Conservation restauration des biens culturels (CRBC)  

Public ISBD [périodique]  Voir les bulletins disponibles Rechercher dans ce périodique  Titre : Conservation restauration des biens culturels (CRBC) Type de document : texte imprimé Editeur : Paris : Araafu - Mst Année de publication : 1989-. Note générale : N° 1(1989,déc.)-n° 34 (2016) Collection : no.2(1990)-no.25(2007); Certains numéros sont manquants; (1990-1997); no.14(1999:12),; (2002); (2005-2007) L’ARAAFU met à disposition du public gratuitement les articles de ses publications à partir des N° 35 du CRBC et 23 du CT, ainsi que ceux pour lesquels l’édition papier est épuisée. Nous rappelons aux lecteurs qu’il leur appartient de respecter les droits des auteurs et de l’éditeur, en limitant la reproduction à l’usage privé. Le droit de citation courte reste ouvert, à condition que les noms des auteurs et les références de la publication soient correctement cités. http://araafu.com/publications/ Langues : Français (fre) Catégories : Conservation et restauration -- Méthodologie Patrimoine culturel -- Conservation et restauration Patrimoine culturel -- Conservation et restauration -- Recherche Patrimoine culturel -- Conservation et restauration -- Thèses et écrits académiques -- France -- 20e siècle Patrimoine culturel -- Conservation et restauration -- Thèses et écrits académiques -- France -- 21e siècle Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : Depuis 1989, l’ARAAFU édite une revue ouverte à tous, dont l’objectif est de promouvoir une conception moderne et exigeante de la conservation du patrimoine. Ses principales rubriques sont : • conservation préventive, • techniques et études de cas, • travaux et recherches, • enseignement et formation, • notes et travaux d’étudiants, • lectures. Les publications de l’ARAAFU s’adressent à tous les acteurs de la préservation du patrimoine français ou étranger, c’est-à-dire les étudiants et professionnels en conservation-restauration de toutes spécialités, les conservateurs de musée, les bibliothécaires et archivistes, les archéologues, les scientifiques, les architectes des monuments historiques… En ligne : http://araafu.free.fr/publications4.htm Etat des collections Emplacement Cote Support Statut Origine Collection Archive Lacunes Libre accès rayons revues Revue Empruntable une semaine no.2(1990:déc.) (1990-12-01) - no.32(2014) (2014-12-01) [périodique]  Voir les bulletins disponibles Rechercher dans ce périodique Conservation restauration des biens culturels (CRBC) [texte imprimé] . - Paris : Araafu - Mst, 1989-. N° 1(1989,déc.)-n° 34 (2016) Collection : no.2(1990)-no.25(2007); Certains numéros sont manquants; (1990-1997); no.14(1999:12),; (2002); (2005-2007) L’ARAAFU met à disposition du public gratuitement les articles de ses publications à partir des N° 35 du CRBC et 23 du CT, ainsi que ceux pour lesquels l’édition papier est épuisée. Nous rappelons aux lecteurs qu’il leur appartient de respecter les droits des auteurs et de l’éditeur, en limitant la reproduction à l’usage privé. Le droit de citation courte reste ouvert, à condition que les noms des auteurs et les références de la publication soient correctement cités. http://araafu.com/publications/ Langues : Français (fre) Catégories : Conservation et restauration -- Méthodologie Patrimoine culturel -- Conservation et restauration Patrimoine culturel -- Conservation et restauration -- Recherche Patrimoine culturel -- Conservation et restauration -- Thèses et écrits académiques -- France -- 20e siècle Patrimoine culturel -- Conservation et restauration -- Thèses et écrits académiques -- France -- 21e siècle Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : Depuis 1989, l’ARAAFU édite une revue ouverte à tous, dont l’objectif est de promouvoir une conception moderne et exigeante de la conservation du patrimoine. Ses principales rubriques sont : • conservation préventive, • techniques et études de cas, • travaux et recherches, • enseignement et formation, • notes et travaux d’étudiants, • lectures. Les publications de l’ARAAFU s’adressent à tous les acteurs de la préservation du patrimoine français ou étranger, c’est-à-dire les étudiants et professionnels en conservation-restauration de toutes spécialités, les conservateurs de musée, les bibliothécaires et archivistes, les archéologues, les scientifiques, les architectes des monuments historiques… En ligne : http://araafu.free.fr/publications4.htm Etat des collections Emplacement Cote Support Statut Origine Collection Archive Lacunes Libre accès rayons revues Revue Empruntable une semaine no.2(1990:déc.) (1990-12-01) - no.32(2014) (2014-12-01)

