los Angeles : Getty Conservation Institute, 2010 . - xxii, 266 p. : ill. en noir et blanc, ill. en coul., couv. ill. en coul. ; 27 cm.
ISBN : 978-1-60606-010-0
Langues : Anglais (eng)
Catégories : J. Paul Getty museum (Los Angeles, Californie) -- Catalogues
Sculpture -- 20e siècle -- Europe -- Catalogues
Sculpture en plein air -- Conservation et restauration -- États-Unis -- Los Angeles (Calif.) -- Catalogues
Stark, Fran -- Collections d'art -- Catalogues
Stark, Ray (1914-2004) -- Collections d'art -- CataloguesIndex. décimale : 7.025 Dommages. Conservation. Protection Résumé :
When the J. Paul Getty Museum received twenty-eight sculptures created by a who's who of twentieth-century artists, it took on the responsibility for their preservation, interpretation, and long-term stewardship. Donated from the private collection of the late film producer Ray Stark and his wife, Fran, the sculptures thrust the Getty into the evolving field of outdoor sculpture conservation.
To honor its responsibility, the Museum embarked on new research into the collection's materials—bronze, lead, ceramic, and painted metal—and construction techniques.
This book presents the conservators' comprehensive account of the process.
Chapters are organized around phases of the project rather than individual sculptures and address key issues facing anyone charged with caring for works of art displayed outdoors, including: organization and planning; installation and grounds management; scientific analyses; collaborating with artists; structural issues; mounts, paint, coatings, and patinas; and long-term maintenance.Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 22078 7.025 CON Livre ESA Saint-Luc Beaux-Arts - Biblio Disponible Effects of light on materials in collections / Terry T. Schaeffer
Titre : Effects of light on materials in collections : data on photoflash and related sources Type de document : texte imprimé Auteurs : Terry T. Schaeffer, Auteur Editeur : Los Angeles : Getty Conservation Institute Année de publication : 2001 Collection : Research in conservation Importance : viii, 211 p. Présentation : ill. Format : 28 cm ISBN/ISSN/EAN : 978-0-89236-645-3 Langues : Anglais (eng) Catégories : Lampes-éclairs
Marétiaux -- Effets de la lumière
Matériaux -- Conservation et restauration
Matériel d'artistes -- Effets de la lumière
Photographie au flashMots-clés : Effets de la lumière ( et de la photographie au flash) sur les matériaux composants les objets d'art dans les collections du musée Getty Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : Effects of light on materials in collections : data on photoflash and related sources [texte imprimé] / Terry T. Schaeffer, Auteur . - Los Angeles : Getty Conservation Institute, 2001 . - viii, 211 p. : ill. ; 28 cm. - (Research in conservation) .
ISBN : 978-0-89236-645-3
Langues : Anglais (eng)
Catégories : Lampes-éclairs
Marétiaux -- Effets de la lumière
Matériaux -- Conservation et restauration
Matériel d'artistes -- Effets de la lumière
Photographie au flashMots-clés : Effets de la lumière ( et de la photographie au flash) sur les matériaux composants les objets d'art dans les collections du musée Getty Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 19138 7.025 SCH Livre ESA Saint-Luc Beaux-Arts - Biblio Disponible Ephemeral monuments / Marina Pugliese
Titre : Ephemeral monuments : history and conservation of installation art / Type de document : texte imprimé Auteurs : Marina Pugliese, Editeur scientifique ; Barbara Ferriani, Editeur scientifique Editeur : Los Angeles : Getty Conservation Institute Année de publication : 2013 Importance : 291 p. Présentation : ill. Format : 24 cm ISBN/ISSN/EAN : 978-1-60606-134-3 Langues : Anglais (eng) Catégories : Installations (art) -- Conservation et restauration
Installations (art) -- HistoireIndex. décimale : 7.025 Dommages. Conservation. Protection Ephemeral monuments : history and conservation of installation art / [texte imprimé] / Marina Pugliese, Editeur scientifique ; Barbara Ferriani, Editeur scientifique . - Los Angeles : Getty Conservation Institute, 2013 . - 291 p. : ill. ; 24 cm.
ISBN : 978-1-60606-134-3
Langues : Anglais (eng)
Catégories : Installations (art) -- Conservation et restauration
Installations (art) -- HistoireIndex. décimale : 7.025 Dommages. Conservation. Protection Réservation
Réserver ce document
Exemplaires (1)
Code-barres Cote Support Localisation Section Disponibilité SL 19201 7.025 PUG Livre ESA Saint-Luc Beaux-Arts - Biblio Disponible Historical perspectives on preventive conservation / Sarah Staniforth
PermalinkIssues in the conservation of paintings / David Bomford
PermalinkJean Paul Riopelle / Marie-Claude Corbeil
PermalinkLucio Fontana / Pia Gottschaller
PermalinkPersonal viewpoints / Mark Leonard
PermalinkTwentieth-century color photographs / Sylvie Pénichon
PermalinkWillem de Kooning / Susan Lake
Permalink