Touching vision / Hiltrud Schinzel 

Public ISBD Titre : Touching vision : Essays on restoration theory and the perception of art / Type de document : texte imprimé Auteurs : Hiltrud Schinzel, Auteur Editeur : [Ghent] : Ghent University, Faculty of Arts and Philosophy Année de publication : 2004 Importance : 262 p. Présentation : ill. en coul., couv. en coul. Format : 24 cm ISBN/ISSN/EAN : 978-90-5487-352-5 Langues : Anglais (eng) Catégories : Art -- Conservation et restauration -- Étude et enseignement Art -- Conservation et restauration -- Histoire Conservation et restauration -- Philosophie Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : Providing a detailed study of art restoration, this collection of essays addresses not only conservators but also artists, museum and exhibition staff, scientists, collectors, and anyone who appreciates art. The first eight writings contain a chronological view of conservation's expanding and difficult concerns within modern and postmodern art, leading up to the present day. The effects of art are made transparent with studies on phenomena apparent in modern art's restoration. The chapters go on to discuss how conservation has had to adapt itself to the development of culture and civilization in the last century, addressing the history, theory, and ethics of restoration. Perception is also debated, focusing on how art can enrich a person's life to reflect creativity. Touching vision : Essays on restoration theory and the perception of art / [texte imprimé] / Hiltrud Schinzel, Auteur . - [Ghent] : Ghent University, Faculty of Arts and Philosophy, 2004 . - 262 p. : ill. en coul., couv. en coul. ; 24 cm. ISBN : 978-90-5487-352-5 Langues : Anglais (eng) Catégories : Art -- Conservation et restauration -- Étude et enseignement Art -- Conservation et restauration -- Histoire Conservation et restauration -- Philosophie Index. décimale : 7.025 Dommages. Conservation. Protection Résumé : Providing a detailed study of art restoration, this collection of essays addresses not only conservators but also artists, museum and exhibition staff, scientists, collectors, and anyone who appreciates art. The first eight writings contain a chronological view of conservation's expanding and difficult concerns within modern and postmodern art, leading up to the present day. The effects of art are made transparent with studies on phenomena apparent in modern art's restoration. The chapters go on to discuss how conservation has had to adapt itself to the development of culture and civilization in the last century, addressing the history, theory, and ethics of restoration. Perception is also debated, focusing on how art can enrich a person's life to reflect creativity.

Réservation

Réserver ce document

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 23886	7.025 SCH	Livre	ESA Saint-Luc	Beaux-Arts - Biblio	Disponible

Vol.20 no2(2005) - 2005-05-01 - Conservation Science (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)    

Public ISBD [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Titre : Vol.20 no2(2005) - 2005-05-01 - Conservation Science Type de document : texte imprimé Année de publication : 2005 Langues : Anglais (eng) Catégories : Archéométrie Art -- Conservation et restauration -- Étude et enseignement Art -- Conservation et restauration -- Innovations technologiques Art et sciences Interdisciplinarité -- Dans l'art Matériaux organiques -- Analyse Patrimoine culturel -- Conservation et restauration Patrimoine culturel -- Détérioration -- Prévention Peinture et décoration murales -- Conservation et restauration Peinture et décoration murales -- Matériaux -- Analyse Scientifiques Technologie et arts Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover Constanza Miliani, a researcher at the Instituto di Scienze e Tecnologie Molecolari CNR in Perugia, taking in situ measurements of the infared reflectance spectrum of fifteenth-century wall paintings by Filippo Lippi, as part of the Organic Materials in Wall Paintings project, which is being conducted by the GCI and a number of other scientific laboratories. Using the noninvasive technique of reflectance Fourier transform infared spectroscopy with fiber optics, she is able to classify the organic materials present on the surface of these paintings, which are located in Saint Stephen's Cathedral in Prato, Italy. Photo: Francesca Piqué. The State of Conservation Science Conservation science is a relatively new scientific endeavor, one that draws on a variety of other scientific disciplines. Has it, as some believe, come of age? What are the accomplishments and challenges that characterize the current state of the field? A Diverse Discipline: A Discussion about Conservation Science Aviva Burnstock of the Courtauld Institute of Art, Chris McGlinchey of the Museum of Modern Art, and Narayan Khandekar of the Harvard University Art Museums talk with Giacomo Chiari and Jeffrey Levin of the GCI. Training and Education in Conservation Science As interest in the profession grows, the various routes into conservation science—and the amount of education and training that should be required for people entering the field—have become topics of discussion and debate. Science for the Conservation of Wall Paintings A current GCI collaborative project with a number of research institutions is exploring a variety of ways to undertake the challenging task of analyzing organic materials in wall paintings—a task critical to the conservation of these works of art. GCI News: Projects, Events, and Publications Updates on Getty Conservation Institute projects, events, publications, and staff. Masthead En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v20n2.p [...] [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Vol.20 no2(2005) - 2005-05-01 - Conservation Science [texte imprimé] . - 2005. Langues : Anglais (eng) Catégories : Archéométrie Art -- Conservation et restauration -- Étude et enseignement Art -- Conservation et restauration -- Innovations technologiques Art et sciences Interdisciplinarité -- Dans l'art Matériaux organiques -- Analyse Patrimoine culturel -- Conservation et restauration Patrimoine culturel -- Détérioration -- Prévention Peinture et décoration murales -- Conservation et restauration Peinture et décoration murales -- Matériaux -- Analyse Scientifiques Technologie et arts Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover Constanza Miliani, a researcher at the Instituto di Scienze e Tecnologie Molecolari CNR in Perugia, taking in situ measurements of the infared reflectance spectrum of fifteenth-century wall paintings by Filippo Lippi, as part of the Organic Materials in Wall Paintings project, which is being conducted by the GCI and a number of other scientific laboratories. Using the noninvasive technique of reflectance Fourier transform infared spectroscopy with fiber optics, she is able to classify the organic materials present on the surface of these paintings, which are located in Saint Stephen's Cathedral in Prato, Italy. Photo: Francesca Piqué. The State of Conservation Science Conservation science is a relatively new scientific endeavor, one that draws on a variety of other scientific disciplines. Has it, as some believe, come of age? What are the accomplishments and challenges that characterize the current state of the field? A Diverse Discipline: A Discussion about Conservation Science Aviva Burnstock of the Courtauld Institute of Art, Chris McGlinchey of the Museum of Modern Art, and Narayan Khandekar of the Harvard University Art Museums talk with Giacomo Chiari and Jeffrey Levin of the GCI. Training and Education in Conservation Science As interest in the profession grows, the various routes into conservation science—and the amount of education and training that should be required for people entering the field—have become topics of discussion and debate. Science for the Conservation of Wall Paintings A current GCI collaborative project with a number of research institutions is exploring a variety of ways to undertake the challenging task of analyzing organic materials in wall paintings—a task critical to the conservation of these works of art. GCI News: Projects, Events, and Publications Updates on Getty Conservation Institute projects, events, publications, and staff. Masthead En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v20n2.p [...]

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 23359	GETTY	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Exclu du prêt

---

1 (1 - 2 / 2)