10.19 - 2019-10-14 (Bulletin de Novum)    

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 10.19 - 2019-10-14 Type de document : texte imprimé Année de publication : 2019 Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle Aliments -- Conditionnement Arts graphiques -- 21e siècle Arts graphiques -- Design Arts graphiques -- Mise en page et typographie Arts graphiques -- Norvège -- 21e siècle Bauhaus Bauhaus -- Publicité -- Europe Gaufrage Impression numérique Impression sérigraphique Impression sur étoffes -- Design Livres -- Couvertures Livres d'artistes Papier -- Dans l'art Périodiques -- Couvertures Publicité -- Mise en page et typographie -- 20e siècle Réalité augmentée Scheinberger, Felix (1969-....) Textiles et tissus -- Design Vieux papiers -- Recyclage Index. décimale : 766 Arts graphiques Résumé : The Oktoberfest in Munich is not normally relevant to the design world, but in this issue of novum it serves as a wonderful source of inspiration for the cover, which is quite literally an all-round delight. On a standard recycling card we used different hot-foil stampings, adding micro-embossing for stylish accent. A total of four different colour variants was produced, finished with two foils in silver and gold and a gold spot colour – the wrap-around motif comes from the Munich design agency Milch+Honig. Other great projects that exploit the possibilities of paper, print and finishing can be found in our novum+ and Showroom sections. There you can enjoy first-class design from France, Hungary, Norway and the Netherlands, as well as eight pages of prize-winning posters from Germany, Austria and Switzerland. Note de contenu : Paper & Print Multisensorics is a big theme at the moment in marketing and communication. After all, we human beings don´t just see, we can also feel, hear and smell. Things that appeal to us on several levels are therefore perceived more intensively, we feel them to be more positive and we remember them for longer. Unusually designed print products can achieve this sustained effect. In the novum+ section this month we bring you lots of exciting examples, such as intelligently conceived packaging, illustrations with hand-made charm and campaigns that attract attention through high-quality finishes. Also there´s lots to discover about recycling papers, beautiful books and sophisticated CIs. In the Showroom section Dutch designer Gilles de Brock explains how coding can boost creativity. Treize Grammes from France takes an opposite line, building charming settings by hand, and Kind from Norway impresses with visual identities that combine emotions with Nordic minimalism. Patrick Rössler presents graphic design treasures from the Bauhaus era, the Hungarian design agency Classmate shows how designers collaborate across different countries and still manage to maintain a coherent line in terms of design. Last, but not least, we interviewed Anette Lenz, jury member of the competition »100 Best Posters — Germany, Austria, Switzerland«, about trends and the meaning of posters today. The cover Why just one cover, when you can have a variety? Embracing this idea, the October issue of novum appears in four different colours and was embossed with two different hot foils and a gold spot colour. For the first time we also used micro-embossing, a technique that enables very fine details to be worked into the embossing die. Often this technique is used in protection against forgery, but as you see from our cover, it is also a great way to create intriguing optical accents. On the wrap-around cover we used five embossing dies in different sizes, made by MSP Prägetechnik. As both larger areas and also fine details were embossed, it was necessary to do extensive testing to produce the best results with foils (Kurz) and paper (RecyCard from Papyrus Deutschland). The embossing itself also required great skill and sensitivity and that was delivered superbly by August Conzelmann AG. The design on the cover comes from Milch+Honig, and, as a design bureau based in Munich, for the October issue the subject foremost in many people´s minds here is the Oktoberfest. As the designers at Milch+Honig have extensive experience with high-end print products, the finishing technique, the paper and the design were all expertly coordinated to produce a beautiful and successful result. And, as masters of all that, Milch+Honig went one step further: with micro-embossing to integrate hidden messages. Working with the motion agency Paul Bewegt, they also concealed one or two things in the cover of novum – digitally, you understand. Using augmented reality parts of the cover can be brought to life – you can see this via an app on your smartphone or tablet. Inhalt Showroom Gilles de Brock Classmate Kind Treize grammes 100 Beste Plakate Bauhaus novum+ Clormann Design WRK Recycling Papiere Anna Niestroj Luminous Editions Non Standard Commission Anagrama Cover design: Milch+Honig