Investigations of Painting Techniques : Edirne Süleyman Pasha Mosque Wall Paintings in Studies in conservation, Vol.68 N°3-4(2023; April-May) (2023-04-03)

Public ISBD [article]  inStudies in conservation > Vol.68 N°3-4(2023; April-May) (2023-04-03) . - Pages 418-431 Titre : Investigations of Painting Techniques : Edirne Süleyman Pasha Mosque Wall Paintings Type de document : texte imprimé Année de publication : 2023 Article en page(s) : Pages 418-431 Langues : Anglais (eng) Catégories : Edirne (Turquie) -- Selimiye camisi Fourier, Spectroscopie infrarouge à transformée de Microscopie électronique à balayage Mosquées -- Turquie -- Conservation et restauration Peinture à fresque -- Empire ottoman -- Technique Peinture et décoration murales -- Empire ottoman -- Conservation et restauration Peinture et décoration murales -- Empire ottoman -- Technique Peinture et décoration murales -- Matériaux -- Analyse Spectroscopie des rayons X Spectroscopie Raman Mots-clés : Kalem işi Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : ABSTRACT Decorative wall paintings created in the Ottoman era are called kalem işi, and they are generally created using various pigments and binding media on dry rendering, or via lime-paint technique. However, detection of some decorative wall paintings that were applied on wet plaster in Süleyman Pasha Mosque located in Edirne, Turkey, has led to a more detailed analytical examination. Our study aims to research the techniques used on some painting fragments which were found while removing cement renderings during the restoration of the Mosque. The fragments were revealed in 2019 and were taken under protection as these were stylistically different from the existing paintings of the Mosque. The original location of the fragments on the wall could not be located and in situ conservation is not possible, but research continues. Initially, traces of preparatory drawing, which is thought to be the incising technique, were found on the paintings drawn on the rendering fragments. Then, SEM-EDX, FTIR spectroscopy, confocal Raman spectroscopy, and PED-XRF analyses were carried out along with examinations by optical microscopy. Following these results, experimental reconstructions of the paintings were made on test materials and a story about the painting techniques was revealed, indicating that these paintings were drawn on wet rendering (fresco). Therefore, it is considered that there may be different wall painting techniques in Ottoman architecture and that research in this direction should be increased. [article] Investigations of Painting Techniques : Edirne Süleyman Pasha Mosque Wall Paintings [texte imprimé] . - 2023 . - Pages 418-431. Langues : Anglais (eng) in Studies in conservation > Vol.68 N°3-4(2023; April-May) (2023-04-03) . - Pages 418-431 Catégories : Edirne (Turquie) -- Selimiye camisi Fourier, Spectroscopie infrarouge à transformée de Microscopie électronique à balayage Mosquées -- Turquie -- Conservation et restauration Peinture à fresque -- Empire ottoman -- Technique Peinture et décoration murales -- Empire ottoman -- Conservation et restauration Peinture et décoration murales -- Empire ottoman -- Technique Peinture et décoration murales -- Matériaux -- Analyse Spectroscopie des rayons X Spectroscopie Raman Mots-clés : Kalem işi Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : ABSTRACT Decorative wall paintings created in the Ottoman era are called kalem işi, and they are generally created using various pigments and binding media on dry rendering, or via lime-paint technique. However, detection of some decorative wall paintings that were applied on wet plaster in Süleyman Pasha Mosque located in Edirne, Turkey, has led to a more detailed analytical examination. Our study aims to research the techniques used on some painting fragments which were found while removing cement renderings during the restoration of the Mosque. The fragments were revealed in 2019 and were taken under protection as these were stylistically different from the existing paintings of the Mosque. The original location of the fragments on the wall could not be located and in situ conservation is not possible, but research continues. Initially, traces of preparatory drawing, which is thought to be the incising technique, were found on the paintings drawn on the rendering fragments. Then, SEM-EDX, FTIR spectroscopy, confocal Raman spectroscopy, and PED-XRF analyses were carried out along with examinations by optical microscopy. Following these results, experimental reconstructions of the paintings were made on test materials and a story about the painting techniques was revealed, indicating that these paintings were drawn on wet rendering (fresco). Therefore, it is considered that there may be different wall painting techniques in Ottoman architecture and that research in this direction should be increased.

La problématique générale de l'analyse des substances organiques des polychromies dans l'art monumental / Witold Nowik in Conservation restauration des biens culturels (CRBC), no.17/18(2001:déc.) (2001-12-01)

Public ISBD [article]  inConservation restauration des biens culturels (CRBC) > no.17/18(2001:déc.) (2001-12-01) . - P. 33-42 Titre : La problématique générale de l'analyse des substances organiques des polychromies dans l'art monumental : recherche Type de document : texte imprimé Auteurs : Witold Nowik, Auteur Année de publication : 2001 Article en page(s) : P. 33-42 Langues : Français (fre) Catégories : Chromatographie Conservation et restauration -- Échantillonnage Conservation et restauration -- Méthodologie Couleur en décoration intérieure -- Recherche Électrophorèse Fluorescence Matériaux organiques -- Analyse Monuments historiques -- Conservation et restauration -- Recherche Peinture et décoration murales -- Matériaux -- Analyse Peinture et décoration murales -- Teneur en composés organiques Polychromie -- Recherche Spectrométrie de masse Spectroscopie de masse Spectroscopie infrarouge Spectroscopie Raman Index. décimale : 7.025 Dommages. Conservation. Protection [article] La problématique générale de l'analyse des substances organiques des polychromies dans l'art monumental : recherche [texte imprimé] / Witold Nowik, Auteur . - 2001 . - P. 33-42. Langues : Français (fre) in Conservation restauration des biens culturels (CRBC) > no.17/18(2001:déc.) (2001-12-01) . - P. 33-42 Catégories : Chromatographie Conservation et restauration -- Échantillonnage Conservation et restauration -- Méthodologie Couleur en décoration intérieure -- Recherche Électrophorèse Fluorescence Matériaux organiques -- Analyse Monuments historiques -- Conservation et restauration -- Recherche Peinture et décoration murales -- Matériaux -- Analyse Peinture et décoration murales -- Teneur en composés organiques Polychromie -- Recherche Spectrométrie de masse Spectroscopie de masse Spectroscopie infrarouge Spectroscopie Raman Index. décimale : 7.025 Dommages. Conservation. Protection