La restauration des peintures et calligraphies chinoises anciennes / Huansheng Lin in Conservation restauration des biens culturels (CRBC), no.12(1998:déc.) (1998-12-01)

Public ISBD [article]  inConservation restauration des biens culturels (CRBC) > no.12(1998:déc.) (1998-12-01) . - P. 35-39 Titre : La restauration des peintures et calligraphies chinoises anciennes : éthique et humeur Type de document : texte imprimé Auteurs : Huansheng Lin, Auteur Année de publication : 1998 Article en page(s) : P. 35-39 Note générale : Photogr. Langues : Français (fre) Catégories : Calligraphie chinoise -- Conservation et restauration Musées -- Méthodes de conservation -- Chine Patrimoine culturel -- Conservation et restauration -- Recherche Peinture sur rouleau -- Chine -- Antiquité -- Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection [article] La restauration des peintures et calligraphies chinoises anciennes : éthique et humeur [texte imprimé] / Huansheng Lin, Auteur . - 1998 . - P. 35-39. Photogr. Langues : Français (fre) in Conservation restauration des biens culturels (CRBC) > no.12(1998:déc.) (1998-12-01) . - P. 35-39 Catégories : Calligraphie chinoise -- Conservation et restauration Musées -- Méthodes de conservation -- Chine Patrimoine culturel -- Conservation et restauration -- Recherche Peinture sur rouleau -- Chine -- Antiquité -- Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection

Vol.19 no3(2004) - 2004-09-01 - Partnership : a joint with UNESCO (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)    

Public ISBD [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Titre : Vol.19 no3(2004) - 2004-09-01 - Partnership : a joint with UNESCO Type de document : texte imprimé Année de publication : 2004 Langues : Anglais (eng) Catégories : Conservation et restauration -- Philosophie Partenariat public-privé Patrimoine culturel -- Conservation et restauration -- Conventions Patrimoine culturel -- Conservation et restauration -- Coopération internationale Patrimoine culturel -- Conservation et restauration -- Recherche Peinture et décoration murales -- Dunhuang (Chine) -- Grottes de Mogao -- Conservation et restauration Unesco. Convention concernant la protection du patrimoine mondial, culturel et naturel (1972) Mots-clés : Dunhuang Academy Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover Front cover: An illustration inspired by decorative elements of Nasrid art (named for the Islamic dynasty that ruled southern Spain in the 13th through 15th centuries). The link—an essential component of partnership—is the basis for a structured assembly of geometric ornamentation. Image: © Marina Taurus, Courtesy UNESCO. An Editorial Note on This Special Issue Heritage Partnership: Exploring the Unknown Partnerships, which bring together resources from diverse players, can significantly multiply the means available for a task and the benefits that accrue from it. Partnerships involve a shared commitment and a leveraging of capacities beyond what would be possible if each partner were working alone. While the public and private sectors have been reticent to pool their resources, much has been accomplished through unprecedented partnerships. Given the resources that these collaborations have unlocked, one can conclude that in today's complex society, cultural heritage partnerships are hardly a hazard—they may even be a necessity. Mobilizing Resources: A Discussion about Partnerships and Conservation Can partnerships enable conservation organizations to tackle existing and future challenges in the conservation of the arts and cultural heritage? Francesco Bandarin of the World Heritage Center, Ismaïl Serageldin of the Bibliotheca Alexandrina, and Nicholas Stanley-Price of ICCROM talk with the GCI's Tim Whalen and Jeffrey Levin about the nature of partnerships in heritage conservation. Cooperation in Conservation Science From its earliest days, the GCI Science department has cultivated partnerships in many of its major research undertakings. These partnerships have succeeded not only when there is a shared common goal, but also when the partners have had expertise in similar areas of research and compatible resources—or when they have had different but complementary expertise and resources. Several current GCI Science research projects illustrate the elements of successful partnership; in each, the partnership with