Paper: Papyrus Deutschland Hot foil & micro embossing: August Conzelmann GmbH Stamping die: MSP Prägetechnik Foils: Kurz Offset: f&w Medien Augmented Reality: Paul Bewegt Photography: Janina Engel, Tobias Holzmann En ligne : https://novum.graphics/en/magazine/archive/detail/novum-1019/ [n° ou bulletin]  est un bulletin de Novum 10.19 - 2019-10-14 [texte imprimé] . - 2019. Langues : Allemand (ger) Anglais (eng) Catégories : Affiches -- 21e Siècle Aliments -- Conditionnement Arts graphiques -- 21e siècle Arts graphiques -- Design Arts graphiques -- Mise en page et typographie Arts graphiques -- Norvège -- 21e siècle Bauhaus Bauhaus -- Publicité -- Europe Gaufrage Impression numérique Impression sérigraphique Impression sur étoffes -- Design Livres -- Couvertures Livres d'artistes Papier -- Dans l'art Périodiques -- Couvertures Publicité -- Mise en page et typographie -- 20e siècle Réalité augmentée Scheinberger, Felix (1969-....) Textiles et tissus -- Design Vieux papiers -- Recyclage Index. décimale : 766 Arts graphiques Résumé : The Oktoberfest in Munich is not normally relevant to the design world, but in this issue of novum it serves as a wonderful source of inspiration for the cover, which is quite literally an all-round delight. On a standard recycling card we used different hot-foil stampings, adding micro-embossing for stylish accent. A total of four different colour variants was produced, finished with two foils in silver and gold and a gold spot colour – the wrap-around motif comes from the Munich design agency Milch+Honig. Other great projects that exploit the possibilities of paper, print and finishing can be found in our novum+ and Showroom sections. There you can enjoy first-class design from France, Hungary, Norway and the Netherlands, as well as eight pages of prize-winning posters from Germany, Austria and Switzerland. Note de contenu : Paper & Print Multisensorics is a big theme at the moment in marketing and communication. After all, we human beings don´t just see, we can also feel, hear and smell. Things that appeal to us on several levels are therefore perceived more intensively, we feel them to be more positive and we remember them for longer. Unusually designed print products can achieve this sustained effect. In the novum+ section this month we bring you lots of exciting examples, such as intelligently conceived packaging, illustrations with hand-made charm and campaigns that attract attention through high-quality finishes. Also there´s lots to discover about recycling papers, beautiful books and sophisticated CIs. In the Showroom section Dutch designer Gilles de Brock explains how coding can boost creativity. Treize Grammes from France takes an opposite line, building charming settings by hand, and Kind from Norway impresses with visual identities that combine emotions with Nordic minimalism. Patrick Rössler presents graphic design treasures from the Bauhaus era, the Hungarian design agency Classmate shows how designers collaborate across different countries and still manage to maintain a coherent line in terms of design. Last, but not least, we interviewed Anette Lenz, jury member of the competition »100 Best Posters — Germany, Austria, Switzerland«, about trends and the meaning of posters today. The cover Why just one cover, when you can have a variety? Embracing this idea, the October issue of novum appears in four different colours and was embossed with two different hot foils and a gold spot colour. For the first time we also used micro-embossing, a technique that enables very fine details to be worked into the embossing die. Often this technique is used in protection against forgery, but as you see from our cover, it is also a great way to create intriguing optical accents. On the wrap-around cover we used five embossing dies in different sizes, made by MSP Prägetechnik. As both larger areas and also fine details were embossed, it was necessary to do extensive testing to produce the best results with foils (Kurz) and paper (RecyCard from Papyrus Deutschland). The embossing itself also required great skill and sensitivity and that was delivered superbly by August Conzelmann AG. The design on the cover comes from Milch+Honig, and, as a design bureau based in Munich, for the October issue the subject foremost in many people´s minds here is the Oktoberfest. As the designers at Milch+Honig have extensive experience with high-end print products, the finishing technique, the paper and the design were all expertly coordinated to produce a beautiful and successful result. And, as masters of all that, Milch+Honig went one step further: with micro-embossing to integrate hidden messages. Working with the motion agency Paul Bewegt, they also concealed one or two things in the cover of novum – digitally, you understand. Using augmented reality parts of the cover can be brought to life – you can see this via an app on your smartphone or tablet. Inhalt Showroom Gilles de Brock Classmate Kind Treize grammes 100 Beste Plakate Bauhaus novum+ Clormann Design WRK Recycling Papiere Anna Niestroj Luminous Editions Non Standard Commission Anagrama Cover design: Milch+Honig Paper: Papyrus Deutschland Hot foil & micro embossing: August Conzelmann GmbH Stamping die: MSP Prägetechnik Foils: Kurz Offset: f&w Medien Augmented Reality: Paul Bewegt Photography: Janina Engel, Tobias Holzmann En ligne : https://novum.graphics/en/magazine/archive/detail/novum-1019/

