Étude et restauration du Dernier des acrobates, une œuvre en acier plombé de Costa Coulentianos / Frédéric Barbet in Conservation restauration des biens culturels (CRBC), no.22(2004) (2004-12-01)

Public ISBD [article]  inConservation restauration des biens culturels (CRBC) > no.22(2004) (2004-12-01) . - P. 41-43 Titre : Étude et restauration du Dernier des acrobates, une œuvre en acier plombé de Costa Coulentianos : résumé de mémoire Type de document : texte imprimé Auteurs : Frédéric Barbet, Auteur Année de publication : 2004 Article en page(s) : P. 41-43 Langues : Français (fre) Catégories : Anticorrosifs -- Analyse Coulentianos, Costas (1918-1995). Dernier des acrobates Métaux -- Revêtements protecteurs Patrimoine culturel -- Conservation et restauration -- Thèses et écrits académiques -- France -- 21e siècle Plomb Sculpture en acier -- 20e siècle -- Conservation et restauration Sculpture en plein air -- 20e siècle -- Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Fig. [article] Étude et restauration du Dernier des acrobates, une œuvre en acier plombé de Costa Coulentianos : résumé de mémoire [texte imprimé] / Frédéric Barbet, Auteur . - 2004 . - P. 41-43. Langues : Français (fre) in Conservation restauration des biens culturels (CRBC) > no.22(2004) (2004-12-01) . - P. 41-43 Catégories : Anticorrosifs -- Analyse Coulentianos, Costas (1918-1995). Dernier des acrobates Métaux -- Revêtements protecteurs Patrimoine culturel -- Conservation et restauration -- Thèses et écrits académiques -- France -- 21e siècle Plomb Sculpture en acier -- 20e siècle -- Conservation et restauration Sculpture en plein air -- 20e siècle -- Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Fig.

Vol.22 no2(2007) - 2007-05-01 - Outdoor Sculpture (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)    