external organizations is at the core of the project's work. Partnership: We're in This Boat Together The GCI's longest continuing partnership among its field projects has been in China, with the State Administration of Cultural Heritage and the Dunhuang Academy. The partnership, which began with one set of objectives, over time has expanded into new endeavors. A key reason for this longevity is the attention paid to the relationship itself. By emphasizing professional development, sharing, and collegial cooperation—in addition to well-defined and clearly stated objectives and methodology—the GCI and its partners have achieved a long-term and highly productive partnership. GCI News: Projects, Events, Publications and Staff En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v19n3.p [...] [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Vol.19 no3(2004) - 2004-09-01 - Partnership : a joint with UNESCO [texte imprimé] . - 2004. Langues : Anglais (eng) Catégories : Conservation et restauration -- Philosophie Partenariat public-privé Patrimoine culturel -- Conservation et restauration -- Conventions Patrimoine culturel -- Conservation et restauration -- Coopération internationale Patrimoine culturel -- Conservation et restauration -- Recherche Peinture et décoration murales -- Dunhuang (Chine) -- Grottes de Mogao -- Conservation et restauration Unesco. Convention concernant la protection du patrimoine mondial, culturel et naturel (1972) Mots-clés : Dunhuang Academy Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover Front cover: An illustration inspired by decorative elements of Nasrid art (named for the Islamic dynasty that ruled southern Spain in the 13th through 15th centuries). The link—an essential component of partnership—is the basis for a structured assembly of geometric ornamentation. Image: © Marina Taurus, Courtesy UNESCO. An Editorial Note on This Special Issue Heritage Partnership: Exploring the Unknown Partnerships, which bring together resources from diverse players, can significantly multiply the means available for a task and the benefits that accrue from it. Partnerships involve a shared commitment and a leveraging of capacities beyond what would be possible if each partner were working alone. While the public and private sectors have been reticent to pool their resources, much has been accomplished through unprecedented partnerships. Given the resources that these collaborations have unlocked, one can conclude that in today's complex society, cultural heritage partnerships are hardly a hazard—they may even be a necessity. Mobilizing Resources: A Discussion about Partnerships and Conservation Can partnerships enable conservation organizations to tackle existing and future challenges in the conservation of the arts and cultural heritage? Francesco Bandarin of the World Heritage Center, Ismaïl Serageldin of the Bibliotheca Alexandrina, and Nicholas Stanley-Price of ICCROM talk with the GCI's Tim Whalen and Jeffrey Levin about the nature of partnerships in heritage conservation. Cooperation in Conservation Science From its earliest days, the GCI Science department has cultivated partnerships in many of its major research undertakings. These partnerships have succeeded not only when there is a shared common goal, but also when the partners have had expertise in similar areas of research and compatible resources—or when they have had different but complementary expertise and resources. Several current GCI Science research projects illustrate the elements of successful partnership; in each, the partnership with external organizations is at the core of the project's work. Partnership: We're in This Boat Together The GCI's longest continuing partnership among its field projects has been in China, with the State Administration of Cultural Heritage and the Dunhuang Academy. The partnership, which began with one set of objectives, over time has expanded into new endeavors. A key reason for this longevity is the attention paid to the relationship itself. By emphasizing professional development, sharing, and collegial cooperation—in addition to well-defined and clearly stated objectives and methodology—the GCI and its partners have achieved a long-term and highly productive partnership. GCI News: Projects, Events, Publications and Staff En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v19n3.p [...]

