Vol.17 no1(2002) - 2002-01-01 - Photographic Conservation (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)    

Public ISBD [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Titre : Vol.17 no1(2002) - 2002-01-01 - Photographic Conservation Type de document : texte imprimé Année de publication : 2002 Langues : Anglais (eng) Catégories : Archives photographiques -- Aspect social Archives photographiques -- Conservation et restauration Archives photographiques -- Conservation et restauration -- Recherche Art et sciences Cartier-Bresson, Anne Centre de recherche sur les collections (Paris) Fourier, Spectroscopie infrarouge à transformée de Hiéroglyphes -- Copán (Honduras ; site archéologique) -- Conservation et restauration Mosaïque antique -- Utique (ville ancienne) -- Conservation et restauration Négatifs sur verre Pavements de mosaïque -- Antiquité -- Tunisie -- Conservation et restauration Peinture et décoration murales -- Dunhuang (Chine) -- Grottes de Mogao -- Conservation et restauration Photographie -- Détérioration Photographie -- Histoire Photographies -- Collections publiques Photographies -- Conservation et restauration Photographies -- Conservation et restauration -- Étude et enseignement Photographies -- Conservation et restauration -- Pratique Spectroscopie de fluorescence Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover A portrait of a girl, attibuted to U.S. photographer Allen Drew Cook, who was active in Philadelphia in the 1890s and early 1900s. This is how the albumen photograph appeared prior to conservation treatment. Photo: Tram M. Vo, courtesy the University Gallery Teaching Collection, University of Delaware (photograph given by an anonymous donor in 1991). The Conservation of Photography: Three Perspectives Awareness of preservation challenges for photographs dates back to photography's inception in the mid-19th century. However, it was not until the latter part of the 20th century that conserving photographs emerged as a professional pursuit. The current state of conservation of photography is examined by three professionals in the field who explore some key areas for research, outline the development and needs of photographic conservation education, and describe the critical role photographic conservators can play in the care of photographic collections. Evolution of a Medium: A Discussion about Photography and Its Conservation Image Permanence Institute in Rochester, New York, and Bertrand Lavédrine, director of the Centre de recherches sur la conservation des documents graphiques in Paris, along with Getty photographic conservators Marc Harnly and Teresa Mesquit, discuss the conservation of photographs with the GCI’s Dusan Stulik and Jeffrey Levin. Conservation of Photographic Collections: A New Collaborative Project at the GCI The conservation of photographic collections and photographic material is relatively young when compared with other museum conservation areas. To expand the existing body of knowledge regarding photographic conservation, the Getty Conservation Institute recently embarked on a collaborative project to advance techniques for characterizing photographic material and identifying variations in photographic processes. Conserving Mosaics in Tunisia The areas of North Africa along the Mediterranean that were once part of the Roman world are abundant in preserved mosaics—particularly in what is today modern Tunisia. As part of the GCI's project on in situ mosaic conservation, the GCI and Tunisia's Institut National du Patrimoine (INP) have collaborated on a program to provide training for INP staff in order to help save this immensely rich heritage from further deterioration. GCI News Updates on Getty Conservation Institute projects, events, publications, and staff. The GCI Newsletter Staff Box En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v17n1.p [...] [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Vol.17 no1(2002) - 2002-01-01 - Photographic Conservation [texte imprimé] . - 2002. Langues : Anglais (eng) Catégories : Archives photographiques -- Aspect social Archives photographiques -- Conservation et restauration Archives photographiques -- Conservation et restauration -- Recherche Art et sciences Cartier-Bresson, Anne Centre de recherche sur les collections (Paris) Fourier, Spectroscopie infrarouge à transformée de Hiéroglyphes -- Copán (Honduras ; site archéologique) -- Conservation et restauration Mosaïque antique -- Utique (ville ancienne) -- Conservation et restauration Négatifs sur verre Pavements de mosaïque -- Antiquité -- Tunisie -- Conservation et restauration Peinture et décoration murales -- Dunhuang (Chine) -- Grottes de Mogao -- Conservation et restauration Photographie -- Détérioration Photographie -- Histoire Photographies -- Collections publiques Photographies -- Conservation et restauration Photographies -- Conservation et restauration -- Étude et enseignement Photographies -- Conservation et restauration -- Pratique Spectroscopie de fluorescence Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover A portrait of a girl, attibuted to U.S. photographer Allen Drew Cook, who was active in Philadelphia in the 1890s and early 1900s. This is how the albumen photograph appeared prior to conservation treatment. Photo: Tram M. Vo, courtesy the University Gallery Teaching Collection, University of Delaware (photograph given by an anonymous donor in 1991). The Conservation of Photography: Three Perspectives Awareness of preservation challenges for photographs dates back to photography's inception in the mid-19th century. However, it was not until the latter part of the 20th century that conserving photographs emerged as a professional pursuit. The current state of conservation of photography is examined by three professionals in the field who explore some key areas for research, outline the development and needs of photographic conservation education, and describe the critical role photographic conservators can play in the care of photographic collections. Evolution of a Medium: A Discussion about Photography and Its Conservation Image Permanence Institute in Rochester, New York, and Bertrand Lavédrine, director of the Centre de recherches sur la conservation des documents graphiques in Paris, along with Getty photographic conservators Marc Harnly and Teresa Mesquit, discuss the conservation of photographs with the GCI’s Dusan Stulik and Jeffrey Levin. Conservation of Photographic Collections: A New Collaborative Project at the GCI The conservation of photographic collections and photographic material is relatively young when compared with other museum conservation areas. To expand the existing body of knowledge regarding photographic conservation, the Getty Conservation Institute recently embarked on a collaborative project to advance techniques for characterizing photographic material and identifying variations in photographic processes. Conserving Mosaics in Tunisia The areas of North Africa along the Mediterranean that were once part of the Roman world are abundant in preserved mosaics—particularly in what is today modern Tunisia. As part of the GCI's project on in situ mosaic conservation, the GCI and Tunisia's Institut National du Patrimoine (INP) have collaborated on a program to provide training for INP staff in order to help save this immensely rich heritage from further deterioration. GCI News Updates on Getty Conservation Institute projects, events, publications, and staff. The GCI Newsletter Staff Box En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v17n1.p [...]