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11.19 - 2019-10-21 (Bulletin de Novum)    

Public ISBD [n° ou bulletin]  est un bulletin de Novum Titre : 11.19 - 2019-10-21 Type de document : texte imprimé Année de publication : 2019 Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques -- Pays arabes -- 21e siècle Campagne -- Illustrations, images, etc. -- Design Cartonnages (reliure) -- 21e siècle Gaufrage Livres animés -- Innovations technologiques -- 21e siècle Périodiques -- Couvertures -- Technique -- 21e siècle Travail du papier -- Innovations technologiques -- 21e siècle Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : »I have never tried that before, so I think I should definitely be able to do that«, says Pippi Longstocking. In this issue we too tried something that was never done before. For the cover of this issue we used 1,4 mm strong mechanical pulp board, commonly used for making beer mats. It’s being said, that this material cannot be folded and bound – we tried it nevertheless and lo and behold, it worked! Our November issue is really coming on strong. The cover draws attention with a shimmering hot foil and letterpress and inside the magazine a lot of great projects from studios all around the world await our readers. In our novum+ section we wanted to know, what it feels like to work in the countryside. What problems do designers face, what does the daily routine look like and what makes living in the countryside so attractive? Out in the sticks there is quite a lot to discover … Note de contenu : Countryside Like few other professions, designers are free to choose where to work from. Decent WiFi, a laptop and a bit of discipline and Bob’s your uncle. But what does it really feel like, if you dare to move to the countryside permanently? When clients are far away and visiting exhibitions, concerts or conferences means travelling for a day and how to deal with sceptical natives? We asked designers, who followed up on their dream and who developed different strategies to reconcile work and county-living. In our showroom section too, there is a lot to discover. Oslo for example has indulged in a new corporate design and we looked behind the scenes of this complex design process. In Qatar athletes demonstrate marvellous achievements, but the small country also sports a design scene that is worth looking at. And of course, typography is always a topic in novum magazine. In this issue we visited Dutch calligrapher Guido de Boer and his impressive letterings as well as the French typo-lovers from My Name is Wendy. The cover »I have never tried that before, so I think I should definitely be able to do that«, says Pippi Longstocking. In this issue we too tried something that was never done before. For the cover of this issue we used 1,4 mm strong mechanical pulp board, commonly used for making beer mats. It’s being said, that this material cannot be folded and bound – we tried it nevertheless and lo and behold, it worked! Mechanical pulp board may be tricky to bind, but it feels very nice to the touch and it can be used for all kinds of print finishing techniques such as hot foil embossing or letterpress. Content Showroom Guido de Boer (NLD) Creuna (NOR) Alejandro Magallanes (MEX) Creative Union (QAT) Roots (SGP) My Name is Wendy (FRA) novum+ Studo Amore (GER) SPY (GBR) Laura Moretti (ITA) Simon Marchner (GER) Papiermühle Homburg (GER) Smith + Village (FRA) Roadtyping (GER) Struktiv (AUT) AD Design Agency (GRC) Cover Paper: mechanical pulp board, 1,4 mm Offset, hot foil and letterpress: Druckerei Thieme Foil: Foilco Bookbinding: f&w Design: Tobias Holzmann Photos: Janina Engel En ligne : https://novum.graphics/en/magazine/current-issue/ [n° ou bulletin]  est un bulletin de Novum 11.19 - 2019-10-21 [texte imprimé] . - 2019. Langues : Allemand (ger) Anglais (eng) Catégories : Arts graphiques -- Pays arabes -- 21e siècle Campagne -- Illustrations, images, etc. -- Design Cartonnages (reliure) -- 21e siècle Gaufrage Livres animés -- Innovations technologiques -- 21e siècle Périodiques -- Couvertures -- Technique -- 21e siècle Travail du papier -- Innovations technologiques -- 21e siècle Typographie -- 21e siècle Index. décimale : 766 Arts graphiques Résumé : »I have never tried that before, so I think I should definitely be able to do that«, says Pippi Longstocking. In this issue we too tried something that was never done before. For the cover of this issue