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 23361	GETTY	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Exclu du prêt

Vol.20 no1(2005) - 2005-01-01 - Technical Art History (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)    

Public ISBD [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Titre : Vol.20 no1(2005) - 2005-01-01 - Technical Art History Type de document : texte imprimé Année de publication : 2005 Langues : Anglais (eng) Catégories : Antiquités -- Conservation et restauration Art -- Conservation et restauration -- Innovations technologiques Art -- Conservation et restauration -- Pratique -- 21e siècle Art -- Étude et enseignement Art -- Historiographie Art -- Technique Art et anthropologie Art et technologie Interdisciplinarité -- Dans l'art Patrimoine culturel -- Conservation et restauration -- Recherche Restaurateurs d'art Sciences et arts Sites historiques -- Iraq -- Inventaires Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover Front cover: A detail of Portrait of Louis XII from the 16th-century illuminated manuscript The Hours of Louis XII, by Jean Bourdichon. Raman spectrometry—a technique relatively new to the field of art conservation—was used to investigate the pigment palettes and painting methods of the Bourdichon work. Photo: The J. Paul Getty Museum. From Connoisseurship to Technical Art History: The Evolution of the Interdisciplinary Study of Art Once the realm of a small group of connoisseurs, object-based art history has been transformed over the last century through the scientific examination of works of art. Employing a wide range of analytical tools, researchers from the fields of art history, conservation, and conservation science are working together in an interdisciplinary manner to evaluate art objects. These collaborative efforts, originally called technical studies, now compose a burgeoning field known as technical art history. A Matter of Teamwork: A Discussion about Technical Studies and Art History Is technical art history a separate area of study or another aspect of art-historical research? How can the interdisciplinary collaboration that the work requires be encouraged and strengthened? Heather Lechtman of the Massachusetts Institute of Technology, Richard Stone of the Metropolitan Museum of Art, and Katharina Walch-von Miller of the Bavarian State Department of Historical Monuments discuss these questions with Brian Considine of the J. Paul Getty Museum and Jeffrey Levin of the GCI. Changing the Way Professionals Work: Collaboration in the Preservation of Ethnographic and Archaeological Objects The challenge for conservators who work with objects from archaeological sites and indigenous cultures extends beyond preservation of the physical forms of objects to include interdisciplinary dialogues that can produce broader cultural information. Examples of collaborations among conservators, curators, archaeologists, cultural representatives, and conservation scientists illustrate how conservators can contribute directly to scholarly inquiry, as well as to the larger cultural discussion surrounding these objects. Recent Initiatives in Technical Art History Through a variety of means, conservators and their colleagues in the humanities and the sciences are developing new interpretations and meanings for works of art and cultural artifacts. Improvements in technology, the combining of technical analysis with primary source research, new periodicals and monographic studies, and interdisciplinary grant making are among the elements that are driving these recent initiatives in technical art history. GCI News: Projects, Events, and Publications Updates on Getty Conservation Institute projects, events, publications, and staff. Masthead En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v20n1.p [...] [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Vol.20 no1(2005) - 2005-01-01 - Technical Art History [texte imprimé] . - 2005. Langues : Anglais (eng) Catégories : Antiquités -- Conservation et restauration Art -- Conservation et restauration -- Innovations technologiques Art -- Conservation et restauration -- Pratique -- 21e siècle Art -- Étude et enseignement Art -- Historiographie Art -- Technique Art et anthropologie Art et technologie Interdisciplinarité -- Dans l'art Patrimoine culturel -- Conservation et restauration -- Recherche Restaurateurs d'art Sciences et arts Sites historiques -- Iraq -- Inventaires Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover Front cover: A detail of Portrait of Louis XII from the 16th-century illuminated manuscript The Hours of Louis XII, by Jean Bourdichon. Raman spectrometry—a technique relatively new to the field of art conservation—was used to investigate the pigment palettes and painting methods of the Bourdichon work. Photo: The J. Paul Getty Museum. From Connoisseurship to Technical Art History: The Evolution of the Interdisciplinary Study of Art Once the realm of a small group of connoisseurs, object-based art history has been transformed over the last century through the scientific examination of works of art. Employing a wide range of analytical tools, researchers from the fields of art history, conservation, and conservation science are working together in an interdisciplinary manner to evaluate art objects. These collaborative efforts, originally called technical studies, now compose a burgeoning field known as technical art history. A Matter of Teamwork: A Discussion about Technical Studies and Art History Is technical art history a separate area of study or another aspect of art-historical research? How can the interdisciplinary collaboration that the work requires be encouraged and strengthened? Heather Lechtman of the Massachusetts Institute of Technology, Richard Stone of the Metropolitan Museum of Art, and Katharina Walch-von Miller of the Bavarian State Department of Historical Monuments discuss these questions with Brian Considine of the J. Paul Getty Museum and Jeffrey Levin of the GCI. Changing the Way Professionals Work: Collaboration in the Preservation of Ethnographic and Archaeological Objects The challenge for conservators who work with objects from archaeological sites and indigenous cultures extends beyond preservation of the physical forms of objects to include interdisciplinary dialogues that can produce broader cultural information. Examples of collaborations among conservators, curators, archaeologists, cultural representatives, and conservation scientists illustrate how conservators can contribute directly to scholarly inquiry, as well as to the larger cultural discussion surrounding these objects. Recent Initiatives in Technical Art History Through a variety of means, conservators and their colleagues in the humanities and the sciences are developing new interpretations and meanings for works of art and cultural artifacts. Improvements in technology, the combining of technical analysis with primary source research, new periodicals and monographic studies, and interdisciplinary grant making are among the elements that are driving these recent initiatives in technical art history. GCI News: Projects, Events, and Publications Updates on Getty Conservation Institute projects, events, publications, and staff. Masthead En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v20n1.p [...]