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 23369	GETTY	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Exclu du prêt

Vol.22 no3(2007) - 2007-09-01 - Paper Conservation (Bulletin de Conservation perspectives : the Getty Conservation Institute newsletter)    

Public ISBD [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Titre : Vol.22 no3(2007) - 2007-09-01 - Paper Conservation Type de document : texte imprimé Année de publication : 2007 Langues : Anglais (eng) Catégories : Archives -- Conservation et restauration Encre -- Conservation et restauration Impression numérique -- Conservation et restauration Musées -- Éclairage Papier -- Conservation et restauration Photographies -- Conservation et restauration Polymères -- Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover Testing an inkjet print to determine its coating. Inkjet papers often have special coatings that hold the colorants at the surface, resulting in a higher quality image. A spot test with a minute droplet of water, performed under a microscope, may help establish if the coating is a porous or polymer type. Porous coatings absorb water, while polymer coatings swell due to their high gelatin or polyvinylalcohol content. This distinction is useful in evaluating exhibition and storage conditions for these prints. Photo: Martin Jürgens. The History and Conservation of Digital Prints The wide use today of digital printing processes in the visual arts, including photography, poses a great challenge for museums and other institutions collecting digital prints. Conservators handling these prints will need to develop a better understanding of the many new inks, substrates, and surface coatings used in digital printing. Preservation in the Digital Age: A Discussion about Conservation in Libraries and Archives Nancy Bell of the National Archives in the United Kingdom, Jana Kolar of the National and University Library in Slovenia, and Dianne van der Reyden of the U.S. Library of Congress talk with Jeffrey Levin, editor of Conservation, The GCI Newsletter, and GCI senior scientist James Druzik. Research on the Conservation of Photographs: A Project Update The Getty Conservation Institute has been collaborating with a variety of partners on a project that has already resulted in the development of techniques that can identify more than a third of the chemical photographic processes used since photography's beginnings. The project includes several other initiatives that seek to improve the practice of photog­raphy conservation. Research on Museum Lighting: A Project Update Lighting—an essential element in the exhibition of museum collections—also has the potential to damage sensitive works of art in visible and nonvisible ways. The Getty Conservation Institute is working with other institutions on ways to illuminate such works that minimize damage and maximize the visitor's viewing experience. GCI News: Projects, Events, and Publications Updates on Getty Conservation Institute projects, events, publications, and staff. Masthead En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v22n3.p [...] [n° ou bulletin]  est un bulletin de Conservation perspectives : the Getty Conservation Institute newsletter / Jeffrey Levin Vol.22 no3(2007) - 2007-09-01 - Paper Conservation [texte imprimé] . - 2007. Langues : Anglais (eng) Catégories : Archives -- Conservation et restauration Encre -- Conservation et restauration Impression numérique -- Conservation et restauration Musées -- Éclairage Papier -- Conservation et restauration Photographies -- Conservation et restauration Polymères -- Conservation et restauration Index. décimale : 7.025 Dommages. Conservation. Protection Note de contenu : Table of Contents Newsletter Cover Testing an inkjet print to determine its coating. Inkjet papers often have special coatings that hold the colorants at the surface, resulting in a higher quality image. A spot test with a minute droplet of water, performed under a microscope, may help establish if the coating is a porous or polymer type. Porous coatings absorb water, while polymer coatings swell due to their high gelatin or polyvinylalcohol content. This distinction is useful in evaluating exhibition and storage conditions for these prints. Photo: Martin Jürgens. The History and Conservation of Digital Prints The wide use today of digital printing processes in the visual arts, including photography, poses a great challenge for museums and other institutions collecting digital prints. Conservators handling these prints will need to develop a better understanding of the many new inks, substrates, and surface coatings used in digital printing. Preservation in the Digital Age: A Discussion about Conservation in Libraries and Archives Nancy Bell of the National Archives in the United Kingdom, Jana Kolar of the National and University Library in Slovenia, and Dianne van der Reyden of the U.S. Library of Congress talk with Jeffrey Levin, editor of Conservation, The GCI Newsletter, and GCI senior scientist James Druzik. Research on the Conservation of Photographs: A Project Update The Getty Conservation Institute has been collaborating with a variety of partners on a project that has already resulted in the development of techniques that can identify more than a third of the chemical photographic processes used since photography's beginnings. The project includes several other initiatives that seek to improve the practice of photog­raphy conservation. Research on Museum Lighting: A Project Update Lighting—an essential element in the exhibition of museum collections—also has the potential to damage sensitive works of art in visible and nonvisible ways. The Getty Conservation Institute is working with other institutions on ways to illuminate such works that minimize damage and maximize the visitor's viewing experience. GCI News: Projects, Events, and Publications Updates on Getty Conservation Institute projects, events, publications, and staff. Masthead En ligne : http://www.getty.edu/conservation/publications_resources/newsletters/pdf/v22n3.p [...]

Exemplaires (1)

Code-barres	Cote	Support	Localisation	Section	Disponibilité
SL 23406	GETTY	Fascicule	ESA Saint-Luc	Beaux-Arts - Biblio	Exclu du prêt

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