Vol.20 no2(2005) - 2005-05-01 - Conservation Science (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)    

Public ISBD [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Titre : Vol.20 no2(2005) - 2005-05-01 - Conservation Science Type de document : texte imprimé Année de publication : 2005 Langues : Anglais (eng) Catégories : Archéométrie Art -- Conservation et restauration -- Étude et enseignement Art -- Conservation et restauration -- Innovations technologiques Art et sciences Interdisciplinarité -- Dans l'art Matériaux organiques -- Analyse Patrimoine culturel -- Conservation et restauration Patrimoine culturel -- Détérioration -- Prévention Peinture et décoration murales -- Conservation et restauration Peinture et décoration murales -- Matériaux -- Analyse Scientifiques Technologie et arts Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover Constanza Miliani, a researcher at the Instituto di Scienze e Tecnologie Molecolari CNR in Perugia, taking in situ measurements of the infared reflectance spectrum of fifteenth-century wall paintings by Filippo Lippi, as part of the Organic Materials in Wall Paintings project, which is being conducted by the GCI and a number of other scientific laboratories. Using the noninvasive technique of reflectance Fourier transform infared spectroscopy with fiber optics, she is able to classify the organic materials present on the surface of these paintings, which are located in Saint Stephen's Cathedral in Prato, Italy. Photo: Francesca Piqué. The State of Conservation Science Conservation science is a relatively new scientific endeavor, one that draws on a variety of other scientific disciplines. Has it, as some believe, come of age? What are the accomplishments and challenges that characterize the current state of the field? A Diverse Discipline: A Discussion about Conservation Science Aviva Burnstock of the Courtauld Institute of Art, Chris McGlinchey of the Museum of Modern Art, and Narayan Khandekar of the Harvard University Art Museums talk with Giacomo Chiari and Jeffrey Levin of the GCI. Training and Education in Conservation Science As interest in the profession grows, the various routes into conservation science—and the amount of education and training that should be required for people entering the field—have become topics of discussion and debate. Science for the Conservation of Wall Paintings A current GCI collaborative project with a number of research institutions is exploring a variety of ways to undertake the challenging task of analyzing organic materials in wall paintings—a task critical to the conservation of these works of art. GCI News: Projects, Events, and Publications Updates on Getty Conservation Institute projects, events, publications, and staff. Masthead En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v20n2.p [...] [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Vol.20 no2(2005) - 2005-05-01 - Conservation Science [texte imprimé] . - 2005. Langues : Anglais (eng) Catégories : Archéométrie Art -- Conservation et restauration -- Étude et enseignement Art -- Conservation et restauration -- Innovations technologiques Art et sciences Interdisciplinarité -- Dans l'art Matériaux organiques -- Analyse Patrimoine culturel -- Conservation et restauration Patrimoine culturel -- Détérioration -- Prévention Peinture et décoration murales -- Conservation et restauration Peinture et décoration murales -- Matériaux -- Analyse Scientifiques Technologie et arts Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover Constanza Miliani, a researcher at the Instituto di Scienze e Tecnologie Molecolari CNR in Perugia, taking in situ measurements of the infared reflectance spectrum of fifteenth-century wall paintings by Filippo Lippi, as part of the Organic Materials in Wall Paintings project, which is being conducted by the GCI and a number of other scientific laboratories. Using the noninvasive technique of reflectance Fourier transform infared spectroscopy with fiber optics, she is able to classify the organic materials present on the surface of these paintings, which are located in Saint Stephen's Cathedral in Prato, Italy. Photo: Francesca Piqué. The State of Conservation Science Conservation science is a relatively new scientific endeavor, one that draws on a variety of other scientific disciplines. Has it, as some believe, come of age? What are the accomplishments and challenges that characterize the current state of the field? A Diverse Discipline: A Discussion about Conservation Science Aviva Burnstock of the Courtauld Institute of Art, Chris McGlinchey of the Museum of Modern Art, and Narayan Khandekar of the Harvard University Art Museums talk with Giacomo Chiari and Jeffrey Levin of the GCI. Training and Education in Conservation Science As interest in the profession grows, the various routes into conservation science—and the amount of education and training that should be required for people entering the field—have become topics of discussion and debate. Science for the Conservation of Wall Paintings A current GCI collaborative project with a number of research institutions is exploring a variety of ways to undertake the challenging task of analyzing organic materials in wall paintings—a task critical to the conservation of these works of art. GCI News: Projects, Events, and Publications Updates on Getty Conservation Institute projects, events, publications, and staff. Masthead En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v20n2.p [...]

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 23359	GETTY	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Exclu du prêt

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