Le cyclododécane : un agent de protection temporaire , : les effets de son application sur différents tracés et papiers lors d'un traitement aqueux / Séverine Chevalier in Conservation restauration des biens culturels (CRBC), no.17/18(2001:déc.) (2001-12-01)

Public ISBD [article]  inConservation restauration des biens culturels (CRBC) > no.17/18(2001:déc.) (2001-12-01) . - P. 69-73 Titre : Le cyclododécane : un agent de protection temporaire , : les effets de son application sur différents tracés et papiers lors d'un traitement aqueux : recherche Type de document : texte imprimé Auteurs : Séverine Chevalier, Auteur Année de publication : 2001 Article en page(s) : P. 69-73 Langues : Français (fre) Catégories : Alcanes -- Effets de l'eau Alcanes -- Essais Alcanes -- Solubilité Encre -- Conservation et restauration Imperméabilisation Liants -- Innovations technologiques -- Recherche Papier -- Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Fig. [article] Le cyclododécane : un agent de protection temporaire , : les effets de son application sur différents tracés et papiers lors d'un traitement aqueux : recherche [texte imprimé] / Séverine Chevalier, Auteur . - 2001 . - P. 69-73. Langues : Français (fre) in Conservation restauration des biens culturels (CRBC) > no.17/18(2001:déc.) (2001-12-01) . - P. 69-73 Catégories : Alcanes -- Effets de l'eau Alcanes -- Essais Alcanes -- Solubilité Encre -- Conservation et restauration Imperméabilisation Liants -- Innovations technologiques -- Recherche Papier -- Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Fig.

Vol.22 no3(2007) - 2007-09-01 - Paper Conservation (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)    

Public ISBD [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Titre : Vol.22 no3(2007) - 2007-09-01 - Paper Conservation Type de document : texte imprimé Année de publication : 2007 Langues : Anglais (eng) Catégories : Archives -- Conservation et restauration Encre -- Conservation et restauration Impression numérique -- Conservation et restauration Musées -- Éclairage Papier -- Conservation et restauration Photographies -- Conservation et restauration Polymères -- Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover Testing an inkjet print to determine its coating. Inkjet papers often have special coatings that hold the colorants at the surface, resulting in a higher quality image. A spot test with a minute droplet of water, performed under a microscope, may help establish if the coating is a porous or polymer type. Porous coatings absorb water, while polymer coatings swell due to their high gelatin or polyvinylalcohol content. This distinction is useful in evaluating exhibition and storage conditions for these prints. Photo: Martin Jürgens. The History and Conservation of Digital Prints The wide use today of digital printing processes in the visual arts, including photography, poses a great challenge for museums and other institutions collecting digital prints. Conservators handling these prints will need to develop a better understanding of the many new inks, substrates, and surface coatings used in digital printing. Preservation in the Digital Age: A Discussion about Conservation in Libraries and Archives Nancy Bell of the National Archives in the United Kingdom, Jana Kolar of the National and University Library in Slovenia, and Dianne van der Reyden of the U.S. Library of Congress talk with Jeffrey Levin, editor of Conservation, The GCI Newsletter, and GCI senior scientist James Druzik. Research on the Conservation of Photographs: A Project Update The Getty Conservation Institute has been collaborating with a variety of partners on a project that has already resulted in the development of techniques that can identify more than a third of the chemical photographic processes used since photography's beginnings. The project includes several other initiatives that seek to improve the practice of photog­raphy conservation. Research on Museum Lighting: A Project Update Lighting—an essential element in the exhibition of museum collections—also has the potential to damage sensitive works of art in visible and nonvisible ways. The Getty Conservation Institute is working with other institutions on ways to illuminate such works that minimize damage and maximize the visitor's viewing experience. GCI News: Projects, Events, and Publications Updates on Getty Conservation Institute projects, events, publications, and staff. Masthead En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v22n3.p [...] [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Vol.22 no3(2007) - 2007-09-01 - Paper Conservation [texte imprimé] . - 2007. Langues : Anglais (eng) Catégories : Archives -- Conservation et restauration Encre -- Conservation et restauration Impression numérique -- Conservation et restauration Musées -- Éclairage Papier -- Conservation et restauration Photographies -- Conservation et restauration Polymères -- Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover Testing an inkjet print to determine its coating. Inkjet papers often have special coatings that hold the colorants at the surface, resulting in a higher quality image. A spot test with a minute droplet of water, performed under a microscope, may help establish if the coating is a porous or polymer type. Porous coatings absorb water, while polymer coatings swell due to their high gelatin or polyvinylalcohol content. This distinction is useful in evaluating exhibition and storage conditions for these prints. Photo: Martin Jürgens. The History and Conservation of Digital Prints The wide use today of digital printing processes in the visual arts, including photography, poses a great challenge for museums and other institutions collecting digital prints. Conservators handling these prints will need to develop a better understanding of the many new inks, substrates, and surface coatings used in digital printing. Preservation in the Digital Age: A Discussion about Conservation in Libraries and Archives Nancy Bell of the National Archives in the United Kingdom, Jana Kolar of the National and University Library in Slovenia, and Dianne van der Reyden of the U.S. Library of Congress talk with Jeffrey Levin, editor of Conservation, The GCI Newsletter, and GCI senior scientist James Druzik. Research on the Conservation of Photographs: A Project Update The Getty Conservation Institute has been collaborating with a variety of partners on a project that has already resulted in the development of techniques that can identify more than a third of the chemical photographic processes used since photography's beginnings. The project includes several other initiatives that seek to improve the practice of photog­raphy conservation. Research on Museum Lighting: A Project Update Lighting—an essential element in the exhibition of museum collections—also has the potential to damage sensitive works of art in visible and nonvisible ways. The Getty Conservation Institute is working with other institutions on ways to illuminate such works that minimize damage and maximize the visitor's viewing experience. GCI News: Projects, Events, and Publications Updates on Getty Conservation Institute projects, events, publications, and staff. Masthead En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v22n3.p [...]

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 23406	GETTY	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Exclu du prêt

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