Vol.20 no1(2005) - 2005-01-01 - Technical Art History (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)    

Public ISBD [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Titre : Vol.20 no1(2005) - 2005-01-01 - Technical Art History Type de document : texte imprimé Année de publication : 2005 Langues : Anglais (eng) Catégories : Antiquités -- Conservation et restauration Art -- Conservation et restauration -- Innovations technologiques Art -- Conservation et restauration -- Pratique -- 21e siècle Art -- Étude et enseignement Art -- Historiographie Art -- Technique Art et anthropologie Art et technologie Interdisciplinarité -- Dans l'art Patrimoine culturel -- Conservation et restauration -- Recherche Restaurateurs d'art Sciences et arts Sites historiques -- Iraq -- Inventaires Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover Front cover: A detail of Portrait of Louis XII from the 16th-century illuminated manuscript The Hours of Louis XII, by Jean Bourdichon. Raman spectrometry—a technique relatively new to the field of art conservation—was used to investigate the pigment palettes and painting methods of the Bourdichon work. Photo: The J. Paul Getty Museum. From Connoisseurship to Technical Art History: The Evolution of the Interdisciplinary Study of Art Once the realm of a small group of connoisseurs, object-based art history has been transformed over the last century through the scientific examination of works of art. Employing a wide range of analytical tools, researchers from the fields of art history, conservation, and conservation science are working together in an interdisciplinary manner to evaluate art objects. These collaborative efforts, originally called technical studies, now compose a burgeoning field known as technical art history. A Matter of Teamwork: A Discussion about Technical Studies and Art History Is technical art history a separate area of study or another aspect of art-historical research? How can the interdisciplinary collaboration that the work requires be encouraged and strengthened? Heather Lechtman of the Massachusetts Institute of Technology, Richard Stone of the Metropolitan Museum of Art, and Katharina Walch-von Miller of the Bavarian State Department of Historical Monuments discuss these questions with Brian Considine of the J. Paul Getty Museum and Jeffrey Levin of the GCI. Changing the Way Professionals Work: Collaboration in the Preservation of Ethnographic and Archaeological Objects The challenge for conservators who work with objects from archaeological sites and indigenous cultures extends beyond preservation of the physical forms of objects to include interdisciplinary dialogues that can produce broader cultural information. Examples of collaborations among conservators, curators, archaeologists, cultural representatives, and conservation scientists illustrate how conservators can contribute directly to scholarly inquiry, as well as to the larger cultural discussion surrounding these objects. Recent Initiatives in Technical Art History Through a variety of means, conservators and their colleagues in the humanities and the sciences are developing new interpretations and meanings for works of art and cultural artifacts. Improvements in technology, the combining of technical analysis with primary source research, new periodicals and monographic studies, and interdisciplinary grant making are among the elements that are driving these recent initiatives in technical art history. GCI News: Projects, Events, and Publications Updates on Getty Conservation Institute projects, events, publications, and staff. Masthead En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v20n1.p [...] [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Vol.20 no1(2005) - 2005-01-01 - Technical Art History [texte imprimé] . - 2005. Langues : Anglais (eng) Catégories : Antiquités -- Conservation et restauration Art -- Conservation et restauration -- Innovations technologiques Art -- Conservation et restauration -- Pratique -- 21e siècle Art -- Étude et enseignement Art -- Historiographie Art -- Technique Art et anthropologie Art et technologie Interdisciplinarité -- Dans l'art Patrimoine culturel -- Conservation et restauration -- Recherche Restaurateurs d'art Sciences et arts Sites historiques -- Iraq -- Inventaires Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover Front cover: A detail of Portrait of Louis XII from the 16th-century illuminated manuscript The Hours of Louis XII, by Jean Bourdichon. Raman spectrometry—a technique relatively new to the field of art conservation—was used to investigate the pigment palettes and painting methods of the Bourdichon work. Photo: The J. Paul Getty Museum. From Connoisseurship to Technical Art History: The Evolution of the Interdisciplinary Study of Art Once the realm of a small group of connoisseurs, object-based art history has been transformed over the last century through the scientific examination of works of art. Employing a wide range of analytical tools, researchers from the fields of art history, conservation, and conservation science are working together in an interdisciplinary manner to evaluate art objects. These collaborative efforts, originally called technical studies, now compose a burgeoning field known as technical art history. A Matter of Teamwork: A Discussion about Technical Studies and Art History Is technical art history a separate area of study or another aspect of art-historical research? How can the interdisciplinary collaboration that the work requires be encouraged and strengthened? Heather Lechtman of the Massachusetts Institute of Technology, Richard Stone of the Metropolitan Museum of Art, and Katharina Walch-von Miller of the Bavarian State Department of Historical Monuments discuss these questions with Brian Considine of the J. Paul Getty Museum and Jeffrey Levin of the GCI. Changing the Way Professionals Work: Collaboration in the Preservation of Ethnographic and Archaeological Objects The challenge for conservators who work with objects from archaeological sites and indigenous cultures extends beyond preservation of the physical forms of objects to include interdisciplinary dialogues that can produce broader cultural information. Examples of collaborations among conservators, curators, archaeologists, cultural representatives, and conservation scientists illustrate how conservators can contribute directly to scholarly inquiry, as well as to the larger cultural discussion surrounding these objects. Recent Initiatives in Technical Art History Through a variety of means, conservators and their colleagues in the humanities and the sciences are developing new interpretations and meanings for works of art and cultural artifacts. Improvements in technology, the combining of technical analysis with primary source research, new periodicals and monographic studies, and interdisciplinary grant making are among the elements that are driving these recent initiatives in technical art history. GCI News: Projects, Events, and Publications Updates on Getty Conservation Institute projects, events, publications, and staff. Masthead En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v20n1.p [...]