we used 1,4 mm strong mechanical pulp board, commonly used for making beer mats. It’s being said, that this material cannot be folded and bound – we tried it nevertheless and lo and behold, it worked! Our November issue is really coming on strong. The cover draws attention with a shimmering hot foil and letterpress and inside the magazine a lot of great projects from studios all around the world await our readers. In our novum+ section we wanted to know, what it feels like to work in the countryside. What problems do designers face, what does the daily routine look like and what makes living in the countryside so attractive? Out in the sticks there is quite a lot to discover … Note de contenu : Countryside Like few other professions, designers are free to choose where to work from. Decent WiFi, a laptop and a bit of discipline and Bob’s your uncle. But what does it really feel like, if you dare to move to the countryside permanently? When clients are far away and visiting exhibitions, concerts or conferences means travelling for a day and how to deal with sceptical natives? We asked designers, who followed up on their dream and who developed different strategies to reconcile work and county-living. In our showroom section too, there is a lot to discover. Oslo for example has indulged in a new corporate design and we looked behind the scenes of this complex design process. In Qatar athletes demonstrate marvellous achievements, but the small country also sports a design scene that is worth looking at. And of course, typography is always a topic in novum magazine. In this issue we visited Dutch calligrapher Guido de Boer and his impressive letterings as well as the French typo-lovers from My Name is Wendy. The cover »I have never tried that before, so I think I should definitely be able to do that«, says Pippi Longstocking. In this issue we too tried something that was never done before. For the cover of this issue we used 1,4 mm strong mechanical pulp board, commonly used for making beer mats. It’s being said, that this material cannot be folded and bound – we tried it nevertheless and lo and behold, it worked! Mechanical pulp board may be tricky to bind, but it feels very nice to the touch and it can be used for all kinds of print finishing techniques such as hot foil embossing or letterpress. Content Showroom Guido de Boer (NLD) Creuna (NOR) Alejandro Magallanes (MEX) Creative Union (QAT) Roots (SGP) My Name is Wendy (FRA) novum+ Studo Amore (GER) SPY (GBR) Laura Moretti (ITA) Simon Marchner (GER) Papiermühle Homburg (GER) Smith + Village (FRA) Roadtyping (GER) Struktiv (AUT) AD Design Agency (GRC) Cover Paper: mechanical pulp board, 1,4 mm Offset, hot foil and letterpress: Druckerei Thieme Foil: Foilco Bookbinding: f&w Design: Tobias Holzmann Photos: Janina Engel En ligne : https://novum.graphics/en/magazine/current-issue/

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n°20 (2020) - 2020-12-01 (Bulletin de Actuel de l'estampe contemporaine)    

Public ISBD [n° ou bulletin]  est un bulletin de Actuel de l'estampe contemporaine / Jean-Michel Uyttersprot Titre : n°20 (2020) - 2020-12-01 Type de document : texte imprimé Année de publication : 2020 Langues : Français (fre) Catégories : Aquatinte Art et littérature Collages Gaufrage Gravure à l'eau-forte -- 21e siècle Gravure à la manière noire Gravure en taille-douce Gravure sur bois -- 21e siècle Guerre mondiale (1939-1945) -- Camps de concentration -- Dans l'art Héliogravure -- 21e siècle Impression numérique Impression sérigraphique Pointe sèche Resnick, Minna (1946-....) Tirage (photographie) Index. décimale : 761 Gravure - Sérigraphie Note de contenu : - Minna Resnick - Danièle Aron - Eddy Dumont - Engin Ensen - Éric Fourmestraux - Judith Rothchild - Julian Lemousy - Philippe Tardy - Veronica Odén - Olivia Quintin - La Gravure Originale - FIG Bilbao Print Festival - Beirut Printmaking Studio En ligne : http://www.actueldelestampe.com/actuel-ndeg20.html [n° ou bulletin]  est un bulletin de Actuel de l'estampe contemporaine / Jean-Michel Uyttersprot n°20 (2020) - 2020-12-01 [texte imprimé] . - 2020. Langues : Français (fre) Catégories : Aquatinte Art et littérature Collages Gaufrage Gravure à l'eau-forte -- 21e siècle Gravure à la manière noire Gravure en taille-douce Gravure sur bois -- 21e siècle Guerre mondiale (1939-1945) -- Camps de concentration -- Dans l'art Héliogravure -- 21e siècle Impression numérique Impression sérigraphique Pointe sèche Resnick, Minna (1946-....) Tirage (photographie) Index. décimale : 761 Gravure - Sérigraphie Note de contenu : - Minna Resnick - Danièle Aron - Eddy Dumont - Engin Ensen - Éric Fourmestraux - Judith Rothchild - Julian Lemousy - Philippe Tardy - Veronica Odén - Olivia Quintin - La Gravure Originale - FIG Bilbao Print Festival - Beirut Printmaking Studio En ligne : http://www.actueldelestampe.com/actuel-ndeg20.html

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