Public ISBD [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Titre : Vol.22 no2(2007) - 2007-05-01 - Outdoor Sculpture Type de document : texte imprimé Année de publication : 2007 Langues : Anglais (eng) Catégories : Matériaux -- Aspect environnemental NEWMAN, Barnett (1905 - 1970) Sculpture en plein air -- 20e siècle -- Conservation et restauration Sculpture monumentale -- 20e siècle -- Houston (Tex.) -- Rothko chapel -- Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover The Lower Terrace Garden at the Getty Center with two works by Alexander Calder: Spiny Top, Curly Bottom in the foreground and Jousters in the background. The worksare part of the Getty Museum's recently installed Fran and Ray Stark Collection, which includes twenty-eight American and European sculptures. Photo: Tahnee L. Cracchiola. ©2007 Calder Foundation, New York/Artists Rights Society (ARS), New York. Modern and Contemporary Outdoor Sculpture Conservation: Challenges and Advances Conservators of outdoor sculpture can sometimes feel that they are witnesses to a hopeless struggle between sculptures and their environment. While they have a wide choice of treatment options for stabilizing and restoring outdoor sculptures, ensuring that protection remains effective is a formidable task. Shared Responsibility: A Discussion about the Conservation of Outdoor Sculpture Penny Balkin Bach, executive director of the Fairmount Park Art Association in Philadelphia; David R. Collens, curator and director of the Storm King Art Center in Mountainville, New York; and John Griswold, of Beverly Hills–based Griswold Conservation Associates and conservator at the Norton Simon Museum in Pasadena, California, talk with Julie Wolfe, associate conservator in Decorative Arts and Sculpture Conservation at the Getty Museum, and Jeffrey Levin, editor of Conservation, The GCI Newsletter. Save Outdoor Sculpture!: A Community-Based Conservation Program Save Outdoor Sculpture! was launched in 1989 to document and improve the condition of outdoor sculpture in the United States. Through the survey and subsequent awareness and treatment campaigns, thousands of people across the country have rediscovered or learned more about their local sculptures. Broken Obelisk: A Conservation Case Study The 2003–06 conservation of the Rothko Chapel's Broken Obelisk, a monumental steel sculpture by Barnett Newman, illustrates many of the challenges that make the conservation of a modern and contemporary outdoor sculpture a complicated undertaking. GCI News: Projects, Events, and Publications Updates on Getty Conservation Institute projects, events, publications, and staff. Masthead En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v22n2.p [...] [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Vol.22 no2(2007) - 2007-05-01 - Outdoor Sculpture [texte imprimé] . - 2007. Langues : Anglais (eng) Catégories : Matériaux -- Aspect environnemental NEWMAN, Barnett (1905 - 1970) Sculpture en plein air -- 20e siècle -- Conservation et restauration Sculpture monumentale -- 20e siècle -- Houston (Tex.) -- Rothko chapel -- Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover The Lower Terrace Garden at the Getty Center with two works by Alexander Calder: Spiny Top, Curly Bottom in the foreground and Jousters in the background. The worksare part of the Getty Museum's recently installed Fran and Ray Stark Collection, which includes twenty-eight American and European sculptures. Photo: Tahnee L. Cracchiola. ©2007 Calder Foundation, New York/Artists Rights Society (ARS), New York. Modern and Contemporary Outdoor Sculpture Conservation: Challenges and Advances Conservators of outdoor sculpture can sometimes feel that they are witnesses to a hopeless struggle between sculptures and their environment. While they have a wide choice of treatment options for stabilizing and restoring outdoor sculptures, ensuring that protection remains effective is a formidable task. Shared Responsibility: A Discussion about the Conservation of Outdoor Sculpture Penny Balkin Bach, executive director of the Fairmount Park Art Association in Philadelphia; David R. Collens, curator and director of the Storm King Art Center in Mountainville, New York; and John Griswold, of Beverly Hills–based Griswold Conservation Associates and conservator at the Norton Simon Museum in Pasadena, California, talk with Julie Wolfe, associate conservator in Decorative Arts and Sculpture Conservation at the Getty Museum, and Jeffrey Levin, editor of Conservation, The GCI Newsletter. Save Outdoor Sculpture!: A Community-Based Conservation Program Save Outdoor Sculpture! was launched in 1989 to document and improve the condition of outdoor sculpture in the United States. Through the survey and subsequent awareness and treatment campaigns, thousands of people across the country have rediscovered or learned more about their local sculptures. Broken Obelisk: A Conservation Case Study The 2003–06 conservation of the Rothko Chapel's Broken Obelisk, a monumental steel sculpture by Barnett Newman, illustrates many of the challenges that make the conservation of a modern and contemporary outdoor sculpture a complicated undertaking. GCI News: Projects, Events, and Publications Updates on Getty Conservation Institute projects, events, publications, and staff. Masthead En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v22n2.p [...]

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 23405	GETTY	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Exclu du prêt

Vol.31 no2(2016:fall) - 2016-09-01 - Conserving Modern Paints (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)    