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 23360	GETTY	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Exclu du prêt

Vol.21 no2(2006) - 2006-05-01 - Conservation at the Getty (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)    

Public ISBD [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Titre : Vol.21 no2(2006) - 2006-05-01 - Conservation at the Getty Type de document : texte imprimé Année de publication : 2006 Langues : Anglais (eng) Catégories : Antiquités -- Conservation et restauration Architecture -- Conservation et restauration Archives -- Conservation et restauration Arts décoratifs -- Conservation et restauration Bas-reliefs -- Abomey (Bénin) -- Conservation et restauration Documents audiovisuels -- Conservation et restauration Gestion électronique de documents Getty conservation institute (Los Angeles, Calif.) Getty research institute (Los Angeles, Calif.) J. Paul Getty museum (Los Angeles, Calif.) Maquettes (architecture) -- Conservation et restauration Matériaux organiques -- Analyse Musées -- Éclairage Papier -- Conservation et restauration Patrimoine culturel -- Chine -- Conservation et restauration Patrimoine culturel -- Conservation et restauration -- Documentation Patrimoine culturel -- Conservation et restauration -- Étude et enseignement Patrimoine culturel -- Conservation et restauration -- Recherche Patrimoine culturel -- Numérisation Peinture -- Conservation et restauration Peinture -- Nettoyage Sculpture - Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover A photograph of a conservator at work, circa 1930, from the William Suhr archive of the Research Library at the Getty Research Institute (GRI). Suhr was a conservator at the Detroit Institute of the Arts from 1927 to 1933, before moving to New York to become conservator to the Frick Collection (he also maintained a private practice and after World War II worked closely with dealers and other clients active in the art market). The Suhr archive, which includes photographs and treatment notes from a nearly sixty-year period (1920–1979), is one of a number of collections relevant to conservation that are housed among the extensive holdings of the Research Library at the GRI. Photo: Courtesy the Research Library, Getty Research Institute. © circa 1930, The Detroit Institute of the Arts. A Note from the Director An introduction to this special issue of Conservation, which explores conservation work conducted throughout the programs of the J. Paul Getty Trust. The Getty Conservation Institute The J. Paul Getty Museum The Getty Research Institute The Getty Foundation Conservation Documentation in Digital Form: A Dialogue about the Issues A report on an April 2006 meeting in New York, where representatives from over a dozen major museums in the United States and the United Kingdom gathered for an important discussion regarding conservation documentation. GCI News: Projects, Events, and Publications Updates on Getty Conservation Institute projects, events, publications, and staff. Masthead En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v21n2.p [...] [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Vol.21 no2(2006) - 2006-05-01 - Conservation at the Getty [texte imprimé] . - 2006. Langues : Anglais (eng) Catégories : Antiquités -- Conservation et restauration Architecture -- Conservation et restauration Archives -- Conservation et restauration Arts décoratifs -- Conservation et restauration Bas-reliefs -- Abomey (Bénin) -- Conservation et restauration Documents audiovisuels -- Conservation et restauration Gestion électronique de documents Getty conservation institute (Los Angeles, Calif.) Getty research institute (Los Angeles, Calif.) J. Paul Getty museum (Los Angeles, Calif.) Maquettes (architecture) -- Conservation et restauration Matériaux organiques -- Analyse Musées -- Éclairage Papier -- Conservation et restauration Patrimoine culturel -- Chine -- Conservation et restauration Patrimoine culturel -- Conservation et restauration -- Documentation Patrimoine culturel -- Conservation et restauration -- Étude et enseignement Patrimoine culturel -- Conservation et restauration -- Recherche Patrimoine culturel -- Numérisation Peinture -- Conservation et restauration Peinture -- Nettoyage Sculpture - Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover A photograph of a conservator at work, circa 1930, from the William Suhr archive of the Research Library at the Getty Research Institute (GRI). Suhr was a conservator at the Detroit Institute of the Arts from 1927 to 1933, before moving to New York to become conservator to the Frick Collection (he also maintained a private practice and after World War II worked closely with dealers and other clients active in the art market). The Suhr archive, which includes photographs and treatment notes from a nearly sixty-year period (1920–1979), is one of a number of collections relevant to conservation that are housed among the extensive holdings of the Research Library at the GRI. Photo: Courtesy the Research Library, Getty Research Institute. © circa 1930, The Detroit Institute of the Arts. A Note from the Director An introduction to this special issue of Conservation, which explores conservation work conducted throughout the programs of the J. Paul Getty Trust. The Getty Conservation Institute The J. Paul Getty Museum The Getty Research Institute The Getty Foundation Conservation Documentation in Digital Form: A Dialogue about the Issues A report on an April 2006 meeting in New York, where representatives from over a dozen major museums in the United States and the United Kingdom gathered for an important discussion regarding conservation documentation. GCI News: Projects, Events, and Publications Updates on Getty Conservation Institute projects, events, publications, and staff. Masthead En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v21n2.p [...]

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 23356	GETTY	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Exclu du prêt

Vol.24 no1(2009) - 2009-03-01 (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)    

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Vol.25 no1(2010:spring) - 2010-03-01 - Collections research (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)    

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Vol.30 no2(2015:septembre) - 2015-09-01 - 30th Anniversary (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)    

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