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 23360	GETTY	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Exclu du prêt

Vol.20 no2(2005) - 2005-05-01 - Conservation Science (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)    

Public ISBD [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Titre : Vol.20 no2(2005) - 2005-05-01 - Conservation Science Type de document : texte imprimé Année de publication : 2005 Langues : Anglais (eng) Catégories : Archéométrie Art -- Conservation et restauration -- Étude et enseignement Art -- Conservation et restauration -- Innovations technologiques Art et sciences Interdisciplinarité -- Dans l'art Matériaux organiques -- Analyse Patrimoine culturel -- Conservation et restauration Patrimoine culturel -- Détérioration -- Prévention Peinture et décoration murales -- Conservation et restauration Peinture et décoration murales -- Matériaux -- Analyse Scientifiques Technologie et arts Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover Constanza Miliani, a researcher at the Instituto di Scienze e Tecnologie Molecolari CNR in Perugia, taking in situ measurements of the infared reflectance spectrum of fifteenth-century wall paintings by Filippo Lippi, as part of the Organic Materials in Wall Paintings project, which is being conducted by the GCI and a number of other scientific laboratories. Using the noninvasive technique of reflectance Fourier transform infared spectroscopy with fiber optics, she is able to classify the organic materials present on the surface of these paintings, which are located in Saint Stephen's Cathedral in Prato, Italy. Photo: Francesca Piqué. The State of Conservation Science Conservation science is a relatively new scientific endeavor, one that draws on a variety of other scientific disciplines. Has it, as some believe, come of age? What are the accomplishments and challenges that characterize the current state of the field? A Diverse Discipline: A Discussion about Conservation Science Aviva Burnstock of the Courtauld Institute of Art, Chris McGlinchey of the Museum of Modern Art, and Narayan Khandekar of the Harvard University Art Museums talk with Giacomo Chiari and Jeffrey Levin of the GCI. Training and Education in Conservation Science As interest in the profession grows, the various routes into conservation science—and the amount of education and training that should be required for people entering the field—have become topics of discussion and debate. Science for the Conservation of Wall Paintings A current GCI collaborative project with a number of research institutions is exploring a variety of ways to undertake the challenging task of analyzing organic materials in wall paintings—a task critical to the conservation of these works of art. GCI News: Projects, Events, and Publications Updates on Getty Conservation Institute projects, events, publications, and staff. Masthead En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v20n2.p [...] [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Vol.20 no2(2005) - 2005-05-01 - Conservation Science [texte imprimé] . - 2005. Langues : Anglais (eng) Catégories : Archéométrie Art -- Conservation et restauration -- Étude et enseignement Art -- Conservation et restauration -- Innovations technologiques Art et sciences Interdisciplinarité -- Dans l'art Matériaux organiques -- Analyse Patrimoine culturel -- Conservation et restauration Patrimoine culturel -- Détérioration -- Prévention Peinture et décoration murales -- Conservation et restauration Peinture et décoration murales -- Matériaux -- Analyse Scientifiques Technologie et arts Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover Constanza Miliani, a researcher at the Instituto di Scienze e Tecnologie Molecolari CNR in Perugia, taking in situ measurements of the infared reflectance spectrum of fifteenth-century wall paintings by Filippo Lippi, as part of the Organic Materials in Wall Paintings project, which is being conducted by the GCI and a number of other scientific laboratories. Using the noninvasive technique of reflectance Fourier transform infared spectroscopy with fiber optics, she is able to classify the organic materials present on the surface of these paintings, which are located in Saint Stephen's Cathedral in Prato, Italy. Photo: Francesca Piqué. The State of Conservation Science Conservation science is a relatively new scientific endeavor, one that draws on a variety of other scientific disciplines. Has it, as some believe, come of age? What are the accomplishments and challenges that characterize the current state of the field? A Diverse Discipline: A Discussion about Conservation Science Aviva Burnstock of the Courtauld Institute of Art, Chris McGlinchey of the Museum of Modern Art, and Narayan Khandekar of the Harvard University Art Museums talk with Giacomo Chiari and Jeffrey Levin of the GCI. Training and Education in Conservation Science As interest in the profession grows, the various routes into conservation science—and the amount of education and training that should be required for people entering the field—have become topics of discussion and debate. Science for the Conservation of Wall Paintings A current GCI collaborative project with a number of research institutions is exploring a variety of ways to undertake the challenging task of analyzing organic materials in wall paintings—a task critical to the conservation of these works of art. GCI News: Projects, Events, and Publications Updates on Getty Conservation Institute projects, events, publications, and staff. Masthead En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v20n2.p [...]

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 23359	GETTY	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Exclu du prêt

Vol.25 no1(2010:spring) - 2010-03-01 - Collections research (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)    

Public ISBD [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Titre : Vol.25 no1(2010:spring) - 2010-03-01 - Collections research Type de document : texte imprimé Année de publication : 2010 Langues : Anglais (eng) Catégories : Archéologie Art -- Conservation et restauration -- Innovations technologiques Art et sciences Patrimoine culturel -- Conservation et restauration -- Recherche Peinture de la Renaissance -- Conservation et restauration Verrerie préhistorique -- Iraq -- Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/25_1/ [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Vol.25 no1(2010:spring) - 2010-03-01 - Collections research [texte imprimé] . - 2010. Langues : Anglais (eng) Catégories : Archéologie Art -- Conservation et restauration -- Innovations technologiques Art et sciences Patrimoine culturel -- Conservation et restauration -- Recherche Peinture de la Renaissance -- Conservation et restauration Verrerie préhistorique -- Iraq -- Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/25_1/

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 23473	GETTY	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Exclu du prêt

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