Public ISBD [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Titre : Vol.31 no2(2016:fall) - 2016-09-01 - Conserving Modern Paints Type de document : texte imprimé Année de publication : 2016 Langues : Anglais (eng) Catégories : Art abstrait -- Amérique latine -- 20e siècle -- Conservation et restauration Calder, Alexander (1898-1976). Flamingo -- Conservation et restauration Conservation et restauration -- Appareils et matériel Peintres -- 21e siècle -- Entretiens Peinture -- 20e siècle -- Nettoyage Peinture -- Matériaux -- 21e siècle -- Europe -- Droit Peinture -- Matériaux -- 21e siècle -- Industrie et commerce Peinture -- Matériaux -- 21e siècle -- Recherche Peinture à l'huile -- Nettoyage Peinture acrylique -- Conservation et restauration Peinture acrylique -- Nettoyage Peinture – 21e siècle -- Nettoyage Peintures -- 20e siècle -- Conservation et restauration -- Technique Peintures -- 21e siècle -- Conservation et restauration -- Technique Pigments -- 21e siècle Sculpture en plein air -- 20e siècle -- Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Download PDF Version (7.9 MB, 32pp) (requires Adobe Acrobat Reader) Detail of Frank Auerbach's Julia (1990). Acrylic on board, 12 1/8 x 14 in. (30.8 x 35.6 cm). © Frank Auerbach, courtesy Marlborough Fine Art, London. A NOTE FROM THE DIRECTOR By Timothy P. Whalen FEATURE ARTICLE RECENT DEVELOPMENTS IN THE CLEANING OF MODERN PAINTS By Bronwyn Ormsby and Tom Learner UNLIKELY SYNERGIES How Paints Formulated for Military Assets May Save Outdoor Painted Sculptures By Abigail Mack, John Escarsega, and Rachel Rivenc MODERN ABSTRACT ART IN ARGENTINA AND BRAZIL By Pia Gottschaller MANUFACTURING ARTIST PAINTS Keeping Pace with Change By Mark Golden CREATION, CONSERVATION, AND TIME A Discussion about Modern Paints KEY RESOURCES A list of key resources related to conserving modern paints GCI NEWS Projects, events, and publications Tribute: Shin Maekawa Herculaneum Conservation Planning and Concrete Conservation Workshops Held CAPS Workshop Held Kinetic Art Conference Held Video Available Recent Advances in Characterizing Asian Lacquer Scholar Applications Now Being Accepted 2016-17 Conservation Guest Scholars Postdoctoral Fellowship Program Graduate Internship Program 2016-17 Graduate Interns Jim Druzik Retires AATA Field Editors Retire Color Science and the Visual Arts: A Guide for Conservators, Curators, and the Curious Hans Hofmann: The Artist's Materials En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/31_2/ [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Vol.31 no2(2016:fall) - 2016-09-01 - Conserving Modern Paints [texte imprimé] . - 2016. Langues : Anglais (eng) Catégories : Art abstrait -- Amérique latine -- 20e siècle -- Conservation et restauration Calder, Alexander (1898-1976). Flamingo -- Conservation et restauration Conservation et restauration -- Appareils et matériel Peintres -- 21e siècle -- Entretiens Peinture -- 20e siècle -- Nettoyage Peinture -- Matériaux -- 21e siècle -- Europe -- Droit Peinture -- Matériaux -- 21e siècle -- Industrie et commerce Peinture -- Matériaux -- 21e siècle -- Recherche Peinture à l'huile -- Nettoyage Peinture acrylique -- Conservation et restauration Peinture acrylique -- Nettoyage Peinture – 21e siècle -- Nettoyage Peintures -- 20e siècle -- Conservation et restauration -- Technique Peintures -- 21e siècle -- Conservation et restauration -- Technique Pigments -- 21e siècle Sculpture en plein air -- 20e siècle -- Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Download PDF Version (7.9 MB, 32pp) (requires Adobe Acrobat Reader) Detail of Frank Auerbach's Julia (1990). Acrylic on board, 12 1/8 x 14 in. (30.8 x 35.6 cm). © Frank Auerbach, courtesy Marlborough Fine Art, London. A NOTE FROM THE DIRECTOR By Timothy P. Whalen FEATURE ARTICLE RECENT DEVELOPMENTS IN THE CLEANING OF MODERN PAINTS By Bronwyn Ormsby and Tom Learner UNLIKELY SYNERGIES How Paints Formulated for Military Assets May Save Outdoor Painted Sculptures By Abigail Mack, John Escarsega, and Rachel Rivenc MODERN ABSTRACT ART IN ARGENTINA AND BRAZIL By Pia Gottschaller MANUFACTURING ARTIST PAINTS Keeping Pace with Change By Mark Golden CREATION, CONSERVATION, AND TIME A Discussion about Modern Paints KEY RESOURCES A list of key resources related to conserving modern paints GCI NEWS Projects, events, and publications Tribute: Shin Maekawa Herculaneum Conservation Planning and Concrete Conservation Workshops Held CAPS Workshop Held Kinetic Art Conference Held Video Available Recent Advances in Characterizing Asian Lacquer Scholar Applications Now Being Accepted 2016-17 Conservation Guest Scholars Postdoctoral Fellowship Program Graduate Internship Program 2016-17 Graduate Interns Jim Druzik Retires AATA Field Editors Retire Color Science and the Visual Arts: A Guide for Conservators, Curators, and the Curious Hans Hofmann: The Artist's Materials En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/31_2/

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 23486	GETTY	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Exclu du prêt

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